It’s important that all your rolls of wallpaper be of the same run , or batch number , also called dye lot . This ensures that the rolls were printed at the same time with the same batch of ink . Rolls printed from different batches or runs could be a very slight different color or shade – and that can result in a striped effect on your walls . The run number is usually printed on the label of the wallpaper. But since Flavor Paper doesn’t use traditional labels, they put a tiny sticker with the run number onto the outside of the plastic bag that each roll is slipped into. These stickers aren’t particularly secure, IMO. On this job with the Brooklyn Toile pattern from Flavor Paper , we needed eight of their “rolls.” Each roll contains two strips , printed in one long sheet that you cut apart in the middle to separate the two strips . Flavor Paper comes with a header at the top of the roll, that includes the pattern name and other information from the manufacturer . In this photo, I’ve cut off that top portion. We had six rolls that came like this. But then two rolls came like this, with that top part removed. In addition, this paper has been damaged and soiled . Not smudges around the birds near the center . I suspect it was purchased by another homeowner, the installer removed the top header , then didn’t need the roll, and it was returned to the manufacturer . In the process, it got beaten up and dirtied. Here’s another shot of the header missing. If the previous installer had a pasting machine, he could have used its built-in cutter to make a perfectly straight and 90* angled cut like you see here. That’s another reason I think it was opened, not used, and returned to the company. This is the second roll. Look at how it’s been wrinkled and damaged . Paper doesn’t come from the factory like this. It had to have been unrolled, re-rolled, and put back into the plastic wrapper. Even worse, a couple of feet into the second roll I came upon this badly creased wallpaper . This crease was probably caused by the factory . But it could also have happened at the hands of the other (alleged) installer . Because of the way this material is printed and packaged , not in continuous rolls like most brands , but in panels or strips that are 24″ wide x 10′ 4″ long , with a somewhat long pattern repeat , I was not able to simply roll off a pattern repeat or two and still get a strip long enough to fit the wall. In other words, this damaged strip cut me short of what I needed to wallpaper this powder room . Here’s another reason why I think these two rolls were opened and then sent back to the manufacturer . That one on the right looks like it’s been opened , unrolled , and then re-rolled – and when you do that, you can never get the roll to be as tight as it was when it came off the factory line. I think these two odd rolls were purchased, not used, sent back to the company, and then simply stuck on a shelf to be resold – without anyone ever checking to see if they were in good condition. Or what the proper run number is. In addition, I don’t have confidence that the run number that was on that little sticker on the outside of the bag (see caption to top photo) is actually the right number. In the end, I was able to futz and fiddle and engineer – and get the room done with the paper that was useable. In the meantime, the homeowner is communicating with the manufacturer. Flavor Paper has good customer service . Additionally, they are members of the Wallcovering Installers Association / WIA (as am I). This pre-pasted material is in their EZ Papes line, which I like a lot. I am not fond of their vinyl or peel & stick materials , and some of their papers can be darned tricky to install. I ask my clients to stick with the EZ Papes.
Due to a mix-up in terminology, the homeowner originally received just four single rolls (two double roll bolts ) of wallpaper . They needed eight total single rolls (four doubles ), so two more double roll bolts were ordered. Being unable to get the same run number , we anticipated a slight difference in shade . But didn’t expect that the two new bolts would be thinner than the two original bolts . What the heck is up?! The selection book says this is a non-woven product, and a paste the wall installation method . Yet the label on both the original and the new rolls says to paste the paper. Even more puzzling, the instruction sheet included inside the rolls says that it’s non-woven material , and to paste the wall. It’s important for the installer to know what material he’s working with, so I needed to know if this was PTW or PTP . Usually, non-woven paste the wall are thick and hard to tear , due to their 20% polyester content . The fat roll felt and acted like a non-woven . But the thinner roll was thin and crispy and easy to tear. I sure thought it was a paper material , which would require a different installation technique . In recent months, I’ve had this same manufacturer send several rolls of the a particular pattern , but some were non-woven, and some were paper. So I thought we might be experiencing this again. It’s important to know what you’re working with, because different materials require different installation techniques. If a DIY ‘er follows the instructions to paste the wall , but it’s actually a paste the paper material, he’s going to encounter a whole lotta mess – and ruined paper . Here I used my 24” wide straightedge to tear off a strip of wallpaper from the roll of thin material. This answered my question. See the little fibers ? Those are indicative of non-woven papers, and their polyester content . Once I saw this, I was certain that it was, indeed, a non-woven material / paste the wall . So this material was easier to hang than traditional papers, because no need to paste , book , and let sit for a few minutes. There are other pluses, too, to NW papers, and most of us professionals like hanging them. But I wasn’t 100% pleased with the thin version of this non-woven material. For one thing, its stiff, crispness made it difficult to manipulate, and prone to crease . Also, notice the splotchiness of the paper. This showed up on the dry paper, right off the roll.But paper that has been pasted and hung on the wall showed even more splotches . This is scary, because there is a issue called blushing or staining , where the paper looks like it’s wet , but never dries out. Do a Search here to learn more. This happens mostly with non-woven papers , and is tied to certain types of paste . Which is why I don’t use those pastes! So curious as to what is causing this slight discoloration.I believe the spots were just due to moisture . As I worked my way across the wall and time went on, the paper I had hung first had a chance to air out and dry. The blotches disappeared .
