Bright Botanical for Home Office Accent Wall

The windows look out into a green yard,

so the verdant , playful design frames the view perfectly.
The bull-nosed edges on the sides and top of the windows are really tricky to wrap wallpaper around, BTW.
Skim-floating / skim-coating the textured wall to smooth it, along with the puffy wallpaper, added enough thickness to the wall that the blinds on the right would not fit into their brackets. A window covering company can easily trim those down.

Arrrgh! Moving from left to right, the last strip ended up 1/2″ from the corner. That meant that I had to cut a narrow strip and work it into place. Trickier than it sounds.
Note that this required an entire 10′ long strip, to get that 1/2″ wide piece. Always order a little extra!

el like I’m stepping back into the ’70’s !

This ” House Plants ” design is buy MissPrint , a British company. It’s on a non-woven / paste the wall substrate , which is more durable and stain-resistant than traditional papers. And it’s designed to strip off the wall easily and in one piece when you redecorate .
The home is in the Eastwood neighborhood of Houston .
install installer

Something’s Bugging Me …

Powder room before.

Powder room after the introduction of various bugs, insects, critters and creepy crawlers.

The homeowner loves bugs. She likes this view so much that she said she might not cover it with a mirror. Who needs a mirror in a powder room, anyway?

This powder room is under the stairs, hence the sloped ceiling. The wallpaper has the look of botanical identification prints, in a dreamy shade of blue.

Mind the Gap is the manufacturer, and the pattern is called Entomology. The material comes as a 3- roll / strip set. It’s a non-woven product, so you can hang it by pasting the wall. Although I usually choose to paste the paper. Interestingly, this paper was lot thinner and crisper than the black Aquafleur by the same brand I hung a couple of weeks ago. In fact, it was quite translucent. I had to not make pencil marks on the walls nor on the back of the paper, for fear they would show through the front.
This stuff is also very curly – meaning that it wants to stay tightly rolled up. Two days before the install, I asked the homeowner to roll the material backward and secure with an elastic hairband, to relax the curl. This worked wonderfully, and I had nice flat sheets to work with.
The pattern is essentially a mural, spread across three strips that connect to the next set of three strips. The pattern does not repeat. That means that it takes one full ” roll” for each strip. Since the rolls are 10′ long and the walls in this bathroom were less than 8′, there was more than 2′ of paper cut off and thrown away, for each of 15 strips around the room.
The two 8″ high strips over the door would also have each used up a full 10′ roll. But I did a little measuring and plotting and trimming and used scraps for this area. This also enabled me to put bugs that had not been seen on any of the other strips up over the door. Because this space was only 8″ high, I had to find insects that were small – didn’t want anyone to get his legs or antenna cut off! Sorry, I forgot to get a photo of that area.
This room had some tricky spaces. Besides the sloped ceiling, which presented challenges of its own too complicated to delve into here, the 2″ gap you see next to the vanity in the top photo … the wide strip on the wall with the hand towel ring, plus the 2″ wide strip between the vanity and that wall probably took me a full 40 minutes to get in place.
The townhome is in the Galleria / Highland Village neighborhood of Houston.

Lotsa Color, and a Nice Faux Silk

I have worked for this couple in their charming 1929 bungalow in West University ( Houston ) several times since the 1990’s. They definitely are not people to go with the all-white or all-grey or minimalist trends that are popular today. These folks like COLOR!

The dining room walls were originally upholstered in a botanical print on blue (which the homeowner did himself, and did a mighty find job of, too). So the room never was bland white. 🙂 But now, 20 years later, they were ready for an update.

Their contractor removed the fabric and then skim-floated the walls smooth. Usually I have to go back and re-smooth the walls … but this guy did a really good job, and I was able to simply prime, and then hang the paper.

This is a vinyl product named ” Wild Silk ,” and is by Thibaut . It’s much more stain-resistant and durable than real fabric. Unlike real silk and other natural materials like grasscloth , this product has a pattern match. This means that you are not going to see each separate panel or visible seams, like you do with real silk. So the walls have a much more homogeneous and pleasing look.

