Focal wall before. With many patterns, the finished room looks better if the dominant features of the pattern can be centered . You may not consciously notice this, but the overall room just feels more cohesive and balanced . Here I’ve located the horizontal center of the wall , and placed the skinny tree running vertically down that line . Same thing on this section of wall, but I used the alternate tree figure, which is wider and filled the space better.
It’s kind of tricky finding the center of a design like this, because it’s not symmetrical and elements of it move to left and right , and some are wider than others. So it helps to be able to pull up a room-scale image on-line , or to lay a couple of rolls out next to each other on the floor and look at the pattern from a distance.
It was cool that this dining room had lots of individual spaces , separated by windows and doors .
And extra cool that these features reached up almost all the way to the ceiling. AND that the design was loose and flowing . That’s what allowed me to fiddle with the pattern and center the trees on each individual section of wall . Normally a pattern would have to match all the way around the room. But here you would never notice if a tree branch didn’t perfectly match the next tree branch way up 9′ high over the window that was only 2″ high .
On those short areas over the windows and doors, I overlapped the left and right strips a small amount, and then cut along one of the branches to disguise the mis-matched pattern.
Since there were two tree figures to the design , I varied what I placed in the center of each wall, to prevent every visual vignette from being the same.
It was fun plotting all this out and executing the layout . I love when my work environment is nice and quiet and I have the space and time to play around like this .
The pattern is called Luminous Branches and is by York . It’s a material made by a good brand .
Dining room focal wall before. Same wall done, with dominant tree figure positioned down center of the wall. How was this achieved? Laying the paper out on my work table, to see the pattern. Determine this tree is more vertical and visible than the more spreading trees on either side.
It helps to access the pattern on-line, to see a full-scale , room-set photo. And also to roll the paper out on the floor.
Finding the center point of this tree.
The center of the pattern is 20 1/8″ from the left edge of the paper . Since the wallpaper is 27″ wide, this places the center at 6 7/8″ from the right edge of the strip. Hold on to that / those figures!
It helps to access the pattern on-line, to see a full-scale room-set photo. And also to roll the paper out on the floor.
Now we’re looking at the wall, and the calculations I’ve drawn on it.
At the left, I’ve marked the mid-point of the wall. The mid-point is 27″ from either side. Since the center of the tree is 6 7/8″ from the right side of the wallpaper, to the right I have marked 6 7/8″ over, which is where the right edge of the wallpaper should be placed. This will land the center of the tree motif at the center point of the wall. This also works out to 20 1/8″ from the left edge of the subsequent wallpaper strip.
6 7/8″ from the right edge of the strip on the left works out to 20 1/8″ from the left edge of the strip to be placed on the right.
Confused yet? We paperhanger s aren’t just slapping paper on the wall . There is a lot of math and plotting and engineering that goes into all this.
At least the way I do it. You can call me the Queen of Overthinking . 🙂
Trimming right-hand strip to 20 1/8″ wide.
Instead of placing the left-hand strip along a plumb line at the 20 1/8″ point on the wall, and then placing the next strip to the right of it, and having to trim against that window molding, I found it simpler to pre-trim the right-hand strip to 20 1/8 ” wide, and then I could simply butt this strip up against the window molding, eliminating the need to wipe paste off the molding, and also keeping the pattern straight along the molding. But there is also that 2″ high bit of space over the window. That’s why I’ve left that little tab of wallpaper you see at the upper right of this photo.
Here is that first strip in place. Maybe now if finally all makes sense. When I put that second strip next to it, the mid-point of that tree is going to be 6 7/8″ from the edge, and will fall right at the mid-point of the wall. Remember, that was at 27″ from both the right and the left window moldings. And here we are! Measured from the right.Measured from the left. Spot on!All that math and calculating for one 54″ wide x 5′ high wall!
But look at how nice it looks with that tree down the center of the wall. Especially with the brand new chandelier hung in the middle of the room. This will be the focal point of the room, as people walk into the home’s entry .
