The homeowner wanted the look of grasscloth, but didn’t want the stains that can happen when splashed with water or toiletries. Another displeasing feature of real grasscloth is the very visible seams , and the likelihood of color differences between panels (called paneling or shading ). So she opted for this textured vinyl version. She loves the look. It is a handsome room!Original 1990’s paper has been stripped off, Roman Pro 977 Ultra Prime wallpaper primer has been applied, and we’re now ready for paper!This material has a pattern that matches from strip to strip, so you don’t get the eye-jarring look of broken fibers at the seams , like with real grasscloth or other natural materials. Here’s a close-up, detailing the texture. About ¼ from the right is a seam – it’s barely noticeable . Opposite wall. For balance, I plotted that the seams fall at the same point on each wall – 18” from the mirror frameI’m getting ready to hang a strip that will knock against that mirror frame. To keep paste from slopping onto the molding , I’ve applied this thin, flexible blue plastic tape along the edge. This will keep paste off the molding while I trim that strip to fit against the molding. Once that trimming is done, I’ll remove the blue tape and then smooth the wallpaper back into place.Since this is a dark wallpaper, I worry about the light colored primer peeking out at the seams. This can happen because sometimes the factory hasn’t trimmed the edges perfectly straight , or the wall may have uneven areas or bows , or some papers shrink a tad when they dry . So here I’ve plotted where the seams will fall and have striped the area with diluted paint .I use bottles of craft paint from the hobby store (good old Texas Art Supply !), and apply with a scrap of sponge . And my trusty Gatorade bottle cap with water, to dip the sponge into to dilute the paint … you don’t want full strength paint under there. Wallpaper wants to adhere to a primer made for wallpaper – not paint designed to color Christmas ornaments. Another and probably more important trick is to color the edges of the wallpaper. This navy blue wallpaper was printed on a white stock / substrate , and it’s highly likely that the edges of that substrate will show at the seams . So, again back to Texas Art Supply (or a good hobby store) for chalk or pastel , which I run lightly along the edge from the back so as not to get any color onto the surface of the wallpaper . That little dark nub you see is my chalk… the stuff breaks easily. It’s important that you not get oil pastels or use any kind of ink marker, as these will leech into the wallpaper and stain it, leaving you with a nasty dark line down the seam . I really liked this product. It was flexible enough to wrap around a rounded / bull-nosed corner , but stiff enough to not warp . It’s on a non-woven substrate , which contains polyester , which makes it less likely to shrink . This stuff is also designed to strip off the wall easily and in one piece with no damage to your wall when you redecorate . Another advantage of non-wovens is that they can be pasted and hung immediately, with no booking or wait time. Although I generally prefer to paste the paper , you also have the option to paste the wall with this material. The non-woven backing won’t be sucking up humidity like the paper backings used years ago (or in modern lower-end products), so greatly reduced chance of seams coming loose if your teenager spends an hour steaming up the bathroom . The vinyl surface means that it will be resistant to stains from water , toothpaste , and little (and big!) hands . In addition, I liked that the material has a realistic grasscloth look, and a realistic texture , as well as a pattern that could be matched, which helps disguise the seams. I didn’t match the pattern in the corners, though, to avoid having the horizontal bands running around every wall of the room at the same height. Looks better to break it up a bit. Also gave me more flexibility in placement of seams. The brand is A Street Prints and is in their Scott Living line (as in the Scott Brothers of HGTV fame). The home is in the Champions Forest area of Houston . installer paperhanger
A somewhat new type of wallpaper , called non-woven ( also called paste the wall ), comes with many advantages. Because it’s made of minimum 20% polyester content , it doesn’t expand when wet with paste like papers made of wood or cellulose pulp. Nor does it shrink as the paste dries . Because of this trait, you can paste a strip and take it directly to the wall , with no booking / resting time . This same characteristic allows you to apply paste directly to the wall , instead of to the back of the paper , if you choose. This is sometimes a little faster and cleaner than pasting the paper . And for a simple accent wall , you can roll the material out on the floor , eliminating the need for a work table . (Still, I generally prefer to paste the paper.) Another benefit is that this stuff is tough and strong , and when you’re ready to redecorate , it will strip off the wall easily and in one piece, with no damage to your walls . (So say the manufacturers. 😊 ) One test to know if you have a non-woven wallpaper is to try to tear it. If it’s hard to tear, chances are it’s a NW . Also, sometimes those polyester fibers are very evident , as you see here at the top of this photo. One of my colleagues likens it to fiberglass. He may just be right!