I’m curious as to why the difference in material. Maybe the manufacturer was using different factories? In different countries? Or supply chain issues / material shortages meant that their usual substrate and inks were not available . Or just trying to cut costs? Saving money isn’t a bad thing. But it is, if it cuts down on the product’s quality.
Wallpaper comes in tight rolls. Often, when you cut a strip off the roll, it wants to remain curled up, as you see here. Some types of non-woven material are really bad about this. Even with weights on it, it’s hard to keep this stuff flat enough to get paste on the back. And when you do, it’ll often curl up again and get paste on the surface of the wallpaper . So I’ll take the bolt of paper and carefully roll it backward , securing it with an elastic hairband from the dollar store. This was a several-day job, so I let the rolls sit over night. But often all you need is a few minutes to eliminate what we call ” memory ” – the desire for paper to stay rolled up. Look at how nice and flat and flexible this example has become. Note: rolling backward can damage the material, particularly some non-wovens that are what I call “puffy” and thick. Folding these backwards can cause the fibers to crease – which doesn’t look good on the wall! So it’s important to roll the material around a form for support, such as an unopened bolt of wallpaper. And to roll carefully and slowly as you go. Once the paper is completely re-wound and the hairband secured, you can carefully remove the support. Still, with some types of N-W, you may still end up with creases.
There were eight double roll bolts of this wallpaper , to cover a large powder room in Houston. Four were rolled so the pattern came off the top of the roll, and four were rolled the opposite way, with the bottom coming off first. This Katie Kime brand is custom-printed , so you can assume that all these rolls are from the same run , or batch . But maybe not - why are some forward and some backward ? Possibly the company substituted some returned goods, or some old stock they had sitting around the warehouse, for half of this order. I didn't want to risk putting strips of slightly different shades on the same wall. So I had to carefully plot the room so I used the "forward" rolls on some walls, and the "backward" rolls on the others. This does eat up additional paper , so good thing I always have the homeowner purchase a little extra. Also note the crease in the roll on the right. There were a few other creases in other rolls.
I have no idea what happened to the font in the section above, nor do I know how to get it back to the original. All I know is that I HATE this “New Editor” that WordPress foisted on us a few years ago. Perfectly HORRIBLE. And their Customer Service doesn’t care. Anyway … moving on … Note the horizontal smudge next to the top of the capitol. Since this Austin Toile pattern has a 25″ pattern repeat, discarding this piece ate up minimum of 2′ of material (x 24″ width = 4 square feet) and potentially more, to get the correct pattern match. Usually this brand prints on a nice non-woven / paste the wall substrate. But, like other manufacturers, Katie Kime has had supply issues obtaining raw materials . During the height of the Pandemic , they resorted to printing on some positively awful stuff. Extremely heavy , thick , un- pliable , stretched to the extent that the pattern wouldn’t match properly, and more. One was completely un-hangable and had to be sent back. I can’t find all my posts re those challenges, but here is one: https://wallpaperlady.wordpress.com/2021/07/21/katie-kime-tough-install-today-draft-messed-up-delete/ But they’ve since gone back to printing on their usual stock, and I’ve not had problems lately. So when I first picked up this box of 8 double roll bolts, I was surprised at the weight of it. Also the paper had a shiny surface and was obviously composed of vinyl . I couldn’t tell if the substrate was non-woven or paper . I feared they had gone back to printing on that bad material , or perhaps were using up what they had in the back of the warehouse . There were no instructions included, nor any information at all – not even a brand name! Although I could find instructions on-line, you can’t be sure these are current and applicable to the rolls in the box. KK has amazingly good customer service , and you can usually get intelligent answers via phone or on-line chat … but my call to them went to voice mail , and then we got disconnected, so I gave up. After hanging the first few strips, I figured out that this was a flexible vinyl on a non-woven substrate, so that part was good. However, the thickness of the material interfered with getting good, tight, flat seams , as you can see somewhat in the photo. The seams aren’t horrible, but a better non-woven without the vinyl usually produces almost invisible seams. The surface was shinier than usual. Shiny tends to show every imperfection in the wall underneath. Here the thickness was a bit of a help, as it helped cushion any slight dips or pimples on the wall. There