Dark Cornflower Pattern in Small Powder Room

Powder room before.  The original paper dates to the ‘90’s , and was a popular theme at that time.  Fast-forward 30 years and add a young family with active kiddies = time for an update .  For various reasons, the existing wallpaper could not be removed .  So I’m prepping and will hang the new paper over it.  Here I’ve skim-floated over the seams, so there will be no ridges showing under the new paper .  Next I’ll seal with a stain blocker (see previous post) and follow that with Roman Pro 977 Ultra Prime wallpaper primer .

Primed and ready to for wallpaper .

Such a pretty pattern , full of movement and cheer .  The homeowner wanted something dramatic , hence the dark color .  Dark works quite nicely in a small room like a powder room . 

The homeowner also wanted the ceiling papered .

Close up .

From a distance .  A large , sculpted mirror with a heavy white frame will be hung over the sink.  This will contrast against the dark paper , and really stand out .  I like to think that the wallpaper is the star attraction , but I really think the mirror will take center stage

The pattern is Cornflower and is by Rifle Paper , made by York , one of my favorite brands .  This is a non-woven / paste the wall material .  It’s relatively easy to work with , and is designed to strip off the wall easily and in one piece without damage to your walls when it’s time to redecorate .   This was purchased from Dorota at the Sherwin-Williams on University in the Rice Village .  Excellent help in tracking down your perfect paper , and discounted prices , too.  Wed – Sat .  Call before heading over (713) 529-6515 . 
The home of this install is in the West University / West U area of Houston .

Shining Gold Trees on Smokey Teal in Hall Bath

Before.  A mom and two grade-school girls all vie for space here during the morning routine. 
Note the toothpaste splattered on the vanity countertop .  It was on other surfaces in the room, too.  I had to encourage the girls to be more careful, because substances like this can stain the new wallpaper .

The mom fell in love with this pattern .  What a perfect choice it is for this room! 

It’s perfect with the gold mirror frame, light fixture , towel bar , TP holder , faucet , and cabinet handles . 

Close up.  This is a lightly embossed / textured vinyl surface bonded to a non-woven substrate / backing .  This is durable and stain-resistant stuff , and also should strip off the wall easily and in one piece with no damage to the wall when it’s time to redecorate .  I usually like to paste the paper , but you can also install this via the paste the wall method. 

The pattern is called Shimmering Foliage , and is in the Candice Olson line by York .  I’ve hung it a number of times in various colors , and it’s always gorgeous . 
The home is in the Timber Grove neighborhood , near the Heights area of Houston . 

Marfa Toile in Heights Powder Room

We considered putting the wallpaper on all four walls, but the pattern would have been overwhelming in a small under-the-stairs powder room , especially with sloped ceilings crunching down into the space.  So the homeowner opted to paper just this one accent wall over the vanity / sink . 

This family loves West Texas , and visits Marfa when they can.  I positioned so the cattle ’s feet march right above the backsplash , and the horse lines up against the right corner , and even right into the angle at the top

Here it is, with the light sconces back (shades will be added later), and the rustic mirror frame in place (mirror glass will be added later). 

Tucked some paper into the little cubbyhole on the left under the vanity . 

 Cows , cowboys , horses , teepees , mesas , cactus , booze , buffalo , pups , and Prada – that’s Marfa!
 

Marfa Toile is in the very popular City Toile line by Katie Kime .  This is a fairly heavy vinyl surface on a non-woven backing .  Not my favorite, but it was OK to work with.  I did the paste the wall installation method .

Cool Trick Going Around Door

I’ve finished putting short strips of wallpaper over this wide entry way . My next strip will be a 9.5′ piece going down the left side of the door molding .

The piece above the door ended 1/4″ from the left edge of the door molding. Normally, I would butt my next strip up against the existing piece. Then, as I move down the wall smoothing the paper into place against the wall, there will be a 1/4″ bit of it that laps over against the full length of the molding. I would need to use a straightedge and blade to trim this off. And then use my damp microfiber rag to wipe paste off the molding.
This non-woven wallpaper is thick and stiff , and hard to press tightly against the molding, so a bit tricky to get a sharp , tight trim cut . And also difficult to ensure that exactly 1/4″ is being trimmed off . So it’s easy for the paper to go off-kilter , and for the pattern to not line up perfectly against the molding . Not a big deal on a busy floral pattern , but with a rigid geometric, it might be noticeable .

