Renovation Uncovers Vintage Wallpaper

I love all things vintage , particularly the early 1900’s – 1940’s . So it was a thrill and an honor to help decorate this 1926 home in the Woodland Heights neighborhood of Houston .
The homeowners revere their new abode , too, and carefully maintained the character of the home during the renovation, while still adding updates that facilitate life in a modern world .
They also preserved many of the original features , and created a sort of ” shrine ” near the back door.
This framed wallpaper sample is one of those.

I love these old papers, and have a growing collection of my own.
Back in the day, the ship-lapped walls were covered with cheesecloth – like fabric , which was tacked to the wood . The wallpaper was pasted and then applied over that.
You can see some of that fabric peeking out at at the top of this sample .

Just about every room had a border running around the top, below the ceiling , as seen in this example.
This was stylish through many decades , so it’s difficult to tell what era this particular paper is from. To me, this looks like the 1950’s – but it could be as early as the 1920’s .
Borders were still popular into the 1990’s , but wider. I’ve hung bunches of them!
This ” history wall ” also included keys , mailbox parts , invoices written in fountain pen , hinges , and other cool old memorabilia .

An English (Scots) Country Garden

In 2014, I hung this fun and cheerful pattern in a 2nd floor hallway in a 1940’s home of a young family in the Garden Oaks neighorhood of Houston. Seven years later, it’s time for a change.

In addition to changing the pattern in the upstairs hall, the homeowner wanted to paper this lower, adjoining wall. Here I’m applying smoothing compound to the textured surface. Once it is dry, I will sand it smooth, and then roll on a wallpaper primer.

Finished. The homeowners are contemplating more updates to the home. … And will probably opt to change the color on the wall above … I am rooting for murky green or muddy brown / gold.

Detail.

Close-up. I love the way the motifs look as if they were cut from a magazine and then decoupaged into place. The flowers look hand-painted. But the bees look like photographs.

Lola Design is the manufacturer.

No all-white, minimalist décor for these homeowners! Hailing from the British island of Scotland, and being artists at heart, they crave color, life, activity, and joy. This “Mixed Bee” design is the perfect mix of classic British floral interior décor and outdoor garden lushness.

The manufacturer is Lola Design. The material is non-woven, and can be hung via the paste-the-wall method,,,, although I preferred the softness and flexibility produced by pasting the paper.

Green Leaf Pattern in 1930’s Home

I adore this home – a cute, yellow-brick bungalow directly across from Rice University (Houston). It has been updated, yet kept mostly authentic to its 1930’s roots. I papered several rooms in the main house a few months ago, and was back today to paper the bathroom in the garage apartment.

Originally, the homeowner wanted wallpaper from Hannah’s Treasurers, which would be the real-deal old wallpaper from the 1930’s or 1940’s. https://hannahstreasures.com/ But for various reasons, she ended up choosing this more modern, yet timeless, pattern of ginger foliage. One deciding factor was that the colors coordinate perfectly with the green subway tile in the shower.

The wallpaper has a vinyl surface (resistant to water splashes and light stains) on a non-woven backing (much superior to the paper backing used on lower-end pre-pasted vinyls – read more on my page at the right). It was nice to work with, and should hold up well over many years.

The wallpaper is by York, in their designer line by Antonina Vella. It was purchased from Southwestern Paint on Bissonnet near the Rice Village.

Spoonflower – Overlapping Seams

Re my previous post … this manufacturer, Spoonflower, specs that the seams on its wallpaper should be overlapped – by as much as 3/4″.

On a busy pattern, you might not notice this. But when there is lot of blank space (white area), and when light is coming at an angle (see photo), you’re might notice it.

If you hunt, at every seam, you can spot a ridge the height of the wall, that’s about 3/4″ wide. To me, it’s not much of a big deal. Once yo uget used to it, you don’t even notice. In fact, I have authentic 1930’s and 1940’s wallpaper in two rooms of my home – with overlapped seams – and it doesn’t bother me in the least.