The challenge lay with the old house and its un-plumb walls and un-level ceiling and window/door moldings. Since the ceiling was not level, if I hung the wallpaper true to plumb, then it would start “tracking” off-kilter at the ceiling line, and appear to be running either uphill or downhill. This effect was further complicated by the way the pattern ran along the window and door frames.

I decided to keep the pattern parallel to the ceiling molding line. This meant letting it go crooked along the door and window frames, if that’s how it turned out. The ceiling line was more visible and more important.

Since the pattern was tracking off-kilter, I used a razor blade and a straightedge to trim off a wedge-shaped chunk from one side of the wallpaper. This forced the pattern to move up (or down). After a few strips, I had tweaked it enough that the design was moving straight across under the crown molding.

Even though the strips were not hanging plumb, it looked wonderful along the ceiling line. This “silk” pattern was very accommodating of that. If it had been a design with a prominent motif that the eye wanted to see marching straight across the ceiling AND straight down along a door frame, it would have been much more difficult to pull off – maybe impossible.

Going around the window (no pic) was even more complicated. Because I was tweaking the three strips above the window to follow the crown molding, and also the three strips below the window – and you can’t guarantee that these will all adjust at the same rate. So getting the strip to the left of the window (no pic) to match up with the strips above AND below the window would be pretty impossible.

So I was extremely pleased when the pattern on all these strips did match up, within about 1/16″.

This is a vinyl material and was somewhat difficult to push tightly into edges and corners, and to cut through. I was glad that I didn’t have intricate decorative moldings to cut around. I used orange chalk to color the edges of the material, to keep the white substrate from showing at the seams.

I love the way the salmon color coordinates with the painted trim. Who paints door moldings orange??! THESE people do – and I highly applaud it! No boring all-white rooms in this house!

The look is bold, but surprisingly warm. The orange moldings against white walls would have been jolting. But with the salmon colored wallpaper, the whole effect is unified, inviting, and invigorating!

Navy & White Schumacher – Finishing Touch to a Harvey Flooded Home

Still not completely finished fixing major damage caused by the devastating flood of 2017, this young couple in the Pearland area of Houston has done virtually all the repairs themselves – and done a mighty fine job of it, too…. Way better than most of the work done by “professionals” that I have seen in “Harvey homes.”

With many details still unfinished, the homeowners wanted just one room that would be done. The lady of the house loves this navy and white fauna/botanical print by Schumacher. She envisioned it on just the back wall of the powder room – the room that everyone sees when walking through the first floor.

You get two strips of paper out of one double-roll bolt, and the wall was 2.5″ wider than two strips of paper. Since Schumacher is expensive, the homeowners decided not to buy another bolt of paper to cover those 2.5 inches, but instead to “float” two strips of paper in the middle of the wall, and then use their DIY skills to build a frame around it.

The frame will be painted a very dark blue. I hate to fall back on the overused term “pop,” but that is exactly what the blue frame will do … It will make the wallpaper pop against the white walls, and also stand out from other design features in the home.

Scroll back a few days and you will see my encounters with a very difficult navy and white paper, also by Schumacher. This one was totally different.

The bird design I worked with today was printed with good quality inks on a non-woven substrate. N-W’s have a degree of fiberglass in their content, and thus are “dimensionally stable.” Among other positive features, they do not expand, and thus you have no wrinkling or waffling or puckers.

This paper went up very nicely.

Although, in two of the photos, true to reputation, you can see printing defects. Just par for the course, if you buy a Schumacher product

When the homeowner saw the finished job, she almost broke down into tears – one room finally complete and pretty and all reminders of the flood gone.

It was an honor to help this couple get to this one small milestone.

Scandinavian-Feel Botanical Mural in a Guest Bathroom

The plants in this wallpaper pattern are native to Scandinavia, and are a nod to the homeowner husband’s Norwegian heritage. The bright colors and white background really brightened up the bathroom.

