There were eight double roll bolts of this wallpaper , to cover a large powder room in Houston. Four were rolled so the pattern came off the top of the roll, and four were rolled the opposite way, with the bottom coming off first. This Katie Kime brand is custom-printed , so you can assume that all these rolls are from the same run , or batch . But maybe not - why are some forward and some backward ? Possibly the company substituted some returned goods, or some old stock they had sitting around the warehouse, for half of this order. I didn't want to risk putting strips of slightly different shades on the same wall. So I had to carefully plot the room so I used the "forward" rolls on some walls, and the "backward" rolls on the others. This does eat up additional paper , so good thing I always have the homeowner purchase a little extra. Also note the crease in the roll on the right. There were a few other creases in other rolls.
I have no idea what happened to the font in the section above, nor do I know how to get it back to the original. All I know is that I HATE this “New Editor” that WordPress foisted on us a few years ago. Perfectly HORRIBLE. And their Customer Service doesn’t care. Anyway … moving on … Note the horizontal smudge next to the top of the capitol. Since this Austin Toile pattern has a 25″ pattern repeat, discarding this piece ate up minimum of 2′ of material (x 24″ width = 4 square feet) and potentially more, to get the correct pattern match. Usually this brand prints on a nice non-woven / paste the wall substrate. But, like other manufacturers, Katie Kime has had supply issues obtaining raw materials . During the height of the Pandemic , they resorted to printing on some positively awful stuff. Extremely heavy , thick , un- pliable , stretched to the extent that the pattern wouldn’t match properly, and more. One was completely un-hangable and had to be sent back. I can’t find all my posts re those challenges, but here is one: https://wallpaperlady.wordpress.com/2021/07/21/katie-kime-tough-install-today-draft-messed-up-delete/ But they’ve since gone back to printing on their usual stock, and I’ve not had problems lately. So when I first picked up this box of 8 double roll bolts, I was surprised at the weight of it. Also the paper had a shiny surface and was obviously composed of vinyl . I couldn’t tell if the substrate was non-woven or paper . I feared they had gone back to printing on that bad material , or perhaps were using up what they had in the back of the warehouse . There were no instructions included, nor any information at all – not even a brand name! Although I could find instructions on-line, you can’t be sure these are current and applicable to the rolls in the box. KK has amazingly good customer service , and you can usually get intelligent answers via phone or on-line chat … but my call to them went to voice mail , and then we got disconnected, so I gave up. After hanging the first few strips, I figured out that this was a flexible vinyl on a non-woven substrate, so that part was good. However, the thickness of the material interfered with getting good, tight, flat seams , as you can see somewhat in the photo. The seams aren’t horrible, but a better non-woven without the vinyl usually produces almost invisible seams. The surface was shinier than usual. Shiny tends to show every imperfection in the wall underneath. Here the thickness was a bit of a help, as it helped cushion any slight dips or pimples on the wall. There was also an odd orange discoloration about 1.5″ long on the edge of one strip. Very faint, but I could see it, and sometimes these things end up catching your eye. I also worry that it might be some substance that will bleed into the paper and cause a larger stain over time. Of course, this popped up after I had hung a very difficult piece in a tight spot, and then hung the subsequent strip. In other words – no way was I taking it off the wall and re-doing. I cut out a design motif and pasted it over the area. Another thing I was unhappy with has happened a number of times with KK paper. The pattern will match perfectly at the top of the wall, but begin to slide up or down, creating a mis-match , as you move down the wall. I think that a lot of it has to do with the vinyl material, because it’s stretchy. The weight of the paste and the vinyl will cause the bottom section of the strip to sag. This simply doesn’t make sense, though, because, if the paper is going to absorb moisture from the paste and expand (which many papers do), each strip should do so at the same rate, right? But not. I finally deduced, correctly or not, that the pattern gets distorted as it’s wound into a roll. So my theory is that if you take your 10′ strips from the same position in each roll, the pattern should match. In other words, take a 10′ strip from the top of roll #1. Take your next strip from a brand new roll #2. Third strip from roll #3. Obviously, this leaves a whole lot of unused paper. For shorter areas like over doors, where it’s harder to see, and where you can fudge the pattern a bit, I used the paper from the insides of the rolls, again, roll #1 next to roll #2, etc. But this doesn’t work on every instance, so you’re gonna be stuck with many areas where the pattern doesn’t match perfectly across the seams. The solution is to match the pattern at eye-level , and then allow it to go off as it moves toward the ceiling and floor. There were other issues with this paper that were disappointing to me. But not overwhelmingly awful. Most homeowners would not notice. But I sure hope that this was a one-time issue, and Katie Kime will go back to its former good-quality, non-woven material.
