Before shot of dining room in a beautifully restored and enlarged 1925 bungalow in the Heights neighborhood of Houston. Just below dead center of photo, under the stairs – my helper couldn’t be less interested!Swooping heron , and powerful , roiling, turbulent clouds .This is a manila hemp product , which is similar to grasscloth , and has a texture d surface . As with most natural materials , the seams are always a bit visible .The walls in this home were smooth , so no call for skim-floating or sanding … Just a primer was needed . My favorite primer for wallpaper is Roman Pro 977 Ultra Prime .This wallpaper comes in panels , and is custom made to order . All of the panels are rolled up into one long bolt , and you have to separate them, as you see here. AND keep them in the correct order / sequence ,I was lucky that this house had a lot of open floor space , where I could roll out the panels to verify pattern match, panel sequence , and get accurate measurements. Note that, like many high-end brands, this wallpaper comes with an unprinted selvedge edge , that has to be trimmed off by hand . Once I get the edges trimmed off , the birds you see in the photo above will match perfectly .I trim against this Big Blue straightedge , and hold a single edge razor blade in my hand .Sorry, I don’t know how to flip this photo. WordPress used to be easy to work … but some years back they came up with this ” New Editor ” which is, to be honest, a nightmare, and costs me a lot of time every evening. End of rant. Here is a mock-up provided by the manufacturer , that shows the mural as a six- panel set , including pattern layout and dimensions of each panel .Here are my drawings from when I first consult ed with the homeowner and we plotted out how the paper was to be install ed. Phillip Jeffries is expensive stuff! Normally, with a mural , a full-height panel is required for even the 6″ high areas over the door ways. See photo below. This means that you’re paying for a lot – a LOT – of wallpaper that gets cut off and thrown into the trash. But, since the panels are about 2′ taller than the walls , we figured that the part cut off the bottom of each strip could be used for the areas over the doorways (see next photo) , as well as above and below the windows (see last photo). This will take no small amount of math and engineering , and the couple will have to live with some paneling / shading , and color variations between strips . But that’s typical of grasscloth type products , anyway. Accepting a few color differences will save this couple a few – thousand – dollars. Yes, I told you that PJ was expensive stuff! And I’m up for the challenge !Here’s the one area I’ve done so far, using scraps discarded from the bottoms to piece in over the top of the entryway . This area is only 6″ high , so color variations won’t be very noticeable . Still, it really turned out well.Getting a similarly pleasing look on this wall , with heights over and under the windows being much higher than 6″ , will be tomorrow’s challenge. Stay tuned!
I’m fixin’n to hang faux grasscloth on this accent / headboard wall in a master bedroom in the Spring Branch area of Houston. The textured wall has been skim-floated , sanded smooth , primed , and is ready for wallpaper . The material is 20.75″ (20 and 3/4″) wide . So here I’m measuring off how many strips of wallpaper I’ll need. I’ve counted out seven strips across the wall, and have come to my last (8th) strip. Look at my pencil mark – it’s at 21.” Remember that the paper is 20 3/4″ wide. This means that, to cover that last, scant 1/4″ width , I’ll have to use a ninth strip. Which will be a whole 9′ high strip that’s 20.75″ wide. Useing a 1/4″ wide strip off a 9′ long length leaves us with a whole lot of waste – paper / square footage just going into the trash. This is, again, why you should not purchase wallpaper based on square footage. It’s more a matter of determining how many strips you will need – factoring in the pattern repeat, etc. Even better , have the wallpaper installer make a site – visit and calculate for you. Going a step further … Since this is a (faux) grasscloth and has not pattern match , the seams will all be visible . So we try to balance the panels on the wall. Meaning, the wall will look better with panels of equal-widths, instead of, for instance, eight panels at 21″ wide and one at 1/2″. For the record, it also looks better to not have a seam fall at dead-center on the wall. Better to have that center panel straddle the mid-point. With this particular install, that’s what I chose to do. I took the first (let’s just call it 21″ wide for ease) … I took the first 21″ wide panel and used my laser level to line it up so 10 1/2″ fell on either side of the center line on the wall. So, this first panel was straddling the center line. From there, I used full-width (21″) panels one either side. Until I got to the last panel on the left, and the last one on the right. These two ended up each being about 15″ wide. So I had seven panels that were 21″ wide, and then two flanking on either side that were 15″ wide. This gave the wall a nice, balanced, uniform look. Yes, I could have hand-trimmed each strip to 19″ wide or whatever the math would have worked out to. But my option was simpler, faster, maintained uniformity between the majority of the panels, as well as uniform width on the two outer panels, eliminated the worry of gaps at the seams due to unevenly trimmed rigid vinyl goods, and the 6″ width difference wasn’t very noticeable. And, also, since this was a faux grasscloth and color variations were minimized, you could hardly see the seams, nor the width of the panels, anyway. From 5′ away, this wall looked perfectly homogeneous .