was also an odd orange discoloration about 1.5″ long on the edge of one strip. Very faint, but I could see it, and sometimes these things end up catching your eye. I also worry that it might be some substance that will bleed into the paper and cause a larger stain over time. Of course, this popped up after I had hung a very difficult piece in a tight spot, and then hung the subsequent strip. In other words – no way was I taking it off the wall and re-doing. I cut out a design motif and pasted it over the area. Another thing I was unhappy with has happened a number of times with KK paper. The pattern will match perfectly at the top of the wall, but begin to slide up or down, creating a mis-match , as you move down the wall. I think that a lot of it has to do with the vinyl material, because it’s stretchy. The weight of the paste and the vinyl will cause the bottom section of the strip to sag. This simply doesn’t make sense, though, because, if the paper is going to absorb moisture from the paste and expand (which many papers do), each strip should do so at the same rate, right? But not. I finally deduced, correctly or not, that the pattern gets distorted as it’s wound into a roll. So my theory is that if you take your 10′ strips from the same position in each roll, the pattern should match. In other words, take a 10′ strip from the top of roll #1. Take your next strip from a brand new roll #2. Third strip from roll #3. Obviously, this leaves a whole lot of unused paper. For shorter areas like over doors, where it’s harder to see, and where you can fudge the pattern a bit, I used the paper from the insides of the rolls, again, roll #1 next to roll #2, etc. But this doesn’t work on every instance, so you’re gonna be stuck with many areas where the pattern doesn’t match perfectly across the seams. The solution is to match the pattern at eye-level , and then allow it to go off as it moves toward the ceiling and floor. There were other issues with this paper that were disappointing to me. But not overwhelmingly awful. Most homeowners would not notice. But I sure hope that this was a one-time issue, and Katie Kime will go back to its former good-quality, non-woven material.
The home in the West U . area of Houston was built in 1994. And – yes – the wallpaper screams ’90’s ! Oh, and … it’s PINK ! The homeowners are doing lots of other facelifts, and this powder room ‘s time has come.The new wallpaper is also nature / floral themed, but it’s a crisper, more fun look. It was really nice not having the toilet or sink in the room – made the installation much easier. And less damage to the paper due to not having to manipulate the somewhat delicate (crease-prone) material around a pedestal sink. Pattern nicely centered on the sink wall. Light sconces will go where you see the holes on either side. The pattern is called Wildwood and is by Rifle Paper (made by York ).This is a non-woven material , also called paste the wall . It’s durable , stain-resistant , holds up under humidity , and will strip off the wall easily and in one piece when you redecorate later. Perhaps another 30 years? : ) 🙂
I prepped this powder room in the Energy Corridor area of Houston a couple of months ago, but couldn’t hang the wallpaper due to discovering printing defects. Printing defects are pretty common with that brand – Schumacher . So the homeowner ordered a different pattern from a different manufacturer. So I was dismayed today when the very first foot I rolled off the bolt of the new paper showed a very noticeable printing flaw. Luckily, this was just in this one spot, and was easily sliced off and discarded.I centered the pattern so it will look nicely balanced flanking the mirror once it is rehung over the sink.This pattern is obviously a knock-off of the famous ” Bird & Thistle ” pattern by Brunschwig and Fils, a French company. But the B&F is very expensive, and also delicate and also somewhat difficult to hang. Do a Search (upper right) to see other times I’ve hung it. I like this version much better, because it’s on a sturdy and dependable non-woven substrate. And much less expensive. Also, the design is on a smaller scale, which is much better suited to this powder room. The B&F would work best in a large dining room, for instance. The material has a pearlized, metallic look. It was pretty delicate, and would crease if you barely looked at it. I used a lot of tricks to prevent this creasing, and was really pleased with how the room turned out.
You never wrap a strip of wallpaper around an inside corner.
Corners are neither straight nor true-to-plumb. So trying to wrap around a corner will result in a warped edge, and most likely a strip that is wonking off-plumb.
So you cut your strip of paper vertically in the corner, leaving a tiny bit wrapping onto the new wall. See second photo.
Your next strip of paper will overlap on top of this narrow wrap.
Splitting the strip and overlapping means that you will cover up and lose some of the wallpaper design. Hence, the less you wrap around the corner, the less of the design will be lost in the overlap.