First, note that this wallpaper came in two different runs . This is bad, because each run of a printing job will be a slightly different shade from other runs. This color difference shows up on the wall and looks bad. Do a Search here to see previous posts about this. Next, note that one label says the material is ” paste the wall ” and the other says ” paste the paper .” This is unusual, because usually Rifle Paper is always paste-the-wall – another name for a non-woven material . So why does one say it’s paste-the-paper ? Turns out that both of these runs – and all of the wallpaper I had for this job – were paste the paper. This was totally unexpected, especially since the label as well as the specs I had scouted out on line ahead of time said paste the wall . As far as install techniques, these two methods are completely different animals. Paste-the-paper takes a lot more time, and also is less durable if exposed to water or stains Not a biggie for me, because I’m familiar with installation techniques of both types. But if a homeowner was trying to DIY his room and was expecting an easy paste-the-wall , he would be in for a much more difficult go-round with the paste-the-paper .
No, this large room with sink and counters isn’t a kitchen. The family loves to entertain both family and friends, so included this “bonus” room in their new home’s plans. It’s used for both entertaining and crafting. The wall facing you was originally painted a semi-gloss navy blue. In the photo, I’ve applied my wallpaper primer. It will adhere to the glossy paint, and provide a matt finish for the wallpaper paste to grab ahold of. Taking measurements and plotting the layout. This paper has a selvedge edge , which has to be trimmed off by hand with a straightedge and razor blade. The manufacturer has not provided trim guide marks , so I am using a ruler and my eye. The new look is so dramatically different I couldn’t resist taking a photo mid-hang. As you can see, I’ve used dark paint to stripe under where the seams will fall, to prevent any of my primer from showing through at the seams. You can see the ceiling line starting to track upward on the right portion. More on that below. Finished. Perfectly centered.This is the mounting hardware for the big screen TV . I asked them to remove the TV, but we left the mounts in place. In order to support the heavy TV, they are placed quite securely into the wall , and I feel it’s best not to jimmy around with that. Rather than have the first strip straddle the TV mount, I plotted to have my first seam fall down the middle of the wall, placing a seam in the mid point of the mount. This meant I had to hang four strips instead of three, but it made it a whole lot easier to work around the TV mount, as well as to keep the left and right edges of the grasscloth straight and plumb. Close up showing the texture of this grasscloth material. It’s atypical to have grass cloth printed with a pattern , and I rather like the way the ink looks somewhat scratchy against the rough background. Because it’s Schumacher, you can expect printing defects . The slight pattern match doesn’t bother me, as there were many more places along each strip that matched up perfectly. Nor do I mind the different intensity of ink on the two strips. That’s all part of the look of grasscloth. But I wasn’t pleased with the white ink out in the middle of nowhere, as seen about 1//3 down the center of the picture. This isn’t considered a defect , and from a distance it’s not really noticeable. But it bugged me. So I used some water-based paint and a very small brush from the craft store and lightly touched up the spots. I also softened the mis-matched edges a bit. There’s a fine line between covering the white spots and staining the material, so use a light hand. And never permanent ink or oil-based markers or pastels.Likewise, the ceiling line was not level, so as I moved from the mid-point out to the right, the ceiling rose above the geometric motif’s top edge, and a white line began to be visible, but only to the right of the centerpoint. So I used the black paint to cover up that extra bit of white. This increases the width of that horizontal navy blue line from 1/4″ to about 1/2″. But from down on the floor you can’t tell, and it looks a whole lot better than having white on the right side and none on the left. The brand is Schumacher and the home is in the Garden Oaks / Oak Forest area of Houston. The interior designer who came up with this bold and lively look is Clayton Brooks .
