Dining room focal wall before. Same wall done, with dominant tree figure positioned down center of the wall. How was this achieved? Laying the paper out on my work table, to see the pattern. Determine this tree is more vertical and visible than the more spreading trees on either side.
It helps to access the pattern on-line, to see a full-scale , room-set photo. And also to roll the paper out on the floor.
Finding the center point of this tree.
The center of the pattern is 20 1/8″ from the left edge of the paper . Since the wallpaper is 27″ wide, this places the center at 6 7/8″ from the right edge of the strip. Hold on to that / those figures!
It helps to access the pattern on-line, to see a full-scale room-set photo. And also to roll the paper out on the floor.
Now we’re looking at the wall, and the calculations I’ve drawn on it.
At the left, I’ve marked the mid-point of the wall. The mid-point is 27″ from either side. Since the center of the tree is 6 7/8″ from the right side of the wallpaper, to the right I have marked 6 7/8″ over, which is where the right edge of the wallpaper should be placed. This will land the center of the tree motif at the center point of the wall. This also works out to 20 1/8″ from the left edge of the subsequent wallpaper strip.
6 7/8″ from the right edge of the strip on the left works out to 20 1/8″ from the left edge of the strip to be placed on the right.
Confused yet? We paperhanger s aren’t just slapping paper on the wall . There is a lot of math and plotting and engineering that goes into all this.
At least the way I do it. You can call me the Queen of Overthinking . 🙂
Trimming right-hand strip to 20 1/8″ wide.
Instead of placing the left-hand strip along a plumb line at the 20 1/8″ point on the wall, and then placing the next strip to the right of it, and having to trim against that window molding, I found it simpler to pre-trim the right-hand strip to 20 1/8 ” wide, and then I could simply butt this strip up against the window molding, eliminating the need to wipe paste off the molding, and also keeping the pattern straight along the molding. But there is also that 2″ high bit of space over the window. That’s why I’ve left that little tab of wallpaper you see at the upper right of this photo.
Here is that first strip in place. Maybe now if finally all makes sense. When I put that second strip next to it, the mid-point of that tree is going to be 6 7/8″ from the edge, and will fall right at the mid-point of the wall. Remember, that was at 27″ from both the right and the left window moldings. And here we are! Measured from the right.Measured from the left. Spot on!All that math and calculating for one 54″ wide x 5′ high wall!
But look at how nice it looks with that tree down the center of the wall. Especially with the brand new chandelier hung in the middle of the room. This will be the focal point of the room, as people walk into the home’s entry .
The pattern is called Luminous Branches , and is by York.
Note that this calculating and plotting could be achieved because this product is a non-woven / paste the wall material. This stuff does not expand when wet with paste . That means that you can take measurements and trim your wallpaper , without fear of it stretching beyond where you plotted for it to land on the wall.
Most wallpapers have to be booked after pasting and before hanging . Booking means that the paper is folded pasted-side-to-pasted-side , about 1/3 from the top and 2/3 from the bottom. Then loosely folded or rolled up like a newspaper. Then set aside for a few minutes, to give the paper time to absorb moisture from the paste, expand, relax, and become supple. Thing is, during this booking time, the paper can start to dry out, and can even stick to itself, and might tear when you try to unbook it. And easy solution is to place the rolled up material into a black plastic trash bag. Some folks sprinkle a little water in there, or place a damp rag. Now the paper can rest without fear of drying out. This also works if, for some reason, you don’t hang a piece right away, or maybe remove a strip from the wall, but want to save it for later. The plastic bag will keep it nice and workable for a long time. But do take care that the material doesn’t overbook – stretch too much, and then it might shrink as it dries and leave little gaps at the seams. This pattern is called Garden Party Trellis and is by Rifle Paper , a very popular brand right now. installer houston
