Posts Tagged ‘classic’

Adding Another Space – Yaay! … Another Homeowner Bitten by the Wallpar Bug

November 11, 2018


These homeowners were so thrilled with the two accent walls I did for them in their Montrose (Houston) townhome last week, that they had me come back today and use left overs to paper this art alcove.

Even though the project involved only two 5′ strips, it took me several hours … note the perfect symmetry and balance of the pattern, both side-to-side and top-to-bottom.

It all serves as a beautiful background for the art painting and silver service. And, since it’s the same pattern and color as used in two other areas of the house, it ties the various rooms in the home together.

This classic trellis pattern is by Thibaut Designs is well over a hundred years old.

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Warming Up a Contemporary Space

November 3, 2018


The owners of this newish contemporary-styled townhome in the Montrose neighborhood of Houston wanted to put some impact into their entry by using wallpaper on the first wall you see when you walk in – the sloped wall in the top photo. They have some antique furniture and a special piece of art that sit in front of this wall, so chose this very classic trellis pattern in a warm cream-on-brown colorway.

They were initially considering putting paper on the backs of bookshelves in the upstairs living room, but as I walked up the stairs and saw this one recessed wall directly in view, I suggested this as a better spot for a wallpaper treatment.

The home owers quickly agreed, and decided to use the same pattern here.

The manufacturer of this very old and historic design is Thibaut.

Happy Humming Birds Take the Hum-Drum Out of a Heights Powder Room

August 2, 2018


The light murky-green color of the original wallpaper pattern in this under-the-stairs powder room in the north Heights neighborhood of Houston coordinated nicely with the paint in the main rooms of the house. But the tiny fleur-de-lis pattern was way too small to do any justice to the room. The new homeowner never liked it and, after four years in the home, decided it was time for a change.

This new hummingbird pattern by Thibaut is called “Augustine.” It is one of my favorite designs, as well as one of my favorite products to work with.

As you can see, it fills the wall space much better, it is light and bright and airy, and it adds a pleasing upward movement – the whole overall effect is uplifting.

Also, the colorway is perfect with the room’s beautiful stained glass window.

When I first consulted with the homeowners, I showed them samples of more contemporary designs. They were not sold. Then I looked at their historically styled home, with it’s Victorian accents and classic furnishings. So I pulled out my more traditional file – and they zeroed in on this pattern right away.

Perfect choice! Indeed, this pattern dates back more than a hundred years. In fact, the goods come 18.5″ wide, as opposed to the typical 20.5″ wide, and I’m told that that is because it is printed on the same exact printing presses they used back in the 1800’s.

It is printed using the raised-ink process, it comes pre-pasted, it is a joy to work with, it doesn’t shrink when it dries, it hugs the wall tightly and is easy to work around corners, and should stay nice and flat under most home conditions for decades.

This wallpaper pattern is by Thibaut Designs, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Overlaying Modern and Traditional

July 20, 2018


The original red wallpaper in this tiny under-the-stairs powder room in a classically styled 1917 home in the Rice University area of Houston was fine enough. But it darkened the room, it didn’t suit the new homeowner’s taste, and it had become stained (see water splashes around the faucet handle on the right.)

The second photo shows the room after the old paper has been stripped off, little areas of the walls have been patched, and primer has been applied.

The new orange animal print on a white background greatly brightens the room. I love the gutsy way this homeowner has combined a modern pattern with old-world features, such as the elegant gilded mirror and the engraved gold tone towel ring and toilet paper holder (not shown).

She’s included contemporary elements, too – note the modern art hanging over the toilet. She also found a beautiful hand towel embroidered in bright orange with the family name’s initial. These little details are the crowning touch!

This homeowner is a friend of another gal I did wallpaper for a couple of times, who lives a few blocks away. I love it when people pass my name back and forth!

