Posts Tagged ‘butted’

Manipulating a Thick, Stiff Paper Around a Curved Wall

July 2, 2018


Curved walls like this pose a problem when wallpapering, because it’s virtually impossible for the framers and drywall guys to get the walls perfectly smooth and straight without bows or dips or humps. You may not see these imperfections when looking at the wall. But they can cause difficulties when hanging wallpaper.

Wallpaper wants to hang straight, and must have a straight edge for the next strip to butt up against. Walls that are not perfect can throw paper off-kilter, and can create wrinkles, bubbles, or an un-straight edge that will show gaps or overlaps when the next strip is butted against it.

Some papers are more pliable and malleable than others, and can be tweaked and twisted into compliance. In contrast, the non-woven material I am working with here is thick and stiff, and unwilling to conform to anything other than flat wall. As you can see in the second photo, by the time three strips were up on this curved wall, some wrinkles had inevitably formed in the last strip.

Non-woven goods have the installation option of pasting the wall. But I preferred to paste the paper, for several reasons, but mostly because that would give the paper a bit more softness and flexibility.

Because the paper had become soft and flexible, I was able to work those wrinkles out. It took time and finessing, but the paper ended up flat and smooth against the wall, and the seams were butted without gaps or overlaps.

This wallpaper pattern has a thick gesso-like texture on a metallic silver background – Quietly glamorous, really. It is by York in their Candice Olson line, and was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

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Geometric Pattern in a Powder Room – Flooded Home

May 20, 2018


This home in the Energy Corridor area of Houston was flooded during Hurricane Harvey last August. A lower section of drywall had been cut out and replaced. The contractor’s wallpaper hanger put up this identical pattern. The homeowner wasn’t pleased with the job. To be honest, the installer did a pretty good job, in a room that was very difficult to hang. There were a few minor things that could have been done differently.

But what bothered the homeowner most was that the walls had not been smoothed properly before the paper went up. With that west-facing window blasting angled sunlight into the room, those irregular surface flaws were quite obvious. See the top two photos. (You may need to enlarge them.)

I stripped off the original paper and skim-floated the walls to make them as perfectly smooth as possible. I followed with a primer. (The previous installer had not primed the walls.) See third photo for walls that are ready to go.

This room was a major bugger bear to hang. For starters, there was a large metal mirror that protruded about 4″ from the wall, that could not be removed. This was directly over a pedestal sink. (The previous installer had the luxury of hanging the room before the sink was in place.) It’s hard to explain, but the logistics of winding wallpaper around these three-dimensional objects, preventing the paper from tearing, having the ridged and unforgiving pattern match on all planes, keeping the edges plumb, and keeping the edges straight so they would butt up with the next strip, all while fighting edges of the wallpaper that wanted to curl backwards, were extremely difficult.

In addition, the corners of the room were out of plumb, which pretty much guaranteed pattern mis-matches in all the corners. On a wild floral pattern, no one would notice. But with a geometric pattern like this trellis, the eye would catch even minor mis-matches.

Compounding all of that was the fact that nothing in the room was centered. The window was not in the center of the wall, nor was the toilet – and they were not aligned with each other, either. The sink was not centered on the mirror, the faucet was not in the center of the sink, and the spout was off-set from the handle. I finally decided to balance the trellis design on the mirror, and it did fall perfectly symmetrically on either side. The kicker is that the room is so narrow that you can’t stand back far enough to appreciate all my efforts. ๐Ÿ˜ฆ

I probably spent 40 minutes plotting how to tackle the first wall, and then a full two hours hanging the first two strips (the ones around the mirror and sink) (sorry – the room was too small to get good pics). The longer I worked, the more appreciation I had for the previous installer and the job she had done.

In the end, the walls I had prepped were smooth, and there were no objectionable bumps or gouges showing under the paper. I pulled some tricks out of my hat and got the pattern to match in the corners pretty darned well.

That window with it’s danged strong light still was a foe, though. The wallpaper seams butted together just about perfectly. Yet because of the way the edges curled back when they got wet with paste, I fought to keep them down tight to the wall. Once dried, they were nice and flat. I was pretty content. But when the sun moved and light came through that window from a different angle – some of those seams looked positively horrid! The light was casting shadows and making it look like the seams were overlapped. Yet they were perfectly flat. The inclination is to go over and over the seams with various tools and try to “force” them to lie flatter – but this can burnish or otherwise damage the wallpaper or the underlying surface. The good news is that as the sun moved, and as the louvers on the shutters were adjusted, the shadows disappeared and the seams looked good.