This couple in a nicely updated 1939 home in the Montrose neighborhood of Houston has a blank wall in the back of their large walk-in closet. They have a lot of colorful , modern art and wanted a backdrop for it that would be fun, but wouldn’t compete .One of the gals is an administrator for the athletic department in a local school district – so this small print “ Swimmers “ design is just perfect. In fact, the day I hung this, she was away at a swim meet in Austin ! Note that Spoonflower offers scores of designs under the “ Swimmers “ name, so be sure to check all of them, and all the colorways they come in, too. Detail Spoonflower is a little different from most wallpaper companies, in that it’s material comes in individual panels, or sheets – which they call rolls . Each of these is 24” wide, and then you choose the length you want, between 3’, 6’, 9’, and 12’. Each roll comes nicely packaged in an individual thick plastic zip-lock bag . These ones are upside down, so I had to re-roll them so the pattern would be coming off the top of the roll . Here are some tips about hanging Spoonflower. First of all, I like their “ Pre-Pasted Smooth Removable “ option. And it’s the only one I’ll work with. Their “ Traditional Pebble “ is a heavy vinyl that requires special trimming , bubbles, and is better suited for commercial spaces. And, the Peel & Stick – well, everyone ought to forget that sad stuff. Please read my link to the right about that material. In this photo, you can see that the white material is thin and translucent , allowing things underneath to show through, sort of like a shadow . So I need to be careful to make my pencil marks and notes on the wall very lightly. Side note: Never write on the wall or paper with ink or marker or crayon or grease pencil – it will bleed through the wallpaper . This is a pre-pasted material , meaning that a thin layer of paste is already applied to the back. To activate the paste , all you need to do is dip it in water , run it through a water tray , or spritz the back with a squirt bottle (uneven and kills your wrist) . Their paste is quite adequate. But I do like to have a little extra assurance, so I will roll on a little of my Roman 780 wallpaper paste onto the back. Then I take a sponge and drip clean water from a bucket onto the back of the paper . Next I use a paint roller to spread the mixture of water and paste around the back . This both activates the pre-paste, and also spreads around a little extra adhesive . Next, the paper gets folded pasted-side-to-pasted-side ( called booking ), then rolled or folded loosely. I like to dip the ends of the rolled strip into a bucket of water – just 1/8” or so, to prevent them from drying out while booking. Then the strip is placed in a plastic trash bag to prevent it from drying out during the booking period – a few minutes. I use this time to paste and book my next strip . Spoonflower Pre-Pasted Smooth is a little different from most papers, because it’s designed to be overlapped at the seams. Here I am lining up a seam. This overlap does show as a ½” wide ridge along the entire length of each strip. With busy patterns, it’s not very visible. Even with sparse designs like this one, once it’s dry and flat, you don’t notice. Here’s the overlapped seam looking toward the light, which is leaving a very minor shadow. And the overlap can be a good thing. For starters, most wallpapers shrink a little when the paste dries, so you can end up with slight gaps at the seams. Overlapping eliminates that. Also, if a wall is unstable underneath, due to incompatible layers of paint , or dusty walls, or other, the tension of these drying strips of paper can cause the layers inside the wall to come apart / delaminate – and that will result in paper that comes away from the wall, taking layers of paint and etc. along with them. This usually cannot be repaired or “ glued back down .” (Do a Search here to learn more) So overlapping the seams disperses the tension caused by the drying paper, and eliminates any seam from landing on the wall (because the sheets are overlapped ), so no popped seams .Here is the seam looking away from the light.Because Spoonflower Smooth Pre Pasted is thin paper and water-activated , it absorbs a lot of moisture from the water. So the material can’t help but expand . This can result in bubbles on the wall. Also, when air pockets develop, there is nowhere for the air to escape, so, again, bubbles and blisters. If there are huge bubbles, it may be worth taking a brush or plastic smoother and chasing them out. Or using a pin or razor blade to poke tiny holes to let the air out. But, really, if you can just relax and let nature take its course, as the paper dries, these bubbles will dry flat and disappear. Trust me. Another thing that can happen is wrinkles . These tend to form in the same place on every strip , and coordinate with how the paper was booked and rolled after pasting . The worst of these can be chased out with a plastic smoother. But there are dangers to over-using the smoother tools. Doing so can stretch the wallpaper and cause it to warp, which means the pattern might not match up perfectly on the next strip. Or it might cause wrinkles that can’t be brushed out. Again – if you can just sit tight and let the paper dry naturally, the creases and folds will disappear. I did some experimenting and found that booking and then rolling the strip up like a newspaper resulted in more wrinkles.It worked better to paste, book, and then fold gently and loosely. Then into the plastic bag to sit for a few minutes . Spoonflower PrePasted Removeable Smooth . I like this stuff. Removeable means that it’s designed to strip off the wall easily and with no/minimal damage to your wall when you redecorate down the road. I suspect this is made by York , as it’s very similar to their SureStrip line . Good stuff. The order comes with a mock-up of the strips / rolls you’ve purchased.Install instructionsPromo info from Spoonflower .