The pattern is called Luminous Branches , and is by York.
Note that this calculating and plotting could be achieved because this product is a non-woven / paste the wall material. This stuff does not expand when wet with paste . That means that you can take measurements and trim your wallpaper , without fear of it stretching beyond where you plotted for it to land on the wall.
Tnis is a niche over some built-in storage , just to the left of the accent wall I blogged about yesterday. Here it’s been primed with Roman Pro 977 Ultra Prime wallpaper primer , and I’ve striped dark paint under where the seams of this black paper will fall.Done. An oval mirror will be hung in the center of this space. The pattern is in the Ronald Redding line by York , and is a non-woven material that is easy to install , and that will strip off the wall easily and in one piece with no damage to your wall when you redecorate . The home is in the Meyerland area of Houston .
The entire bedroom is to be wallpapered . Originally, all the walls were a soft sage green . The homeowner wants the room to be a sort of retreat . Here the walls are primed and ready for wallpaper . Done! What a fun pattern . Peacock is very popular. At first the homeowner wanted this on all four walls. But I mentioned that the circular movement of the design could be overwhelming all the way around the room. So she opted to put the bold pattern on just this feature wall, and chose something quieter for the remaing three walls. IPositioning the first strip . I plotted to have the peacock fall down the center of the wall, so it will be balanced nicely behind the headboard . Note that the center of the peacock isn’t perfectly in the center of the wallpaper, so I had to position the strip a little off-center on the wall, so the peacock’s body would hit the center point . Because this is a dark paper and sometimes the wall peeks out from between the seams , I’ve striped black paint under where the seams will fall. Not too heavy, though, because you want the wallpaper primer to still be able to do its job, part of which is to be grabbing and holding the seams down. I use a heat gun to get the paint to dry quickly. I just use acrylic craft paint from the hobby store ( Texas Art Supply , which is close to me). I daub some paint on a scrap of sponge , dip it in a small amount of water (in the Gatorade bottlecap) to dilute it a bit, and then run it down the wall, using the light beam from my laser level as a guide. I also use pastel chalk to color the white edges of the wallpaper, so they are not visible . Be sure that what you use is chalk and has no oil … oil will stain wallpaper and other surfaces (think potato chips on a paper napkin). This Rembrandt brand is oil-free. Apply from the back, getting color on the edges only, and not on the surface. This is a non-woven / paste the wall material. It’s strong and durable and stain-resistant . In addition, it will strip off the wall easily and in one piece when you redecorate, leaving no damage to the wall. installer Houston
Large powder room in 1980’s era home is prepped , primed , and ready for wallpaper .This soft geometric really brings the room up to date . Note the new green paint on the vanity .The homeowner thought I would “just start in a convenient corner.” Yes, that would have saved time. But it looks much better, don’t you think, with a geometric pattern like this, to balance the design and center it on the counter top and faucet . I also lined the bottom of the motifs along the top of the backsplash .The manufacturer is Thibaut , one of my favorite brands . It’s a traditional paper, installed by pasting the paper . This was purchased through my favorite source , Dorota Hartwig at the Sherwin Williams in the Rice Village in central Houston. She’s expert at helping you quickly zero in on your perfect pattern. Call before heading over (713) 529-6515 . The home is in the Champions area of northwest Houston .