Let’s hope that the homeowners see this room only in the most positive light. ๐Ÿ™‚

This wallpaper is by York Wall, one of my favorite brands. Interestingly, the paper came with the correct label, but the instruction insert was for another line made by this same company. I’m glad that I was familiar with both products, and had the sense to disregard the info that was not relative.

If You Buy Grasscloth, Expect To See The Seams

November 12, 2017

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Grasscloth is popular right now, but buyers must be aware that, because there is no pattern that can be matched, all the seams will be visible. In addition, color variations are to be expected.

The top photo shows a slight color difference between two strips. This is called shading or paneling. This is not a defect. It is considered “part of the inherent beauty of the natural material.”

The second photo shows a lighter colored line that often appears at the far edges of the grasscloth strips, due to irregularities in the dying process. This can often be minimized by trimming off the edges of the material. But sometimes the lighter area extends beyond the area that can be trimmed off. And if you trim off too much, you will have narrower strips, and may well run out of paper before you finish the room.

The bottom photo shows a seam where the lighter colored edges were successfully trimmed off, and a nice butted seam resulted.

Water Color-y Mural In a Baby Girl’s Nursery – Accent Wall

February 17, 2017
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Here’s a delightful, softly colorful wall treatment for a soon-to-be-born baby girl. I love the way the flowers look fluid, as if they were brush strokes of water color. It is a mural, made up of six panels, rather than a typical wallpaper with a repeating design motif.

I hung this on one accent wall for behind the crib in a nursery ofย a newish home in Pearland. The wallpaper was bought on-line, and it came with no label, no instructions, no nothing. The homeowner told me name of the website, but – dang it! – I forgot the site and the brand name. ๐Ÿ˜ฆ I suspect that this may be a knock-off of a very similar pattern. Read on.

I have hung this pattern before, with pleasing results:

https://wallpaperlady.wordpress.com/2016/03/20/water-color-ful-wall-for-a-baby-girl/

and with slightly lesser-than-happy results:

https://wallpaperlady.wordpress.com/2016/08/25/water-color-flowers-for-a-little-girls-room/

Anyway, back to hanging the mural. First I smoothed the new suburban home typically heavyish textured wall, and primed with Gardz. (No photos, but similar to the previous two posts.)

In the 4th photo, I have laid out each strip, to be sure of which way is up, of the sequence to be placed on the wall, and to get exact measurements so I can compare them to the wall.

As for getting the paper onto the wall, I followed the protocol for pre-pasted papers, which is to run each strip through a water tray. I added a light coat of supplemental paste to the wall and at the edges (ceiling, baseboard, corners).

Similar to my last experience with this paper, I had what we call “overlaps and gaps” at the seams. See photos 5 and 6. In the 7th picture, you can clearly see that the paper has not been cut straight. Look closely just below the pink flower petal, and you will see that the seam butts perfectly, then jogs to the left in an overlap, then comes back to the right in a perfect butt.

When the manufacturer provides crooked seams, it’s impossible to make them butt together perfectly.

In addition, every seam had pattern mis-matches. In fact, none of the pattern matched perfectly across the 9′ height of the mural. The photo with the dark green leaf shows an example of this. You might think, “Just pull one strip up a little.” But then other elements of the design at other points along the seam would not match up. (Not pictured.)

The paper is simply poorly trimmed and poorly printed.

From a distance, you don’t notice any of this at all, and even close up, most homeowners don’t see it. But this mother-to-be was envisioning a perfect room for her first baby, and she paid a lot of money for the mural and installation – and she spotted the irregularities immediately.

With some of the overlapped seams, I was able to carefully trim off the lower layer, so they butted together better. And as the paper dried, I was able to push some of the seams together, as well as pull apart some of the overlaps. And I used my trusty No. 2 graphite pencil to fill in some of the mis-matched design at the seams.

In the end, the homeowner was happy with the room.

The crib and other baby’s furniture are white, and will look sweet and peaceful against this accent wall.

Why do I have no photos of the finished room? All this furniture is in the garage, still in boxes, waiting to be assembled.

