Oh, my! – I hung lots of these chintz florals, ” satin ” look (the design of the dark green at the bottom of the wall), and dark colors back in the ’90’s . Sure enough – this home was built and wallpapered in 1994. IIt’s still a good look, IMO, and the homeowner still likes it. But she’s just gotten tired of it. So – time for an update ! She also decided to eliminate the chair rail , so the new wallpaper will go ceiling to floor . Here you see some damage to the drywall where the chair rail molding was removed . What a change! Now the room’s look is quiet and fresh . The buffet , topped with a decorative mirror , will go on this wall . That’s why I centered the pattern in between the windows , so it will fall evenly on either side of the furnishings . I also plotted so that a full “Moroccan lantern” (that’s what this style of trellis pattern is called), would balance out between the crown molding and the window molding. There were several of these 12.5″ high areas all around the room, so this placement of whole “lantern” motifs gave the room a pleasing look. It also worked out that the lanterns were evenly placed and kept whole between the crown molding and the baseboard. See the second following photo to see what I’m talking about As a note – just this one window wall took me about five hours to measure , calculate , and hang . Getting the pattern to go over, around, and under the two windows , and still line up and match correctly , took some time and futzing. The material was thick and stiff , and a bit tricky to fit into corners and trim around the decorative window molding . In the foreground you see my work table area . The homeowner has let me put protective padding on her dining room table and then set my work table on that. This saves space and allows plenty of room for my ladder and other tools as I work around all four walls. So that I could center the pattern on this wall , I had to start hanging my first strip in the middle of the wall. I was lucky this time, that the pattern was centered exactly on the edge of the wallpaper roll . Sometimes (as in the one I did yesterday – see previous post ) the center of the design motif is a to the right or left of the edge of the wallpaper . This, naturally, means you’ve got to do more measuring and plotting and double-checking , to be sure the center of the design falls down the center of the wall . Back to the photo above … that dark block on the right side of my work table is my laser level. It’s shooting a perfectly plumb red line onto the wall. Here I’m lining up my first strip of paper butted against this red line . Switch topics … Back in 1994, the original installer did a very nice job of hanging the wallpaper. But … he didn’t prime the new drywall first. That lack of primer / protective layer means that the wallpaper will actually bond to the drywall. I tried, but was unable to get the existing wallpaper off . Eventually, you need to factor in time , damage to the wall , paste residue left on the wall, and take a different tac if called for. So I skim-floated over the seams , so they wouldn’t show under the new paper , and also floated over the damaged drywall where the chair rail had been removed . Sanded smooth , and then primed the patched areas as well as the original wallpaper, with Roman Ultra Prime Pro 977 . This stuff will adhere to the light acrylic (slick) surface of the original wallpaper, as well as protect it from moisture from my paste on the new wallpaper. ( Moisture could cause the underlying original wallpaper to expand , creating bubbles that will look bad, or loose areas that will pull away from the wall, creating a bubble or pocket.) My primer is also lightly pigmented, so it helps block out the dark color and busy pattern of the original wallpaper . This particular new wallpaper is quite opaque , but not all of them are, so a pigmented primer is important , IMO . Left corner of the buffet wall. Here you can see how the lantern motifs are placed between ceiling and floor. The background has a lightly mottled effect, that mimics grasscloth a bit, and also adds more depth and warmth than just a plain solid color . Been havin’ more than a fair share of defects lately, especially this week. This paper had on both front and back sides, incidences of these black flecks . They seemed to be maybe charcoal , so I wasn’t too worried about their black bleeding through to the surface , like ink or any oil-based substance will do. Most of them were embedded in the material itself, so could not be wiped off , nor dug out with a razor blade . Some I had to cut around and discard the affected paper. Others were so small as to not be noticeable once the paper was up on the wall and all the furniture and artwork was back in the room. There was also one 3′ section of wallpaper that had an odd streak or arc running across it. It wasn’t ink . It was more like some kind of compromise to the substrate . I noticed it was I was pasting the back of the paper . I turned it over and, sure enough, you could see it a little on the surface. (see photo in previous post) It’s the kind of thing that was subtle, but would catch your eye when looking at the wall from a distance . It was minor , but I discarded that strip . Good thing I have the homeowners purchase a little extra wallpaper . The manufacturer is Designer Wallcoverings , which is a good quality brand (aside from the printing defects I described earlier ). It was a non-woven / paste the wall material , which is pretty user-friendly . It will strip off the wall easily and in one piece when you redecorate . Stain-resistant , and ” breathable ” in humid conditions . The home is in the West University neighborhood of Houston . Dining room installer
This newish townhome in the Montrose neighborhood of Houston is fairly traditional in style. But the new owner loves color, and she’s not afraid to be a bit daring! She had the ho-hum tan travertine tile floor taken out and replaced with this large, vibrant black & white checkerboard.
