Tall Windows Allow Innovative Pattern Placement

Focal wall before. With many patterns, the finished room looks better if the dominant features of the pattern can be centered .
You may not consciously notice this, but the overall room just feels more cohesive and balanced .

Here I’ve located the horizontal center of the wall , and placed the skinny tree running vertically down that line .

Same thing on this section of wall, but I used the alternate tree figure, which is wider and filled the space better.

It’s kind of tricky finding the center of a design like this, because it’s not symmetrical and elements of it move to left and right , and some are wider than others. So it helps to be able to pull up a room-scale image on-line , or to lay a couple of rolls out next to each other on the floor and look at the pattern from a distance.

It was cool that this dining room had lots of individual spaces , separated by windows and doors .

And extra cool that these features reached up almost all the way to the ceiling. AND that the design was loose and flowing . That’s what allowed me to fiddle with the pattern and center the trees on each individual section of wall . Normally a pattern would have to match all the way around the room. But here you would never notice if a tree branch didn’t perfectly match the next tree branch way up 9′ high over the window that was only 2″ high .

On those short areas over the windows and doors, I overlapped the left and right strips a small amount, and then cut along one of the branches to disguise the mis-matched pattern.

Since there were two tree figures to the design , I varied what I placed in the center of each wall, to prevent every visual vignette from being the same.

It was fun plotting all this out and executing the layout . I love when my work environment is nice and quiet and I have the space and time to play around like this .

The pattern is called Luminous Branches and is by York . It’s a material made by a good brand .

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Luminous Branches Breathe Life Into Dining Room

Before

The homeowners had this elegant wainscoting added to the bottom of their dining room when the house was built . But for seven years, the room was bland and boring . The new crystal chandelier adds glamor , but the room is still lacking .

Wallpaper to the rescue!

Now there’s soft color and soft pattern . And a little gold shimmer !

I’m encouraging the homeowners to paint that band of wall under the tray ceiling a very soft aqua color, to meld with the misty feel of the wallpaper .

It’s a soft aqua color , but enough to stand out against the woodwork . Now you see the beautiful moldings and trim work .

South wall before

South wall done

I positioned the tree pattern to fall down the mid-point of this space between the two windows .

This shot with the chandelier dimmer turned down allows you to see the pattern more fully.

This wallpaper pattern is called Luminous Branches and is by York , one of my favorite brands , in their Designer Series line.
The material has a slight raised / embossed / textured effect. It’s a non-woven product, so is strong , durable , stain-resistant , and designed to strip off the wall easily and in one piece and with no damage to the wall when you redecorate later.
Non-wovens can be hung by the paste the wall method , but I generally prefer to paste the paper . NW requires no booking / soaking time , so they install a little faster , with no worries about shrinking or gaps at the seams . In fact, the seams are near-invisible .
The home is in the Braes Heights area of Houston

Trick for Centering Pattern With Non-Woven Wallpaper

Dining room focal wall before.

Same wall done, with dominant tree figure positioned down center of the wall. How was this achieved?

Laying the paper out on my work table, to see the pattern. Determine this tree is more vertical and visible than the more spreading trees on either side.

It helps to access the pattern on-line, to see a full-scale , room-set photo. And also to roll the paper out on the floor.

Finding the center point of this tree.

The center of the pattern is 20 1/8″ from the left edge of the paper . Since the wallpaper is 27″ wide, this places the center at 6 7/8″ from the right edge of the strip. Hold on to that / those figures!

It helps to access the pattern on-line, to see a full-scale room-set photo. And also to roll the paper out on the floor.

Now we’re looking at the wall, and the calculations I’ve drawn on it.

At the left, I’ve marked the mid-point of the wall. The mid-point is 27″ from either side.
Since the center of the tree is 6 7/8″ from the right side of the wallpaper, to the right I have marked 6 7/8″ over, which is where the right edge of the wallpaper should be placed. This will land the center of the tree motif at the center point of the wall.
This also works out to 20 1/8″ from the left edge of the subsequent wallpaper strip.

