This is from the June / July 2021 issue of American Farmhouse Style magazine.
It’s so great to see how wallpaper can add a boost to this popular style of decorating.
This is the first of four accent walls that I am hanging wallpaper on, in this newly-renovated and updated 1935 home in the Eastwood neighborhood of Houston.
No all-white or pale grey “farmhouse” style for this young couple!… Every room has bold, saturated color and lively wallpaper patterns.
This is an accent / headboard wall in the front guest bedroom.
The paper is by Rasch, a German company. It is an embossed / textured vinyl on a non-woven backing. You can see the texture in the last, close-up photo.
Rasch makes some of the nicest papers I’ve worked with. I did use red chalk to color the edges, so the white substrate would not peek out from between the seams.
Today, I used the paste-the-wall installation method. The material is flexible, instead of some of the stiff materials I have worked with (do a Search here). And the non-woven material is designed to strip off the wall easily and in one piece when you want to redecorate.
Oh – that white door low in the middle of the wall, I think is access to plumbing in the adjoining bathroom.
When looking at this wallpaper pattern from a reasonably close distance, it looks like elongated diamonds. But look at it in an alcove from a distance, and you see a horizontal striped effect.
A good reason to always look at the pattern in a room-set photo before purchasing, so you can see what it looks like played out on a full wall.
Either way, I like it. And it really makes this tall room look taller.
This wallpaper is by York, in their SureStrip line, one of my favorite papers to hang. It’s a thin non-woven material, is designed to strip off the wall easily and cleanly, and comes pre-pasted. This time, instead of their silly squirt bottle suggestion (which provides splotchy and inadequate coverage), or rolling diluted paste onto the back (which reacts with the pre-paste and forms a thick, gummy mess that dries too fast and traps air bubbles), I used the old-fashioned water tray method. I find this wets the paper and the paste better, and makes for a smooth surface, and the paper does not dry out before I get it to the wall (as it does when pasted the traditional way). I then rolled a thin layer of paste on the wall, to augment the pre-paste, eliminate blisters and bubbles, and reduce the chance of shrinkage.
This powder room is in a new home in the Timber Grove neighborhood of Houston. The interior designer is Stacie Cokinos, of Cokinos Design. She works mostly with new builds, or with homes undergoing major renovations. Her look is clean and open and calming … and I am seeing a little farmhouse look creeping in here and there.
This large bedroom in an addition to a 1934 home in the West U neighborhood of Houston wasn’t actually a dormitory, but it was home to two boys throughout their childhood. Now that the boys are grown and gone, the homeowner wants to make this into a spare bedroom that feels snug, yet chic.
She’s going for something of the Farmhouse Modern look. Instead of shiplapped wood on the ceiling, she chose wallpaper that mimics the look – and is much more affordable.
This wallpaper is by York, in their Joanna Gaines “Magnolia” line. It is a pre-pasted light non-woven material in their SureStrip line, and is designed to strip off the wall easily and in one piece when it’s time to redecorate. I like this product a lot. And today I appreciated its extra strength, because I did have to reposition the first two strips quite a bit.
I’m running the strips across the ceiling the short way, from right to left (see top photo). This means that the brown stripes that represent the gaps between the wood planks will run parallel to the long wall you see on the right of the photo.
Theoretically, I should have been able to line the paper up along that far wall. The problem became quickly apparent, though – that the two walls (all four walls, in fact) were woefully out of square with one another. That meant that if the paper was hung parallel to the far wall, the brown line would go off-track as it moved across the long wall on the right.
My first strip, hung parallel to the far wall, was so out of wack with the wall on the right, that I knew that if I continued, that brown line would march very off-parallel away from the wall on the right. That is a 34′ long wall, and very visible when you are standing in the room, so it was important to keep the brown line as parallel as possible. This would have been easy if my strips had been running parallel to the wall. But since I was running the paper in the other direction across the ceiling (perpendicular to the long wall), it was very difficult.
I pulled the first strip off the wall, repasted it lightly to keep the paste activated, put it in a plastic trash bag to keep it damp, and took a new tack.
The distance between the “boards” was 6″. I wanted the first row of boards to look as wide as the other boards, but I needed some play in order to accommodate irregularities in the wall on the right, as well as potential tracking off-kilter. So I decided to have the brown line fall 5″ away from the long wall. That left this row of “boards” only an inch narrower than they should have been, which would not be very noticeable to the eye.
I took a ruler and measured 5″ out from the long wall on the right. Then I took a straightedge and drew a line connecting the marks, to give me a guide line that was parallel to the long wall. Because the long wall was not nearly straight, this line was not exactly 5″ from the wall in every spot. But it was good enough to serve as a guideline for where I wanted my brown line to fall.
Then I went and got that first strip of paper that had been cooling its heels in the plastic bag, along with Strip No. 2, and got them onto the wall. I used my pencil line as a guide to position that brown line. Since you can’t get a very accurate placement with just one 20.5″ wide strip of wallpaper, having the two strips together helped to ensure that the brown line was running along the pencil line. Still, I had to remove and reposition both strips several times, until I got them on my target.
All this is hard enough when you’re working on a wall, but on a ceiling, without the help of gravity holding your paper in place and keeping it free of twists and wrinkles, plus that same gravity trying to pull the paper down around your head, it was quite the feat.
But once I got those two initial strips properly positioned and smoothed, the subsequent strips followed nicely, and the brown line marched along the pencil line beautifully.
In the third photo, you’ll notice that only half the ceiling is done. This is because the homeowner had a little confusion between double and single rolls, and how this particular vendor describes its product, and consequently ended up ordering only half as much as was needed. 😦 I will have to come back and finish later. 😦
I don’t like stopping in the middle of a wall, because wallpaper goes up better when you put a wet strip next to a wet strip, and they can be manipulated together at the seams. But this is a large room, and I wanted to get as much done as possible, to shorten the time needed when I come back later to finish. The vendor promises that they will supply the same run number.
The next post on this room will show the finished ceiling, as well as a thin, tailored, textured woven fiber in chocolate brown that is going on the walls.
As a side note, I have worked in this home for this lovely family several times years ago. The last time I was here, their daughter was an infant. I asked how she was doing today, and was told that, “She’s out running errands, driving Mom’s car.” !!
I always love to see wallpaper featured in national magazines, so I’m thrilled that Southern Living has a spread honoring this beautiful wall treatment.
In the first photo, the fluffy dandelion seed heads seem a little busy to me, but they sure impart a fun and uplifting feeling to the walls of this breakfast room.
The second photo shows a muted tone-on-tone pattern that forms a soothing backdrop to a bedroom.
The last picture is back to fun – it’s faux chicken wire. Just what Joanna Gaines might order to top off her popular “modern farmhouse” look.
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