Posts Tagged ‘bedroom’

Soft Pink Envelopes a Little Girl’s Room

August 27, 2019


I hung pink wallpaper in this little girl’s room and bathroom in the family’s Houston home a year or two ago, and they asked me to bring some more pink sweetness to the girl’s room in their country home outside of Chappell Hill, Texas.

This design is called “Yukutori” and is by Farrow & Ball. While a stronger design would work well on a single accent wall, this is a good pattern for putting on all four walls, because it’s soft and receding, and will be a good backdrop without stealing attention from furniture and artwork.

The slight orange-y tinge to the color works well with the red brick fireplace and chimney.

This paper is by Farrow & Ball, a British company.

I am disappointed in the quality of their paper, especially for the price the homeowners paid. I’ll talk more about this in later posts, which will include photos.

For now, enjoy the sweet look of this little girl’s bedroom in the country.

Textured Wallpaper for Headboard Accent Wall in the Heights

August 20, 2019


A distant shot to show you the warmth, and a couple of close-ups to show the texture.

This wallpaper went on all walls of a small vestibule leading into a master bedroom, and then on the headboard wall of the bedroom itself. The remaining walls were painted a coordinating grey color.

This is a thick textured vinyl material on a woven fabric (scrim) backing. Unlike most wallpapers, this is quite durable and stain-resistant – it’s the same type of stuff they use in hotels and hospitals, where it’s going to get banged into by carts and washed every now and then.

It is also extremely heavy. I’m betting that each double-roll bolt weighed at least 15 pounds. I could barely carry three at a time. A pasted strip 9′ long took about all my strength to lift higher than my head and position on the wall (while balancing on a ladder!).

Because it is so thick, it was hard to press tightly against the wall/ceiling junctions, so it took a little work to get a nice, tight cut. It was also difficult to cut through, so I had to press really hard, and went through a lot of razor blades, and still had to use my scissors to finalize some of the cuts, particularly to cut through some of the string backing.

My shoulders and arms are sore!

This embossed, textured pattern made a lovely, soft backdrop to the bed, and added a warmth that the paint alone could not.

The manufacturer is Thibaut. The older home has been beautifully enlarged and updated, and is in the Woodland Heights neighborhood of Houston. The interior designer is Stacie Cokinos, of Cokinos Design.

Cherry Blossoms in River Oaks Master Bath

August 16, 2019


What a pretty bathroom to walk into! The bottom third of the walls is painted semi-gloss black, and there is a thin gold chair rail separating it from the wallpaper. The overall look is stunning.

The silvery metallic wallpaper coordinates beautifully with the silver and gold cork I hung in the adjoining master bedroom. https://wallpaperlady.wordpress.com/2019/03/28/singular-and-exotic-metallic-cork-damask-in-a-river-oaks-master-bedroom/

This master bathroom is in a home in River Oaks (Houston). The wallpaper manufacturer is Anderson Prints, in their EcoChic line. It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Soft Geometric in Bedroom Niche

June 23, 2019


This is an alcove leading into a master bedroom in a new townhome in the Houston Heights. This niche is recessed between bookshelves on either side, and above.

The geometric pattern adds a modern touch, and the soft color promotes the feel of calm relaxation. Brass sconces will be mounted over the electrical boxes, and the homeowner has a settee that will be placed in the center.

This was a non-woven wallpaper, and I hung it using the paste-the-wall method.

Quiet Glitter and Glamor for the Grandparents’ Guest Bedroom

May 17, 2019


No “Before” picture, because the wall started out just a boring white.

This is the fourth accent wall I did in a very contemporary new-build in the River Oaks neighborhood of Houston, and it has the least amount of color. So it fits the all-white theme in the home, and it lends a very soothing feel to this guest bedroom, which is used by the grandparents when they visit.

This wallpaper features a textured, embossed vinyl surface, with jagged stripes alternating between white and cream. Silver glitter worms its way along the stripes, lending just a tad of dazzle.

This was a paste-the-paper material, and there was no pattern match, so there was virtually no waste.

The paper is by Zambaiti, an Italian manufacturer. It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Fairytale Wonderland for Young Boy’s West U Bedroom

May 9, 2019


This young family in the West University Place neighborhood of Houston started out with another installation company that was not a good fit. They also started out with a wallpaper selection from a company that I find to be of poor quality (Hygge & West). I was honored that they let me take on the wallpaper install. AND that they listened to my suggestion to explore other manufactuers … the paper they chose is superior in quality, and is a far more charming and fitting design for their young son.

The walls originally had a light texture that I skim-floated over, then sanded smooth, and then primed with Gardz.

The new wallpaper is very similar in color to their original choice of palm leaves, so they could keep the trim and wainscot paint that had already been applied.

Whereas paper from the original manufacturer is known for curling and disappointing “pouches” at the seams, their final selection from Boras Tapeter (a Scandinavian company) is some of the most cooperative and best performing paper I have every worked with.

