Posts Tagged ‘floral’

Wallpaper in Flea Market Décor Magazine, June/July 2019

May 26, 2019


It’s always nice to see wallpaper featured in home décor magazines. What’s extra cool is that I hung that wild and bold floral pattern a year or two ago in a home in the Houston Heights that was featured on their home tour. It’s from Anthropologie.

Advertisements

City Scape Zig Zag Lines

April 26, 2019


I love this headboard. The homeowner and his father-in-law made this from scratch, and they made the bed frame, too. I think it’s supposed to look like rough ship-lapped wood … but to me, it looks like the skyline of a major city.

Realizing that the dark navy paint on the accent wall behind the headboard was flat and boring, the couple went to Dorota (read below) and found this fun and lively wallpaper pattern. It echoes the shape of the headboard, while adding a modern, urban edge to the room. And I think it looks like a city skyline!

Note that this pattern very much resembles one by York, in the Candice Olson line, which I have hung a number of times. I guess there is nothing wrong with a company riding the tide of trends, and making a knock-off of a proven design winner.

This is in a master bedroom in a newish townhome in the Cottage Grove neighborhood of Houston. My photo of the label didn’t turn out (Note to self: Always check your phone’s photo log before leaving work for the day.), but I can tell you that the manufacturer is Designer Wallpapers.

The material is a crisp, stiff, medium-weight non-woven material. This stuff has a fiberglass content, so it does not expand when it becomes wet with paste, and it also is designed to strip off the wall easily and in one piece when it’s time to redecorate.

This material would have been more flexible if I had pasted the paper. But since this was one solitary accent wall, with no corners or toilets or sinks or windows to cut around, and since I didn’t feel like lugging my 7′ long and 30lbs table up the three flights of stairs to the master bedroom, I chose to paste the wall.

Because it was a dark paper adhered to a white backing, I used artist’s chalk to color the edges of the strips, so that the white backing would not peek out from the seams.

After cutting the non-woven strips, I roll them up backwards, with the colored surface rolled up inside, and the top coming off the roll first, and then secure it by wrapping an elastic hairband around it. This way, after paste is spread on the wall, when I climb up the ladder with the paper and unroll it, the printed surface will not come in contact with the paste on the wall.

Pasting the wall is a clean way to work, because no paste gets on the woodwork or ceiling, so there is nothing to wipe off. And the excess paper that is trimmed off at the ceiling and baseboard has no paste on it, so it’s clean and won’t stain anything it might fall onto.

The paper went up nicely, and the seams were positively invisible. Oddly enough, because the paper was supposed to not stretch or expand, I did have a little trouble with the pattern match dropping – the pattern matched at the top of the wall, but as you followed it down the 9′ high wall, the pattern began to rise. In order to accommodate this, I had to lower the pattern and allow a slight mis-match at the top of the wall, which permitted me to have a perfect pattern match at eye-level.

Also odd, since the paper was supposed to not expand, even though I hung my first strip against a plumb line (laser level beam), as it moved down the height of the wall, the pattern started to track to the right. As subsequent strips were hung, the paper became more and more off-plumb, until I reached the far left corner, and it was out of whack by more than half an inch from ceiling to floor.

If this had been some wild floral pattern, it would not have mattered. But with a rigid geometric pattern, and especially a vertical one like this, and on a dark background, even with a mere 1/8″ discrepancy, you’re going to notice when things get crooked.

Since the paper is not malleable, I was not able to stretch it into plumb. But I was able to pull a few tricks out of my hat to make it look like the paper was perfectly parallel to that left wall. I didn’t take photos, so no sense in my trying to explain it here. 😦

This wallpaper pattern is by Designer Wallcoverings, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Two Pretty Blues Today

April 25, 2019


Another “all white” house gets a little personality and definition from a light dose of color and pattern. What a pleasant change!

The first three photos are Scalamandre’s “Balinese Peacock.” It came with a selvedge edge that had to be hand-trimmed off with a razor blade and a 6′ straight edge.

The last two photos are a fun elongated triangle floral stripe by Schumacher. My “after” sink photo didn’t come through, unfortunately, but the other pictures will give you an idea of the pattern.

Even though these papers are by two different manufacturers, the blue color is identical. It’s a lot brighter and prettier than my crummy camera depicts. The blue picks up hints of blue that the homeowner has in her living room (throw pillows) and in the dining room (navy blue paint above the wainscoting).

The peacock went in a small bar area off the living room, and the foliage stripe went in the under-the-stairs powder room that is right off the bar. The home is in the West University neighborhood of Houston.

Large and Sweet and Pink Floral Mural for a Baby Girl’s Nursery

February 27, 2019


Expectant moms love this over-scaled floral design in pink, grey, and green, mural style wallcovering for their baby girl’s nursery. I’ve hung it (or similar) many times.

This accent wall is where the crib will be placed. The wall had a light texture; the first photo shows the wall after I have skim-floated it smooth and primed it.

Instead of a traditional pattern where the design motifs repeat regularly up and down and across the wall, a mural like this has few or no repeating design elements. Also, instead of being packaged in rolls or bolts, this wallpaper comes as a 6-panel mural.

