Posts Tagged ‘booking’

Run Numbers – Re Previous Post

May 15, 2021
Run numbers are important!

Re my previous post, before I visited, the homeowner had purchased 8 rolls (4 double roll bolts) of paper. This was just exactly enough (12 strips) for the headboard wall, but I told him to order 16 more to do the rest of the room. The new paper came in a different run. So we had Run 16 for the headboard accent wall, and Run 17 for the other walls.

(You can’t mix runs on the same wall, because different runs, printed at different times with different batches of ink, will be slightly different shades. This very slight color difference will show up on the wall as a striped or “paneled” effect.)

The wallpaper is by York. It is a non-woven material, comprised of synthetic fibers rather than wood and cotton. The synthetic material does not expand when wet with paste, which means the wallpaper can be hung via the paste-the-wall method, with no “booking” or “soaking” wait time needed.

Interestingly enough, Run 16 behaved differently from Run 17. I hung the accent wall with Run 16 quite successfully using the paste-the-wall method.

But when I started the next wall using Run 17, bubbles and wrinkles developed. The paper was absorbing moisture from the paste and expanding on the wall, creating the small bubbles. Quite unexpected with a non-woven material.

The solution was to paste the back of the wallpaper, rather than the wall. This allows the material to absorb moisture and expand a tad before you get it to the wall, so it will behave itself once it is on that wall.

Unlike a traditional paper, this non-woven material did not need a lot of time to absorb moisture, but could be pasted and hung immediately. This greatly speeds up the installation process.

Pasting the paper has an additional advantage in that it renders the material more supple and pliable, which makes it much easier to work around corners or manipulate into position in tricky areas.

Bright and Warm at the Same Time

April 12, 2021
Before
Finished
Close-up

Cheery but not overwhelmingly bright, this “Parada” wallpaper pattern lightens this breakfast room while still keeping the feel warm and inviting.

I think the motifs look like those gummy “orange slices” candy with the sugar crystal sprinkles. 🙂

The manufacturer is Thibaut. While I usually love their products, this one was difficult to work with. It is a screen print, and is printed on a thick, stiff backing that sucked up all the paste before I could get strips to the wall. I experimented with several pasting techniques, and found that lightly sponging the back with water before pasting, and then booking the paper (folding pasted side to pasted side) and then placing in a plastic trash bag for few minutes, helped to both soften the material and prevent the paste from drying out.

I also rolled on a light coat of paste under where the seams would fall. This held the seams tighter to the wall. The material was still stiff and somewhat difficult to work into corners or trim around the detailed moldings.

The home is in the Heights neighborhood of Houston, and the interior designer is Stacie Cokinos of Cokinos Design.

WOW! Color in Home Office

March 14, 2021

You won’t fall asleep at your desk with this wild stuff going on!

Due to the pandemic, this homeowner is now working from home. A downstairs bedroom was converted to her home office. She wanted something to cheer up the slightly dark space, as well as bring some nature into the room.

The wallpaper pattern is “Summer Garden,” by Milton & King, a British company. This comes as a 2-roll set, with an “A” roll and a “B” roll, with each roll starting with a different pattern motif at the top. Really, it’s just a standard drop match, but that’s the way M&K packages it.

M&K is nice to work with, and will hold up nicely. It is a non-woven material, which contains polyester rather than tree or cotton fiber. It doesn’t expand when wet with paste, so there is no booking or waiting time. And it can be hung via the paste-the-wall method, which is what I did today – easy-peasy on a single accent wall like this.

The first photo shows the primed wall, ready for paper, with the original tan wall color visible on the walls on either side. In the third photo, I am laying out the bolts, getting a handle on how the pattern match and the “A” and “B” thing work. The layouts with M&K tend to differ, depending on the particular pattern.

The townhome is in the Montrose neighborhood of Houston.

Van Gogh Takes Sleepy to Vibrant

August 15, 2020


When the homeowner remodeled this mid 1950’s home in the Galleria / Tanglewood area of Houston, she thought she wanted a serene “spa-like” look. She soon realized that “bland beige” didn’t suite her “live wire / life of the party” personality.

As this Van Gogh-inspired wallpaper pattern in a brilliant aqua hue from the Van Gogh Museum Collection started covering up those boring walls, she was literally jumping with delight!

The design is the ideal scale for this master bathroom. The colors in the tree branches match perfectly with the floor tiles and countertop. The wallpaper even has a textured surface that mimics the brushstrokes of an actual oil painting. (see close up photo)

This wallpaper was a joy to hang. It is a very thin embossed (textured) vinyl on a thin non-woven backing. It is way more flexible and malleable than most non-wovens, so I could manipulate as needed. Like most N-Ws, it is dimentionally-stable, meaning that it does not expand or shrink. It requires no booking time, so you can paste and then hang it immediately. It is also designed to strip off the wall easily and cleanly and in one piece, when it’s time to redecorate.