The seams are invisible, the material doesn’t expand (no pattern distortion or screwed up measurements) and it doesn’t shrink (no gaps at the seams). There is no booking time, so each strip can be pasted and then hung immediately. It can also be hung via the paste-the-wall method. It hugs the wall tightly and turns corners nicely. It doesn’t crease easily, as many thicker non-wovens do. When it’s time to redecorate, this non-woven material is designed to strip off the wall easily and with minimal damage to the wall. And the surface is more washable than most, making it well suited to a young child’s room.

And best of all, the “Wonderland” design, with frolicking animals and whimsical foliage, is much better suited to a child’s room than the original palm leaf option.

This wallpaper pattern is by Boras Tapeter, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Timorous Beasties Ruskin Floral – A Trying Pattern Match

April 18, 2019


Timorous Beasties makes some unusual wallpapers, with most of them including animals or insects in the design. It’s cool stuff!

This particular pattern, called Ruskin Floral, was more than a bit of a challenge to plot and hang. The manufacturer said there was no pattern match, but just a subtle impression in the textured background that could be matched if you wanted to, but was not necessary. They also said that this pattern match came at something like every 56″. And that it was a quarter-drop match (pattern motif repeats at the same height in the strip every fourth strip).

All of this info was wrong. It turned out that the tree branches in the design did match across the seams. And the pattern repeat was more like 36″, instead of 56″. And, yes, you could have matched the design as a quarter-drop – but it looked better as a traditional half-drop (repeats every other strip).

But what was most unexpected was that the design had these areas of darker foliage that appeared mid-way through the bolt. In every photo that I saw on the manufacturer’s website or on-line, only the picture of the sparse tree branches was pictured (what you see at the top of the wall in the top photo). Even though I rolled out several feet of each bolt on the floor, I had no idea that there was this other area of colorful and full foliage and insects, which you see at the bottom of the wall in the top photo.

I plotted and got my first strip in the center of the wall, and then pinned the second strip next to it. Once I stood back, I was able to see that the foliage got darker and fuller as it dropped closer to the floor. I had not anticipated that.

With 13′ high walls and 13′ long strips, and 33′ on each bolt of paper, there were 20′ more feet (one more strip) left on each of those two first bolts.

But when I pulled more paper from the bolt and pinned it temporarily to the wall, matching the background tree branch motifs, this new strip, which had started from the middle of the first bolt (the first 1/3 of the bolt was now on the wall), was full of colorful foliage – which did not meld well with the sparser tree branch area on the first two strips that were now on the wall.

If I hung this new strip next to the two existing strips in the center of the wall, I would have had two sparse tree branch areas in the center, and then a stripe of darker, fuller foliage directly horizontal to it.

At first, I was going to go this route, because it made the best use of the number of rolls we had (two strips from each double roll). I planned to put two strips of darker foliage next to the two strips of lighter tree branches.

I also contemplated taking off the two center strips (the ones with lightly leafed foliage) and replacing them with ones that had more color and fullness. But I realized that if all the pictures I had seen of this pattern showed the sparse areas, then that’s what the homeowner had seen, too, and she probably was not expecting to see the very dark and full and busy heavily-patterned area, especially not at the top center of her accent wall.

Even more compelling – we didn’t have enough paper for me to rip off and discard two 13′ high strips.

I spent about an hour and a half contemplating various possible options.

Just then, the interior designer walked in – and she was just in time. Two sets of eyes are better than one. By then, I had a number of strips pinned to the wall, to see how the pattern could be played out. She didn’t like my idea of hanging two sparse strips, flanked by two heavily pattered strips – she thought it looked top-heavy, especially over the windows.

We fiddled some more, knocked around various options, and finally concluded that, even though the bed would be obscuring much of the fuller pattern, the wall looked better with the sparse area up high, and the fuller floral area near the floor.

I studied the 33′ long bolt I had rolled out on the floor, with the lighter area at the top, the fuller area in the center, and then tapering off to a lighter area toward the end of the bolt. Our decision meant that I could get only one strip of paper out of each double roll bolt.

The problem with that was that I needed 10 strips, but only had 8 bolts. We’ll come back to that in a minute.

The next issue was that quarter-drop pattern repeat. And that sloped ceiling, which also effected the way the pattern hit the wall. If I used the paper the most economically, and matched the first tree branches as they came off the roll, then that quarter-drop pattern match would have started marching diagonally up and across the wall, and then dropped down again, 7′ to the right. Nothing wrong with that, but it’s a look that would play out better on a larger space, such as a full dining room, not one accent wall in a bedroom.

(Quarter-drop pattern matches are very hard to get one’s head around, and way more than I can get into here, but suffice it to say – they lead to a lot of head scratching and a whole lot of wasted paper.)

After more fiddling, I realized that the pattern was printed on each bolt exactly the same; in other words, the design was more like a mural. With one strip per bolt, the design was played out across alternating “A” and “B” bolts. If I ignored the sloping ceiling and cut each strip to the full height of 13,’ I could ensure that specific flowers in the darker area near the floor would hit the wall at the same height, lending a homogenous and pleasing rhythm to the pattern.

Problem solved!

But now we get back to the wall that needs 10 strips, but we only have 8 bolts of paper (one strip per bolt).