Unlike most murals, this one did not come marked as to which strip went where, nor was there a photo of the mural included in the packaging. I had to go on-line with my cell phone to find a pic so I new which way was up! In the third photo, you see me laying the six strips out on the floor, to determine which strip went next to which.

Interestingly, the placement of the flowers on the panels did not correspond to where they appeared on the panels in the photo. In other words, the largest flower, which appeared at the top of the wall in the photographs, was dropped down to mid-wall height on the mural I hung today.

The strips are cut to 9′ long, so I guess that whoever engineered the pattern’s design did not sync it to the 9′ measurement. No biggie … the design is wild enough that no one really cares or notices where a particular flower is placed on the wall. Personally, I think that hugest flower looks great right in the middle of the wall – right over where the crib will sit.

As in other times I have hung this mural, there were printing defects, as you see a slight pattern mis-match in the fourth photo. That photo also shows what I think is a bad cut at the factory – I think the trimmer got off-set at an angle, so made a beveled cut on just that left side of that one panel. That’s why you see the white substrate showing all along that seam.

I was able to take my trusty set of chalk pastels and do some light touch-ups, to fill in the white gap with a matching color, and to disguise the spots of mis-matched pattern (no photo).

This sweet mural is by Anewall, and was bought on-line. It is about 12′ wide x 9′ high, which is pretty standard for a wall mural. This wall was a little less than 12′ wide, so I cut off and discarded about 10″ from the right side of the mural. (This side had fewer interesting design elements, so was the best option for editing.)

The material was pre-pasted, so it was needed was a little water to activate the paste on the back. I did roll a light coat of paste onto the wall, as well as cut in paste around the ceiling and baseboard and far edges, to augment the adhesive.

No manufacturer’s name is given, but I do believe this product is made by York, in their Sure Strip line. It is a thin non-woven material, and is designed to strip off the wall easily and in one piece when the child grows and it’s time to redecorate the room.

Aside from the minor printing defects, it was nice to work with.

The home is in Spring Branch (Houston).

From Fussy Victorian to Serene Home Office

February 10, 2019


Originally, this front bedroom in a 1925 bungalow in the Houston Heights was wallpapered in a dark green and red floral. It was lovely, and went beautifully with the home’s vintage vibe.

But the new homeowners (who have lived here many years, but are just now getting around to decorating this room) want to use this room as a home office, and they wanted something lighter and more modern. In the top photo, you see me stripping off this floral paper.

They were considering grasscloth, but, after reading my warnings about that product (see the page link to the right), they decided to avoid the color variations, staining, and fragility of that material, and instead went with a sort of faux grasscloth – this textured vinyl in a silvery grey color.

The color of the new paper goes perfectly with the gray paint on the woodwork. The paper has vertical lines in a striped pattern, as well as subtle horizontal shading that mimic real grasscloth, but in a more controlled and pleasing way. The commercial-grage vinyl is thick and durable, and will withstand bumps, splashes, and stains way better than most other types of wallcoverings.

On my end, though, the vinyl material was very difficult to work with. It is thick and stiff, and it is on an Osnaburg woven fabric backing, which is much like canvas. It takes a really sharp razor blade and a lot of strength to cut through it.

And because it is so thick, it’s very difficult to get it pressed up tightly against woodwork – so when you trim against the ceiling, doors, or baseboard, it’s very likely to get a gap that lets the wall behind it show. I have a special trim guide that makes a “fat cut,” which helps eliminate that gap.

Because the wallcovering is made of vinyl, it traps moisture behind it, so when the paste behind it dries, there is nowhere for the moisture to go, so you get off gassing – which is a nice way of saying that the paper “burps” and creates bubbles. I had to continually go back and chase bubbles out of the drying paper.

The design has a textured raised vertical stripe pattern. I had cut my first several strips with the intention to start hanging. Then I started measuring the wall, plotting the layout, and counting stripes. They were not laying out properly across the wall. After studying the paper’s pattern for a while, I realized that the stripes on the ends of the paper would not be spaced correctly – unless paper was trimmed off the edges of the wallpaper strips.

By removing 2.5″ from the edge, the stripes would be spaced correctly. I could trim this 2.5″ off, using my work table, a ruler, and my 6′ straightedge.

But the manufacturer’s trimming roller had left a slight beveled edge where it cut the paper. Since my hand-cut edge would be straight up, you would see an odd junction where my straight cut met against the manufacturer’s beveled cut at each seam.

So the only option for a very smooth seam was for me to trim some off both edges of the wallpaper. This worked out to 1.5″ off one side and 1″ off the other. Which was complicated further by the fact that some of the bolts of wallpaper were 1/4″ – 1/2″ narrower than others. So much for quality control at the factory!

But what this meant to me was that I had to carefully measure the width of each bolt of paper, compare that to the rhythm of the stripes crossing the paper horizontally, and determine how much to trim off each edge, in order to have the stripes be spaced correctly across the room.

In real life, most people are not going to notice a spacing difference of 1/2,” or even 1.” Especially in a room with very dim lighting and tons of shadows, and a pattern that is difficult to see in the first place.