Next she woke up the walls with this vivid chintz floral wallpaper pattern. Chintz is an old and classic design – but there is nothing stuffy or old fashioned about these wild colors!
I love the “in progress” shots (2nd photo) because they show the stark contrast between the original white walls and the drama starting to transform them.
This wallpaper is by Eijffinger, a European manufacturer. It is a non-woven material, and is intended to be a hung using the paste-the-wall method – but I prefer the results when I paste the paper.
This powder room in a 1939 home near Rice University (Houston) also serves as the laundry. The previous owners had painted the room a grey semi-gloss. Serviceable, but lifeless. The new owners have a just-learning-to-walk little girl, and a more vibrant lifestyle. This wild and colorful floral pattern is just what was needed to wake up the room.
This pattern is reminiscent of the chintz designs that were popular in the 1990’s. But it’s updated by it’s overscale size, and the bright, edgy colors that are used.
I particularly like the way it works with the green vanity. In fact, parts of the room behind the appliances could not be papered (could not move the washer & dryer out of the way, one wall had too much weirdness going on – really bad surface, hoses and wires running through it, very large gaps) so the homeowners will paint that wall with a semi-gloss paint, which will be resistant to splashes from laundry day. They were thinking of white, but I suggested using the same green as on the vanity. It’s a lot more fun than plain old white, and it will tie the room together.
This room was difficult to paper, because of the wonky walls, unfortuitous placement of windows, doors, bump-outs, etc., none of which synced with the width of the wallpaper, hoses and pipes I had to trim around (sorry, no photo 😦 ), and lots more. Take a look at the soffit – easy to look at, but difficult to get paper on – luckily the pattern is wild enough that unavoidable mismatches are not noticeable.
This “Portofino” wallpaper pattern is by Thibaut Designs, and was very nice to work with. It was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.
The owners of this newish home in Garden Oaks were updating their powder room, including a new console style vanity, a point-of-use tankless water heater, and new wallpaper. They wanted it all done before the Super Bowl game…. I am generally booked with work several weeks out, but had an unexpected opening, so was able to squeeze them in today, between Christmas and New Year’s. They were happy to let me come this holiday week!
I have hung a ton of that chintz style floral (top photo) in the ’90’s. It’s a pleasing pattern, but has become dated. Really, the homeowners’ new choice isn’t much different, but it’s an updated version, plus the red color has a lot of impact, and that helps the walls stand out against the white woodwork.
One good thing about a pattern like this is that it won’t really ever go out of style.
The paper was printed on what we call a pulp substrate. I usually like pulps, but this one was thick and stiff and brittle and it abraded easily. I had to color the edges with oil pastel, to keep the white backing from peeking out at the seams. Pasting it was a wrestling match, because it kept wanting to curl back into a roll. It didn’t want to turn corners, it bubbled, and it abraded if it was rubbed too much, especially at the seams. It will stay nice and flat to the wall over time, but has no coating, so cannot be washed, and will stain if water splashes onto it. In other words, don’t buy this brand. 🙂
All that said, the room looked great when I was finished, and the homeowners loved it. The plumber is coming tomorrow, to install the sink, and they will be all ready for Super Bowl Sunday!
This wallpaper was bought from the Sherwin-Williams on N. Shepherd in Garden Oaks. I believe it was made in England, and the brand appears to be English Florals.
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