The homeowners had this elegant wainscoting added to the bottom of their dining room when the house was built . But for seven years, the room was bland and boring . The new crystal chandelier adds glamor , but the room is still lacking .
Wallpaper to the rescue! Now there’s soft color and soft pattern . And a little gold shimmer !
I’m encouraging the homeowners to paint that band of wall under the tray ceiling a very soft aqua color, to meld with the misty feel of the wallpaper .
It’s a soft aqua color , but enough to stand out against the woodwork . Now you see the beautiful moldings and trim work . South wall beforeSouth wall doneI positioned the tree pattern to fall down the mid-point of this space between the two windows . This shot with the chandelier dimmer turned down allows you to see the pattern more fully.
This wallpaper pattern is called Luminous Branches and is by York , one of my favorite brands , in their Designer Series line. The material has a slight raised / embossed / textured effect. It’s a non-woven product, so is strong , durable , stain-resistant , and designed to strip off the wall easily and in one piece and with no damage to the wall when you redecorate later. Non-wovens can be hung by the paste the wall method , but I generally prefer to paste the paper . NW requires no booking / soaking time , so they install a little faster , with no worries about shrinking or gaps at the seams . In fact, the seams are near-invisible . The home is in the Braes Heights area of Houston
Breakfast nook “before” is bright and airy – but washed out and uninspiring. The vertical tan lines are paint I’ve striped under where the seams will fall, to prevent the light colored primer from peeking through. “After” has warmth, life, and a cheery feel. With a little color contrast, now you can see the detailed woodwork and window molding. The paper has a bit of a tropical, thatched roof, Ernest Hemmingway, sort of feel. Note I’ve balanced / centered the pattern so it falls evenly and equally on either side of the window . Note how perfectly the motifs fill the space above the windows, as well as below the windows. It’s a minor thing that you don’t consciously notice, but it gives the room a grounded , balanced feeling . Another angle . The chandelier is a major feature in the room. I love the way the chunky beads repeat the color and theme of the white pattern in the wallpaper. Unlike most wallpapers that come in rolls of standard sizes , this material comes in continuous yardage on one huge (and HEAVY ) bolt . The height of the motifs perfectly fits the space between the window and the crown molding . No flower tops got chopped off in this room !There are five windows. This is the area between two of them, including an obtuse angle . It took a LONG time to get the paper around all five windows, keeping the pattern intact . Close-up showing the texture . This is a paperweave , which is similar to a grasscloth , as both are natural fibers and materials . Because this paper weave is woven, instead of having stiff, straight strands of grass crossing the wallpaper , it was a lot more flexible and workable than regular grasscloth .The space over the door molding was just 4 1/16″ high. The flower motif fit in here perfectly . You can see along the seam in the center of the photo , that some of the fibers may try to come off the backing , especially at seams and areas where you’ve cut into the material , such as trimming around window moldings and other obstacles . This is pretty minor . Overall, the seams are virtually invisible . One other thing I didn’t like about this paper is that, after the wallpaper was made, the color was applied to the front, like paint . This made the color subject to abrading or flaking off under even light rubbing . It would have been better IMO to have dyed the fibers and then sewn / glued them on to the paper backing . Then the color would go all the way through. Not a biggie – you just have to work slowly and carefully and gently. Oh, and you can’t get paste or water or fingerprints on the surface, either – because they can’t be washed off and can stain . The pattern is called Papavero and is by Casa Branca . The material has an unprinted selvedge edge that has to be trimmed off by hand, using a straightedge and razor blade . Takes a lot of extra time , and even more so because you have to press harder to get through the thick fibers than with a traditional wallpaper . A picture of my straightedge and razor blade . I’m trimming something else here (that will be blogged about later), but you get the idea . A really bad photo of a really perfect chandelier . It’s chunky , white , and the shape of the ‘beads’ repeat the flower motifs in the wallpaper. The windows will have Roman shades made of a somewhat coarse white linen type fabric , which will coordinate beautifully with the texture of the wallpaper . The home is in the Heights neighborhood of Houston .