But since I had to trim the paper’s edges anyway, it just made sense to trim it so that the spacing of the stripes fell as perfectly spaced as possible.

Try as hard as you may, hand-trimming wallpaper, especially thick, heavy, fabric-backed vinyl, is not as accurate as what they do at the factory. Thus there is always the potential for slight gaps or overlaps at the seams. With a thin paper, it’s possible to stretch and manipulate the material to make a good seam. But with this thick vinyl, I expected to see these gaps and overlaps. However, I was amazed that the vinyl was more malleable than expected – every single seam melted together perfectly.

Although the specs said that the trimmed paper would be 25″ – 26″ wide, by the time both edges were trimmed off and the stripes spaced as they should be, the paper was actually only 24″ wide (give or take an extra 1/4″ or so). Lose 2″ on each of eight strips going across a wide wall … and that can screw up your engineering of the wall and your plans of the number of strips needed and how many bolts of paper will be required.

All of this fiddlin’ and futzin’ took a lot of time, and I was only able to trim and hang paper on two walls each day. So, with prepping the walls and hanging the paper in this … it was something like a 16 single roll room… it took me a full three days. Which is what I had planned on, so we stayed right on schedule.

There was no brand name, so I don’t know the manufacturer, but the label said “JL 8008.” This commercial-grade paper is available in the 27″ width (which is what I can work with) or the wider 54″ (which is more for commercial settings). It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Wild, Wonderful Chintz Wallpaper in a Montrose Entry

August 8, 2018


This newish townhome in the Montrose neighborhood of Houston is fairly traditional in style. But the new owner loves color, and she’s not afraid to be a bit daring! She had the ho-hum tan travertine tile floor taken out and replaced with this large, vibrant black & white checkerboard.

Next she woke up the walls with this vivid chintz floral wallpaper pattern. Chintz is an old and classic design – but there is nothing stuffy or old fashioned about these wild colors!

I love the “in progress” shots (2nd photo) because they show the stark contrast between the original white walls and the drama starting to transform them.

This wallpaper is by Eijffinger, a European manufacturer. It is a non-woven material, and is intended to be a hung using the paste-the-wall method – but I prefer the results when I paste the paper.

Colorful Mural for a Little Girl’s “Big Girl” Room

June 12, 2018
Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image


This little girl is about to have a new baby sibling, so she is moving out of the nursery and into her “big girl room.” This large, colorful floral pattern was printed as a 4-panel mural, rather than traditional wallpaper on a roll. The 3rd photo shows one set rolled out on the floor, so I can check the panel placement, make sure the left side will match up to the right side of the next set, and determine how much to cut off of which end (the mural is 9′ high and the walls are 7 1/2′ high).

It took two sets to get from the right wall to the window, but then the mom had to buy a whole ‘nother set, just to do the part above and below the window, and a 5″ wide strip down the left side of the window.

This pattern is by Lulu & Georgia, and is made by Sure Strip. It is a pre-pasted product, and was a delight to work with. In addition, it is designed to strip off the wall easily, once the young lady outgrows her “big girl’s room.”

“I Should Have Done This Years Ago” – Adding Color to a Previously Brown-and-Bleak Bathroom

February 25, 2018


Sorry, I didn’t get ‘before’ photos – but it was a ’70’s era brown-and-gold-disco-theme paper that didn’t fill the space well, and it felt heartless.

This new lavender-colored wallpaper isn’t much brighter than the old brown paper, but it does have a lot of life. The vines in the floral pattern have an upward movement that engages the eye. The scale and pattern fill the space nicely (this bathroom has very high ceilings).

Best of all, the lavender color – while subdued – is a real game-changer. The room finally, after nearly 25 years, has color and vibrancy.

While I was working, and as the wallpaper began to cover more and more walls, every time the homeowner walked into the room, she said, “Why didn’t I do this YEARS AGO?!”

This is a large master bathroom in the Bellaire neighborhood of Houston. It’s a pre-pasted, paper-backed, solid vinyl paper by Exclusive Wallcoverings, and was sold by Sherwin-Williams.

Easy, Classy, Traditional Floral Wallpaper

December 7, 2017


Here’s a simple and easy-to-live with floral / botanical pattern. I hung this in the powder room of a new home in the Houston Heights neighborhood.

The paper is by Cole & Son, and is on a non-woven substrate, and is intended to be a paste-the-wall product, although, on some walls (like behind the toilet) it was better to paste the material than the wall. It turned out beautifully.

Leaving “Cute” and Heading for “Sophisticated”

August 24, 2017

Digital Image

Digital Image

Digital Image

The tiny red and blue floral wallpaper pattern looked great in this Tanglewood powder room for a decade or more.  But when the homeowners wanted to freshen up the look of the house, the interior designers moved toward a more sophisticated look, and they chose this muted stripe pattern.

It’s more subdued, and it really goes nicely with the blue paint below the chair rail.

The interior designers for this job are Neal LeBouef and Anthony Stransky of L Design Group, a Houston-based company.

The wallpaper is a pre-pasted product by Sure Strip, and is in the Waverly line.  It goes up easily, and is designed to strip off easily later, when it’s time to redecorate.  I love this particular product.