Original wallcovering was a dark , rustic , textured (and outdated) torn and overlapped paper . Smoothed , prepped , primed , and ready for wallpaper . Done! Bright , fresh , and with visual movement from the swirly leaf pattern .Opposite side of vanity / countertop . Mirror shot showing wall behind the vanity / sink . Wall opposite the vanity / mirror . The pattern is called Priano .
The color is called Dusty Pink – it’s a very livable pink. This is very popular pattern , and I’ve hung it a bunch of times, in every colorway . It’s one of my favorites, too. I love the soft swirling foliage , and the simple two-color scheme . This makes it a very easy pattern to live with , whether it be one accent wall or a whole room . In fact, the pattern is so soft and un-intrusive that it makes a wonderful choice for papering all the walls in even a large room such as a bedroom or dining room (Search here to see the dining room I did in the soft blue version .)
Made by Serena & Lily
I like the quality of just about everything from this company. This is a paper wallpaper , and goes up nicely . Like most traditional wallpapers , this is installed by pasting the paper . The home is in the Champions Forest area of northwest Houston . installer paperhanger
I always love to see wallpaper featured in a national publication . BH&G often does. This particular issue is also full of color and pattern – a nice shift away from the all-white or all-grey , minimalist look popular these days. Not all the articles included brand / pattern number , but similar designs can be found easily enough, especially if you visit my favorite source Dorota at the Sherwin-Williams in the Rice Village .Delightfully bold and dark works wonderfully in a small powder room . A little calmer . More Bohemian / Indian / Middle East vibe.Just please don’t get peel & stick . Ever. Read my info page link to the right.Reminds me of postage stamps . Beautiful Art Nouveau inspired design . Spoonflower makes lovely paper – as long as you get their pre-pasted smooth and not any other of their options. They have really innovative , fun patterns, too. installer houston
Accent wall below staircase in a sitting area of a living room in a Meyerland ( Houston ) home that was flooded during Hurricane Harvey in 2017. It took five years for the homeowners to raise and restore the home, and settle in. They are waiting for the wallpaper before choosing furnishings for this room. But the colors of the wallpaper meld beautifully with decor in other areas, such as the family room on the other side of this wall , which has colors of cream , tan , and dark grey in furniture , flooring , and accessories .The pattern is called Bird and Blossom Chinoiserie (a term that refers to Chinese / Asian style decorating ). Its in the Ronald Redding line by York. It’s a non-woven material that can be installed by either paste the wall or paste the paper methods. It will strip off the wall easily when you want to redecorate later.
Powder room before. The original paper dates to the ‘90’s , and was a popular theme at that time. Fast-forward 30 years and add a young family with active kiddies = time for an update . For various reasons, the existing wallpaper could not be removed . So I’m prepping and will hang the new paper over it. Here I’ve skim-floated over the seams, so there will be no ridges showing under the new paper . Next I’ll seal with a stain blocker (see previous post) and follow that with Roman Pro 977 Ultra Prime wallpaper primer .Primed and ready to for wallpaper .Such a pretty pattern , full of movement and cheer . The homeowner wanted something dramatic , hence the dark color . Dark works quite nicely in a small room like a powder room . The homeowner also wanted the ceiling papered . Close up .From a distance . A large , sculpted mirror with a heavy white frame will be hung over the sink. This will contrast against the dark paper , and really stand out . I like to think that the wallpaper is the star attraction , but I really think the mirror will take center stageThe pattern is Cornflower and is by Rifle Paper , made by York , one of my favorite brands . This is a non-woven / paste the wall material . It’s relatively easy to work with , and is designed to strip off the wall easily and in one piece without damage to your walls when it’s time to redecorate .  This was purchased from Dorota at the Sherwin-Williams on University in the Rice Village . Excellent help in tracking down your perfect paper , and discounted prices , too. Wed – Sat . Call before heading over (713) 529-6515 . The home of this install is in the West University / West U area of Houston .