6 7/8″ from the right edge of the strip on the left works out to 20 1/8″ from the left edge of the strip to be placed on the right.

Confused yet? We paperhanger s aren’t just slapping paper on the wall . There is a lot of math and plotting and engineering that goes into all this.

At least the way I do it. You can call me the Queen of Overthinking . 🙂

Trimming right-hand strip to 20 1/8″ wide.

Instead of placing the left-hand strip along a plumb line at the 20 1/8″ point on the wall, and then placing the next strip to the right of it, and having to trim against that window molding, I found it simpler to pre-trim the right-hand strip to 20 1/8 ” wide, and then I could simply butt this strip up against the window molding, eliminating the need to wipe paste off the molding, and also keeping the pattern straight along the molding.
But there is also that 2″ high bit of space over the window. That’s why I’ve left that little tab of wallpaper you see at the upper right of this photo.

Here is that first strip in place. Maybe now if finally all makes sense.

When I put that second strip next to it, the mid-point of that tree is going to be 6 7/8″ from the edge, and will fall right at the mid-point of the wall. Remember, that was at 27″ from both the right and the left window moldings.

And here we are! Measured from the right.

Measured from the left. Spot on!

All that math and calculating for one 54″ wide x 5′ high wall!

But look at how nice it looks with that tree down the center of the wall. Especially with the brand new chandelier hung in the middle of the room. This will be the focal point of the room, as people walk into the home’s entry .

The pattern is called Luminous Branches , and is by York.

Note that this calculating and plotting could be achieved because this product is a non-woven / paste the wall material. This stuff does not expand when wet with paste . That means that you can take measurements and trim your wallpaper , without fear of it stretching beyond where you plotted for it to land on the wall.

Lively But Soft Swirls In Hall Bathroom

Original wallcovering was a dark , rustic , textured (and outdated) torn and overlapped paper .

Smoothed , prepped , primed , and ready for wallpaper .

Done! Bright , fresh , and with visual movement from the swirly leaf pattern .

Opposite side of vanity / countertop .

Mirror shot showing wall behind the vanity / sink .

Wall opposite the vanity / mirror .

The pattern is called Priano .

The color is called Dusty Pink – it’s a very livable pink.
This is very popular pattern , and I’ve hung it a bunch of times, in every colorway . It’s one of my favorites, too.
I love the soft swirling foliage , and the simple two-color scheme . This makes it a very easy pattern to live with , whether it be one accent wall or a whole room . In fact, the pattern is so soft and un-intrusive that it makes a wonderful choice for papering all the walls in even a large room such as a bedroom or dining room (Search here to see the dining room I did in the soft blue version .)

Made by Serena & Lily

I like the quality of just about everything from this company. This is a paper wallpaper , and goes up nicely . Like most traditional wallpapers , this is installed by pasting the paper .
The home is in the Champions Forest area of northwest Houston .
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Black , White , and Gold Geometric on Dining Room Accent Wall

Arrrgh. Another boring all-white room.

So much warmth and character – with a modern edge – added by wallpaper on just this one wall .  I do think that this pattern on all four walls would have been a bit ‘enclosed’ feeling.  So a single accent wall – which is visible from the entry – is the perfect choice.

There is a definite Art Deco / 1930’s vibe to this pattern .

The room has other gold features (plant stands, mirrors), so the metallic look of this pattern pulls all that together .
The metallic areas are shiny , so it’s important that I spent the first day here smoothing the textured walls , because that texture would show under the new paper and look bad. 

This paper arrives nicely rolled up , with no creases in the inner part of the roll / bolt , and every inch was useable . Compare this to the problems and wasted material I’ve had with Rifle Paper recently – do a Search to read previous posts .