In the top photo, all the paper has been hung except that last strip to the left of the window. (There is a mirror image on the right side of the wall.) That area was about 9′ high. Since I had already taken approximately 13′ off each 33′ long bolt, I had about 20′ still left. But since that started in the center of the bolt, it was an area full of the heavier colored and printed pattern. Even though the pattern of the tree branches would match, I didn’t want to place that darker strip next to the lighter strips already on the wall. It might have looked interesting, as a sort of darker “frame” for the outer edges of the wall – but, like the interior designer, I thought it would look too dark and heavy and lopsided.

I remembered that the pattern thinned out again as it moved toward the bottom of the bolt. So I unrolled the paper down to the bottom, and then, working from the bottom instead of the top, I found the pattern match that corresponded to what was on the wall, and cut it to fit the height of the wall.

Trimmed and put in place, it looked pretty darned good. This piece (and it’s twin on the opposite side of the wall) didn’t have nearly as much dark foliage at the bottom as the other strips. At first I was going to cut some flowers out of scrap paper and appliqué them to fill in the void areas. But I realized that was getting kinda obsessive over something that few people would even notice.

It was just a 12″ wide strip, and there will most likely be furniture in front of it, and we were able to get by without having to buy two extra double rolls (which would have been different runs (see previous posts).

Getting this wall with a tricky pattern match to look good was a mix of luck, skill, mathematics, and having purchased enough paper. Always buy more paper than you think you will need.

The interior designer is Stacie Cokinos of Cokinos Design, and the home is in the Woodland Heights neighborhood of Houston.

Wallpaper in March 2019 Issue of Better Homes & Gardens Magazine

March 5, 2019


The first picture is the most exciting. Murals have exploded in popularity these days, but they’re not the traditional palm-trees-hanging-over-a-white-sandy-beach photo. The pink floral mural looks like a very traditional hand-painted silk, most of which are very expensive. These days, there are all sorts of digitally-printed knock-offs, which are very reasonably priced. The other three murals are examples of more contemporary designs. Since many companies are printing digitally, their murals can be custom-sized to fit your specific wall. (Remember to have the paperhanger measure before you order – we know how to measure better than homeowners. 🙂 )

The second and third photos accompany an article about decorating with house plants. I am tickled that they chose wallpaper as a backdrop for these rooms.

The last photo shows a bedroom papered with an abstract palm leaf pattern – which just happens to be yellow – the magazine’s feature color of the month.

Man-Tailored Linen/Stringcloth/Grasscloth in a Former Boys’ Room

February 23, 2019


This large 2nd floor room in a 1934 home in the West University neighborhood of Houston was home to two boys, who took it on a 20+ year ride through crayons, toy cars, sports, school projects, first dates, college entrance forms, and professional careers. Now that the sons are grown and gone, Mom is calling the room her own. She got rid of the dorm look and is going for something calming and sophisticated, with a farm-house twist.

On the ceiling, I hung wallpaper that looks like ship-lapped wood… Joanna Gaines “Magnolia” book by York, in their SureStrip line.

To augment that, the homeowner chose another York pattern, this soft brown / charcoal linen weave stringcloth. It’s a textured material that resembles the fabric of a man’s tailored suit.

It’s beautiful with the wood plank look on the ceiling, and creates a snug, cozy feel in the large room.

I wasn’t happy with the quality of the product. See my previous post about the mismatches at the seams.

In addition, the material was thick and difficult to trim, and difficult to turn around corners. But worse, whatever backing the manufacturer used sucked up paste like the dickens. I pasted the back and booked according to directions. Yet when I went to hang a strip, it didn’t want to stick to the wall. There was virtually no paste on the back … it had all been sucked up into the backing, leaving little on the surface to hold the strip onto the wall. The strips also had a lot of memory, and wanted to keep curling up.

Although the instructions said the substrate was paper, I believe it was a non-woven material. That means it was dimensionally-stable and didn’t need to book or sit for any period after pasting. I tried various installation techniques and finally settled on lightly misting the back of each strip with water , rolling it up and letting it sit for a few minutes while I rolled paste onto the wall (not the back of the paper). Then I applied the paper to the wall.

The misting relaxed the paper and stopped the curling, and also made the material more pliable. Pasting the wall made sure that paste was there to hold the paper to the wall, instead of letting the thirsty substrate soak it all up.

Even so, this has been a difficult install. The paper is thick and hard to trim, and there are issues with the seams that do not make me happy (see yesterday’s post). I worked an 8-hour today and only got two walls done. So I have to go back tomorrow, and the job will take a day longer than I had planned for.

The wallcovering is made by York. I usually like their products, but, like I said, I am a bit displeased with this stuff. The homeowner, however, loves it.

Lucky Little Girl’s Bedroom

January 25, 2019

Before and after shots. The pink room looks good – but the room with wallpaper looks fantastic.

The green lamps really pump up the room.

I hung this a while ago, but I’m thinking it’s from Anthropologie.

The interior designer is Gisette Leathers, from theleathers.com here in Houston.