This couple in a beautifully updated 1939 home (4-plex converted to single family) in the Montrose neighborhood of Houston loves Africa and has traveled there several times. This spare bedroom on the first floor is devoted to Africa. On the walls they have hanging artifacts from their travels. And now they have a map of the continent , front and center! accent wall Close up looks like old paper that has been folded and stashed and aged , then uncovered and now placed on the wall. The mural is custom-sized to the wall. Remember to add 3″ to both width and height, to accommodate trimming and also wonky walls. The material comes as one big roll , with six panels all in one long piece. You have to unroll the whole thing and cut the panels apart . Note that five panels are 19″ wide. But that sixth one on the far right is only 16″ wide. I have cut off the 3″ overage. So when you’re plotting your lay-out, don’t go assuming that you will have six panels of the same width. That last panel is going to be whatever it needs to be, to custom-fit the size of the wall. Here, I’m laying the panels out to compare dimensions of width and length with those of the wall . Also checking to be sure the sequence of panels is correct. Note the diagram provided by the company on the white sheet of paper at the top of the photo. Here’s a close-up of the diagram / install instruction sheet . The mural is by Rebel Walls , a part of Gimmersta . I love their hundreds of selections, their material , quality , and excellent customer service. This particular mural is called World Map . I’m not sure, but it may come in other colors . Here’s the mock-up the company sent. The homeowner requested that Africa be placed in the center . You see what a good job Rebel Walls did with that. The mural that we received was actually a little smaller, and didn’t contain that much of America on the left, nor the far right sides of the countries on the right. Interestingly, the mural doesn’t meet up with itself. In other words, you can’t place two murals side-by-side. Look at the left, where America is. There’s only the eastern half of America. But there is no connecting western half of America on the right side of the mural. So you couldn’t order several of these and place them next to each other, to go around a bedroom , for instance. This may be because the mural was designed to fit one wall only , and to focus on Africa . It’s possible that the same mural is available so that it will connect to itself, and so that you could use it all the way around a room.According to the shipping box, Rebel Walls is also connected with Sandberg , another manufacturer of fine wallpapers . This stuff comes from Sweden . It is a non-woven material and can be hung using the paste the wall method . I often prefer to paste the paper , but on this simple accent wall, I did paste the wall . Saves space, because I don’t have to set up my big table . Non-woven wallpapers don’t expand when wet with paste like traditional papers do, which is a nice advantage for many reasons. They also are durable and stain-resistant . And are also designed to strip off the wall easily and in one piece, and with no damage to your wall when you redecorate . Non-woven is MUCH better than the false-hopes peel & stick material being pushed by some mfgrs today. Click my link to the right. Rebel Walls also includes special paste for this non-woven paper. This is important, because some other types of paste have been known to stain N-W’s, also called blushing – paper looks wet in areas, but never dries out . It’s believed that excess moisture is a reason for this staining / blushing . Which is the main reason why I don’t used the paste provided by RW. If the powdered substance has to be mixed with water to turn into paste , it stands to reason that it can be too liquidy and could bleed through the surface of the wallpaper, causing staining. I prefer a pre-mixed paste made by Roman called 780 . You can also use Roman 838 . These both have lower moisture contents, and have good record of not staining wallpapers . Most Sherwin-Williams stores carry these pastes. But call first!