Before. I’ve skim-floated the textured wall , sanded it smooth , wiped off the residual dust , and then primed with Roman Pro 977 Ultra Prime wallpaper primer . Now we’re ready for wallpaper !Done! Just a bit of texture , and a little neutral color to add some warmth to this large , mostly-grey , master bedroom . Oh – and some subtle sparkle . See following photos . It looks like real grasscloth . But it’s a faux! To help these homeowners avoid the disappointing color variations and low durability of real grasscloth , I encouraged them to consider textured vinyl products that recreate the look and texture of the real stuff , but without the drawbacks. Please click and read my link to info about grasscloth on the right of this page. Real grasscloth , and the fauxes , as well, have visible seams (very minimal issue with the fauxes). So it’s important to balance the strips , so you have equal widths of panels as you traverse the wall. In other words, you don’t want five 36″ wide strips and then one 20″ wide strip. And you’ll want to center those strips on the wall. Position them so you have an equal number of equally-sized strips on both the right and left sides of the wall. Another design concept is to not have a seam fall down the center of a wall. Rather, it just feels better aesthetically to have the strip straddle the center line . Here I’m hanging my first strip, having already calculated where the center of the wall is, the center of the wallpaper panel is, measured over to where the seam should fall, and then placed the red line of my laser level so it will guide where I should butt the edge of the wallpaper against. That’s my Bosch laser level gizmo sitting on the top of the headboard, shooting its red light beam onto the wall. Another shot. I’m using the vertical light beam ; the horizontal beam is not relevant in this install . This textured vinyl material does a pretty darned good job of recreating the look and feel of real grasscloth . This photo is from about 6′ away.A closer look. Note the bit of silver shimmer in the background , that adds a luxe look to the overall effect .The wallcovering is by York , one of my preferred brands . It’s on a non-woven backing , which has many advantages over traditional paper-papers. It’s breathable , stain-resistant , will strip off the wall easily and in one piece with minimal / no damage to the wall when it’s time to redecorate . It can be hung by the paste-the-wall method (which is what I did today) or the paste the paper technique (which I use most of the time). I felt that the seams laid down better and had less ” rebound ” edge curl from factory trimming than many of the heavier vinyl faux non-woven backed materials I’ve worked with. In other words, I liked this product pretty much! this particular material was also thin and flexible , so it was easy to work with and manipulate if needed. The home is in the Spring Branch area of Houston.
Before. Grey and boring . The built-in banquette seating has been removed.Finished.Closer look.Showing the pattern centered on the wall, and with the shutters. The dimensions of the paper not corresponding well with the width of the window, along with logistics of pattern placement at the ceiling line but starting my first strip under the window all created some plotting and engineering challenges. Fun, but time consuming. But it turned out great!The original idea was to just paper the nook area, ending at the vertical door molding. But it would have looked odd to stop the wallpaper above this doorway. So the homeowner and I decided to run the paper along the top of the doorway, and then down the left side (not shown), which dead-ends into some cabinets and the granite countertop. It looked good and was the right call.It tickles me that this is quite obviously a riff on the very popular Strawberry Thief wallpaper pattern by William Morris , which is quite popular right now (do a Search here to see my installations of it). When a company comes up with a hit, you can be assured that a competitor will soon be making its own version of it. The original has a lot more color, but this version is limited to just two colors. Even though there is a lot of contrast between the black and the white , the pattern doesn’t feel busy, because the design is so close and tight . There is a lot of symmetry , repetitiveness , and balance in Wm Morris and similar styles . I love the raised ink texture to this material . Whoops! A slight pattern mis-match . The overall design is busy enough that small imperfections like this (as well as some color variations / shading ) are not really noticeable . It’s odd to me that the printing defects are different in different strips / rolls of the wallpaper . You’d think that if the print roller was out of whack, it would create the same image every time it strikes the wallpaper surface. Or maybe it’s the trimmers that are off. If they had cut 1/16″ more off that left edge, we might have a perfect pattern match . The manufacturer is York , one of my favorites , in their Sure Strip line, also one of my favorites. It’s in the Magnolia Home collection , by, yes, Joanna Gaines , of HGTV fame with the show Fixer Upper . SureStrip is a pre-pasted , thin , flexible , non-woven material that is easy to hang . It’s also easy to remove when you’re ready to redecorate , because it’s designed to strip off the wall easily and in one piece with no damage to your walls . installer houston birds
Dining room in the Oak Forest area of Houston, before. All white and crisp – but bland .Here with just a touch of color and texture . The homeowner took my suggestion to use an embossed vinyl faux grasscloth product, which is very consistent in color . The problem with real grasscloth is that so very often there are disappointing color variations between strips , even if they come off the same roll . We call this shading and paneling . Do a search here to see previous posts about this. Note that with both materials you will see the seams. With this faux material, once you got 3′ away, you can’t see the seams at all. The paper along the top of the wainscoting chair rail is to prevent my wallpaper primer from splattering onto the molding . I do the same for baseboards and bathroom backsplash es .Opposite corner done. Close-up showing the realistic texture of the vinyl product .This is by Designer Wallpapers and was purchased from the Sherwin-Williams in the Rice Village , by Dorota , who has been selling wallpaper for 25+ years and is THE expert on helping you select your perfect pattern .