The homeowners knew they wanted something brighter for their entryway . But their paint samples tested on the wall were falling flat.Wallpaper was the answer! Brighter and more personality and interesting than paint of the same color .Here’s a better shot showing the actual color . And here it is with my 100-watt light bulb gone and the room’s chandelier providing the light . This is a stringcloth material . Note that, just like grasscloth , another natural fiber material , you will see the seams a bit. On this one, the heavy inked areas of the white berries showed more than the background areas . From a few feet away, none of this was visible. Close-up showing the texture of the strings and the thick ink . I do think this will have some sound-reduction qualities ( absorb noise ). Also a note … cats and even dogs love to scratch or chew textured fibers like this.Rolling it out on my work table. The rolls / bolts were really heavy . Made by Wallquest in their EcoChic line. The home is in the Tanglewood / Galleria area of Houston . installer
To make room for a new baby, little Henry is moving from the nursery to this room. So the the grown-up furniture, the frou-frou chandelier, and the pink wallpaper have to go!He was very excited to see the new accent wall, covered with a map showing fun places to visit and the animals that inhabit them. The muted colors meld beautifully with the décor in the rest of the house. North America. Henry knows the names of many of the animals on the map.EuropeExotic lands, exotic animals. The mural pattern is called Animal World . The color is Mint .Rebel Walls is one of my favorite mural manufacturers for typical use. Their budget-friendly products can be custom-sized to fit your particular wall / room . They print on a lovely non-woven stock, which is durable and will strip off the wall easily and with minimal damage to the wall when you want to redecorate. It can be hung by pasting the paper or by pasting the wall . Today, I chose to paste the wall . The home is in the Tanglewood area of Houston . rebelwalls.com
This is a 2-room powder room in the Memorial Villages area of west Houston. The home is new and openly spacious, but has many classic elements like very elegant moldings and trim work. I absolutely LOVE this 1890’s Victorian era marble sink with metal legs – a lucky eBay score. The homeowner has young kids and an active family and wanted to do something ” wild ” in the powder room. I’d say this Wonderland pattern fills the bill!The look is especially effective due to the homeowner’s bold choice to paint the woodwork this rich mustard ochre color. Looking from the sink room through the arched doorway into the potty room. Cute, cute pattern! And lovely material to work with. The glass flower light sconces are vintage, too, dating to the ’50’s or ’70’s. A similar-themed glass, floral, and brass chandelier will hang in the adjacent potty room. This is the mirror that will go up, almost touching each light sconce on either side. The grey tones in the mirror look super good with the grey marble vanity / commode sink. Manufacturer is Borastapeter distributed by Brewster , both fine companies. It’s a non-woven material and can be hung by the paste the wall method or by pasting the paper. The original wallpaper came from Finest Wallpaper in Canada, a good company. But the homeowner ordered half of what was needed, and was not able to get more in time for our install date. I suggested she call Dorota at the Sherwin-Williams on University in the Rice Village (713) 529-6515) and, sure enough, she found a source that had the paper in stock and could get it here lickety-split. This is the second time I’ve hung this paper in one week, and I’ve hung it several times previously and have it coming up again – always in this dramatic and colorful black version. People sure love the whimsy of frolicking frocked pigs!
Originally, the homeowner wasn’t “really” thinking about adding wallpaper to her master bedroom. But, in the back of her mind, she must have been “kinda” thinking about it, because, after I finished measuring several bathrooms in the home and was poised to leave, she hauled me into the bedroom and asked what could be done to create more of a haven.
I pulled out some samples of patterns I have hung in other homes, and she immediately zeroed in on this one. My sample was the navy blue colorway, but she grasped that wallpaper comes in different color options, and was able to envision this in a softer color to coordinate with the rest of the walls. (Note that that hot pink is a protective plastic sheet – not the color of the headboard!)
To me, the pattern looks like architectural details from old Roman ruins. The distant photos distort the design a bit, so please look at the close up to get a better idea.
Usually I will place a design like this in the middle of the wall. But in the case of this 18′ wide wall, the bed was not centered on the wall, nor was the chandelier. In addition, there curtains on either side of the wall that obscured the corners.
So I opted to center the circular design motif on the chandelier. This meant the bed had to be moved to the right … a whole 3″. This way, as you walk out of the master bathroom, you see the chandelier, the headboard, and the wallpaper design all synced up vertically.
The pattern doesn’t hit the wall uniformly on the right and left sides of the wall, but the drapes cover that. And, on a wall this wide with lots of furniture in front of it, who cares, anyway?!
