You’ve got to look at this close-up, to notice the antelope and flames / foliage . You gotta make a decision … The light sconces (they are currently removed, but you can see the electrical boxes where they will be placed) were centered on the vanity top, but the faucet was off-center by about an inch. So I chose to center / balance the pattern on the sconces and countertop. The mirror will be hung between the two light fixtures, so we’ll end up with a pleasing, balanced look. The faucet isn’t exactly in the middle of the design motif, but no biggie – there’s going to be a mirror there, anyway.
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Corner going around shower. Note the window looking into the shower. Although the website specs said this is a pre-trimmed non-woven material , that was incorrect. Turns out it had an unprinted selvedge edge that had to be trimmed off by hand . Here I’m using my straightedge and razor blade to remove this selvedge. This takes precision and a LOT of time . The manufacturer usually provides trim guides to help you know where to cut. But it’s usually better to trim to the pattern – determine an element in the design motif that will meet up with the corresponding motif on the opposite side of the strip when the strips are hung on the wall, and use that as your guide . Be sure to trim off the trim guide marks, or they will show on the wall. The pattern is called Arabian Nights and is by Relativity Textiles . I’ve never worked with this brand before. I was not pleased . In addition to the incorrect information about the pre-trimmed paper , the mfgr’s specs said this was printed on a non-woven substrate . It was not. It wasn’t even printed on standard wallpaper stock . Instead, it was a pulp material – This is a sort of old-fashioned wallpaper , and is very brittle and prone to tearing and dragging (your trimming knife or razor blade will get snagged and you’ll end up with a ” chewed ” jagged cut, instead of a crisp cut . It also tears easily. It also has no coating, so it’s not stain-resistant … Not good in a busy household with a 3-year old toddler , or anyone splashing water or soap or air freshener . It was also difficult to hang . Applying wet paste to the backing causes the substrate to absorb moisture and expand at a different rate from the ink on the surface. So you end up with wrinkles , waffling , and quilting . Sponging a light bit of water on the front before pasting helps even out the moisture differential and ease installation . I’ve never before encountered a pulp that had this type of ink on the surface. One clue for this bad stuff is when you open the package and it smells like moth balls . Once I figured out how to work with it, , it went OK – although tedious . The seams did look very nice. BUT … all this effort would have been unnecessary and the finished room would be more durable if the mfgr had printed on a non-woven substrate (as their on-line specs stated) and had used standard inks instead of this weird , smelly , high-end stuff. In fact, the material would have cost the homeowners a whole lot less $ if it had been normal ink on a non-woven backing . The home is in the Woodland Heights neighborhood of Houston . installer
Textured wall has been skim-floated smooth , primed , and ready for wallpaper .This pattern is called Smoky Rose and also London Rose . Both are appropriate!Charcoal on an off-white background . Up close, it looks like water color strokes.The wallpaper is by House of Hackney . Most of their wallpapers are the user-friendly non-woven material. This one surprised me being a British pulp. This is a rather old-fashioned basic paper material with no protective coating. It’s brittle when dry and gets soggy when wet with paste, making it tear easily or to drag when the razor blade runs across it. Definitely takes a different approach during installation . I was lucky enough to have hung a pulp just the day before, so was in good practice! Although not resistant to stains and tricky to work with, I do like the matt finish and how the paper dries tight and flat to the wall.
I mentioned in my post of January 27, 2022 that this wallpaper is what we call a classic or traditional British pulp material. All wood pulp and a little ink. No synthetic fibers, no protective coating.
When dry, the stuff is quite stiff and brittle, and when wet it can turn to mush. It dries fast, so sometimes can ” freeze ” and stick together when you unbook it – which can actually tear the paper apart.
This makes it difficult to work with it when going around intricate moldings, or into corners, or any time you need to bend or unfold it.
It’s also tricky to cut. It dulls blades quickly. And even a brand new razor blade can get bogged down or snagged. This can easily tear the paper. Another thing that happens is that you get these little ” buggers ” where the top part of the paper trims off, but little bits of the substrate stay behind.
The photo above shows this happening at a trim cut along a baseboard. You have to gently pull the strip away from the wall, being careful not to crease it or tear it. Then use your scissors to snip off these little bits. It’s a real PITA.