So I decided to try this. I wanted to pre-trim the strip to take away that 1/4″ . This would save me from having to do any pressing or trimming. And also ensure that the pattern would fall perfectly straight against the doorway molding.
I measured down 16″ (the height of the ” header ” over the doorway , plus a couple of inches for trimming at ceiling and then at the top of the door molding ) .
Then I used my straightedge , razor blade , and fine ruler (from Texas Art Supply ) to measure over 1/4″ and trim it off .
Don’t think this is a simple task … It’s hard to measure exactly the width of the bit above the molding that should be trimmed off. 1/4″? 3/8″? 5/16″?
Also take into consideration that most wallpapers expand when they get wet with paste . So that 1/4″ I cut off could extend to 5/16″ or even more. That would mean a gap along the door molding.
Next, if the strip above the door is not perfectly plumb , or if the door molding below it is not perfectly straight and plumb , the wallpaper won’t butt up properly against it, and may start to show a gap or an overlap.
Sometimes you can manipulate the strip of wallpaper so that it does butt up against the door frame. But that can result in warps and wrinkles , or a pattern mis-match of the next piece . Also, like I said, this particular non-woven product is thick and stiff, and not happy about being asked to twist into another shape. Pasting the paper – instead of pasting the wall – does help to make it more pliable , so you have a better chance of manipulating the paper as you want.

Here is the strip going into place. So far, it’s butting up nicely against the molding. And no need to trim anything or wipe paste off the woodwork – except for that little bit at the top, which was my ” extra ” allowed for trimming .
FYI, that dark stripe you see along the woodwork is a shadow.

Here is the wallpaper as it falls along the side of the molding. The pattern is lining up nice and straight and precise .
To be honest, at the lower 1/3 of the wall, the paper did start to torque out of shape , and wanted to leave a gap at the molding, which was trying to grow from 1/16″ to maybe 1/4.” Not a lot – but it sure would look bad to have a 1/4″ gap between the wallpaper and the woodwork.
Trying to “mush” it to the right to butt up against the woodwork was causing warps and wrinkles .
I was a little surprised, but the paste had caused the stiff material to become softened and pliable – just enough that I was able to gently work out all those warps and wrinkles , so the wallpaper laid nice and flat against the wall. AND the left edge didn’t become distorted, but fell nice and straight enough that the next strip was easily able to butt up against it nice and tightly.

This trellis / Moroccan lantern / onion dome / geometric pattern is by Designer Wallpapers .

Shells / Fans in Master Bedroom Closet

Left side of entry wall primed and ready for wallpaper.

Starting the right side of the wall.
Instead of laying a 9.5′ length of wallpaper down along the door frame and wrestling it around the tops and bottoms of several fixed-in-place shelves, I used a razor blade and my straightedge to slice the strip horizontally into sections, measured carefully to coincide with the position of the shelf brackets.
This way I was working with much smaller and more manageable chunks of paper.

Entry wall finished.

Entry and side walls finished.

Opposite, window wall finished.
This closet, with 20 single rolls (10 double roll bolts) of wallpaper, several fixed shelves to wrangle paper around, support brackets to trim around, and two windows to wrap wallpaper inside, took me two 10-hour days to prime and paper.

Here’s a close-up, with a light switch for perspective, to show the lightly textured surface of the wallpaper.

BN European brand of wallpaper.
This is a non-woven material and could be hung via the paste the wall method or the paste the paper installation process.
Pasting the material made it much easier to work around all the obstacles and tight areas.
The paper was very soft and pliable. It is an embossed ( textured ) vinyl and will be more resistant to stains and dings than most traditional wallpapers.
This home is in the Heights neighborhood of Houston.

Bringing Zen to a Yoga Room

One of the homeowners from yesterday’s post has an in-home yoga studio, and, as I hung wallpaper in three other areas of the home, she began toying with the idea of wallpapering one accent wall in that room, too. When the serene rural-themed pattern went up across the hall in the dining room, she immediately knew it would be the perfect finish for her yoga room, too.

I did some futzing and calculating, and was able to come up with one extra 10′ panel. I hung this centered on the accent wall. The “villa” homestead is perfectly centered in the panel.

