Pedestal sinks (and toilets ) are tricky to hang wallpaper around and behind . Over-working or manipulating the paper to fit and then trim around curves like this can cause tears , creases , or burnishing , among other issues . Also, if there’s a cut edge along the top of the sink / vanity , if water splashes , it can be wicked up by that cut edge , sucked up into the wallpaper, which can cause curling at the seams and / or delaminating of the paper . So , instead of being trimmed / cut along the top, best if the wallpaper can go behind the sink / backsplash.Here’s the 1/4″ or so gap that I’m going to work the wallpaper into. Rather than trying to wrestle a 9′ strip of 27″ wide wallpaper down the wall and around this sink , it made sense to cut the strip horizontally at a point just below the top of the sink . I’ll piece the bottom section in shortly.Sometimes, pedestal sinks are adhered to the wall with caulk , and cannot be moved. But today I got lucky. I was able to go under the sink and loosen the bolts , one on either side, ( see photo ) holding it to the wall . This is not easy – you’ve got to have small hands , good eyes , good light , a plumber’s wrench , a box wrench , or a pliers – whatever works! And not undo too much, because you don’t want to dislodge the system ( toggle bolt ) that’s holding the bolt in place. After all that, loosening this bolt gave me about a whole ¼” area of play . Still, I was able to carefully and slowly work the wallpaper behind and around the sink , without significant creasing or damage . See second photo .
The pattern is called Cornflower and is by Rifle Paper , a brand by York , one of my favorite manufacturers. Rifle Paper is usually a user-friendly non-woven material , also called paste-the-wall …. although can sometimes surprise you with traditional paper wallpaper instead of N-W .
Before. Good colors. But nothing inspiring. Done. Boy, this paper really visually pushed the walls away and made the room look larger ! Easy on the eye tone-on-tone pattern , lighter colors , and a teeny bit of gold sparkle .
Note the 5/8″ high strip of wallpaper under the medicine cabinet on the left.
Because those faucet handles sit up so high above the backsplash , it’s likely that when people reach for the handles, water will get splashed onto the wallpaper . To prevent splashed water from wicking up under the wallpaper – which could cause the paper to expand and curl away from the wall – I ran a bead of clear siliconized caulk along the top of the backsplash . The color is skewed in this shot, but you get an idea of the tropical foliage and pattern scale . Toile is a French word for a sort of pen and ink drawing in one color on a background that may be colored or may not be.Close-up , showing a truer color . Note the palm trees and the monkey . This material has a woven -look textured surface , and it mimics fabric . I almost felt like I was install ing linen , instead of wallpaper . The brand is Rasch , a company out of Germany . Their papers are consistently nice to work with. This one was unexpectedly thin and flexible . It’s textured vinyl on a non-woven substrate . The vinyl makes it durable and stain-resistant , and the NW makes it easy to remove later when you’re ready to redecorate . The seams are positively invisible. This powder room on the first floor just off the home office / study comes complete with a shower . Just for fun – one of the obstacles in this room was this rain shower head – sticking out right where I need to be on my ladder , and keeping me from reaching those walls . On top of that, the faucet handles also stuck out much further from the wall than most do. While priming the walls, as I was climbing down from the ladder , my clothing actually got entangled in the handles and – turned on the water ! Yes, I got a shower at work today ! The home is in the Woodland Heights neighborhood of Houston .