This couple in a beautifully updated 1939 home (4-plex converted to single family) in the Montrose neighborhood of Houston loves Africa and has traveled there several times. This spare bedroom on the first floor is devoted to Africa. On the walls they have hanging artifacts from their travels. And now they have a map of the continent , front and center! accent wall Close up looks like old paper that has been folded and stashed and aged , then uncovered and now placed on the wall. The mural is custom-sized to the wall. Remember to add 3″ to both width and height, to accommodate trimming and also wonky walls. The material comes as one big roll , with six panels all in one long piece. You have to unroll the whole thing and cut the panels apart . Note that five panels are 19″ wide. But that sixth one on the far right is only 16″ wide. I have cut off the 3″ overage. So when you’re plotting your lay-out, don’t go assuming that you will have six panels of the same width. That last panel is going to be whatever it needs to be, to custom-fit the size of the wall. Here, I’m laying the panels out to compare dimensions of width and length with those of the wall . Also checking to be sure the sequence of panels is correct. Note the diagram provided by the company on the white sheet of paper at the top of the photo. Here’s a close-up of the diagram / install instruction sheet . The mural is by Rebel Walls , a part of Gimmersta . I love their hundreds of selections, their material , quality , and excellent customer service. This particular mural is called World Map . I’m not sure, but it may come in other colors . Here’s the mock-up the company sent. The homeowner requested that Africa be placed in the center . You see what a good job Rebel Walls did with that. The mural that we received was actually a little smaller, and didn’t contain that much of America on the left, nor the far right sides of the countries on the right. Interestingly, the mural doesn’t meet up with itself. In other words, you can’t place two murals side-by-side. Look at the left, where America is. There’s only the eastern half of America. But there is no connecting western half of America on the right side of the mural. So you couldn’t order several of these and place them next to each other, to go around a bedroom , for instance. This may be because the mural was designed to fit one wall only , and to focus on Africa . It’s possible that the same mural is available so that it will connect to itself, and so that you could use it all the way around a room.According to the shipping box, Rebel Walls is also connected with Sandberg , another manufacturer of fine wallpapers . This stuff comes from Sweden . It is a non-woven material and can be hung using the paste the wall method . I often prefer to paste the paper , but on this simple accent wall, I did paste the wall . Saves space, because I don’t have to set up my big table . Non-woven wallpapers don’t expand when wet with paste like traditional papers do, which is a nice advantage for many reasons. They also are durable and stain-resistant . And are also designed to strip off the wall easily and in one piece, and with no damage to your wall when you redecorate . Non-woven is MUCH better than the false-hopes peel & stick material being pushed by some mfgrs today. Click my link to the right. Rebel Walls also includes special paste for this non-woven paper. This is important, because some other types of paste have been known to stain N-W’s, also called blushing – paper looks wet in areas, but never dries out . It’s believed that excess moisture is a reason for this staining / blushing . Which is the main reason why I don’t used the paste provided by RW. If the powdered substance has to be mixed with water to turn into paste , it stands to reason that it can be too liquidy and could bleed through the surface of the wallpaper, causing staining. I prefer a pre-mixed paste made by Roman called 780 . You can also use Roman 838 . These both have lower moisture contents, and have good record of not staining wallpapers . Most Sherwin-Williams stores carry these pastes. But call first!
Yesterday’s install was quite fun, but there were some unusual or challenging features to the room. Here are some of them. First, in most areas, the chair rail had a sort of gap between it and the wall, probably then filled in with caulk. I used some craft paint from Texas Art Supply to color that in, so there wouldn’t be white showing between the dark green paint and the black wallpaper. My usual trim guide (not pictured) is thin, designed to allow you to cut very close and tight to the edge. But in this case, I was afraid it might leave some of that gapped area showing between the paper and the wood trim. So I used this steel plate tool, which is thicker and would allow me to get a fat cut – just enough paper left to wrap a teeny bit onto that gap area. Note that before I trim, I’m going to press that edge into the corner. I couldn’t hold the camera and hold it in proper position at the same time. Also, you’ll notice the rolled edge at the top of the tool. That’s thicker, and allows for getting an even fatter cut, for instance, when you want just a tad of paper to wrap around a corner . Do a Search to see my previous post about this technique. Here I’ve made the trim cut and am peeling away the excess that was trimmed off at the bottom. See how the bottom edge of the wallpaper now wraps a tiny bit and fills the gap neatly?Next issue – wall height. On this wall, the height is 3′ + 30.5″But on the opposite wall, the height is 3′ + 29.75″. This means that you can expect the ceiling to move up