This wallpaper pattern is by Thibaut Designs, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Sassy, Shimmery Update On A Classic Damask

June 14, 2018


Here’s a fun twist on a classic pattern for an under-the-stairs powder room in the Rice Military / Camp Logan neighborhood of Houston. A damask is a well-loved, traditional design. But this navy blue color, along with the very shiny silver Mylar material, bring it into the Modern Age.

This was a non-woven material, and the instructions said you could install it using either the paste-the-paper or paste-the-wall method. I chose to paste the paper, because it makes the material more pliable. It was also nice that the sink / vanity was not in the room yet, so it was much easier to cover that wall, and eliminated the chance of creasing or scratching the delicate Mylar surface.

The material did expand in width a bit (1/4″), which is unusual for a non-woven. One of the selling points of these newish substrates is that they are supposed to be dimensionally stable and are not supposed to absorb moisture from the paste. Pasting the material gave it a chance to expand before I got it to the wall, which is good. If I had instead pasted the wall and hung the dry paper onto the pasted wall, it might have expanded and caused pouched or overlapped seams.

This wallpaper pattern is by Exclusive Wallcoverings, a British company, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Stripping Vinyl – Again

April 25, 2018


The original wallpaper put up in the early ’90’s was the then-popular “satin” or “moray” shiny, slightly textured heavy vinyl material, with – to crown it off – boring stripes in a lackluster color. Before the new classic damask pattern can go up, the old paper needs to be removed. Here are some of the steps.

Stripping wallpaper is a matter of separating the layers, soaking the backing, and removing the backing from the wall. In the top photo, you can see that some of the colored / striped white vinyl layer has been pulled off the wall. It leaves behind a gritty-textured, yellow manila paper backing, still stuck to the wall.

Don’t let anyone smart-talk you into believing that it’s OK to leave this paper backing on the wall. The truth is, if you put new paper on top of it, the moisture from the paste will soak into the substrate left on the all, and will most likely cause bubbling of both layers.

Back to the top photo. Once that vinyl layer was stripped off the wall, I used a large sponge and a bucket of hot water to soak the backing left on the wall from each strip. This process is drippy, so I protected the baseboards and chair rail with absorbent, water-proof strips. In the photo, you can see the color change of this paper backing, as it becomes saturated with water it darkens and the paste behind it begins to soften.

In the second photo, the paper backing is entirely wet, the paste has reactivated and loosened, and the paper is easily peeling away from the wall, in one tidy intact piece. The section of wall to the right still has paper stuck to the wall. The section to the left has been stripped, and then scrubbed to remove paste residue.

The section in the middle is coming away to reveal a light colored clay-based paste still adhering to the wall. I will soak this, scrub it with a coarse sponge, and then wipe it with a softer sponge, to remove as much paste residue as possible.

Once the paste is washed off the wall and the wall has dried, I will apply a primer / sealer.

Note that this strip job was fairly easy and left no damage to the walls, due to a couple of important factors.

First, I think the original installer used a primer or sealer on the walls before hanging paper.

Second, the solid vinyl paper with its paper backing is generally easier than others to strip off. (However, I dislike this type of material, and find it poor quality, especially in rooms with humidity, such as bathrooms. The seams often show from the beginning, but also, as time goes by, especially in humid rooms, the seams often begin to curl, and cannot be glued back.)

On to the Third,,, the clay-based paste used by the original installer (and I’ve gotta wonder why he pasted the paper in the first place, since it was a pre-pasted paper – I follow the manufacturer’s instructions to run the paper through a water tray, which allows it to absorb moisture and expand as it’s supposed to, and also to become more malleable). But I also augment that by rolling on a thin layer of paste onto the wall. ).

Anyway, the clay-based pastes seem to rehydrate more readily than other pastes, and to separate from the paper more easily. They do leave a gooey, tan-colored mess on the wall, though. Which will need a bucket of hot water, a scrubby, and a lot of elbow grease to remove.