 The accent wall in a Houston Heights master bedroom where I’m working is a little dark. Here I’ve removed the light sconces , and am getting ready to skim-float to smooth the textured wall . A little more light would be helpful! My bright 100 watt light bulb is screwed into a little gizmo that’s quite handy . It’s a socket for a light bulb that can be plugged into an electrical wall outlet . Alternately, as you can see, because there are two holes in the bottom of the metal prongs , you can slip the ends of the electrical wires into those holes . Of course, you have to be careful that the ends of those two wires ( one white and one black ) don’t touch each other . That could cause a spark and a shock , and maybe even trip the circuit breaker . Oh, and, also, be sure to turn the power off at the switch before doing this. If you want to be extra-cautious, you can kill the circuit at the breaker box – but really, turning off at the wall switch and then taking care not to let the two wires touch each other, will be pretty safe. When ready to work around this improvised lighting , especially with metal tools or wet wallpaper , I will turn off the power at the switch , remove the socket thingie from the wires in the wall , use screw cap wire nuts to cover the exposed wire ends , and tuck the wires a bit into the electrical box . Once the paper’s up in that area, I can reattach the socket and get me some light again. I stumbled upon these things at a garage sale decades ago, and got maybe 10 of them for a buck or two.  But they’re still available in electrical departments of places like Home Depot and Lowe’s and our neighborhood favorite here in central Houston – Southland Hardware . They cost about a dollar or a dollar and a half each .  Â
Moody and dark. A great, snug place to hunker down and spend the day on the computer , working from home . But maybe a little too much dark ? An accent wall brightens the space and adds interest . Makes a day at work more inviting. BTW, those windows with their bull-nosed edges / rounded corners are a bear to hang wallpaper around, requiring special techniques. I won’t go into details, but, after applying my wallpaper primer, just this one wall took me about six hours. Surprise! Look closely and notice the jungle theme , with palm trees and leopards . I centered the pattern between the windows , for a balanced look. Close up. See the fibers on the torn edge of the wallpaper strip ? This is a non-woven material , also called paste the wall , and has a 20% polyester content . Thus the fibers. This stuff is simpler to hang than traditional wallpapers . Also more washable and stain-resistant , and will strip off the wall easily and with no damage to the wall when you redecorate later. These days, most people don’t use land lines or phone jacks . So I removed the wall plate , and stuffed the connector into the wall . Then I hung the wallpaper over the hole / box . It’s right above the head of the cat on the left. If the homeowners ever want to access the phone line , they can easily cut the wallpaper to open up the box , then reconnect it and then screw the wallplate back into place. The wallpaper is by York , under the designer Ronald Redding .  The label says it’s a paste the paper installation method , but in actuality, the instruction leaflet enclosed inside the roll is correct – it can be hung via the paste the wall method . Usually I prefer to paste the paper . This is a newish townhome in the Sawyer Yards area of Houston .
Before. Heavily textured wall has been skim-floated with smoothing / joint compound and then sanded smooth , and then primed with Roman Pro 977 Ultra Prime wallpaper primer . I’ve run a narrow line of dark green craft paint along the top of the chair rail / wainscoting , due to uneven edges . More on that in a soon-future post. Sink wall is done. Pattern is centered nicely on the faucet and in between the electrical boxes for the new sconces – They haven’t arrived yet and will be installed in a few weeks . The homeowner’s carpenter created this beautiful wainscoting out of 3D block paneling , and then painted it a rich dark hunter’s green . Right now there’s some sanding dust collected on it, plus bad lighting . In person, it’s gorgeous . The same company did a fantastic paneled wall / fireplace surround in the family room (not pictured) . Back to wallpaper … This shot is pretty color-accurate. I love the way the dark wallpaper coordinates with the green paneling . The pink and orange flowers , as well as the row of purple foliage , really stand out against all the dark . Close-up looks like an artist’s painting . Besides centering the pattern on the sink wall, the dimensions worked out so that I was able to balance the chameleons between the ceiling and chair rail , one just below the ceiling and the one here just above the chair rail. So no critter got cut in half . This product comes as a 2-strip (roll) set , with an “A” strip and a “B” strip in each box. Together, the two strips equal just a hair under 6′ wide , and a little over 9′ high . Here I’m rolling out the two strips so I can gauge the pattern , measure width and height , and plot the layout on the wall. Sobering fact: Each 2-strip set (one “roll”) cost about $500. This room used four of those sets. I always try to keep that in mind when working with people’s purchased wallpaper . OK, this damned Word Press blog account has AGAIN (2nd time in two nights!) deleted paragraphs that I spent a lot of time typing. I can’t recreate all the info I put into that lost post, but below I will try to include some of the important points. First and foremost – since the switch to the New Editor back about 2015, I pretty much HATE WORDPRESS . Anyway, here the company is providing a mock-up of what the “A” and “B” strips look like. The mock-up above shows the two panels next to each other. Since this is essentially a mural and the pattern doesn’t repeat vertically as more typical wallpapers do, you can plan on getting only one strip out of each panel. These walls are 6′ high , and the panels are 9′ high. So you’re losing 3′ with every strip. Further, the area over the door needed one panel that’s 2′ high. But an entire 9′ panel was needed for this, to get the 2′ high strip. So 7′ are going into the trash. Add to that, since this product comes as a 2-panel set , the homeowner had to buy a 2-panel set (at $500), even though only part of one panel would be used. This means that 1 + 2/3 9′ long panels were purchased but not used. Also, because this comes in panels instead of traditional rolled goods, there are no “extra” strips. This means that I can’t make any mistakes. Nothing like a little pressure while trying to install wallpaper ! No fears … this pattern and material went up nicely, and we had just enough paper to git ‘er done. Manufacturer is Breeze and the pattern is called Fantasy Tree . It was purchased from one of the show rooms in one of the Design / Decorative Centers in central Houston. It’s printed on the user-friendly / DIY – friendly non-woven material , which can be hung by pasting the paper (which I prefer) or the paste-the-wall method . It’s designed to strip off the wall easily and in one piece with no damage to the wall when it’s time to redecorate . Definitely better than peel & stick (click my link on the right to read more about P&S ). The home is in the Oak Forest / Garden Oaks / Heights neighborhood of Houston .