or down, which means that a pattern motif – let’s say one of those cute chameleons – could get his head chopped off by the descending ceiling. Next issue – bowed wall. Here my yardstick is sitting pretty squarely against this wall, in a corner . But as I move it up the wall a little further – wow! – that wall takes a dip to the left. And it’s quite a dip! The wall has a bow in it. I can get my next strip of wallpaper to cover that space. But the fallout will be that pattern motifs will hit the wall at different points, which means that the next piece to be placed after that, the pattern will not match perfectly at all points. All right. So that previous corner had a bow. This one is out of plumb. Here you see my laser level showing that my wallpaper strip is hanging nice and plumb.But move the laser to the corner and you see that it’s out of plumb .Here’s a better example. Again, this causes the pattern to not match perfectly in the corners. Another shot of the bowed wall, which, for various tech reasons, due to Word Press ‘s crappy New Editor , this shot got out of order and I was not able to place it with the others under the topic. Papering around the electrical outlet , I had to unplug my light source. There was light coming in from the hall. But this paper, as well as the paint, were so dark that I couldn’t see well to work. Enter my Big Larry flashlight .Small enough to fit in my toolbox , but really bright and dependable for when you need it. The pattern is called Fantasy Tree and is by Breeze and was purchased through one of the showrooms in one of Houston’s decorative / design center s. It’s a nice non-woven material , easy to hang , easy to remove , durable and stain-resistant .
Before. Heavily textured wall has been skim-floated with smoothing / joint compound and then sanded smooth , and then primed with Roman Pro 977 Ultra Prime wallpaper primer . I’ve run a narrow line of dark green craft paint along the top of the chair rail / wainscoting , due to uneven edges . More on that in a soon-future post. Sink wall is done. Pattern is centered nicely on the faucet and in between the electrical boxes for the new sconces – They haven’t arrived yet and will be installed in a few weeks . The homeowner’s carpenter created this beautiful wainscoting out of 3D block paneling , and then painted it a rich dark hunter’s green . Right now there’s some sanding dust collected on it, plus bad lighting . In person, it’s gorgeous . The same company did a fantastic paneled wall / fireplace surround in the family room (not pictured) . Back to wallpaper … This shot is pretty color-accurate. I love the way the dark wallpaper coordinates with the green paneling . The pink and orange flowers , as well as the row of purple foliage , really stand out against all the dark . Close-up looks like an artist’s painting . Besides centering the pattern on the sink wall, the dimensions worked out so that I was able to balance the chameleons between the ceiling and chair rail , one just below the ceiling and the one here just above the chair rail. So no critter got cut in half . This product comes as a 2-strip (roll) set , with an “A” strip and a “B” strip in each box. Together, the two strips equal just a hair under 6′ wide , and a little over 9′ high . Here I’m rolling out the two strips so I can gauge the pattern , measure width and height , and plot the layout on the wall. Sobering fact: Each 2-strip set (one “roll”) cost about $500. This room used four of those sets. I always try to keep that in mind when working with people’s purchased wallpaper . OK, this damned Word Press blog account has AGAIN (2nd time in two nights!) deleted paragraphs that I spent a lot of time typing. I can’t recreate all the info I put into that lost post, but below I will try to include some of the important points. First and foremost – since the switch to the New Editor back about 2015, I pretty much HATE WORDPRESS . Anyway, here the company is providing a mock-up of what the “A” and “B” strips look like. The mock-up above shows the two panels next to each other. Since this is essentially a mural and the pattern doesn’t repeat vertically as more typical wallpapers do, you can plan on getting only one strip out of each panel. These walls are 6′ high , and the panels are 9′ high. So you’re losing 3′ with every strip. Further, the area over the door needed one panel that’s 2′ high. But an entire 9′ panel was needed for this, to get the 2′ high strip. So 7′ are going into the trash. Add to that, since this product comes as a 2-panel set , the homeowner had to buy a 2-panel set (at $500), even though only part of one panel would be used. This means that 1 + 2/3 9′ long panels were purchased but not used. Also, because this comes in panels instead of traditional rolled goods, there are no “extra” strips. This means that I can’t make any mistakes. Nothing like a little pressure while trying to install wallpaper ! No fears … this pattern and material went up nicely, and we had just enough paper to git ‘er done. Manufacturer is Breeze and the pattern is called Fantasy Tree . It was purchased from one of the show rooms in one of the Design / Decorative Centers in central Houston. It’s printed on the user-friendly / DIY – friendly non-woven material , which can be hung by pasting the paper (which I prefer) or the paste-the-wall method . It’s designed to strip off the wall easily and in one piece with no damage to the wall when it’s time to redecorate . Definitely better than peel & stick (click my link on the right to read more about P&S ). The home is in the Oak Forest / Garden Oaks / Heights neighborhood of Houston .