Arts & Crafts Authenticity in a 1908 Heights Home

July 16, 2020


This home in the Woodland Heights neighborhood of Houston dates back to the very early 20th Century, back when the Arts & Crafts movement was in full force. The style emphasized nature, earthy colors, blocky features, and stylized designs.

I like this look a lot, so it was really fun to work with the wallpaper and help bring their living room to their vision. They have the period furniture to go with it.

The wallpaper is by Bradbury & Bradbury, a California company that makes wallpaper in vintage and antique designs – Victorian, William Morris, Art Nouveau, Arts & Crafts, Oriental, Atomic Age, ’20’s, and more.

Their paper is a little tricky to work with. First, there is an unprinted selvedge edge that has to be trimmed off with a 6′ straightedge and razor blade (search here for other posts showing that process).

The manufacturer calls for clay-based paste, which I hate, for various reasons. But to comply with their specs, I bought a $50, 50lb, 5-gallon bucket of it – and used only about 1/2 gallon. Clay is a low-moisture paste, which helps with this material.

When wet with paste, the heavy inks on this paper absorb moisture differently from the paper backing, and the result is “waffling” or “quilting” – which is when you get wrinkles inside the unprinted areas (do a search here for more posts on this issue). To prevent this, it helps to lightly dampen the surface of the paper with a sponge and clean water. This helps even out the moisture ratio. I found that this pattern also fared better with a little water sponged lightly onto the back, as well.

To handle the 20′ long horizontal strips, after pasting, I folded the strips accordion-style. I also added blue plastic tape to the bottom edge, to prevent paste from getting onto the painted woodwork, which would eliminate the need to wipe it off during installation. Then all went into a plastic trash bag to “book” for a few minutes.

I set up two ladders, so I could step between them as I unfolded the accordion pleats, and I also used push pins to hold the booked strip up while I got down and moved the ladders.

The paper adhered nicely to the wall without curling at the edges. There were a few wrinkles in the inked areas, but these disappeared as the paper dried.

A wide decorative border like this, especially dating to this era, is called a “frieze.”

What’s really cool is that the homeowner (a former contractor), added the block wood molding because he wanted to unite the heights of the door molding with that of the windows (both just barely visible in the photos). That was way before they thought of adding a wallpaper border. Once they discovered Bradbury and started hunting for a wallpaper, turns out that the height of the space between the two moldings was exactly the height of the wallpaper frieze.

Even more amazing is that the paint colors were chosen before they went searching for wallpaper – but are magically perfectly harmonious with the colors in the frieze.

This wallpaper pattern is called “Birchwood Frieze,” by Bradbury & Bradbury. They have lots more gorgeous stuff on their website.

Fiberglass Fibers in Non-Woven Wallpaper

June 11, 2020


I have just measured and torn a strip of wallpaper off the bolt. See those fuzzy whiskers at the torn edge?

This paper is made of non woven. I’m told that it has a high fiberglass content. And what you’re seeing in the photos is strands of that fiberglass.

Why put fiberglass in wallpaper? There are many advantages to the non-woven wallpapers.

The fiberglass strengthens them. Among other benefits, this makes it possible to pull intact strips off the wall when it’s time to redecorate.

Because there is no traditional paper content (cotton, wood pulp), the material is dimensionally-stable. This means that it won’t expand when it becomes wet with paste. This means that your measurements will be accurate. And that there is no booking time – so you can paste a sheet and put it on the wall immediately. It’s rare to worry about a non-woven shrinking or gapping at the seams as it dries.

Not So Turbulent Storm Clouds in a Newborn’s Nursery

May 31, 2020


I’ve hung this pattern before, but in the more typical black-on-white colorway (do a Search here to see pics). This version, with blue ebbing to red, is softer and nicely suited to a baby’s nursery accent wall. The little guy was born just two days before this mural went up!

The design has a sort of scratchy pen & ink look that you only notice when you get close.

This product is not wallpaper with the typical repeating pattern, but a mural. Each bolt contains four strips, which combine to 9′ wide x almost 10′ high.

In the last photo, you see how the manufacturer has provided a mock-up of how the strips look and how they should be placed, as well as a picture of the overall design.

This wall required one 9′ wide 4-panel set, as well as two additional strips from a second 4-panel set.

The wall height was less than 8′, so more than 2′ of the height had to be cut off and discarded. The mother wanted to see both blue and red colors. So the grandmother (Mom was still in the hospital) and I rolled everything out on the floor to accurately compare the height of the wall with the length of the panels, and then determine how much to cut off from the top and from the bottom.

I tweaked the placement a little more, because I wanted to include as much of the clouds on the top far right side as possible, while still keeping a good amount of red at the bottom.