The pattern is called Beau Gatsby and is by Graham & Brown , a company I like a lot.  This is a non-woven material and is designed to strip off the wall easily and with no damage when you redecorate.  Many of their NW papers are soft and flexible , but this one was rather crisp and stiff , which is a little more difficult to work with.  I usually prefer to paste the paper , which makes it more supple .  But today I decided to paste the wall , which is a fast and clean way to install wallpaper.
The home is in the Timbergrove area of the Heights neighborhood in Houston . 

Painters Plastic and Air Currents

The walls in this dining room in a home in the Garden Oaks / Oak Forest neighborhood of Houston were originally textured. Texture looks bad under wallpaper , and it impedes good adhesion , because wallpaper wants to stick to a smooth , flat surface .
So I have skim-floated the walls (do a search here to see previous posts). The next step is to sand the walls smooth . Sanding creates a lot of dust . And that dust sifts over just about everything. The dust is light and gets into the air. And HVAC ( heat / air conditioning ) systems circulate air through the whole house . So the HVAC system can pull dust from the room, into the vents , and then discharge it through the whole house.
To prevent this, besides putting protective painter’s plastic over the furniture that’s been gathered into the center of the room, I put plastic across the doorways and entryways .
This picture shows just how strong those air currents can be. No problem when the A/C / heat system is not blowing. But when it comes on, here you can see air currents charging through the dining room and out into the entry hall . Here it’s pulled the plastic and tape away from the wall . As air moves past the plastic , it’s also pulling a little sanding dust with it.
In this scenario, only a little dust escaped the corralled area. I was able to clean up (most of) it.

More Blue Heron Flight Mural

This is the kind of a room that you don’t just look at the walls – you have to stand in the room and feel it. Dusk settling into night , swooping birds , stormy clouds .

This looks a little like hand-stitched embroidery .

This textured natural material is a fine sisal , which is similar to grasscloth . The color between panels was pretty uniform , as you see at the seam toward the right of the photo .

These panels came 33″ wide . But for this last strip on the right, I only needed 23″ width. That means I would have 10″ of width , the length of the strip, to cut off and discard . If I had used the left side of the strip, which is logical installation sequence , we would have had birds’ butts sticking out from the side of the window molding . So I decided to trim off that left side and instead use the right side which, as you see, has a more pleasing bird’s face and wing .

The brand is Phillip Jeffries , a high-end company . The material comes as a 6-panel set . You have to purchase six panels, but after that, you can buy individual panels in sequence, so you’ll have enough to do your room , without having to purchase a full 6-panel set. Like I said – this stuff is pricey!
This dining room is in a renovated 1925 home in the Heights neighborhood of Houston .
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Phillip Jeffries Flight in Blue Heron in Heights Dining Room

Before shot of dining room in a beautifully restored and enlarged 1925 bungalow in the Heights neighborhood of Houston.
Just below dead center of photo, under the stairs – my helper couldn’t be less interested!

Swooping heron , and powerful , roiling, turbulent clouds .

This is a manila hemp product , which is similar to grasscloth , and has a texture d surface . As with most natural materials , the seams are always a bit visible .

The walls in this home were smooth , so no call for skim-floating or sanding … Just a primer was needed . My favorite primer for wallpaper is Roman Pro 977 Ultra Prime .

This wallpaper comes in panels , and is custom made to order . All of the panels are rolled up into one long bolt , and you have to separate them, as you see here. AND keep them in the correct order / sequence ,

I was lucky that this house had a lot of open floor space , where I could roll out the panels to verify pattern match, panel sequence , and get accurate measurements.
Note that, like many high-end brands, this wallpaper comes with an unprinted selvedge edge , that has to be trimmed off by hand . Once I get the edges trimmed off , the birds you see in the photo above will match perfectly .

I trim against this Big Blue straightedge , and hold a single edge razor blade in my hand .