Oh, my! – I hung lots of these chintz florals, ” satin ” look (the design of the dark green at the bottom of the wall), and dark colors back in the ’90’s . Sure enough – this home was built and wallpapered in 1994. IIt’s still a good look, IMO, and the homeowner still likes it. But she’s just gotten tired of it. So – time for an update ! She also decided to eliminate the chair rail , so the new wallpaper will go ceiling to floor . Here you see some damage to the drywall where the chair rail molding was removed . What a change! Now the room’s look is quiet and fresh . The buffet , topped with a decorative mirror , will go on this wall . That’s why I centered the pattern in between the windows , so it will fall evenly on either side of the furnishings . I also plotted so that a full “Moroccan lantern” (that’s what this style of trellis pattern is called), would balance out between the crown molding and the window molding. There were several of these 12.5″ high areas all around the room, so this placement of whole “lantern” motifs gave the room a pleasing look. It also worked out that the lanterns were evenly placed and kept whole between the crown molding and the baseboard. See the second following photo to see what I’m talking about As a note – just this one window wall took me about five hours to measure , calculate , and hang . Getting the pattern to go over, around, and under the two windows , and still line up and match correctly , took some time and futzing. The material was thick and stiff , and a bit tricky to fit into corners and trim around the decorative window molding . In the foreground you see my work table area . The homeowner has let me put protective padding on her dining room table and then set my work table on that. This saves space and allows plenty of room for my ladder and other tools as I work around all four walls. So that I could center the pattern on this wall , I had to start hanging my first strip in the middle of the wall. I was lucky this time, that the pattern was centered exactly on the edge of the wallpaper roll . Sometimes (as in the one I did yesterday – see previous post ) the center of the design motif is a to the right or left of the edge of the wallpaper . This, naturally, means you’ve got to do more measuring and plotting and double-checking , to be sure the center of the design falls down the center of the wall . Back to the photo above … that dark block on the right side of my work table is my laser level. It’s shooting a perfectly plumb red line onto the wall. Here I’m lining up my first strip of paper butted against this red line . Switch topics … Back in 1994, the original installer did a very nice job of hanging the wallpaper. But … he didn’t prime the new drywall first. That lack of primer / protective layer means that the wallpaper will actually bond to the drywall. I tried, but was unable to get the existing wallpaper off . Eventually, you need to factor in time , damage to the wall , paste residue left on the wall, and take a different tac if called for. So I skim-floated over the seams , so they wouldn’t show under the new paper , and also floated over the damaged drywall where the chair rail had been removed . Sanded smooth , and then primed the patched areas as well as the original wallpaper, with Roman Ultra Prime Pro 977 . This stuff will adhere to the light acrylic (slick) surface of the original wallpaper, as well as protect it from moisture from my paste on the new wallpaper. ( Moisture could cause the underlying original wallpaper to expand , creating bubbles that will look bad, or loose areas that will pull away from the wall, creating a bubble or pocket.) My primer is also lightly pigmented, so it helps block out the dark color and busy pattern of the original wallpaper . This particular new wallpaper is quite opaque , but not all of them are, so a pigmented primer is important , IMO . Left corner of the buffet wall. Here you can see how the lantern motifs are placed between ceiling and floor. The background has a lightly mottled effect, that mimics grasscloth a bit, and also adds more depth and warmth than just a plain solid color . Been havin’ more than a fair share of defects lately, especially this week. This paper