This product was atypical, as it was 36″ wide (instead of the typical 20.5″ or 27″). Additionally, it came as a 2-panel set mural, with an “A” and a “B” panel. It took three sets to paper this bathroom.

This was a thicker non-woven material. It could be hung by pasting the wall, or by pasting the paper. I chose to paste the paper – which makes more sense when going around pedestal sinks and behind toilets.

Even though non-wovens are virtually impossible to tear, I had to work very gently with this material, because the surface could be creased or marred quite easily, simply by folding or unfolding it.

This wallpaper pattern is called Brita. It is in the A-Street Prints line, by Brewster, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Chinese Hand-Painted Silk Mural

Here is some delicious stuff! This is silk wallpaper, hand painted in China with these beautiful bird, butterfly, and botanical motifs. Look at the close-up shots to see the gorgeous paint detail.

There are some historic companies who make these murals, like Zuber, Gracie, Fromental, and de Gournay, and they can run $500-$1200 per panel. (This wall took seven panels.) But my client found another manufacturer who was way more reasonable. http://www.worldsilkroad.com/

The mural was custom-sized to the homeowners’ wall. The studio added 2″ to the top and bottom, and a little more to each side, for trimming, and to accommodate walls that are not perfectly plumb and ceilings that are not perfectly level. (Never order a mural to the exact dimensions of the wall, and always best to have the paperhanger measure before ordering.)

There are a lot of things that make an install like this much more complicated than a traditional wallpaper. For starters, the silk can easily be stained by just about anything … wallpaper paste, water, hands. So it’s important to work absolutely clean. You will NOT be able to wipe off any errant bit of paste. The paper also had a half inch “bleed” of excess paper along the edges that had to be trimmed off by hand (no photo).

The material was thicker than expected, wanted to stay curled up as it had been in its shipping tube, and the backing was very absorbent, which meant that it sucked up paste and was almost dry by the time it was finished booking and got to the wall… So it required extra paste on the edges to get them to stick tight, while, once again, taking care to not get any paste on the surface of the paper.

The company provided precious little information. Well, actually there was information, but it came in Chinesnglish, and, bless their hearts, was virtually indecipherable. The company was very responsive, but, unfortunately, was unable to provide adequate information about paste recommendations, booking time, was a liner spec’ed, if the substrate was paper or non-woven, if the silk had a protective coating, and even whether or not the goods had to be hand-trimmed or came pre-trimmed. There was a lot of other mysterious content on their instruction sheet that ended up best being disregarded.

So I used common sense and traditional installation methods, and it turned out great.

In one photo, I am rolling out the panels, to be sure they are in the correct sequence. Even though the manufacturer had told me the panels were pre-trimmed and ready to butt on the wall, while rolling them out, I discovered that if I did that, the pattern match would be off. This is when I discovered that 1/2″ had to be trimmed off one side of every strip.

This also meant that each strip would be 36″ wide, rather than 36.5″, so my measurements and layout calculations had to be revised. This was particularly important because that first area to the left of the window was barely more than 36″ wide – and I didn’t want to end up having to piece in a 3/8″ wide strip of this delicate material.

Two other pictures show some crinkles in the material. I believe these happened at the factory or during shipping, because the same defects appear in two consecutive panels, at the same position. They were both up high, and, once the material got wet with paste, expanded a little, and then applied to the wall, these flaws were not detectable.

The last photo shows what you should expect from hand-painted products. They probably had one guy working on Panel 6, and another working on Panel 7, and each probably had a different size paint brush, and possibly their stencil (or whatever they use) was a bit off. Either way, this mis-match is not considered a defect, and is part of the beauty of a hand-crafted mural. There were really only two areas that matched this poorly, and they were both low toward the floor. In the upper areas where branches crossed the seams, the pattern matched very nicely. Really, it’s quite incredible that their precision can be as good as it is.

I’ve never worked with this brand before, but overall, I was pleased with the quality and the installation. You can find the manufacturer by Googling World Silk Road. It comes from England, but is made in China. (Gee…. why can’t they have one of those British guys translate the installation instructions?!)

