Usually, a smooth wall coated with a good quality wallpaper-specific primer is the best surface on which to hang wallpaper.
But with certain papers, particularly high-end or delicate materials, or in certain room conditions (humidity), a liner paper is called for.
A liner is a thin paper, made of either non-woven or pulp, often called “blank stock,” which is hung on the wall before the decorative wallpaper goes up. It has a couple of jobs…
– provide a smooth “velvety” look
– “lock” the seams down quickly and tightly
– help tame papers that want to “waffle” or “quilt” – do a Search here to learn more
– wick moisture from the paste away from the paper, helping to reduce the chance of staining or blushing – do a Search here to learn more
– absorb moisture in humid areas (bathrooms) and help prevent seams from curling
There are “bridging liners” which are supposed to cover cracks, gaps, bumps, ridges, and the like. In my experience, they do NOT live up to their hype. Once the paste dries, they pull tightly against the wall, and any bumps or grooves will still show. If the wall has imperfections, the best solution is to skim-float the wall and sand smooth.
Hanging on liner paper is different from hanging on a primed wall. The liner grabs the paper so quickly that you don’t have the opportunity to manipulate seams or fine-tune areas that need special attention. And you won’t be able to reposition a strip even five minutes later. It does help reduce bubbles or wrinkles.
A liner will increase the cost of the job, usually by more than double. There is the cost of the material itself, as well as the labor to install it. The liner has to dry overnight, so you are looking at at least one day’s additional labor, plus the cost of the liner.
Tags: blank stock, bridging, bubbles, bumps, gaps, humidity, liner, non-woven, primer, pulp, quilting, waffling, wallpaper, wrinkles
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