had on both front and back sides, incidences of these black flecks . They seemed to be maybe charcoal , so I wasn’t too worried about their black bleeding through to the surface , like ink or any oil-based substance will do. Most of them were embedded in the material itself, so could not be wiped off , nor dug out with a razor blade . Some I had to cut around and discard the affected paper. Others were so small as to not be noticeable once the paper was up on the wall and all the furniture and artwork was back in the room. There was also one 3′ section of wallpaper that had an odd streak or arc running across it. It wasn’t ink . It was more like some kind of compromise to the substrate . I noticed it was I was pasting the back of the paper . I turned it over and, sure enough, you could see it a little on the surface. (see photo in previous post) It’s the kind of thing that was subtle, but would catch your eye when looking at the wall from a distance . It was minor , but I discarded that strip . Good thing I have the homeowners purchase a little extra wallpaper . The manufacturer is Designer Wallcoverings , which is a good quality brand (aside from the printing defects I described earlier ). It was a non-woven / paste the wall material , which is pretty user-friendly . It will strip off the wall easily and in one piece when you redecorate . Stain-resistant , and ” breathable ” in humid conditions . The home is in the West University neighborhood of Houston . Dining room installer
I’m fixin’n to hang faux grasscloth on this accent / headboard wall in a master bedroom in the Spring Branch area of Houston. The textured wall has been skim-floated , sanded smooth , primed , and is ready for wallpaper . The material is 20.75″ (20 and 3/4″) wide . So here I’m measuring off how many strips of wallpaper I’ll need. I’ve counted out seven strips across the wall, and have come to my last (8th) strip. Look at my pencil mark – it’s at 21.” Remember that the paper is 20 3/4″ wide. This means that, to cover that last, scant 1/4″ width , I’ll have to use a ninth strip. Which will be a whole 9′ high strip that’s 20.75″ wide. Useing a 1/4″ wide strip off a 9′ long length leaves us with a whole lot of waste – paper / square footage just going into the trash. This is, again, why you should not purchase wallpaper based on square footage. It’s more a matter of determining how many strips you will need – factoring in the pattern repeat, etc. Even better , have the wallpaper installer make a site – visit and calculate for you. Going a step further … Since this is a (faux) grasscloth and has not pattern match , the seams will all be visible . So we try to balance the panels on the wall. Meaning, the wall will look better with panels of equal-widths, instead of, for instance, eight panels at 21″ wide and one at 1/2″. For the record, it also looks better to not have a seam fall at dead-center on the wall. Better to have that center panel straddle the mid-point. With this particular install, that’s what I chose to do. I took the first (let’s just call it 21″ wide for ease) … I took the first 21″ wide panel and used my laser level to line it up so 10 1/2″ fell on either side of the center line on the wall. So, this first panel was straddling the center line. From there, I used full-width (21″) panels one either side. Until I got to the last panel on the left, and the last one on the right. These two ended up each being about 15″ wide. So I had seven panels that were 21″ wide, and then two flanking on either side that were 15″ wide. This gave the wall a nice, balanced, uniform look. Yes, I could have hand-trimmed each strip to 19″ wide or whatever the math would have worked out to. But my option was simpler, faster, maintained uniformity between the majority of the panels, as well as uniform width on the two outer panels, eliminated the worry of gaps at the seams due to unevenly trimmed rigid vinyl goods, and the 6″ width difference wasn’t very noticeable. And, also, since this was a faux grasscloth and color variations were minimized, you could hardly see the seams, nor the width of the panels, anyway. From 5′ away, this wall looked perfectly homogeneous .
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