This mural went on one accent wall in a master bedroom of a home in Idylwood, a small, idyllic, and very desirable neighborhood of 1930’s and 1940’s homes on Houston’s east side. The homeowners love vintage as much as I do, and are keeping most of their home true to its original state.

Easy, Classy, Traditional Floral Wallpaper

Here’s a simple and easy-to-live with floral / botanical pattern. I hung this in the powder room of a new home in the Houston Heights neighborhood.

The paper is by Cole & Son, and is on a non-woven substrate, and is intended to be a paste-the-wall product, although, on some walls (like behind the toilet) it was better to paste the material than the wall. It turned out beautifully.

Brilliant Colors on a Dark Background

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This beautiful botanical and bird print is enhanced by rich colors in a matt finish on a deep chocolate background. I hung this in a remodeled powder room in the Galleria area (Houston), and it is just gorgeous.

I usually love Thibaut brand papers, but this one was thick and stiff, the edges had debris left from the machine trimming process, the seams didn’t butt up well, and it should have been printed on dark stock instead of the white backing.

What I did to minimize these things was to use a toothbrush to scrub the ends of the rolls to remove the flakes of paper. I striped dark paint the wall along where the seams would fall, to prevent the white wall from peeking through. I also used artist’s pastel to color the edges of the paper (see photo), to try to cover up the white paper backing. This was somewhat successful.

The seams had what we call “gaps and overlaps,” which means they butted well in some sections, gapped in others (see photo), and overlapped slightly in others. I wasn’t thrilled with the seams, but not every paper cooperates well, and most people don’t see what I see, anyway.

The overall effect is beautiful, and once the new vanity and the light sconces go in place, the room will be stunning. The homeowner is very happy.

This wallpaper pattern is by Thibaut Designs, and was bought at a discounted price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. Discuss your project and make an appointment before heading over to see her.

Traditional to Traditional – Bold to Subdued

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The colorful botanical / bird original wallpaper is a classic design and color, but the homeowners had grown tired of it. Plus, as you see in the second photo, some of the seams had begun to curl. This is common with paper-backed solid vinyl wallpapers, especially in humid rooms (like bathrooms) or rooms with no air vents (this bath had neither A/C vents nor an exhaust fan) and the big reason why I try to steer clients away from this material.

The next photos show the new wallpaper. Originally, the homeowner wanted a woven faux grasscloth, which she saw that I had installed in a friend’s bathroom. But she could not find a color that worked with the color of the tile in this Tanglewood area 1950’s ranch style home’s bathroom. This damask pattern turned out to coordinate perfectly! It also cloaks the walls in a little pattern, without being busy (because it contains only two soft colors), and adds more interest to the room than the faux grasscloth would have.

This wallpaper pattern is by Thibaut Designs, and was bought at a discounted price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. Discuss your project and make an appointment before heading over to see her.

This product was a paper-backed solid vinyl (read my comments above). It was thick and stiff and difficult to work with. The seams showed more than they should have, and there were edges of the paper that were warped by the plastic wrapper that never relaxed completely once the strip was pasted and applied to the wall, leaving slight waves at some seams. The material did not turn corners well, and I was never happy with any of the outside corners. There was also off-gassing, which is when a strip goes up and looks wonderful, but as it dries, moisture is trapped between the wall and the vinyl and has nowhere to go, so bubbles form under the paper.

Note to Self: Don’t let any other clients buy this product.

Gold On Black Botanical For Master Bedroom

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This dramatic gold-on-black botanical design will be a backdrop to the bed in a master suite in a new addition to a ’60’s era ranch style home in Timber Grove Manor in inside-the-Loop Houston. Because wallpaper often shrinks just a tad, I have striped black paint under the seams, to prevent white wall/primer from showing, just in case the paper does shrink. That is the jagged edges you see in some of the photos.

This wallpaper pattern is called “Liang.” It is by Thibaut Designs, and was bought at a discounted price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. Discuss your project and make an appointment before heading over to see her.