Yesterday’s install was quite fun, but there were some unusual or challenging features to the room. Here are some of them. First, in most areas, the chair rail had a sort of gap between it and the wall, probably then filled in with caulk. I used some craft paint from Texas Art Supply to color that in, so there wouldn’t be white showing between the dark green paint and the black wallpaper. My usual trim guide (not pictured) is thin, designed to allow you to cut very close and tight to the edge. But in this case, I was afraid it might leave some of that gapped area showing between the paper and the wood trim. So I used this steel plate tool, which is thicker and would allow me to get a fat cut – just enough paper left to wrap a teeny bit onto that gap area. Note that before I trim, I’m going to press that edge into the corner. I couldn’t hold the camera and hold it in proper position at the same time. Also, you’ll notice the rolled edge at the top of the tool. That’s thicker, and allows for getting an even fatter cut, for instance, when you want just a tad of paper to wrap around a corner . Do a Search to see my previous post about this technique. Here I’ve made the trim cut and am peeling away the excess that was trimmed off at the bottom. See how the bottom edge of the wallpaper now wraps a tiny bit and fills the gap neatly?Next issue – wall height. On this wall, the height is 3′ + 30.5″But on the opposite wall, the height is 3′ + 29.75″. This means that you can expect the ceiling to move up or down, which means that a pattern motif – let’s say one of those cute chameleons – could get his head chopped off by the descending ceiling. Next issue – bowed wall. Here my yardstick is sitting pretty squarely against this wall, in a corner . But as I move it up the wall a little further – wow! – that wall takes a dip to the left. And it’s quite a dip! The wall has a bow in it. I can get my next strip of wallpaper to cover that space. But the fallout will be that pattern motifs will hit the wall at different points, which means that the next piece to be placed after that, the pattern will not match perfectly at all points. All right. So that previous corner had a bow. This one is out of plumb. Here you see my laser level showing that my wallpaper strip is hanging nice and plumb.But move the laser to the corner and you see that it’s out of plumb .Here’s a better example. Again, this causes the pattern to not match perfectly in the corners. Another shot of the bowed wall, which, for various tech reasons, due to Word Press ‘s crappy New Editor , this shot got out of order and I was not able to place it with the others under the topic. Papering around the electrical outlet , I had to unplug my light source. There was light coming in from the hall. But this paper, as well as the paint, were so dark that I couldn’t see well to work. Enter my Big Larry flashlight .Small enough to fit in my toolbox , but really bright and dependable for when you need it. The pattern is called Fantasy Tree and is by Breeze and was purchased through one of the showrooms in one of Houston’s decorative / design center s. It’s a nice non-woven material , easy to hang , easy to remove , durable and stain-resistant .
Here, I’m hanging paper from right to left, and have just come around a corner , which is in the center of the picture. You almost never wrap wallpaper around an inside corner . Corners are never straight , and the paper will buckle in the corner . And the edge will not be straight , nor plumb , and thus the next strip won’t butt up perfectly against it . And it’s also probable that the strip will torque off either up or down, causing your pattern to creep up or down the ceiling and floor lines. The answer is to stop the strip of wallpaper in the corner , and cut a new piece for the subsequent wall. But you can’t just trim tightly to the corner. Because most likely there will be gaps (remember I said that corners are never straight?), so some of the wall will show. So what you do is wrap the paper just a teeny amount around the corner , and then overlap your new piece over that. This does mean that you will lose some of the pattern in that overlap. I can’t stand that pattern mis-match, so most of the time, the way I do it, I’ll take a fresh strip of wallpaper for the next strip (to be placed on the left in the photo) and trim it so the pattern matches as perfectly as possible. But I’m getting ahead of myself. Back to the fat cut … In the photo, I’ve cut my strip on the left 1/2″ wider than needed to fit this wall. I don’t want this 1/2″ of wallpaper under my overlapped new strip, because the leaves a visible ridge. But you do want a little underlap, because you need that to prevent a gap from showing in the corner. So in the photo, I’ve trimmed off most of that 1/2″ and trimmed it down to an unnoticeable 1/8″. How on earth can you get a trim that thin and that consistent?!I use this handy metal plate with a rolled edge (on the left). This plate has bends and other edges of other thicknesses , rounded edges , won’t leave marks on wallpaper, so it has many uses.Here’s a close up of the trim guide edge that allows for that 1/8″ fat cut . Back side of the plate. (Don’t mind the blue tape – it’s just there temporarily.)This edge is a little thinner , and would cut too close for use in a corner. But it does have a use if you need a trim in an area where you don’t want the paper trimmed tightly into the edge / corner. You’re looking at where wallpaper meets crown molding. This join edge has gaps between the molding and the wall in some areas, and other areas have gunk and uneven areas. Trimming with my usual trim guide would cut too close and let some of these icky things show. So here I’ve used the thicker trim guide. As you can see, it allows the wallpaper to wrap ever so teeny much of a bit, so it covers the bad area, but doesn’t creep onto the molding. Here’s another example, along door molding. At the top, I used my usual thin trim guide (see below). But this allowed a bit of a gap to show, due to decades’ build up of paint , caulk , dirt , etc. So, midway, I switched to using the steel plate as a trim guide. This made the cut just fat enough that the wallpaper wrapped a hair and covered the icky area. Here’s my usual trim guide . I’m guessing it’s about 9″-12″ long . You can see that the edge is very thin . In most cases, this is ideal, because it allows for good, tight trims right smack into corners and edges. That steel plate shown above was invented by a colleague in the Wallcovering Installers Association ( WIA ) . They are all the same length, but they come with three different degrees of angles , and can be used for lots of wallpaper installation tasks . The colleagues has them manufactured and then sells them to us paperhangers . She sells other cool tools , too. If you’re interested in purchasing any of these , or seeing what else she has, go here https://www.facebook.com/customwallpapertools or here https://www.wallpapertoolstore.com/?fbclid=IwAR2NFrG2gWSzNClNMB0gHDiQHbnkhyNhthaOFQaK8MCaU7rBYVQhYQkO0nc Her name is Eunice , so we call them EuniTools .