Classic Pattern for Home With Traditional Décor

December 28, 2017


The home where I worked today (in the Montrose neighborhood of Houston) has very traditional décor, with carved moldings, elegant furniture, warm colors, and classic styling. This traditional oak leaf wreath design by an established (meaning, old) British manufacturer compliments the owner’s taste beautifully.

The material is a pulp paper, an old-school sort of material that has no protective coating and is rather delicate. The manufacturer is Zoffany. The wallpaper was purchased through an interior designer, and I hung it in a powder room.

Transforming a Stark Hallway

October 7, 2017

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This young couple in the Garden Oaks neighborhood of Houston has a beautifully updated and furnished 1940 ranch style home. But they wanted to up the volume, so to speak, and thought that this hallway, which slices through the center of the home, would make a fine focal point.

I’ve hung this classic damask pattern twice before, and was carrying around a sample of it when I visited them for an initial consultation. They liked it immediately, and, after considering several other patterns, decided on the damask.

To make the area really special, they added a chair rail and crown molding.

It’s hard to get a good shot of a long, narrow hallway. But you can see how the color and pattern adds warmth and dimension to the space, and the lightly pearlized shimmer of the paper definitely adds a touch of understated glamor.

Since the chair rail was a main feature of the room, I positioned the pattern so that the bottom of the damask motif landed just above the chair rail. Likewise, the top of the motif sits just below the crown molding. This looks a lot better than having part of the design chopped off in mid-motif.

This wallpaper is by Designer Wallpapers, and was delightful to work with. It was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

In fact, the couple is going to meet with Dorota tomorrow, to choose a complimentary paint color for the bottom portion of the walls.

Dark Alligator Out – Bright Trellis In

July 30, 2017

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In the powder room of this home in the Woodlands (Houston), this dark brown faux alligator textured vinyl wallcovering probably looked good with the previous homeowner’s mirror and accessories, but it made the room cave-like, and was not at all in sync with the lifestyle of the new homeowners, a young family with pre-school age children.

They chose this classic trellis design in cream on tan and, boy – did it brighten and open up the room!

I usually love this brand, but today there was a bit of shading – color was darker on one side of the strip than it was on the other, which you can see in the second-to-last photo and in the head-on shot of the sink, and also some “gaps and overlaps” at the seams. Both of these issues were relatively minor and not very noticeable.

This wallpaper pattern is by Thibaut Designs, and was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Wallpaper on the Azalea Trail Home Tour, 2017, pt II

March 15, 2017

I attended the Azalea Trail Home Tour yesterday, which took me to four homes in the rather exclusive neighborhood of River Oaks (Houston). As always, I was scrutinizing the wallpaper.

One traditional style home had a very classic design of wallpaper (sort of a damask) in the dining room. Ever since I attended a Wallcovering Installers Association convention seminar years ago on “balancing” wallpaper patterns, I have been obsessed with the concept. This means that you position a dominant feature of the pattern so that it is centered on the wall. (Do a Search here to see some of my previous posts.) Normally, you can do this once in a room. Thereafter, the pattern has to fall on subsequent walls as it comes off the roll.

But in this dining room, there were about three walls that had the pattern centered. It looked wonderful, because the design was centered on a main focal wall between two windows, and again on an adjacent wall behind the buffet, an then on another wall that was highly visible.

Now, how can this happen?

I really studied the room. And I realized that all the draperies in the room reached way above the windows to the ceiling. And the drapery fabric and hardware pretty much filled up the entire space over the windows. Meaning that, the drapes would hide anything that was above the windows.

Meaning that, if the paperhanger chose, he could place the pattern as he wanted on the walls, and then mis-match the wallpaper pattern over the windows, knowing that it would be hidden from view. Then he could move on to the next section of wall and place the pattern as he wanted.

This trick worked nicely in this room, because the wallpaper design and color, as well as the draperies and hardware were all amenable.

It also took collaboration from the very planning stages, between the interior designer and the wallpaper installer, and also including input from the drapery lady and the hardware installer.