A cozy nook. The homeowner likes to spend time here, soaking and relaxing. And recovering from supervising high school athletic activities ! This is a 1939 4-plex in the Montrose area of Houston that was beautifully renovated into a single-family home. So this entire master suite is carved out of what was originally one 1- bedroom apartment . Note my white 2′ x 4′ sheet of plywood over the claw-foot tub , so I can safely access the wall above. The wallpaper was placed on just one accent wall , above the tile wainscoting / chair rail . During the initial Sunday afternoon consultation , both the homeowners and I felt that this pattern on all the walls of this large master bathroom would be too overpowering . So they opted for just one accent wall . The design doesn’t have a strongly noticeable secondary or vertical pattern , but I still took the time to center the most dominant feature (the pomegranates) on the tub faucet . The faucet guy , tub guy , and tile guy didn’t get everything perfectly lined up – but nobody’s even noticing. What matters is that the finished nook looks fantastic! Also of note is that, in this near-100 year old home, the wall was bowed , and it wasn’t possible for the tile to lie flat against the entire surface. So there were some areas where the grout was 1/4″ wide, and some areas where the wall actually overshot the tile, leaving no visible grout at all. So at the area where the wallpaper met up with the top of the tile and the uneven grout line, I made a fat cut , to try to disguise the uneven line. Do a Search here to see previous posts on fat cuts . This wallpaper design is by William Morris , who was a strong force during the late 1800’s and early 1900’s , in the Art Nouveau and Arts & Crafts movements . His work is having a resurgence in popularity right now. Most are more symmetrical and repetitive than this example ( Google Strawberry Thief ) , but, true to the design aesthetic , all of them involve natural elements , such as plants , flowers , fruits , birds , and animals . In this close-up shot, you can see the raised ink of this print , which gives a slight textured feel . The manufacturer is Morris & Co. Usually M&C prints on a user-friendly non-woven material . But in the last year or two I’ve come across more and more M&C that are printed on the old-fashioned, traditional, what we call a British pulp substrate . Non-wovens are strong , durable , stain-resistant , humidity – resistant , easy to install , and easy to remove when you redecorate . Pulps , on the other hand , are just the opposite . Do a Search here to see my previous posts. None of this is a deal-breaker. The installer just needs to know what he’s getting into, before taking on the project. We hunted. This particular pattern was not available by any vendor in the NW material. Maybe it’s COVID , or supply chain issues , or maybe it’s a British thing (even though many American and Canadian companies are printing the Wm Morris designs ). Couldn’t find any outfit offering Fruit in non-woven. At any rate, the paper went up beautifully, and the basic paper material will hold up well, even if the homeowner steams up the room on her long tub soaks , and the pattern is lovely in the vintage home with new tile , tub , and faucet .
Before. I’ve skim-floated the textured wall , sanded it smooth , wiped off the residual dust , and then primed with Roman Pro 977 Ultra Prime wallpaper primer . Now we’re ready for wallpaper !Done! Just a bit of texture , and a little neutral color to add some warmth to this large , mostly-grey , master bedroom . Oh – and some subtle sparkle . See following photos . It looks like real grasscloth . But it’s a faux! To help these homeowners avoid the disappointing color variations and low durability of real grasscloth , I encouraged them to consider textured vinyl products that recreate the look and texture of the real stuff , but without the drawbacks. Please click and read my link to info about grasscloth on the right of this page. Real grasscloth , and the fauxes , as well, have visible seams (very minimal issue with the fauxes). So it’s important to balance the strips , so you have equal widths of panels as you traverse the wall. In other words, you don’t want five 36″ wide strips and then one 20″ wide strip. And you’ll want to center those strips on the wall. Position them so you have an equal number of equally-sized strips on both the right and left sides of the wall. Another design concept is to not have a seam fall down the center of a wall. Rather, it just feels better aesthetically to have the strip straddle the center line . Here I’m hanging my first strip, having already calculated where the center of the wall is, the center of the wallpaper panel is, measured over to where the seam should fall, and then placed the red line of my laser level so it will guide where I should butt the edge of the wallpaper against. That’s my Bosch laser level gizmo sitting on the top of the headboard, shooting its red light beam onto the wall. Another shot. I’m using the vertical light beam ; the horizontal beam is not relevant in this install . This textured vinyl material does a pretty darned good job of recreating the look and feel of real grasscloth . This photo is from about 6′ away.A closer look. Note the bit of silver shimmer in the background , that adds a luxe look to the overall effect .The wallcovering is by York , one of my preferred brands . It’s on a non-woven backing , which has many advantages over traditional paper-papers. It’s breathable , stain-resistant , will strip off the wall easily and in one piece with minimal / no damage to the wall when it’s time to redecorate . It can be hung by the paste-the-wall method (which is what I did today) or the paste the paper technique (which I use most of the time). I felt that the seams laid down better and had less ” rebound ” edge curl from factory trimming than many of the heavier vinyl faux non-woven backed materials I’ve worked with. In other words, I liked this product pretty much! this particular material was also thin and flexible , so it was easy to work with and manipulate if needed. The home is in the Spring Branch area of Houston.
This accent wall in a home office in Cypress ( Houston ) has a long story of mishaps, frustration, and $$. Originally, the interior designer had suggested Feather Bloom grasscloth / sisal by Schumacher . I prepped the wall and prepared to hang the paper. But we discovered printing defects (very, very common with Schumacher), and other issues. Search here to see my previous posts. We had to abort the install that day. This turned out to be a good thing, because, truth be told, the homeowners really didn’t like the Feather Bloom, but felt a little pressured to go with it. So back to the vendor the ugly duckling went. Then the homeowners took their time without the designer’s input, to look at wallpaper selections and purchase $1 samples they could see, feel, and tack up to the wall. Their new choice (below) fits their style, color scheme, and pocket book much better (this option cost thousands less than the Schumacher). The actual purchase was made through Dorota at the Sherwin-Williams store in the Rice Village (713) 529-6515. Everything was done over the phone, and, to save the homeowners driving all the way into the city, I picked up the paper for them and delivered it to their home on install day. Starting in the middle of the wall so I can place the very symmetrical pattern dead in the center of the wall. The colors in the paper work beautifully with the green cabinets you see to the left. And I love the way the airy feel and foliage and flowers compliment the open-air view outside the window. This pattern is reminiscent of designs by William Morris, a designer of the Arts & Crafts period around the turn of the 20th Century. I’m seeing a lot of interest in these patterns of late. Apelviken , Midbec , 33006 , A Street Prints , Spring, non-woven material made in Sweden , was very nice to work with and will hold up well for many, many years. I installed using the paste-the-wall method , although you could also paste the paper.
Grasscloth is very popular right now, because homeowners love the texture and natural feel of the material. However, ‘natural’ equates with ‘irregular,’ and can lead to very noticeable color differences and variations in the product. Up on the wall, these can look pretty bad.
The photo shows how the color of grasscloth can change from the top of the strip to the bottom. It also shows how darker strands of fibers can be interwoven into the material, resulting in eye-jarring irregularities.
I had this homeowner buy an extra double roll bolt of wallpaper. This gave us enough extra that I could discard this strip with its ugly dark horizontal bands, and replace it with another that was more homogenous. The 2nd photo shows a wall with three strips that are pleasingly similar in color and texture.
Note that in most grasscloth installations, ‘you get what you get.’ Which is to say, if the paper comes off the roll with dark bands or defects or shading or color variations, you just have to accept it as “the inherent beauty of the natural product.”
For more info, do a Search (upper right corner) on these terms.
The Wallpaper Lady's Blog 