This is a beautifully renovated and updated 2-story 1920’s bungalow in the Heights neighborhood of central Houston. Unlike the trend for homes that are all white or grey , this family went for color and fun . In other rooms, the woodwork and walls are painted cheery yet soft shades of blue , orange , yellow , salmon , and green . You may be able to find some photos by doing a Search here.The fun doesn’t stop with paint colors … Here is a colorful and visually active wallpaper pattern in the family’s dining room .The pattern might be overwhelming floor-to-ceiling , so the board and baton wainscoting gives the eyes a resting place. The pattern is called Swallowtail . Not sure if that refers to birds or butterflies , but either way, it’s a fitting description . You can almost feel the swooping and swirling wings . The homeowner chose sconces that coordinate beautifully with the theme of the wallpaper .The manufacturer is Flat Vernacular . The material was pre-trimmed , and was printed on a non-woven substrate . It could be hung by pasting the paper or by pasting the wall (I pasted the paper, as I usually do). It was nice to work with. Unlike most wallpapers that come in rolls of standard dimensions , this material was priced and sold by the yard , and came in bolts of continuous lengths .
No, this large room with sink and counters isn’t a kitchen. The family loves to entertain both family and friends, so included this “bonus” room in their new home’s plans. It’s used for both entertaining and crafting. The wall facing you was originally painted a semi-gloss navy blue. In the photo, I’ve applied my wallpaper primer. It will adhere to the glossy paint, and provide a matt finish for the wallpaper paste to grab ahold of. Taking measurements and plotting the layout. This paper has a selvedge edge , which has to be trimmed off by hand with a straightedge and razor blade. The manufacturer has not provided trim guide marks , so I am using a ruler and my eye. The new look is so dramatically different I couldn’t resist taking a photo mid-hang. As you can see, I’ve used dark paint to stripe under where the seams will fall, to prevent any of my primer from showing through at the seams. You can see the ceiling line starting to track upward on the right portion. More on that below. Finished. Perfectly centered.This is the mounting hardware for the big screen TV . I asked them to remove the TV, but we left the mounts in place. In order to support the heavy TV, they are placed quite securely into the wall , and I feel it’s best not to jimmy around with that. Rather than have the first strip straddle the TV mount, I plotted to have my first seam fall down the middle of the wall, placing a seam in the mid point of the mount. This meant I had to hang four strips instead of three, but it made it a whole lot easier to work around the TV mount, as well as to keep the left and right edges of the grasscloth straight and plumb. Close up showing the texture of this grasscloth material. It’s atypical to have grass cloth printed with a pattern , and I rather like the way the ink looks somewhat scratchy against the rough background. Because it’s Schumacher, you can expect printing defects . The slight pattern match doesn’t bother me, as there were many more places along each strip that matched up perfectly. Nor do I mind the different intensity of ink on the two strips. That’s all part of the look of grasscloth. But I wasn’t pleased with the white ink out in the middle of nowhere, as seen about 1//3 down the center of the picture. This isn’t considered a defect , and from a distance it’s not really noticeable. But it bugged me. So I used some water-based paint and a very small brush from the craft store and lightly touched up the spots. I also softened the mis-matched edges a bit. There’s a fine line between covering the white spots and staining the material, so use a light hand. And never permanent ink or oil-based markers or pastels.Likewise, the ceiling line was not level, so as I moved from the mid-point out to the right, the ceiling rose above the geometric motif’s top edge, and a white line began to be visible, but only to the right of the centerpoint. So I used the black paint to cover up that extra bit of white. This increases the width of that horizontal navy blue line from 1/4″ to about 1/2″. But from down on the floor you can’t tell, and it looks a whole lot better than having white on the right side and none on the left. The brand is Schumacher and the home is in the Garden Oaks / Oak Forest area of Houston. The interior designer who came up with this bold and lively look is Clayton Brooks .
Originally, the whole room was this not-quite-milk-chocolate brown. Dark can look good in a small room like a powder room. But stark dark with no pattern is often claustrophobic. Since this is a 100-year old bungalow with many layers of paint and potentially incompatible wall coatings, I was worried about unstable conditions inside the wall. Long story short, these conditions can lead to stress on the wall and delaminating layers, which also mean wallpaper seams that don’t stay down. Do a Search here to learn more. So the homeowners agreed to have the walls lined, as a way to avoid these potential problems. Read previous post for more info. The photo above shows the walls covered in the white liner. Finished!William Morris’s designs, and Strawberry Thief in particular, have been very popular the last two years or so. His patterns are studies in symmetry and rhythm , and evoke the era of Art Nouveau and even Art Deco . Last corner magically ended up with virtually no mis-match. Morris & Co is the manufacturer. This is a nice, supple, non-woven material, and can be hung by pasting the wall , although I prefer to paste the paper. It has a vinyl coating and will be fairly washable – good for this family with a toddler. It’s also designed to strip off the wall easily and in one piece when it’s time to redecorate. See previous post for a pic of the label of the liner paper.
Flower nicely centered over the sink and light fixture. Close-up shows “etched” effect.
I have long wanted to hang this classic “Summer Lily” design by Cole & Son. C&S may be a British company, but to me, this pattern evokes deep in the Louisiana bayou.
The pattern has a strong vertical lift, and a lot of visual “movement.” In this powder room with 10′ ceilings, it makes a dramatic impact!
It’s printed on a non-woven substrate, and can be hung with the paste-the-wall method. But I opted to paste the paper, because that makes the material more malleable. And, also, in rooms like a bathroom – how can you “paste the wall” when there is a toilet in front of it? ! 🙂 🙂
The home is in the Heights neighborhood of Houston. It’s a busy young family with three school-aged kids and a number of furry pets. And – yes – the three girls helped pick out this paper!
Here is a larger-than-usual rear / pool bathroom that went from typical suburban hum-drum to wildly fun and colorful, all due to the addition of a little wallpaper.
But for this bathroom, which is located off the family’s greatroom, and is adjacent to both the swimming pool and the wife’s work-out room, the homeowner wanted something fun and bright and spirited.
This wallpaper pattern is called Janta Bazaar, by Thibaut Designs. The inks on this paper are delicate, and can be stained easily. So it’s fortuitous that the homeowner had beaded board paneling installed, that reaches up to nearly 6′ – way past any splashes from the sink or toilet.
It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.
I liked the original paper in this powder room of a newish home in the Woodland Heights neighborhood of Houston. But the mom wanted something brighter and better suited to her young family. This is the second time I’ve hung this pattern – and the houses are just a few blocks apart!
This wallpaper pattern is by Eijffinger (an European company), and is quite likely a riff on Cole & Son’s “Nuvolette” pattern of roiling clouds. The C&S design is quite powerful, and needs a large space to play out. This Eijffinger take is much easier to live with, especially when it’s on all four walls of the room.
This is printed on a thick and spongy non-woven material that was flexible, and it was pretty nice to work with. I could have pasted the wall to install, but opted to paste the material.
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