Hmmm… Guess how this young couple is going to spend the weekend? ๐Ÿ™‚

Difficult Grasscloth Install Today

October 23, 2016
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Boy, oh boy, today’s installation was a bear! To begin with, I had a 12′ high accent wall that required using my 8′ ladder, which is unwieldy and can push you away from where you want to work. The wall had a thick texture (typical in new homes in the Houston suburbs – this was near Cypress), that took hours to smooth, dry, sand, and prime.

When it was time to hang the paper, I pasted and booked (folded pasted side to pasted side) and prepared to trim a bit off each edge, which is pretty standard procedure for grass, plus I had planned to trim all the strips to 34.5″, which would make all the strips the same width, which is nice with grass since all the seams are quite visible. I got one seam that looked great. But there was some warping in the material, but I was able to smooth it out.

But when I tried to trim the next strip, the folded edges did not line up, no matter how many times I rebooked it. If the edges don’t line up perfectly, you will not get a straight cut. I dicked around with it for a while, but eventually had to get the strip on the wall, or it would become unusable – and we did not have even one extra strip.

I decided to use the factory edge and leave the strip it’s full width, which was going to screw up my balanced widths of 34.5″. I soon learned that unequal widths of strips was one of the least of my woes that day…

The paper backing had absorbed moisture from the paste, and the whole strip had warped out of shape. No way would the edge butt up perfectly against the previous strip. In the end, I got most of the strip butted and smoothed, but the bottom 1′ or so insisted on overlapping onto the previous strip, so I took a straightedge and very sharp razor blade and cut away the overlap.

This turned out to set the mood for the rest of the job. All the subsequent strips warped significantly, not matter how long or short I booked them. No way would the seams butt up. So I ended up overlapping all the seams and double cutting – the industry term for splicing.

This is not as simple as it sounds, though. For one thing, the newly smoothed wall was soft, and you don’t want to cut into it, or when the paper dries and shrinks a little, the torque it creates can actually pull the wall surface apart, resulting in a curled seam that cannot be pasted back.

So I ran out to my truck and got some special polystyrene strips that are 2″ wide and are placed behind the seam, to protect the wall from the cut. I also grabbed a really nice straightedge that is made just for this purpose, with a handle and a non-slip surface. And some blue plastic tape, because I had to protect the bottom layer of grasscloth from the paste on the strip that was to be overlapped on top of it during the double cut. This is important, because any paste that gets on the surface will stain grasscloth – you have to work absolutely clean.

All three of these special items, by the way, were invented by fellow paperhangers, and fellow members of the Wallpaper Installers Association.

Positioning all these materials took a lot of time. Making the cut itself was intricate, because I could get a good position on it for only a foot or so, then would have to climb down and move the ladder over a little, so I could get right in front of the next couple of feet as I worked my way down the 12′ high strip. Also, two layers of grasscloth are quite thick, and it takes a lot of pressure to do so – while trying not to push myself away from the wall and onto the floor. And you only get one chance to cut, because multiple swipes result in a jagged and ugly seam.

Once the cut was finished, I had to go back and remove the two excess pieces, and the polystyrene strip, and the blue plastic tape, all the while making sure that no paste got onto the surface of the paper. Finally I could take my tool and smooth the two edges together. Double cutting does make a beautiful and perfectly butted seam. But, boy, it sure does take a lot of time, effort, and you need the right equipment.

Including prep and installation, this one accent wall with just six single rolls of grasscloth took me a full 12 hours.

So the seams were nicely butted. But, as you see in the photo, the grasscloth displayed the typical color variations that I find so displeasing. We call it shading and paneling. In the top photo, you can clearly see a difference in color between the two strips, even though they are from the same batch. The second photo shows a little more of this. The third photo is dark, but if you look closely, you can see three strips (two seams), and the slightly darker area along one edge, which is quite noticeable because it butts up against the next strip which is lighter in color.

All reasons why I dislike real grasscloth. The faux products are much more uniform, and seams can be invisible.

In addition, this is a pretty finely textured grass, and on a large, tall wall like this in a large room, I really don’t think the texture shows up very much, unless you are standing right at the wall.

The grasscloth product is by Brewster, and the interior designer on this job is Pamela O’Brien of Pamela Hope Designs.