After wallpaper gets pasted , it needs to be booked (see following post) and then rolled loosely and left to sit a few minutes before it goes to the wall . During this booking time, sometimes the edges can start to dry out. To prevent drying out , I dip the edges in a bucket of clean water . Note that’s a shadow in the photo … only dip about 1/8″ of paper into the water , as seen on the left. Then it goes into a plastic trash bag to wait and relax , before install ing. Note this works for paper ONLY – do NOT try this with non-woven / paste-the-wall material. Also, it’s not suited for every type of wallpaper , so don’t use on grasscloth or other natural fibers, nor vinyl . So use caution if you try this. Also be aware that the water will wick into the edges of the wallpaper , and the seams can look dark on the wall until that water evaporates and the strips dry . I have found that this trick also works nicely with some brands that like to pouch up at the seams a bit, like Farrow & Ball , or lower-end pre-pasted vinyls. Dip the edges, book, run a light roller of paste under where the seams will fall, install , and the edges will want to stay down much better. The pattern is called Garden Party Trellis , by Rifle Paper . installer houston
I’ll be hanging grasscloth / sisal wallcovering today. This material is thick and stiff and difficult to see and feel through, and equally hard to cut through. In addition, the backing on this particular product (by Phillip Jeffries ) pretty much turns to mush once it gets wet with wallpaper paste , so, under the blade, it drags and tears and pulls away from the grass fibers , leaving gaps . All of which means that it’s tricky to get tight, clean trims when you’re going around intricate moldings such as in the photo. So here I’m using paint of a complimentary color and shade to fill in around the molding edges. That way, in case the wallpaper won’t trim perfectly tightly against the molding, my white wallpaper primer won’t show through. I use plain old matt finish acrylic craft paint from Texas Art Supply (which is close to me) or any craft store , and a small, angled artist’s brush .
Pretty birds , nicely spaced branches , and lovely colors for this master bedroom in the Heights neighborhood of Houston . This accent / headboard wall is even prettier from a distance . Here’s the wall before. The other three walls are painted a complementary grey .From a distance. I’ve got one more strip to hang , on the far right. Close up . The background is silver with a little gloss to it, but not so much as to be glitzy or garish . I mean, a guy sleeps here, too. So it’s gotta be a bit subdued . This wallpaper is made by Graham & Brown. G&B is a good quality , mid-price range company. Like most of their papers, this is a non-woven / paste the wall material . Much of G&B’s paper is thin and flexible . But this particular pattern came on a thick and stiff substrate . N-W’s contain a minimum 20% polyester content, and I suspect this has a higher percentage . The stuff is somewhat akin to fiberglass . Look closely at the bottom of the photo, and you can see the fibers . This makes it good, and easy for DIY ‘ers , on simple installations like accent walls / feature walls . But it can be trickier when you have to trim around obstacles like windows , decorative moldings , vanities , toilets , and the like. Non-woven wallpapers are designed to strip off the wall easily and in one piece when it’s time to redecorate , with minimal or no damage to your wall (assuming proper prep was done before installation ). A much better choice than peel & stick .
