Silvery Pearlized Faux Bois in a Very Complicated Powder Room

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image


This under-the-stairs powder room has a LOT of challenges: angles, nooks, turns, and a pedestal sink, not to mention those odd “columns” running through the ceiling. The homeowner wanted all surfaces covered, so I suggested a non-directional pattern. This faux bois fills the bill, because it looks virtually the same right side up or upside down. She also likes the “faux bois” (fake wood) look, and really loves the shimmery, silvery, pearly sheen of the silver-on-white colors.

So the pattern suits the room, and the homeowner loves the color; unfortunately, the paper itself was a true test.

This wallpaper is one of the newer non-woven materials, and it is intended that the installer paste the wall, rather than paste the wallpaper. However, this paper is thick, stiff, unmalleable, and creases easily. All this works fine on a flat accent wall. But problems arise when you try to paste a thick, stiff, unmalleable, easily-creased paper onto the walls of a very complicated room.

What makes a room complicated? Corners, angles, steep angles, ceilings, light fixtures that cannot be removed, and weird “beams” that appear to serve no purpose other than to madden the paperhanger. Oh, and let’s not forget that pedestal sink. This 12 single roll powder room (6 bolts) took me 12 hours to hang.

This was a paste-the-wall material, but I found that pasting the paper instead made it more pliable and workable. Most strips required multiple relief cuts, so I could work the paper against fixtures and into corners without creasing it.

The first strip I attempted to hang was around the pedestal sink, and then moving into the corner to the right. The paper simply would not allow me to manipulate it into position, and the ensuing struggle resulted in creases, cuts, blemishes, gaps at the seams, and all sorts of unacceptable results.

So I ripped that strip off and started over.

To get around the sink with minimal relief cuts or stress on the paper, I trimmed the strips vertically, to cut them into two narrower, more manageable sections. All other handling was done slowly and carefully, to put as little stress on the paper as possible, and to minimize the potential of creasing. It was still difficult to fold the paper into corners and trim.

Matching the pattern was difficult, because the silvery sheen of the ink combined with sun coming in through the windows and harsh lighting in the powder room made it virtually impossible to see any part of the pattern, much less match one jagged bit of tree bark on the wall to it’s counterpart going onto the ceiling.

The “beams” built into the ceiling, and the recessed areas behind them, were very difficult, too. The stiff paper didn’t want to bend around or stick to the slightly un-straight edges. Wrapping certain areas with wallpaper meant that other adjoining areas could not be covered with the same strip, so they had to be patched in – difficult to explain, but trust me, it was tedious, time-consuming, and took a lot of plotting and planning before any approach could be begun. Oh, and wrestling with cantankerous bull-nosed edges around the door.

In the end, the room looks great. The few mismatched areas and other imperfections just blend in with the wild pattern and shiny ink, so you don’t even notice them.

Next time, though, I will encourage the homeowner to get not only non-directional pattern, but a paper that is thin and pliable.

I hung this in the powder room of a newish home in the Museum District / Rice University area of Houston. This wallpaper pattern is by Thibaut Designs, in the Anna French line, is called “Surrey Woods,” and was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

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