Moving from the entry to the adjoining dining room of the historic home in Houston mentioned in my two previous posts. This pattern by William Morris is called “Fruit,” and is true to the period in which the home was built.
I love the way the colors work with the wainscoting and also the picture rail around the top.
This pattern is less repetitive and the color is softer than the option used in the entry (see yesterday’s post), making it an easy-to-live-with choice for this large dining room.
The material is a traditional British pulp which you don’t see much these days, as most European manufacturers have moved to the newer non-woven substrates. I do like the pulps for their matt finish and tight adhesion to the wall. Although, they are brittle and tend to drag and tear when being cut, so they require some special handling.
This one also has a raised ink feature, which adds just a tad of texture. Look closely at the close-up shot.
This was purchased from FinestWallpaper.com, who has a large selection of Morris and also Voysey (another designer from that Arts & Crafts period) patterns. The home is in the Old Sixth Ward neighborhood in central inner-loop Houston.
No pink dollies for this baby girl (still a few months away!). This foresty mural is far more interesting. The “etched” appearance of the design brings to mind an old-world lithograph, and adds depth to the image. The green and gold colors are muted, and coordinate with the mom’s planned color scheme of grey, taupe, and dusty rose.
The first photo shows laying the mural out on the floor, to be sure the panels match, and to be sure they are in the right sequence. This also allows me to check dimensions of the mural against those of the wall, and to plot placement of the design.
This mural is from Europe. It came in 8 panels, and was custom-sized to fit the wall. It was a non-woven material, and was installed via the paste-the-wall method. This particular material was stiff and felt even brittle. I wasn’t thrilled working with it, but once it was up on the wall, it will be fine.
I hung this in a baby girl’s nursery in a home in West University (Houston). The manufacturer is Rebel Walls.
This kitchen wallpaper was stained by a water leak. There was enough left over paper to replace the damaged section. BUT – the paper had been stored in a hot Houston attic since the ’70’s – that’s 35 years! It was far too brittle and fragile to work with.
I found that lightly wetting the back with a damp sponge allowed it to relax enough that I could unroll it. I tried my usual wallpaper paste, but once the sample piece dried, there were stains caused by the paste. See third photo.
Then I tried powdered wheat paste, which is for more delicate materials. This did not stain the paper, but it did cause it to become too wet, crack, split, tear, and created crevices where staining would be likely to occur. See last photo.
I am glad I tested methods and products before I ripped off the old wallpaper. We ended up leaving the old paper on the wall, and I used craft paint to cover the worst of the stains. See previous post. This turned out to be the best solution.
The owners of this newish home in Garden Oaks were updating their powder room, including a new console style vanity, a point-of-use tankless water heater, and new wallpaper. They wanted it all done before the Super Bowl game…. I am generally booked with work several weeks out, but had an unexpected opening, so was able to squeeze them in today, between Christmas and New Year’s. They were happy to let me come this holiday week!
I have hung a ton of that chintz style floral (top photo) in the ’90’s. It’s a pleasing pattern, but has become dated. Really, the homeowners’ new choice isn’t much different, but it’s an updated version, plus the red color has a lot of impact, and that helps the walls stand out against the white woodwork.
One good thing about a pattern like this is that it won’t really ever go out of style.
The paper was printed on what we call a pulp substrate. I usually like pulps, but this one was thick and stiff and brittle and it abraded easily. I had to color the edges with oil pastel, to keep the white backing from peeking out at the seams. Pasting it was a wrestling match, because it kept wanting to curl back into a roll. It didn’t want to turn corners, it bubbled, and it abraded if it was rubbed too much, especially at the seams. It will stay nice and flat to the wall over time, but has no coating, so cannot be washed, and will stain if water splashes onto it. In other words, don’t buy this brand. 🙂
All that said, the room looked great when I was finished, and the homeowners loved it. The plumber is coming tomorrow, to install the sink, and they will be all ready for Super Bowl Sunday!
This wallpaper was bought from the Sherwin-Williams on N. Shepherd in Garden Oaks. I believe it was made in England, and the brand appears to be English Florals.
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