Dining room before. This bungalow in the Woodland Heights neighborhood of Houston is very true to the Arts & Crafts / Craftsman period. This style featured straight , clean lines , nature , and muted colors that mimicked those found in nature . The homeowner is a retired woodworker / carpenter and did much of the millwork you see here. Done. The teal green is actually a little more muted than the photo shows. From another angle. Close-up. This wallpaper pattern is called Fir Tree . A frieze is a wide wallpaper border , usually run around the middle or top of a room . The manufacturer is Bradbury & Bradbury . They specialize in period-inspired patterns from past eras, such as Victorian , Arts & Crafts , Oriental , Modern Age / Mid Century Modern , and more. Bradbury prints on stock that’s about 28″ wide, and this border is about 13″ wide. So Bradbury prints two borders side-by-side , and then you need to use a straightedge and razor blade to cut them apart .Although the border came about 13″ wide, the space between the beams was only about 11.5″ . So we were going to lose about 2″ . I consulted with the homeowner. He really wanted to see the copper metallic pine cones. We also felt the trunks of the trees were important design elements . We decided that the pattern could afford to lose more from the top , which would permit more of the tree trunks to show, all the while preserving those pine cones. Here I am trimming 2″ off the top, so the overall height of the frieze is now 12″ . That will fill the space between the beams, and also allow a little bit to tuck down below the bottom beam (there is a gap between the wall and that beam). The room was really dark , the wallpaper was dark , and my straightedge was casting a shadow where I needed to trim. So I grabbed my Big Larry flashlight from my toolbox and was able to see where to trim. Bradbury uses inks that are quite delicate , and can be scratched or marred simply by brushing with my smoother brush , or my plastic trapezoid squeege smoother tool . Metal – like a trim guide or scissors – will also leave marks on it . Here I’ve wrapped tools in microfiber towels and baby socks , to soften contact with the wallpaper . Bradbury inks and substrates can be finicky, and it’s important to use the paste recommended by the company for the particular colorway that you’re hanging . In this case, I had to use clay – based paste . The inks and substrate aren’t always compatible , so when you add wet paste to the back , it can cause the substrate to absorb moisture and swell , while the inks on the surface are holding tight. This will result in wrinkles , warps , and bubbles on the surface . We call this quilting or waffling . One trick is to lightly sponge clean water onto the inked surface. This will allow the surface to absorb moisture and expand hopefully at the same rate as the backing , hopefully eliminating wrinkles and bubbles . On this install , I still had problems with uneven expansion . And with the paper drying out before I could get an entire strip up on the wall. So, while I was pasting the back, I also sprinkled a little water on the back and mixed it in with the paste . This did seem to even out moisture , and also help the material remain moist and workable during the installation . In addition, I also had trouble with the edges of the paper drying out before I could get a full strip up on the wall. Part of this was because it’s winter time and the furnace was blowing hot air into the room and drying out the paper. My counter-attack was, again, to sprinkle a little water onto the back, to hydrate the material more. Also, once I had pasted a strip and rolled it up (see below), I dipped the edges into about 1/8″ of clean water. And then wrapped the pasted material in a plastic trash bag and allowed to book for a few minutes before hanging . This is standard procedure with wallpaper. Actually, what worked better was to paste, book, bag, and then just before hanging to dip the ends into water. This seemed to keep everything wet and workable better and longer. Despite all this, some small bubbles did remain in the paper. As the paper dried, though, they flattened out. When you book a strip of wallpaper, customarily you fold the top 1/3 down and the bottom 2/3 up. This keeps paste from smearing all over everything, and makes each strip shorter and easier to handle. And allows you to get the top section of the pattern lined up with that on the previous strip , before unfolding the bottom section and working that against the wall. But it’s a little different handling a narrower border that’s maybe 12′-15′ long. What I do to make this manageable is to book the material in accordion pleats . See photo. Then I can unfold just a small section, work it into place, and then move along the strip, smoothing just a small section at a time against the wall. Actually, with this install, I positioned my sections against the wall temporarily, to get the whole 15′ strip up there. And then went back and smoothed each section against the wall, working out bubbles and warps , and ensuring that the frieze was pressed tightly against the wall at both top and bottom . There were four strips around the top of this dining room. On each strip I used a different install method. By the time I was done, I had learned how the material wanted to be treated. The homeowners are in love with this period-authentic look for their vintage bungalow. The husband said it was like Christmas, because they had waited for so long to have this room completed, and now it’s finally finished and beautiful!