Walls were originally a light tan , with a poor texture job , too much caulk along the top of the backsplash , and later it was discovered that someone had painted (several layers ) on top of wallpaper . Same area after I’ve skim-floated and sanded smooth , then primed with Roman Pro 977 Ultra Prime made specifically for use under wallpaper . I have Murphy Brothers paint store add a little blue tint so I can see where I’ve rolled it on. Finished!Such a happy pattern to look at – swirly , nods to foliage and ferns , crisp . Yet not too busy , due to the 2-tone color palate and the tight, overall design .Close up. You get the feel of a watercolor artist / painting .The design matched up perfectly in the last corner . This only happens about once in every 10 years! In addition, what’s even more astounding is that EACH of the four walls in this powder room was EXACTLY the width of two strips of my Serena & Lily 27″ wide paper + expansion. The strips fell in EACH corner ABSOLUTELY tight and straight. I’ve had perfect kills before, but never had paper fall in the corners with no need to wrap or trim. I know that’s a little techy for the non-professional reader to grasp. But just know that it was a room and a day full of almost paranormal-grade coincidences , math , and execution . Pattern is Priano and is made by Serena & Lily , one of my favorite companies. This is the home of a young family in the Spring Branch area of Houston .
The walls in this powder room have a sort of sad and even hopeless feel about them. It’s hard to put my finger on exactly why.The bottom edge where the wall meets the baseboard looks uneven and unstable, with and odd lip running along the top of the baseboard. And a lot of it has to do with the dull color, and the thick layer of gummy latex paint. The gloss finish adds to the tacky look. It also doesn’t help that there is a lot of lint and other stuff stuck in the paint, creating a gritty and uneven wall surface. Oh, and the texture that was rolled on is irregular and icky.There was a lot of globby stuff – caulk and some loose edges – along the edge of this vanity. I took a razor and putty knife and dug out what I could. And note the ridge along the top of the baseboard. Can’t expect wallpaper to grab ahold and adhere to that.Likewise there was a lot of caulk along the top of the vanity backsplash. I dug out what I could of that, too. And finally I figured out what was causing a large part of the problem … The room had been wallpapered previously. So when it was decided to paint the room, instead of stripping off the paper as they should have, they just painted over it. To me, it looks like there are several layers of thick latex paint on top of the wallpaper. Yep. Sure enough! Along the electrical outlet you can clearly see the old wallpaper under all this mess. As you can see, the latex paint is not adhering tightly to the old wallpaper. The wallpaper looks like it could be vinyl … and not much sticks well to vinyl. Think Colorforms. Stripping off all this paint and the wallpaper under it would make a HUGE mess. So, short of re-drywalling the whole room (and the rest of the house, which has the same treatment), there’s not much that can be done to ensure that the layers inside this wall are stable. I dug out caulk and pulled off any loose areas. Then I skim-floated the whole room to create a new, smooth layer on top. I’ll post more when that process is finished and the new wallpaper is up.