Moody and dark. A great, snug place to hunker down and spend the day on the computer , working from home . But maybe a little too much dark ? An accent wall brightens the space and adds interest . Makes a day at work more inviting. BTW, those windows with their bull-nosed edges / rounded corners are a bear to hang wallpaper around, requiring special techniques. I won’t go into details, but, after applying my wallpaper primer, just this one wall took me about six hours. Surprise! Look closely and notice the jungle theme , with palm trees and leopards . I centered the pattern between the windows , for a balanced look. Close up. See the fibers on the torn edge of the wallpaper strip ? This is a non-woven material , also called paste the wall , and has a 20% polyester content . Thus the fibers. This stuff is simpler to hang than traditional wallpapers . Also more washable and stain-resistant , and will strip off the wall easily and with no damage to the wall when you redecorate later. These days, most people don’t use land lines or phone jacks . So I removed the wall plate , and stuffed the connector into the wall . Then I hung the wallpaper over the hole / box . It’s right above the head of the cat on the left. If the homeowners ever want to access the phone line , they can easily cut the wallpaper to open up the box , then reconnect it and then screw the wallplate back into place. The wallpaper is by York , under the designer Ronald Redding . The label says it’s a paste the paper installation method , but in actuality, the instruction leaflet enclosed inside the roll is correct – it can be hung via the paste the wall method . Usually I prefer to paste the paper . This is a newish townhome in the Sawyer Yards area of Houston .
Due to a mix-up in terminology, the homeowner originally received just four single rolls (two double roll bolts ) of wallpaper . They needed eight total single rolls (four doubles ), so two more double roll bolts were ordered. Being unable to get the same run number , we anticipated a slight difference in shade . But didn’t expect that the two new bolts would be thinner than the two original bolts . What the heck is up?! The selection book says this is a non-woven product, and a paste the wall installation method . Yet the label on both the original and the new rolls says to paste the paper. Even more puzzling, the instruction sheet included inside the rolls says that it’s non-woven material , and to paste the wall. It’s important for the installer to know what material he’s working with, so I needed to know if this was PTW or PTP . Usually, non-woven paste the wall are thick and hard to tear , due to their 20% polyester content . The fat roll felt and acted like a non-woven . But the thinner roll was thin and crispy and easy to tear. I sure thought it was a paper material , which would require a different installation technique . In recent months, I’ve had this same manufacturer send several rolls of the a particular pattern , but some were non-woven, and some were paper. So I thought we might be experiencing this again. It’s important to know what you’re working with, because different materials require different installation techniques. If a DIY ‘er follows the instructions to paste the wall , but it’s actually a paste the paper material, he’s going to encounter a whole lotta mess – and ruined paper . Here I used my 24” wide straightedge to tear off a strip of wallpaper from the roll of thin material. This answered my question. See the little fibers ? Those are indicative of non-woven papers, and their polyester content . Once I saw this, I was certain that it was, indeed, a non-woven material / paste the wall . So this material was easier to hang than traditional papers, because no need to paste , book , and let sit for a few minutes. There are other pluses, too, to NW papers, and most of us professionals like hanging them. But I wasn’t 100% pleased with the thin version of this non-woven material. For one thing, its stiff, crispness made it difficult to manipulate, and prone to crease . Also, notice the splotchiness of the paper. This showed up on the dry paper, right off the roll.But paper that has been pasted and hung on the wall showed even more splotches . This is scary, because there is a issue called blushing or staining , where the paper looks like it’s wet , but never dries out. Do a Search here to learn more. This happens mostly with non-woven papers , and is tied to certain types of paste . Which is why I don’t use those pastes! So curious as to what is causing this slight discoloration.I believe the spots were just due to moisture . As I worked my way across the wall and time went on, the paper I had hung first had a chance to air out and dry. The blotches disappeared .
I’m curious as to why the difference in material. Maybe the manufacturer was using different factories? In different countries? Or supply chain issues / material shortages meant that their usual substrate and inks were not available . Or just trying to cut costs? Saving money isn’t a bad thing. But it is, if it cuts down on the product’s quality.