The thickness of the rolled edge of this stainless steel plate / tool is just perfect as a trim guide! Trimming against the rolled edge will yield a 1/16″ – 1/8″ wrap around the corner. So, when you overlap your next piece (the strip you split in half vertically), you are only losing a fraction of the wallpaper design.
This tool has other uses as well – some are too complicated to get into here. But the thinner edge can be used as a trim guide for regular wallpaper work. It’s shorter than most trim guides, so it can be used in small areas. The rounded edges can be used to press paper into areas, or to crease paper before trimming – without leaving marks. And the angle has a purpose – again, too complicated for here. Plus, there are other plates with different angles available, each with different uses.
This ingenious gizmo was conceived by Eunice Bockstrom, a Canadian and fellow member of the Wallcovering Installers Association (WIA). Once or twice a year, she has a metal shop make a run of these metal plates. Eunice has also invented some other very helpful tools, and they also become available when the factory makes a run of them.
tThe homeowner loved the coppery-hued colors in this “Carousel Stripe” pattern by Cole & Son. The colors mesh beautifully with the wood tones, and also the brass faucet, in this home bar area.
What’s interesting is that I think the colors (especially the red) are more intense now, than in the samples she got from the vendor. In fact, one complaint of hers was that the vendor sent just one small snip of the paper, and didn’t show the full color spectrum of all 10 stripes that make up the pattern.
No matter. The finished effect really sets off the bar backsplash, and will be a fabulous backdrop once the bottles and glasses are back in place.
This wallpaper is a non-woven material, which is made of synthetic fibers rather than wood or cotton pulp. Instead of the paste-the-wall installation method, I chose to paste-the-paper. This made the material more flexible and manageable, which helped a lot, because when it was dry, it really wanted to crease and flake.
TFor instance, the racks sitting on the counter in the first photo could not be removed. Manipulating, fitting and trimming the wallpaper around the sharp bends and angles without marring the wallpaper was very difficult.
The non-woven, synthetic-origin material (think fiberglass) was also really hard to cut. Even with a brand-new razor blade, I had trouble getting perfect cuts around moldings, and also in a whole lot of other simpler areas.
These two rooms were hard enough, with minimal angles and corners and intricate moldings. If this had been a bathroom, or another room with a lot of turns and fancy cuts, it would have been really difficult to prevent creases and other damage to the wallpaper.
As it was, I spent about nine hours hanging these four single rolls of paper.
This is a wonderfully restored 1939 home in the Rice University area of central Houston.
Combine glamour, tradition, and sparkle, and you get this large-scale damask pattern for an accent wall for this “girly girl’s” bedroom near West University Place in Houston.
If you are standing at the right spots, you can see the built-in sparkle and glimmer on the wallpaper.
This material was a non-woven, so I could use the paste-the-wall method (instead of hauling in my large and cumbersome work table). N-W’s have a high fiberglass content and are hard to tear. They are designed to strip off the wall easily and in one piece, when it’s time to redecorate.
Like many of the N-W’s, this one has a vinyl type surface, so will hold up to some dirt and washings, and resist some bops and dings, as well.
This particular N-W product did tend to crease very easily (see second-to-last photo), so it was important to handle it delicately.
The wallpaper is by Fine Decor Wallcoverings, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.
This young family in the West University Place neighborhood of Houston started out with another installation company that was not a good fit. They also started out with a wallpaper selection from a company that I find to be of poor quality (Hygge & West). I was honored that they let me take on the wallpaper install. AND that they listened to my suggestion to explore other manufactuers … the paper they chose is superior in quality, and is a far more charming and fitting design for their young son.
The walls originally had a light texture that I skim-floated over, then sanded smooth, and then primed with Gardz.
The new wallpaper is very similar in color to their original choice of palm leaves, so they could keep the trim and wainscot paint that had already been applied.
Whereas paper from the original manufacturer is known for curling and disappointing “pouches” at the seams, their final selection from Boras Tapeter (a Scandinavian company) is some of the most cooperative and best performing paper I have every worked with.
The seams are invisible, the material doesn’t expand (no pattern distortion or screwed up measurements) and it doesn’t shrink (no gaps at the seams). There is no booking time, so each strip can be pasted and then hung immediately. It can also be hung via the paste-the-wall method. It hugs the wall tightly and turns corners nicely. It doesn’t crease easily, as many thicker non-wovens do. When it’s time to redecorate, this non-woven material is designed to strip off the wall easily and with minimal damage to the wall. And the surface is more washable than most, making it well suited to a young child’s room.
And best of all, the “Wonderland” design, with frolicking animals and whimsical foliage, is much better suited to a child’s room than the original palm leaf option.
This wallpaper pattern is by Boras Tapeter, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.
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