Here’s the wall after I stripped, sealed, skim-floated, sanded, and primed it. Finished. The birds in the pattern balanced nicely with between the ceiling line and the wainscoting. I had more success with this install than the previous guy, due to proper prep, and also the material used this time was the user-friendly non-woven , rather than the old fashioned pulp type wallpaper the other guy had to wrestle with. Strawberry Thief is a very popular pattern right now, and comes in many colorways. Do a Search here to see my other installations of this design.There were some issues at the top of the wainscoting where the painters had used tape to mask off areas, long with caulk, an it left a rather large (1/8″) unpainted area between the wood molding and the wall. I filled this in with joint compound and primed it, and wallpaper would have adhered just fine. But that would have left a white gap between the wallpaper and the green molding. I rummaged in my truck for the best matching paint I could come up with, and painted over the white edge. This would have left a bit of a thin brown line between the wallpaper and the green molding. It would have looked OK, but I had an idea to get rid of the gap altogether.If I had used my regular thin straightedge (the red one), it would have let me trim the bottom edge of the wallpaper nice and close to the wall. But that would have left the aforementioned brown line showing. So I used the metal plate you see at the upper right of the photo as a trim guide. It’s thicker than my red straightedge, and so gives a fat cut that leaves more wallpaper and less of that brown line. In fact, the left edge, as you can see, is rolled, and that creates an even thicker edge to trim against, leaving even more wallpaper at the bottom of the cut. See the photo just above, to see how the wallpaper now completely covers the brown line. These metal plates have a lot of other uses. They are made and sold by a fellow member of the Wallcovering Installers Association . She makes a lot of other cool tools, too. If you are interested, send me an email. wallpaperlady@att.net The wallpaper design is by William Morris , a famed artist of the Arts & Crafts / Art Nouveau periods . The brand is Morris & Co. This label is EXACTLY the same as the pulp material the original installer worked with – save for that one word non-woven . Be sure you get the non-woven version, which is also called paste the wall . The home is in the Heights neighborhood of Houston .
The vanity top was replaced. The new backsplash is a tad shorter than the previous one, so there is a gap above it. In addition, the original caulk is sticking out from the wall. The new wallpaper cannot go over this, because it will not sit tightly to the backsplash or wall. After stripping off the wallpaper, I used a razor knife to remove the caulk – which is harder than it sounds, because that stuff is sticky! Then I sealed the torn drywall areas with Gardz (do a Search here to learn more about that product). Once that was dry, I used joint compound to fill in the gap between the backsplash and wall. Once that was dry, I sanded smooth and sealed again with Gardz. Silly me forgot to take an “after” photo.
I’m not sure what’s going on in this corner over a shower. But it looks like maybe some foundation movement has caused shifting in the corner, and the painters have used caulk to bridge a gap. When you hang wallpaper, you don’t wrap a full sheet around an inside corner. You wrap about 1/16″ or 1/8″ around the corner, and then cut the strip in two vertically, and overlap the new cut piece on top of that 1/8″ wrap. That allows for crooked or un-plumb corners, and lets you plumb up the next strip. It also allows a little “give” if the corner or drywall should move, and prevents the wallpaper from buckling or tearing in the corner. But I was afraid that 1/8″ wouldn’t be wide enough to withstand movement, and we might end up with a gap in the corner. So I wrapped the paper a little more, like 3/8″ around the corner. Here I’m placing the next strip so that it overlaps onto this wrapped 3/8″. BTW, the gooky stuff at the bottom of the picture is the top of the shower tile, grout, and etc. It looks bad, but is actually nice and solid – and way above eye-level. Done. No worries about gaps opening up.
Before. The textured walls have been skim-floated and sanded smooth, and then primed. Welcome to the Jungle!Notice the watercolor-y look of this design. It reminds me of impromptu sketches by artists who work in “plein aire.” “Frida” by Pepper Home
The homeowner was browsing Pepper Home’s website and was instantly smitten by this rather uncommon theme and design. It’s called “Frida.” It sure is fun!
This paper is sold by the yard, was custom-printed, and came in one continuous bolt (54 yards!). It had a selvedge edge that had to be trimmed off by hand (see future posts). The inks are clay-coated, which imparts a rich matt finish, and the substrate is way better than what many other companies are printing on.
I positively loved working with it. The trim marks were spot-on, minimizing a pattern mis-match at the seams. Once pasted and booked, the material became very supple and flexible, and it could be “worked” much better than standard brands. Even better – the seams virtually melted away (became invisible).
I ran silicone caulk along where the wallpaper meets the top of the sink. This will prevent splashed water from pooling on the sink and then wicking itself up into the new wallpaper – which could cause the new wallpaper to curl and peel away from the the wall.