Oh, my! – I hung lots of these chintz florals, ” satin ” look (the design of the dark green at the bottom of the wall), and dark colors back in the ’90’s . Sure enough – this home was built and wallpapered in 1994. IIt’s still a good look, IMO, and the homeowner still likes it. But she’s just gotten tired of it. So – time for an update ! She also decided to eliminate the chair rail , so the new wallpaper will go ceiling to floor . Here you see some damage to the drywall where the chair rail molding was removed . What a change! Now the room’s look is quiet and fresh . The buffet , topped with a decorative mirror , will go on this wall . That’s why I centered the pattern in between the windows , so it will fall evenly on either side of the furnishings . I also plotted so that a full “Moroccan lantern” (that’s what this style of trellis pattern is called), would balance out between the crown molding and the window molding. There were several of these 12.5″ high areas all around the room, so this placement of whole “lantern” motifs gave the room a pleasing look. It also worked out that the lanterns were evenly placed and kept whole between the crown molding and the baseboard. See the second following photo to see what I’m talking about As a note – just this one window wall took me about five hours to measure , calculate , and hang . Getting the pattern to go over, around, and under the two windows , and still line up and match correctly , took some time and futzing. The material was thick and stiff , and a bit tricky to fit into corners and trim around the decorative window molding . In the foreground you see my work table area . The homeowner has let me put protective padding on her dining room table and then set my work table on that. This saves space and allows plenty of room for my ladder and other tools as I work around all four walls. So that I could center the pattern on this wall , I had to start hanging my first strip in the middle of the wall. I was lucky this time, that the pattern was centered exactly on the edge of the wallpaper roll . Sometimes (as in the one I did yesterday – see previous post ) the center of the design motif is a to the right or left of the edge of the wallpaper . This, naturally, means you’ve got to do more measuring and plotting and double-checking , to be sure the center of the design falls down the center of the wall . Back to the photo above … that dark block on the right side of my work table is my laser level. It’s shooting a perfectly plumb red line onto the wall. Here I’m lining up my first strip of paper butted against this red line . Switch topics … Back in 1994, the original installer did a very nice job of hanging the wallpaper. But … he didn’t prime the new drywall first. That lack of primer / protective layer means that the wallpaper will actually bond to the drywall. I tried, but was unable to get the existing wallpaper off . Eventually, you need to factor in time , damage to the wall , paste residue left on the wall, and take a different tac if called for. So I skim-floated over the seams , so they wouldn’t show under the new paper , and also floated over the damaged drywall where the chair rail had been removed . Sanded smooth , and then primed the patched areas as well as the original wallpaper, with Roman Ultra Prime Pro 977 . This stuff will adhere to the light acrylic (slick) surface of the original wallpaper, as well as protect it from moisture from my paste on the new wallpaper. ( Moisture could cause the underlying original wallpaper to expand , creating bubbles that will look bad, or loose areas that will pull away from the wall, creating a bubble or pocket.) My primer is also lightly pigmented, so it helps block out the dark color and busy pattern of the original wallpaper . This particular new wallpaper is quite opaque , but not all of them are, so a pigmented primer is important , IMO . Left corner of the buffet wall. Here you can see how the lantern motifs are placed between ceiling and floor. The background has a lightly mottled effect, that mimics grasscloth a bit, and also adds more depth and warmth than just a plain solid color . Been havin’ more than a fair share of defects lately, especially this week. This paper had on both front and back sides, incidences of these black flecks . They seemed to be maybe charcoal , so I wasn’t too worried about their black bleeding through to the surface , like ink or any oil-based substance will do. Most of them were embedded in the material itself, so could not be wiped off , nor dug out with a razor blade . Some I had to cut around and discard the affected paper. Others were so small as to not be noticeable once the paper was up on the wall and all the furniture and artwork was back in the room. There was also one 3′ section of wallpaper that had an odd streak or arc running across it. It wasn’t ink . It was more like some kind of compromise to the substrate . I noticed it was I was pasting the back of the paper . I turned it over and, sure enough, you could see it a little on the surface. (see photo in previous post) It’s the kind of thing that was subtle, but would catch your eye when looking at the wall from a distance . It was minor , but I discarded that strip . Good thing I have the homeowners purchase a little extra wallpaper . The manufacturer is Designer Wallcoverings , which is a good quality brand (aside from the printing defects I described earlier ). It was a non-woven / paste the wall material , which is pretty user-friendly . It will strip off the wall easily and in one piece when you redecorate . Stain-resistant , and ” breathable ” in humid conditions . The home is in the West University neighborhood of Houston . Dining room installer
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