Re my previous post, before I visited, the homeowner had purchased 8 rolls (4 double roll bolts) of paper. This was just exactly enough (12 strips) for the headboard wall, but I told him to order 16 more to do the rest of the room. The new paper came in a different run. So we had Run 16 for the headboard accent wall, and Run 17 for the other walls.
(You can’t mix runs on the same wall, because different runs, printed at different times with different batches of ink, will be slightly different shades. This very slight color difference will show up on the wall as a striped or “paneled” effect.)
The wallpaper is by York. It is a non-woven material, comprised of synthetic fibers rather than wood and cotton. The synthetic material does not expand when wet with paste, which means the wallpaper can be hung via the paste-the-wall method, with no “booking” or “soaking” wait time needed.
Interestingly enough, Run 16 behaved differently from Run 17. I hung the accent wall with Run 16 quite successfully using the paste-the-wall method.
But when I started the next wall using Run 17, bubbles and wrinkles developed. The paper was absorbing moisture from the paste and expanding on the wall, creating the small bubbles. Quite unexpected with a non-woven material.
The solution was to paste the back of the wallpaper, rather than the wall. This allows the material to absorb moisture and expand a tad before you get it to the wall, so it will behave itself once it is on that wall.
Unlike a traditional paper, this non-woven material did not need a lot of time to absorb moisture, but could be pasted and hung immediately. This greatly speeds up the installation process.
Pasting the paper has an additional advantage in that it renders the material more supple and pliable, which makes it much easier to work around corners or manipulate into position in tricky areas.
Re my previous post … The area to be papered was small, but the whole job was complicated because the grasscloth arrived in two different runs. Run refers to paper that was all dyed / printed at the same time, with the same batch of ink. Different runs will be slightly different colors. The second photo exaggerates that color difference a bit, but still, it was pretty noticeable. That’s why you need to be sure that all your wallpaper is from the same run.
Somehow, Quality Control fell through on several levels, and I ended up with four walls to cover, a scant two bolts of paper, and two different color shades.
If two strips of wallpaper from two different runs are places side-by-side, you will see a big difference in color, which is what we call paneling (do a Search here for more pics and info). But your eye won’t notice a slight color difference if the two runs are kept on separate walls.
So my challenge today was to figure out how many strips I needed of what lengths, to cover which walls, without mixing either of the runs on the same wall, all the while bearing in mind the length of each bolt of paper and how many strips I could get out of each.
It took a bit of measuring, plotting, pre-planning, and engineering – which, to be honest, I actually enjoy – a lot. 🙂 In the end, I was able to cover all four walls without either of the two runs touching one another on the same wall. Once the room was done, you would never have known the paper had come in two different shades. The overall look was very homogeneous.
The client bought her paper on-line, before I saw the job and measured the space. Like most homeowners, she ordered too little paper. I told her to get another double roll.
The new roll was a different run number. In the photo, you see one is Batch 15, and one is Batch 16. And the label on the third double roll has been removed and discarded, so we have no way of knowing what batch that one is.
The problem is that each batch of wallpaper that gets printed will be ever so slightly a different color from every other batch. Not a problem if you can keep the different runs (batches) on separate walls. But if you have to put strips from different runs next to each other on the same wall, which is 95% of the time, you are likely to see a slight difference in color. This will make your wall look like it’s striped. Not good.
Buying wallpaper on-line can be cheaper and fast, but since people at the company are order-takers and are not wallpaper-savvy, there is noone checking things like run numbers. This is why I encourage clients to buy locally.
In my “Where To Buy Wallpaper” link on the right side of this page, I name several places where people really understand wallpaper, and so you can shop without having to worry about issues like run numbers.
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