Sorry, I don’t know how to flip this photo. WordPress used to be easy to work … but some years back they came up with this ” New Editor ” which is, to be honest, a nightmare, and costs me a lot of time every evening.
End of rant. Here is a mock-up provided by the manufacturer , that shows the mural as a six- panel set , including pattern layout and dimensions of each panel .

Here are my drawings from when I first consult ed with the homeowner and we plotted out how the paper was to be install ed. Phillip Jeffries is expensive stuff!
Normally, with a mural , a full-height panel is required for even the 6″ high areas over the door ways. See photo below. This means that you’re paying for a lot – a LOT – of wallpaper that gets cut off and thrown into the trash.
But, since the panels are about 2′ taller than the walls , we figured that the part cut off the bottom of each strip could be used for the areas over the doorways (see next photo) , as well as above and below the windows (see last photo).
This will take no small amount of math and engineering , and the couple will have to live with some paneling / shading , and color variations between strips . But that’s typical of grasscloth type products , anyway. Accepting a few color differences will save this couple a few – thousand – dollars. Yes, I told you that PJ was expensive stuff!
And I’m up for the challenge !

Here’s the one area I’ve done so far, using scraps discarded from the bottoms to piece in over the top of the entryway . This area is only 6″ high , so color variations won’t be very noticeable . Still, it really turned out well.

Getting a similarly pleasing look on this wall , with heights over and under the windows being much higher than 6″ , will be tomorrow’s challenge. Stay tuned!

Frutto Proibito in Powder Room Revisited

I hung this wallpaper a year or two ago and was back to paper the dining room this week, so had a chance to peek into the powder room and get a “finished” photo. Here it is with lights off.

With lights on.

South wall. I love the window molding and vanity painted to complement the wallpaper .
This is in a beautifully remodeled and enlarged bungalow in the Heights neighborhood of Houston .
This lively and fun pattern is called Frutto Proibito and is in the adventurous Fornasetti collection by Cole & Son .
It’s a popular pattern, and I installed it a number of times, including a few months ago in a Montrose laundry room. https://wallpaperlady.wordpress.com/2023/02/24/cole-son-monkeys-liven-up-laundry-day/
This material is a DIY -friendly non-woven / paste the wall type of wallpaper . It’s strong , durable , stain-resistant , and will strip off the wall easily and with no damage to the wall when it’s time to redecorate .

Tailored Menswear Textured Wallpaper for Entry Foyer

Before. Way too much white!

A handsome new look. The homeowners are going to paint the bottom area below the chair rail a softer white. They were waiting for the wallpaper to be in place before making a decision on a coordinating paint color .

Looking toward dining room and family room .

Coat closet and hall leading to bath s and bedroom s.

I like to say that a texture like this is reminiscent of a man’s tweed suit . The material itself is an embossed vinyl , so has actual texture to it. It’s color is pretty consistant . This is a great alternative to real grasscloth – a product that presents many disappointing variations in color .

Close up of texture and color . Note the bits of gold that reflect light . The homeowners hung a large mirror with a dark gold frame , which really set off against the wallpaper. (dumb me didn’t think to take a picture!)

The wallpaper is by A Street Prints , under the Brewster umbrella. It’s a non-woven / paste the wall product , and was easy to install . Because NW contains 20% polyester , it is strong and durable . The vinyl surface is resistant to stains . It’s designed to strip off the wall easily and in one piece and with no damage to the walls when it’s time to redecorate .
A very good alternative to real grasscloth or other natural materials .
This purchased through Dorota at the Sherwin-Williams in the Rice Village. Wed – Sat , call first, please. (713) 529-6515 The homeowners made an appointment and then brought Dorota photos of their room, the floor , the mirror , along with their vision for the space. Dorota immediately went to the shelf and pulled out the selection book and opened it to this option. The couple loved it immediately! They did look at and consider other patterns and also ordered samples , but ultimately went with their first choice – this one.
The home is in the Tanglewood / Galleria area of Houston . installer

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