Truthfully, overlapping seams actually has many advantages. For one thing, when wallpaper gets wet with paste, it absorbs moisture and expands a little. Then when it dries, it can shrink a little. This is how you end up with tiny gaps at seams.

Second, overlapping the seams can reduce stress on the wall surface, and prevent the layers within from delaminiating, which can cause popped seams. (Do a Search here on “delaminate” for more info and pictures.

Chinese Hand-Painted Silk Mural

Here is some delicious stuff! This is silk wallpaper, hand painted in China with these beautiful bird, butterfly, and botanical motifs. Look at the close-up shots to see the gorgeous paint detail.

There are some historic companies who make these murals, like Zuber, Gracie, Fromental, and de Gournay, and they can run $500-$1200 per panel. (This wall took seven panels.) But my client found another manufacturer who was way more reasonable. http://www.worldsilkroad.com/

The mural was custom-sized to the homeowners’ wall. The studio added 2″ to the top and bottom, and a little more to each side, for trimming, and to accommodate walls that are not perfectly plumb and ceilings that are not perfectly level. (Never order a mural to the exact dimensions of the wall, and always best to have the paperhanger measure before ordering.)

There are a lot of things that make an install like this much more complicated than a traditional wallpaper. For starters, the silk can easily be stained by just about anything … wallpaper paste, water, hands. So it’s important to work absolutely clean. You will NOT be able to wipe off any errant bit of paste. The paper also had a half inch “bleed” of excess paper along the edges that had to be trimmed off by hand (no photo).

The material was thicker than expected, wanted to stay curled up as it had been in its shipping tube, and the backing was very absorbent, which meant that it sucked up paste and was almost dry by the time it was finished booking and got to the wall… So it required extra paste on the edges to get them to stick tight, while, once again, taking care to not get any paste on the surface of the paper.

The company provided precious little information. Well, actually there was information, but it came in Chinesnglish, and, bless their hearts, was virtually indecipherable. The company was very responsive, but, unfortunately, was unable to provide adequate information about paste recommendations, booking time, was a liner spec’ed, if the substrate was paper or non-woven, if the silk had a protective coating, and even whether or not the goods had to be hand-trimmed or came pre-trimmed. There was a lot of other mysterious content on their instruction sheet that ended up best being disregarded.

So I used common sense and traditional installation methods, and it turned out great.

In one photo, I am rolling out the panels, to be sure they are in the correct sequence. Even though the manufacturer had told me the panels were pre-trimmed and ready to butt on the wall, while rolling them out, I discovered that if I did that, the pattern match would be off. This is when I discovered that 1/2″ had to be trimmed off one side of every strip.

This also meant that each strip would be 36″ wide, rather than 36.5″, so my measurements and layout calculations had to be revised. This was particularly important because that first area to the left of the window was barely more than 36″ wide – and I didn’t want to end up having to piece in a 3/8″ wide strip of this delicate material.

Two other pictures show some crinkles in the material. I believe these happened at the factory or during shipping, because the same defects appear in two consecutive panels, at the same position. They were both up high, and, once the material got wet with paste, expanded a little, and then applied to the wall, these flaws were not detectable.

The last photo shows what you should expect from hand-painted products. They probably had one guy working on Panel 6, and another working on Panel 7, and each probably had a different size paint brush, and possibly their stencil (or whatever they use) was a bit off. Either way, this mis-match is not considered a defect, and is part of the beauty of a hand-crafted mural. There were really only two areas that matched this poorly, and they were both low toward the floor. In the upper areas where branches crossed the seams, the pattern matched very nicely. Really, it’s quite incredible that their precision can be as good as it is.

I’ve never worked with this brand before, but overall, I was pleased with the quality and the installation. You can find the manufacturer by Googling World Silk Road. It comes from England, but is made in China. (Gee…. why can’t they have one of those British guys translate the installation instructions?!)

This mural went on one accent wall in a master bedroom of a home in Idylwood, a small, idyllic, and very desirable neighborhood of 1930’s and 1940’s homes on Houston’s east side. The homeowners love vintage as much as I do, and are keeping most of their home true to its original state.