Wallpaper comes in tight rolls. Often, when you cut a strip off the roll, it wants to remain curled up, as you see here. Some types of non-woven material are really bad about this. Even with weights on it, it’s hard to keep this stuff flat enough to get paste on the back. And when you do, it’ll often curl up again and get paste on the surface of the wallpaper . So I’ll take the bolt of paper and carefully roll it backward , securing it with an elastic hairband from the dollar store. This was a several-day job, so I let the rolls sit over night. But often all you need is a few minutes to eliminate what we call ” memory ” – the desire for paper to stay rolled up. Look at how nice and flat and flexible this example has become. Note: rolling backward can damage the material, particularly some non-wovens that are what I call “puffy” and thick. Folding these backwards can cause the fibers to crease – which doesn’t look good on the wall! So it’s important to roll the material around a form for support, such as an unopened bolt of wallpaper. And to roll carefully and slowly as you go. Once the paper is completely re-wound and the hairband secured, you can carefully remove the support. Still, with some types of N-W, you may still end up with creases.
Breakfast nook “before” is bright and airy – but washed out and uninspiring. The vertical tan lines are paint I’ve striped under where the seams will fall, to prevent the light colored primer from peeking through. “After” has warmth, life, and a cheery feel. With a little color contrast, now you can see the detailed woodwork and window molding. The paper has a bit of a tropical, thatched roof, Ernest Hemmingway, sort of feel. Note I’ve balanced / centered the pattern so it falls evenly and equally on either side of the window . Note how perfectly the motifs fill the space above the windows, as well as below the windows. It’s a minor thing that you don’t consciously notice, but it gives the room a grounded , balanced feeling . Another angle . The chandelier is a major feature in the room. I love the way the chunky beads repeat the color and theme of the white pattern in the wallpaper. Unlike most wallpapers that come in rolls of standard sizes , this material comes in continuous yardage on one huge (and HEAVY ) bolt . The height of the motifs perfectly fits the space between the window and the crown molding . No flower tops got chopped off in this room !There are five windows. This is the area between two of them, including an obtuse angle . It took a LONG time to get the paper around all five windows, keeping the pattern intact . Close-up showing the texture . This is a paperweave , which is similar to a grasscloth , as both are natural fibers and materials . Because this paper weave is woven, instead of having stiff, straight strands of grass crossing the wallpaper , it was a lot more flexible and workable than regular grasscloth .The space over the door molding was just 4 1/16″ high. The flower motif fit in here perfectly . You can see along the seam in the center of the photo , that some of the fibers may try to come off the backing , especially at seams and areas where you’ve cut into the material , such as trimming around window moldings and other obstacles . This is pretty minor . Overall, the seams are virtually invisible . One other thing I didn’t like about this paper is that, after the wallpaper was made, the color was applied to the front, like paint . This made the color subject to abrading or flaking off under even light rubbing . It would have been better IMO to have dyed the fibers and then sewn / glued them on to the paper backing . Then the color would go all the way through. Not a biggie – you just have to work slowly and carefully and gently. Oh, and you can’t get paste or water or fingerprints on the surface, either – because they can’t be washed off and can stain . The pattern is called Papavero and is by Casa Branca . The material has an unprinted selvedge edge that has to be trimmed off by hand, using a straightedge and razor blade . Takes a lot of extra time , and even more so because you have to press harder to get through the thick fibers than with a traditional wallpaper . A picture of my straightedge and razor blade . I’m trimming something else here (that will be blogged about later), but you get the idea . A really bad photo of a really perfect chandelier . It’s chunky , white , and the shape of the ‘beads’ repeat the flower motifs in the wallpaper. The windows will have Roman shades made of a somewhat coarse white linen type fabric , which will coordinate beautifully with the texture of the wallpaper . The home is in the Heights neighborhood of Houston .
This is the back of a strip of non-woven wallpaper , that has been torn. This type of material is minimum 20% polyester content. Some of my colleagues have called it fiberglass. I’m not sure that’s true, but there sure are fibers visible when the material is torn. In fact, on a lot of these, you can look at the backside and see masses of fibers pressed together to make the substrate.
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