Home office work station niche primed and ready for wallpaper. Done. Grasscloth comes 36″ wide, and this niche was about 39″ wide, so it required two strips, both trimmed down to 19.5″ wide. Generally, design-wise, you try not to put a seam down the center. But in this case there was no other viable option. This seam was practically invisible.In the photo, the seam is a little to the right of center. You always see the seams in grasscloth, and this is about as perfect as it gets. The homeowner, who is an interior designer, did a superb job of finding a grasscloth that’s murky blue hue coordinates perfectly with the color of the cabinetry. Unfortunately, I don’t know the manufacturer of this material. Close-up showing the texture.Twin bookshelves flanking the fireplace wall in the family room, primed and ready for wallpaper. Grasscloth has been installed. It’s nice to not have the shelves in place – so much easier to get that paper up!Bookshelf niche on the right.Bookshelf niche on the left. Note the slight shading and color variations . These are typical of natural products like grasscloth, and are not considered a defect. As the manufacturers say, these variations are ” part of the inherent beauty of these natural materials .” Shelves will go in these niches and decorative items will obscure these slight imperfections. TV room bookshelf niche. Yes, t’was I who swiped the smiley face and the horse head into the primer. 🙂Done. This niche is a tad less than 36″ wide, so only one strip was needed, hence, no seams. Any color variations you see are due to shadows. Close-up.Closer-up. Scissors for perspective. These days, people are loving the subtle texture and warmth of grasscloth , paperweaves and other natural materials . The manufacturer of the grasscloth in both the family room and TV room is Schumacher . The home is in the far west area of Katy , a suburb west of Houston.
Potty room prepped and ready for wallpaper.Finished. This textured vinyl product had no pattern repeat or match. I used the reverse-hang method, which is where you hang one strip right side up, and the next strip upside down. That way the same edge is being placed next to itself – hard to explain. But the purpose is to reduce the chance of color variations at the seams. Here you see the true color and texture of the material. York is the manufacturer. I like just about everything they make.Just for fun, here is the coordinating paper that’s going in the adjoining master bathroom. Fine Wallpapers is also by York. Both these papers were purchased from Ballard Designs, their new brick-and-mortar store on W. Gray in Houston.
The homeowners originally sought grasscloth for this accent wall in the home office. But I talked them out of it, due to the unpleasant shading and color variation issues (click on the page to the right to read more). I showed them a sample of this white-washed cork wallpaper, and they were immediately smitten.
The previous time I hung this, the material was very homogeneous in color.
But this time, it was immediately evident that there was a darker band running down the left half of the roll, and a lighter band along the right side. Note that this is not considered a defect (even though it is obviously a problem stemming from the factory). It is considered part of the “inherent beauty of these natural materials.” Meaning, you can’t return it and expect to get your money back.
Cutting strips as they come off the roll and hanging them next to each other will result in abrupt color differences between strips – as you see in the top photo. One way to minimize that is to hang every other strip upside down, so you are then putting the dark side next to it’s dark counterpart on the previously hung strip.
In this case, because the darker areas were so dark and wide, this would have resulted in the wall having a striped look. Not what the homeowners were shooting for.
The wall was exactly 12′ wide, and the material is 3′ wide, so we needed four strips to cover the width of the wall.
We had three double-roll bolts. Each 24′ long bolt will give you two 9′ strips. Thus we needed two double rolls to cover this wall. That left us with one bolt in excess.
