Dark Surface / White Substrate


Re yesterday’s post, because it was a dark pattern printed on a white substrate, I worried that some of the white backing might show at the seams. This is especially pertinent with thick papers and with papers that may shrink as they dry.

To help prevent any white from peeking out at the seams, I used a mud-hued artists’ pastel chalk to color the edges of the paper. In the top photo, you can just barely make out the line of muddy grey chalk along the right edge of the wallpaper.

This trick worked great. The seams pretty much melted together and disappeared. However, as you see in the second photo, there were a few sections where seams shrank and opened up just a tad – a half a tad. If the paper had a white background, you would never notice. But with a strongly-colored choice such as this one, you have to be prepared to see minute gaps in between the seams.

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