The wallpaper is by Designer Wallpapers, one of my favorite companies, and was bought at Southwestern Paint. See link on the right for where to purchase wallpaper in Houston. This home is in Katy.
How’s this for something no one else is gonna have?! The homeowner of this Galleria-area home in Houston is a big-personality gal, recently divorced, and she wants her new home to reflect who she is. Everything in the house that could have glitter, shimmer, mirror, or glitz does – including the dog bed and the kitchen backsplash.
This wallpaper in the adjoining powder room (with a huge crystal chandelier!) fits right in with that new life.
This is a sort of mural, composed of rectangular panels about 3′ wide x 2′ high. It was bought on-line, and came with no information or installation instructions.
It was a paper substrate, and was meant to be butted at the seams, as opposed to overlapped, as many mural panels are. After experimenting, I found that a powdered wheat or cellulose paste hydrated the paper best, and that a little of my traditional wallpaper paste added to the mix helped hold the paper tightly to the wall and minimize shrinkage as the panels dried.
The paper curled badly when it was wet with the paste (see third photo), which made it difficult to paste it, book it, and then get it to the wall.
It also expanded a lot when it got wet – almost an inch in each direction. Uneven expansion meant that it developed large wrinkles and warps that were difficult to remove.
In addition, the walls were bowed and uneven in the corners, the walls were not plumb, the ceiling was not level, the crown molding was at different heights on different walls, and we didn’t have a lot of paper to play with.
It took a lot of work to keep the pattern matched as well as possible in the corners, to keep the pattern running at the right point below the crown molding, to eliminate the aforementioned wrinkles, to butt the panels, to minimize white showing at the seams due to the panels drying and shrinking, the paper getting saturated and tearing or dragging when I tried to trim it, and lots more challenges.
All this could have been easier if the manufacturer had chosen a better substrate to print on. But – well, hey, we’ve got a digital printer, so let’s just dig up some paper stock, print cool designs on it, and market it as wallpaper.
Actually, this material worked out pretty well in this small powder room. But I would not want to paper a large, wide wall with it.
Most companies who make murals like this, on this type of thin paper substrate, allow for the edges to be overlapped about 3/8″ at each seam. This allows the installer to make adjustments for wonky walls and ceilings, and it eliminates the gapping at seams as paper dries and shrinks. It does, however, leave a ridge along each seam where the edges are overlapped.
Overall, though, I was not unhappy with this product in this room. And working out all the challenges was mighty fun. I was glad to have a nice, quiet, empty house to do all this in. All in all, this medium-sized powder room that I had prepped the weekend before, took me nine hours to hang.
You can get away with a lot of avant garde-ness in small areas. This home in the Kingwood community of northeast Houston is mostly traditional in floor plan and décor. Yet the homeowner has found a few places to inject a little playful personality.
One is the backs of these cabinets in a butler’s pantry (but they are using it as a bar).
The lightly textured, indistinct smeary dots spread in a diamond pattern are nothing short of fun!
What’s especially clever is that the homeowner found a colorway that coordinates with not just the wall paint and furnishings in the home, but also with the weathered chandelier in the adjoining dining room, the nubby rug, and other furniture.
These are the little details that “pull a look together” – and this homeowner did it all on her own, acting as her own interior designer!
This wallpaper pattern is by A Street Prints, which is by Brewster. It is a non-woven material that has a high fiberglass content which prevents expansion and shrinking, and makes removal at a later date easier. I hung it using the paste-the-wall method.
This is a handsome wallcovering, but unfortunately it’s best to see it in person, because it simply doesn’t photograph well. It’s real cork, stained a dark chocolate brown, with glittering flecks of silver in the background. The true beauty of it is revealed when light from the chandelier hits it, which is what I tried to show in the third photo.
The chandelier is stunning in itself, because it came from South America, having belonged to the homeowner’s grandfather. Sorry – that didn’t photograph well, either. 😦 I think it’s cool how the elegant, traditional light fixture works well with the modern style of the wallpaper and the rest of the house.
This natural cork wallpaper went in the powder room of a new contemporary style townhome in the Montrose neighborhood of Houston. The interior designer for this job is Elizabeth Maciel.
The wallpaper is by Monarch, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.
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