Top photo … my razor knife is pointing at pin point-sized specks on this wall. I found similar in multiple spots around the room. What’s interesting is that I have seen these exact same size, color, and configuration of specks on at least one other job.
What’s scary is that I fear these are made of something that will stain the wallpaper. There are lots of substances that can bleed through – through paint, through primer, and through the wallpaper and appear on the surface.
These could have been splashed onto the wall. But my feeling, especially since I have seen it in other homes, is that they are coming from within the wall surface. Maybe something contaminated the painter’s materials, or something inside the drywall.
There are stain blockers that can be used to seal these dots. My favorite is shown in the second photo. Oil or shellac-based work best. The problem is, wallpaper paste won’t stick to them. If just daubing onto a teeny dot, I wouldn’t worry about it. But when a larger area needs to be treated, you have to let that dry, and then follow up with a wallpaper primer.
Actually, depending on the stain, I don’t always trust the blockers. For these very tiny specks, I used my razor blade to dig into the wall and actually remove the affected area. The resulting holes were small enough that I didn’t worry about dents showing under the wallpaper.
In some instances, I did go back and cover them with KILZ.
The current American Painting Contractor has an article about how color choices in your home, clothing, and surroundings can affect mood. OK, we’ve known that for a long time. But here they’ve drawn parallels to the pandemic. Color in a work-from-home environment, feelings of uncertainty, comfort, optimism, ,,, well, I’ll let you read the article. (Much of it is right where that shiny spot is on the page.)Coincidentally, this “freebie” magazine from a local realtor touched on the same points. I’ll point out that pattern – as in, wallpaper! – also has an influence on mood and emotions. I often say that I think I’m the only paperhanger in town who actually enjoys talking with clients about their pattern and color choices. But it surprised me that consultations could touch on not just décor, but also mood and emotion and well-being. For instance, I’m big on avoiding negativity. Like Facebook posts that disintegrate into name-calling and bullying. But also … wallpaper patterns that cleverly disguise “edgy” themes like skulls or hunt scenes or orgies (trust me – they’re out there!) Why not choose to surround yourself with something positive and uplifting, instead?!
See the difference in color between the tile square in the bottom left and the others?Look closely, and you’ll see that the tile above it is also slightly darker than the tile to its right. These tiles obviously came from a different run , or batch . Just like wallpaper , tiles that are made at the same time with one batch of pigments will be ever so slightly different in shade from tiles made from another batch or run. That’s why it’s important to check the run number on the label , so only tiles (or wallpaper !) from the same run are used next to one another.
I mentioned in yesterday’s post that double-cutting was needed for that vinyl mural installation. This type of trimming is often used in commercial vinyl jobs (hotels, hospitals). Above are some tools that help make it go more smoothly. ~The clear plastic tape on the right is made of polystyrene plastic. It’s flexible, but thick enough that you can’t cut through it with a razor blade. It’s used to ” pad ” the wall under where your cut will be, so it goes from ceiling to floor. It’s wide enough that you can straddle where your seam will be, and have 2″ or so in which to make your cut. This stuff is really important, because you never want to score into the wall surface, nor even into the primer . If the wall surface becomes un-intact , then when the wallpaper paste dries and the paper shrinks a bit, it puts stress on the seams. If the wall is not intact under those seams, the wall surface may give way and you end up with a ” popped ” seam. It’s not the paper coming loose – it’s the wall itself coming apart, and is difficult to repair. ~The roll of thin blue tape is used to keep paste off the wallpaper. You put it on the under side / pasted side of your second strip where it’s going to overlap onto the strip that is already on the wall , which is the area where your splice cut will be made. This blue tape can be used for other purposes, too, when you want to keep paste off the ceiling , for instance, or your last corner where the last strip meets up with the first strip. ~That metal tool is a 20″ long trim guide. It has a non-slip strip under the left edge, and a point at the top to get right up against the ceiling. The handle makes is super easy to hold and manipulate . This comes in both shorter and longer lengths. ~All of the above were invented and are sold by members of the Wallcovering Installers Association . Contact me if you are interested in purchasing. ~And, of course – razor blades. When I D/C, I usually hold a single edge blade in my fingers. But some installers use a snap-off blade in a holder. Whatever works best for you! ~Once your trim cut is made, of course, you need to remove the two tapes, the cut-off strips, and then smooth the two pieces back into place. ~For more information and photos on how this whole process works, click and read here https://wallpaperlady.wordpress.com/2018/03/25/stinky-ink-curling-seams/