That turned out to be a good thing – having extra paper. The color shading was bad in one bolt, noticeable in another bolt, and the third bolt was pretty homogeneous in color.
I rejected the bolt with the worst shading. Thank goodness the client ordered a little extra paper! The bolt with the second-worst shading, I discovered that if I rolled it backwards, the shading was less severe in the inner portion.
So I took two strips off this bolt from the inside-out.
So now that gave me two strips from the first roll that were pretty homogenous. Plus two strips from the second bolt that were passable.
How to keep the color as uniform a possible across the 12′ wide wall?
II knew I wanted to place the two strips from the first, “best” bolt in the center of the wall. If I hung one right-side-up, and the next one up-side-down, keeping the darker area toward the center, the color differences would be less noticeable.
But I still had to cover 3′ width on either side of those two center strips.
One strip equaled 3′ width. So one 3′ wide strip on either side of those two center strips.
One plan, I contemplated cutting each of those the two 3′ (36″) wide strips from the second bolt into 18″ widths. Hang one right-side-up and the other upside-down. That would break up any color variations into less noticeable panels.
Only problem was, then there would be two 36″ wide chunks of material in the middle, flanked by two 18″ wide chunks on either side. I thought that would be too inconsistant, visually.
It would look better to keep all the widths the same, at 36.”
The two strips I had taken off that second double roll bolt had some shading issues, with the left side being darker than the right side. I reasoned that it would be less noticeable if the darker, shaded area, was toward the outer corners – sort of as if sunlight or furniture or window shutters were casting shadows.
So I plotted to use a full 36″ wide strip on either side of the center strips. I would position them so that the lighter side of each strip was toward the center – toward those two originally-placed strips. This meant placing one right-side-up and the other one upside-down.
Thus the darker edge of the strips would be situated toward the corners of the wall – a logical place for shadows and light to play tricks on the eye.
That’s what I ended up doing. And the finished wall does really look very homogeneous!
Yes, I am quite guilty of over-thinking way more than I should. But I think the client deserves the best look possible. And, to be honest, all this plotting and engineering is a big part of the fun of hanging wallpaper!
During the pandemic, the man and wife are both working from home … in the same improvised home office … and getting on each other’s nerves. The lady of the house decreed it’s time for the guy to move out!
So they commandeered the home’s original living room and are turning it into an office for him.
They wanted something to warm the look of the four all-white walls, while maintaining an air of professionalism and business, and at the same time being a choice that could transition to another use, once the pandemic ends and the room no longer needs to serve as an office.
This white-washed cork wallpaper with flecks of gold is the perfect choice for an accent wall behind the man’s desk.
As with all natural material wallpapers, you can expect shading and color variations between and even within strips. This one turned out pretty homogeneous.
I don’t have information on the brand or manufacturer. The material is natural cork, which is applied to the paper backing in bocks approximately 6″ square. It comes 3′ wide x 24′ long, and is a paste-the-material product.
The rather contemporary home is located in Bellaire (Houston).
The original dark paint was bold and beautiful. But the homeowners wanted something softer and textured. They listened to my “rant” about color variations in grasscloth (see link at right), and chose this embossed vinyl replica instead.
They couldn’t have chosen better!
We were worried about the usual very visible vertical seams in grasscloth, and how they would juxtapose with the vertical boards in the wainscoting at the bottom portion of the walls. The spacing between the boards did not sync at all with the width of the wallpaper. If the seams in the paper were visible and did not coordinate with the vertical elements below, it would have ended up a very visually confusing room.
Luckily, and very surprisingly, this material turned out to be wonderfully homogeneous, and the seams are virtually invisible.
What you do see is the is the very soft, muted texture and warm color that envelope the room. I like to say that this sort of pattern emulates a finely tailored man’s suit.
That last photo is distorted a bit, so ignore those wavy, swirly lines.
This wallcovering is by Warner, in their Textures VII, Grasscloth Resource book, on page 32, a lightly embossed (textured) vinyl on a scrim (woven fabric) backing, and is a random / reverse pattern match (meaning, there is no pattern to match).
It comes either 26″ wide or 52″/54″ wide. Lil’ ol’ me can’t wrangle that extra-wide stuff, so I asked the homeowners to buy the 26″ option.
This type of vinyl is way more resistant to dings and stains than most traditional wallpapers. The scrim backing also makes it easy to strip off the wall later, and with minimal damage to the wall. The embossing adds just a touch of texture.
Best of all, because it is man-made instead of a natural material, there is none of the displeasing shading and color variations that are so prevalent in real grasscloth.
The home is a relatively new build in the Heights neighborhood of Houston.
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