The pattern is called NUVOLE AL TRAMONTO in DUSK/PINK, and is by Cole & Son, a British company. It is printed on a non-woven substrate, which has a high fiberglass content, and is designed to strip off the wall easily when it’s time to redecorate.

N-W’s also don’t expand when they get wet with paste, which allows for accurate measurements. Also, it requires no booking time, so it enables you to use the paste-the-wall method – which is what I did today. No need to drag in my big loppy pasting table. 🙂

This wallpaper was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

The home is in the West University neighborhood of Houston.

Dark, Sparkly, Faux Cork in Spring Branch Powder Room

April 1, 2020


No good pictures of this, folks – you had to see it in person to get the full effect.

But the textured vinyl wallpaper had the appearance of a charcoal-colored cork material – with a few silvery sparkles tossed in here and there.

The homeowner wanted a snug, dark powder room. But not cave-like. This paper did the trick beautifully. It is dark, but with the large mirror and the light grey vanity and cararra marble countertop, there were plenty of light colored accents to offset the dark.

This was a new, open floor plan, contemporary styled home in the Spring Branch neighborhood of Houston. The vinyl material will be resistant to water and stains. The non-woven substrate had a lot of fiberglass content – I could see the strands! – so it will be easy to strip off the wall when it’s time to redecorate. In addition, the material does not expand when wet with paste, needs no booking time, and can be hung with the paste-the-wall method. I preferred to paste the paper.

This wallpaper pattern is by Exclusive Wallcoverings, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Schumacher Pyne Hellyhock Hell

March 22, 2020


Pardon my French, but we don’t call this company “Schitmacher” and “Poomacher” for nothing … With so many quality substrates and inks out there, and so many other companies making top-notch papers, why, oh WHY does Schumacher continue to use outdated materials and methods – especially when they’re crappy?!

The wrinkles here are referred to as “waffling” or “quilting.” This is caused by the wallpaper backing (substrate) absorbing moisture at a different rate from the ink on the front. This moisture causes the substrate to expand more than the ink, which creates wrinkled areas.

I had this problem with the Bibliotheque I blogged about last week. But that was not as severe, mostly because the inked area covered most of the paper.

In this Pyne Hollyhock, most of the ink is concentrated down the center of the strip, leaving large un-inked areas along the outer edges.

I was able to smooth out many of the smaller wrinkles in between the blue flowers. Others may disappear when the paper dries.

But the blank / white areas had wrinkles so big that they would not be smoothed out. See third photo. The other thing is, because this white area was twisting and warping so dramatically, you can bet that the edges of the strip will not butt up properly with the next strip.

Sometimes you can double cut (splice) seams that are not butting up correctly. But since this paper also presented the huge wrinkles, it still is gonna look bad at the minimum, and have large gaps at the worst.

A liner might help (do a Search here), but I doubt it would tame the worst wrinkles, especially at the edges. In addition, it adds more material cost and at least another day’s labor.

I did a couple test strips, employing different approaches with each. Such as dampening the front before pasting to even out the moisture distribution. Booking for extended lengths of time. Booking and then opening and repasting. Different smoothing techniques. I even got out the heat gun to speed up drying to see if the wrinkles would flatten.

But I never got a result that I felt was acceptable. And certainly not what this family deserved, nor worth the price they paid for this so-called high-end brand.

It’s not often that a paper beats my butt, but I did end up throwing in the towel on this one.

Too bad, because the homeowner and interior designer really love the pattern, which is one of Schumacher’s most popular. Right now, it’s undecided if they will see if one of my buddies wants to tackle it, or if they will choose something else.

This was to have gone in the dining room of a newly renovated home in the Woodland Heights of Houston.

Bibliotheque Install Details, Pt I – Hand Trimming, Overlapping

March 18, 2020

Like many of the higher-end brands, this Brunschwig & Fils wallpaper had to have its selvedge edge trimmed off by hand. Unfortunately, they did not provide trim guide marks. Double unfortunately, I tried using the pattern as a guide, but, for a lot of reasons, this was a big fail – the edges looked like they had been trimmed with a hair curling iron. 😦

How, then, was I going to get good seams?

I was preparing to double cut (splice). But for many reasons, this was not presenting as a good option.

Then I got the idea to overlap. This turned out to be the perfect solution!

The edges of the “bookshelves” were not straight, so, instead of using my straightedge as a trim guide, I grabbed a new razor blade and free-handed my cuts along the design. (see top photo)

Then, after measuring, pasting, and booking my strips, I positioned them on the wall by overlapping one “shelf support” on top of the previous one. The second photo shows one strip being placed thusly.

Overlapping like this does leave a ridge under the wallpaper. But it is not very noticeable, especially since my design motifs were perfectly aligned.

What’s even cooler is that this overlap added a bit of 3-D to the room, which is what you would have if you had real wood and books in there.

Another advantage is that I could tweak the spacing if needed, to plumb up a strip that might have started going crooked.