Typical textured wall in new homes in suburban Houston has been skim-floated , sanded smooth , and primed with Roman Pro 977 Ultra Prime wallpaper primer . All ready for baby Noah! The parents-to-be will spend the weekend bringing in the crib and other furnishings . This is a 4-panel mural . Here I’ve laid out the panels , to ensure correct placement , and get accurate measurements . We had some ” issues ” and I wasn’t completely happy with this product / vendor . For starters, they custom-printed custom-sized the material to the exact dimensions I had asked. Problem is, these panels are intended to be overlapped and double-cut ( spliced ). That means losing an inch on every seam . The company should have accommodated for that by providing us with four extra inches. They did not, so I had a real math and juggling match trying to plot how to get enough paper to cover the width of the wall.The grey colors go nicely with the current trend toward greys and beiges ; the rest of the home follows this color scheme . i thought this was going to be a pre-trimmed non-woven / paste the wall material. I was caught off guard when I discovered it was a textured vinyl on a paper backing , untrimmed and had to be double cut . See other post and/or do some Searching here for more info on this DC process . I think a better material would have resulted in better seams . But – wallpaper is meant to be viewed from about 5′ away, and from there, the wall is perfect. Remember the picture of the panels laid out on the floor . The panel on the far right had a cool train near the top. It was a prominent feature in the scene . But, as you see in this photo, that train was cut off by the door. So all you see over the door is blank sky . I really liked that train, and so did the mom . I wanted to put it where she could see it . So I took the bottom portion of that last panel and found the train. I used a straightedge to cut the bottom edge, and then used a scissors to trim around the top of the train and its trail of smoke . Vinyl is slick , and wallpaper paste won’t adhere to it. So I applied special paste designed to grab ahold of vinyl. Then I placed it over the door , butting it up against the right where it meets the adjoining wall. But – dangnabit! I forgot to take a picture of it finished! It looked great. Over the door was no longer all that dead-air blank space. Now there is a streamlined train with wisps of smoke , heading toward the distant castle ! I’m not going to mention where this was purchased from, because it’s one of the sites that I hope people will steer away from – a place that sells batteries , jewelry , fishing tackle , and – oh, yeah – wallpaper, too,,, you’re just better off with one of the established companies that specializes in wallpaper . nursery installer houston sienna
After you paste a strip of traditional wallpaper , it needs to be folded pasted-side-to-pasted-side and then set aside for a few minutes, so the paper can absorb the paste , expand , relax , etc. Preferable to place it in a black trash bag while this is going on, to help prevent it from drying out during this booking time . But sometimes papers still dry out , particularly at the edges . The composition of the substrate , as well as the type of adhesive will come into play here. And some papers just want to curl at the seams when they get wet with paste . One trick to help curtail this is to paste the paper, book as usual, roll up gently, and then dip just the bottom 1/8″ of the edge into a bucket of clean water. This bit of water helps keep that paste damp and workable , and also encourages the wallpaper edges to curl toward the wall rather than away from it. In today’s instance, because I was working with delicate paper and a contrary clay -based paste , I chose to dip the edges in water before pasting. This was my first time to try this method, and it worked great . You do have to ensure that the water doesn’t wash the paste off the paper, or dilute it. Because you need that paste there to hold the paper against the wall! Note: Do not do this with non-woven papers , which are also called paste the wall . Excessive moisture can cause staining .
Before. Walls painted with a deep, murky teal blue. I’ve measured the width of the border and then applied my wallpaper primer 1/4″ narrower than the border. That’s the white you see around the top of the room. I love the way the teal / blue walls coordinate with the green in the border (a tall , vintage border like this is called a frieze ). Painting the walls the same color as the border would have been too much, IMO. Plus, you can never get the color exactly perfectly the same – so it looks like what I call a “near-miss.” Better to opt for complimentary colors , as this homeowner did. The color in some of the leaf detail also coordinates with the avocado green in the adjoining living room – you can see a snatch of this color at the far left of this photo. The camera is making this color brighter and greener than it actually is, but you get an idea of the design . Once the Victorian era faded away, the Arts & Crafts movement came to be in the very early 1900’s , with less fru-fru and more nature , clean lines , whimsy , and stylized designs . The home also has furniture and decor that hark back to this time period . The pattern is called Apple Tree Frieze , and comes in several colorways . The manufacturer is Bradbury & Bradbury , in California. They are the go-to company for 19th & 20th century historic patterns . Delicious stuff on their website! Bradbury can be tricky to install, so not for novices . Different colorways can call for different adhesives / pastes , so be sure to read the instructions before starting . The bungalow home in the Houston Heights dates to 1920 (possibly earlier) which is just smack in the middle of the Arts & Crafts decorating style . I hung another period-correct border in this room for this family 10 years ago. Now they’ve done some updating with new colors and, of course – a new wallpaper border frieze . It was a pleasure to be back and help bring new life to the place!