Before. Good colors. But nothing inspiring. Done. Boy, this paper really visually pushed the walls away and made the room look larger ! Easy on the eye tone-on-tone pattern , lighter colors , and a teeny bit of gold sparkle .
Note the 5/8″ high strip of wallpaper under the medicine cabinet on the left.
Because those faucet handles sit up so high above the backsplash , it’s likely that when people reach for the handles, water will get splashed onto the wallpaper . To prevent splashed water from wicking up under the wallpaper – which could cause the paper to expand and curl away from the wall – I ran a bead of clear siliconized caulk along the top of the backsplash . The color is skewed in this shot, but you get an idea of the tropical foliage and pattern scale . Toile is a French word for a sort of pen and ink drawing in one color on a background that may be colored or may not be.Close-up , showing a truer color . Note the palm trees and the monkey . This material has a woven -look textured surface , and it mimics fabric . I almost felt like I was install ing linen , instead of wallpaper . The brand is Rasch , a company out of Germany . Their papers are consistently nice to work with. This one was unexpectedly thin and flexible . It’s textured vinyl on a non-woven substrate . The vinyl makes it durable and stain-resistant , and the NW makes it easy to remove later when you’re ready to redecorate . The seams are positively invisible. This powder room on the first floor just off the home office / study comes complete with a shower . Just for fun – one of the obstacles in this room was this rain shower head – sticking out right where I need to be on my ladder , and keeping me from reaching those walls . On top of that, the faucet handles also stuck out much further from the wall than most do. While priming the walls, as I was climbing down from the ladder , my clothing actually got entangled in the handles and – turned on the water ! Yes, I got a shower at work today ! The home is in the Woodland Heights neighborhood of Houston .
You’ve got to look at this close-up, to notice the antelope and flames / foliage . You gotta make a decision … The light sconces (they are currently removed, but you can see the electrical boxes where they will be placed) were centered on the vanity top, but the faucet was off-center by about an inch. So I chose to center / balance the pattern on the sconces and countertop. The mirror will be hung between the two light fixtures, so we’ll end up with a pleasing, balanced look. The faucet isn’t exactly in the middle of the design motif, but no biggie – there’s going to be a mirror there, anyway.
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Corner going around shower. Note the window looking into the shower. Although the website specs said this is a pre-trimmed non-woven material , that was incorrect. Turns out it had an unprinted selvedge edge that had to be trimmed off by hand . Here I’m using my straightedge and razor blade to remove this selvedge. This takes precision and a LOT of time . The manufacturer usually provides trim guides to help you know where to cut. But it’s usually better to trim to the pattern – determine an element in the design motif that will meet up with the corresponding motif on the opposite side of the strip when the strips are hung on the wall, and use that as your guide . Be sure to trim off the trim guide marks, or they will show on the wall. The pattern is called Arabian Nights and is by Relativity Textiles . I’ve never worked with this brand before. I was not pleased . In addition to the incorrect information about the pre-trimmed paper , the mfgr’s specs said this was printed on a non-woven substrate . It was not. It wasn’t even printed on standard wallpaper stock . Instead, it was a pulp material – This is a sort of old-fashioned wallpaper , and is very brittle and prone to tearing and dragging (your trimming knife or razor blade will get snagged and you’ll end up with a ” chewed ” jagged cut, instead of a crisp cut . It also tears easily. It also has no coating, so it’s not stain-resistant … Not good in a busy household with a 3-year old toddler , or anyone splashing water or soap or air freshener . It was also difficult to hang . Applying wet paste to the backing causes the substrate to absorb moisture and expand at a different rate from the ink on the surface. So you end up with wrinkles , waffling , and quilting . Sponging a light bit of water on the front before pasting helps even out the moisture differential and ease installation . I’ve never before encountered a pulp that had this type of ink on the surface. One clue for this bad stuff is when you open the package and it smells like moth balls . Once I figured out how to work with it, , it went OK – although tedious . The seams did look very nice. BUT … all this effort would have been unnecessary and the finished room would be more durable if the mfgr had printed on a non-woven substrate (as their on-line specs stated) and had used standard inks instead of this weird , smelly , high-end stuff. In fact, the material would have cost the homeowners a whole lot less $ if it had been normal ink on a non-woven backing . The home is in the Woodland Heights neighborhood of Houston . installer
I’ve finished putting short strips of wallpaper over this wide entry way . My next strip will be a 9.5′ piece going down the left side of the door molding . The piece above the door ended 1/4″ from the left edge of the door molding. Normally, I would butt my next strip up against the existing piece. Then, as I move down the wall smoothing the paper into place against the wall, there will be a 1/4″ bit of it that laps over against the full length of the molding. I would need to use a straightedge and blade to trim this off. And then use my damp microfiber rag to wipe paste off the molding. This non-woven wallpaper is thick and stiff , and hard to press tightly against the molding, so a bit tricky to get a sharp , tight trim cut . And also difficult to ensure that exactly 1/4″ is being trimmed off . So it’s easy for the paper to go off-kilter , and for the pattern to not line up perfectly against the molding . Not a big deal on a busy floral pattern , but with a rigid geometric, it might be noticeable . So I decided to try this. I wanted to pre-trim the strip to take away that 1/4″ . This would save me from having to do any pressing or trimming. And also ensure that the pattern would fall perfectly straight against the doorway molding. I measured down 16″ (the height of the ” header ” over the doorway , plus a couple of inches for trimming at ceiling and then at the top of the door molding ) . Then I used my straightedge , razor blade , and fine ruler (from Texas Art Supply ) to measure over 1/4″ and trim it off . Don’t think this is a simple task … It’s hard to measure exactly the width of the bit above the molding that should be trimmed off. 1/4″? 3/8″? 5/16″? Also take into consideration that most wallpapers expand when they get wet with paste . So that 1/4″ I cut off could extend to 5/16″ or even more. That would mean a gap along the door molding. Next, if the strip above the door is not perfectly plumb , or if the door molding below it is not perfectly straight and plumb , the wallpaper won’t butt up properly against it, and may start to show a gap or an overlap. Sometimes you can manipulate the strip of wallpaper so that it does butt up against the door frame. But that can result in warps and wrinkles , or a pattern mis-match of the next piece . Also, like I said, this particular non-woven product is thick and stiff, and not happy about being asked to twist into another shape. Pasting the paper – instead of pasting the wall – does help to make it more pliable , so you have a better chance of manipulating the paper as you want. Here is the strip going into place. So far, it’s butting up nicely against the molding. And no need to trim anything or wipe paste off the woodwork – except for that little bit at the top, which was my ” extra ” allowed for trimming . FYI, that dark stripe you see along the woodwork is a shadow.Here is the wallpaper as it falls along the side of the molding. The pattern is lining up nice and straight and precise . To be honest, at the lower 1/3 of the wall, the paper did start to torque out of shape , and wanted to leave a gap at the molding, which was trying to grow from 1/16″ to maybe 1/4.” Not a lot – but it sure would look bad to have a 1/4″ gap between the wallpaper and the woodwork. Trying to “mush” it to the right to butt up against the woodwork was causing warps and wrinkles . I was a little surprised, but the paste had caused the stiff material to become softened and pliable – just enough that I was able to gently work out all those warps and wrinkles , so the wallpaper laid nice and flat against the wall. AND the left edge didn’t become distorted, but fell nice and straight enough that the next strip was easily able to butt up against it nice and tightly. This trellis / Moroccan lantern / onion dome / geometric pattern is by Designer Wallpapers .