This wallpaper is about 30″ wide , and the border printed on it is 13.5″ wide. So, the manufacturer has printed two borders side-by-side . Saves paper, saves money . This brand comes with a selvedge edge that has to be trimmed off by hand. Here I am using my scissors to separate the two borders , to get them down to a more manageable width , before trimming off the selvedge . Using my straightedge and razor blade to trim off the edge. The manufacturer didn’t provide trim guides, so I’m using my eye to cut along the edge of the black line. The pattern is called Apple Tree Frieze .The manufacturer is Bradbury & Bradbury in California . wallpaper installer houston
The rich colors and clay coating give this wallpaper a truly luscious , velvety look. But they’re also fragile and can be damaged easily . Here you see damage caused at the factory simply by folding back the last 2″ or so of paper, before rolling it up. The company does provide and extra foot or two to accommodate this. You have to be extremely careful handling this stuff. Even a fingernail or your wallpaper tools can cause scratches or marring . Per the manufacturer’s suggestion, I covered my smoothing brush and plastic smoother with microfiber towels , to minimize chances of scratching the paper . In fact, the manufacturer suggested that, during installation , that you wipe the entire surface uniformly with a damp microfiber rag , to even out any imperfections that might have resulted . Now, just between you and me – if you know you have a product that’s likely to end up with blemished areas, why not just switch to a better , tried-and-true ink ? SMH Luckily project this is a border that will be butted up under the ceiling , so no one’s going to zero in on a few shiny areas in the matt ink. But , think of all the homes that will have this same material as a wall paper , that will be viewed close-up . Not all colorways from Bradbury do this. I’ve hung plenty of it and not had a problem with most. In fact, the “fishnet” area you see at the bottom of this picture is not delicate at all. It’s the very matt finish green and brown colors in the center of the border that are so delicate . The inks and clay coating the manufacturer uses on this particular colorway are very fragile and mar easily , so I’ve used ankle socks to cover the edges of my straightedge, and also a weight I’m using to prevent the paper from rolling around on my table. And that scissors is just there as demonstration for the photo … you can bet that tool was not touching the surface of the border at any other time. This material has a selvedge edge that has to be trimmed off by hand , with a straightedge and razor blade . Normally I set my straightedge on top of the wallpaper , because it’s easier to see where I need to make my cut , and also because the weight of the straightedge helps hold the wallpaper down. But even with cushioning socks on either edge of the 6′ long tool , and with padding on the underside, I was afraid that it might harm the inks . So I placed it on the outside edge of the wallpaper. This left very little for the tool to grab on to, so I made sure to press it tightly against my work table , so the wallpaper strip wouldn’t slip around while I was trimming . The manufacturer is Bradbury & Bradbury . They specialize in historic and period-correct patterns from the 19th and early 20th centuries.
Two weeks before a job is to start, I send my clients a “check list” so they know how to prepare for Install Day. It includes things like check to be sure it’s the right wallpaper pattern, how I can get into the house if the homeowner is away, how much space I need for my set-up, etc.
It also says quite clearly that all construction work has to be completed, and there needs to be electricity, light, nearby running water, and no workmen coming in while I’m working, and no workmen coming in later who might mess up the paper.
This ensures that I will have optimum working conditions (I need lights so I can see what I’m doing. I need water so I can keep your paper clean.) And you don’t want Bubba coming to hook up a light fixture and put his sweaty hands all over the new wallpaper in the process. Or a painter coming to touch up, who decides to “protect” the new wallpaper by putting blue tape on it. Of course, when he removes the tape, the surface ink or the wallpaper itself will come along with it.
Yet you would not believe how many people – innocently or desperately – tell me they are “ready” when they really are not. Here is an example of a house that is not ready for wallpaper. It is very likely that the paper will be damaged by tradesmen who come to “finish up.”
Baseboard is not in place. When positioning the baseboard, it’s likely the carpenter will bang into the wallpaper. When painting, you can bet the painter will get paint onto the new wallpaper. Or, as mentioned above, he will use tape that, when he goes to remove it, will pull the inked surface and / or the paper itself off the wall.
Door molding is not in place. Same issues as above.
No electrical outlet in the room. What if I need to use a fan or heat gun? And wallpaper will sit tighter to the wall if I can put the plate cover in place immediately.
The electrician is not finished. This switch sticking out of the wall is just plain dangerous. In addition, when he time comes to finish whatever it is he’s working on, he will probably put his greasy hands on the wallpaper, or lean his scratchy tool belt against the paper.
My checklist says I need clean, running water in the immediate area. It specifically says NOT a hose in the yard. Yet look where I had to get my water. (I was working on the THIRD floor.) This house had no faucets, no drains, and not even a working toilet.
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