Original tile in this 1926 home goes beautifully with the colors in this globe-trotting wallpaper . I positioned the pattern to try to get the most names and maps within the area between the tile and ceiling .The paper turned out to have a complicated multiple drop pattern match . Basically, in a nutshell, most of the time, with a straight match , a particular pattern motif (the word ” Bangkok ” for instance) will appear at the same height , such as the top of the wall , on every strip . Or, with a drop match , it’s at the top of the wall every other strip . These are the two typical pattern match types. But with a multiple drop match , the pattern will fall down and down across the wall further and further , and finally appear back at the top of the wall on the fourth , or, sometimes, more, strip. That’s why in this shot, you see the bottom half of the city names cut off by the tile, instead of the full name. And the pattern match is different if you’re moving from left to right, or from right to left . It’s a real head-scratcher to figure out – and you had better notice it before you start cutting strips, or you could end up running short of paper . It also eats up a lot of paper. I always measure to have a little extra , but in this case, we ended up with just barely enough to finish the 2-room bathroom . City Maps is by Rifle Paper , which is made by York , generally a good company – although starting to have lots of printing defects – which we did experience on this installation. Also, usually, Rifle Paper is an easy non-woven / paste-the-wall material . This time, second time in a month, it was printed on traditional paper. Another surprise that added time to this job , since after pasting , each piece had to be booked and then set in a plastic bag for a few minutes to absorb the paste , expand , and relax . Best to have this occur in the bag, rather than put it immediately on the wall – which would result in wrinkles and bubbles. But it does slow the process down. This home is in the Woodland Heights neighborhood of Houston .
I hung this wallpaper about 10 years ago. It’s a main bathroom in a 1920’s home in the Woodland Heights neighborhood of Houston. The home has been remodeled including updated HVAC systems , but surely still suffering from issues of humidity and air circulation. At some point, the very edges of the wallpaper started curling back at the seams. This is more pronounced at the upper portions of the wall than at the chair rail. Meaning, humidity from showering is rising into the air, collecting under the ceiling, and working its way into the seams. Once humidity gets into the backing of the wallpaper, it can cause the backing to expand. When that happens, the paper has to go somewhere. So it pushes itself away from the wall. Hence the curling that you see here. What’s odd to me is that this happened with a paper that’s on a non-woven backing. Non-wovens are 20% polyester, so pretty resistant to moisture and humidity. I’m guessing that this company used less than the industry standard of 20% polyester. The material was super thin and flexible, which is unlike most non-wovens I’ve worked with. I was able to make this look pretty good again. I used a putty knife to gently lift the compromised edges away from the wall, and then I worked some of my regular wallpaper paste back behind there. (no super glue or heavy duty paste or contact cement ) Then I used my heat gun – set on Low – to gently warm up the vinyl surface of the wallpaper . The heat gun served several purposes … It helped speed the drying of the paste , so it got tacky and held more quickly and firmly. The heat gun also ” melted ” the vinyl surface a wee bit, so it would curl back in the opposite direction. I used a 3″ stiff metal putty knife to push the two edges of wallpaper back down to the wall. The metal knife heated up, too, and helped to get the vinyl to conform. Using the heat gun and the metal putty knife also helped the two edges from the two strips to meet up together … sort of like two mountain big horn sheep butting their heads together . Butted together this way is better than one lying on top of the other. I was really pleased with how well this worked. Sorry – no pics!The brand is Super Fresco Easy .
Black wallpaper’s gonna go on this wall . Because wallpaper sometimes shrinks a tad as it dries , and because manufacturers can’t always guarantee a perfectly straight cut edge , it’s possible that some of the wall will peek out from behind the seams .One way to prevent this is to stripe dark paint on the wall under where the seams will fall. This wallpaper is made of non-woven and won’t expand as it gets wet with paste . Each strip is 27″ wide . This makes it easy to measure and plot where each seam will fall. The center of the pattern is not placed in the middle of the wallpaper strip, but 10″ in from the left edge . I used that information to calculate where the seams would fall . The paint I use is just craft paint from Michael’s or Texas Art Supply . I thin it with water (in the orange Gatorade cap) and swipe it on the wall with that scrap of sponge . It’s important not to make the paint too thick , because you want the wallpaper to be adhering to the wallpaper primer , and too heavy a coat of craft paint will prevent that primer from doing its job. After laying out where each seam will fall, I use this laser level to shoot a vertical red line onto the wall, as a guide for where to swipe on the black paint .Because this wallpaper is printed on a white substrate, it’s possible that that backing will show at the seams. So I use black chalk – again from the art supply store – to run down the edges of the wallpaper . There’s been an uptick in interest in dark colors in wallpaper these days. This wallpaper is by Rifle Paper .