The homeowner ran to Home Depot and got some decorative molding, that will be used as a frame on either side (not the top or bottom). The molding will be painted, or stained, or maybe antiqued (it’s to be decided!), in color(s) that compliment the wallpaper.

The pastel colors and soothing pastoral feel make this the perfect backdrop for a Zen experience in a yoga room.

Gucci Wallpaper Mural

A striking, impactful mural by Gucci. This is placed in the center of an accent wall, and will fit perfectly behind a display / altar in a private home.

The mural comes in a 2-panel set, and two sets were purchased. To fit the space, this installation used three panels (so one panel was not used.) I like the way the tall birds fit perfectly in the center of the scene.

The homeowner will add a wooden frame to the right and left sides of the wallpaper mural, for a more finished look. I’m voting to paint the frame a dusty red.

The mural came sized to fit about a 12′ high wall. This home’s ceiling was less than 8′ high, so much of the top area was cut off and discarded. The manufacturer allowed for this, because the top area contained only sky and a few dragon flies; the important birds were intact at the bottom.

The mural is printed on a standard non-woven material, and was easy to hang using the paste-the-wall method. It was a tad tricky to match and measure, because the pattern started at the floor, instead of the ceiling like most papers do.

Here you are definitely paying for the brand name … each 2-panel set covered a width of 54″, and cost ~ $400 each.

Definitely worth it, because it perfectly fits the homeowner’s space and use.

The home is in the Energy Corridor area of west Houston.

Large Impact from Small Wallpaper

Here’s an idea from Better Homes & Gardens magazine, showing how you can use a small amount of wallpaper – one double roll or less – inside a frame, as an accent in a special area of your home.

Lots of impact, not much expense, and easy to change when you are ready for a new look. And, since it’s in a frame, you can easily move it to other rooms.

Wild Wallpaper In Frames That Will Be Hung On The Wall

Here’s some really cool, custom-made wallpaper that, expectedly, costs a ton. The homeowners wanted to accentuate two rooms (dining room, master bedroom) with these patterns, but, considering the investment, wanted to be able to take it with them, should they move.

After much deliberation and investigation of backings, weight, sturdiness, etc., it was decided to mount each mural on plywood, wrap each of those with a wooden frame, and then mount them on the walls with brackets that attach invisibly to the back.

The largest one, which already has its frame attached, and which you see in the top photo, measures about 7′ x 7′, and weights 80 pounds. Imagine getting that thing up two flights of stairs!

The top photo shows the large mural finished. It consists of two panels spliced in the middle. It was trimmed in place to fit inside the gold frame you see around it.

The second photo shows the smaller mural being laid out. It will be applied to the board you seeing lying on the floor in the third photo. The plywood board has been sealed with KILZ, to prevent knotholes from bleeding through, sanded smooth, and then primed with a wallpaper-specific primer. I used Roman’s Pro 977 Ultra Prime.

These wallpaper panels are custom-made to fit the project’s dimensions, and have a few extra inches “bleed” area on each side to allow for trimming and adjusting for wonky walls. The bordering silver area will be trimmed off, as will an inch or so of the printed area on each side of the mural.

On the smaller, dark mural, someone forgot to add an extra inch for the top and bottom, so the mural was centered as perfectly as possible, but a little bit of the white plywood peeked out on both the top and bottom. Don’t worry – a black frame will be constructed to cover the edges of the plywood, and it will have a lip (rabbet) that will cover this teeny gap.

The last photo shows one page of the instruction sheets, which includes drawings from the manufacturer detailing the layout and dimensions of each mural. The large mural came in two panels, which had to be overlapped in the center, carefully matching the pattern, and then double cut, or spliced.

Double cutting involves overlapping the edges of the two strips of wallpaper, while carefully matching the pattern. Then you take a straight edge and a brand new, very sharp razor blade and cut through both layers of paper. This paper was very thick, so I had to press really hard to get through both layers in one sweep. You want to avoid making multiple cuts if possible.

To keep from scoring into the plywood below (and it’s even more important if you are cutting on a wall made of drywall and / or many layers of paint and primer), I put a strip of polystyrene plastic on the plywood surface to keep the razor blade from cutting into the bottom surface. Once the double cut is made, the excess wallpaper, as well as the polystyrene strip, are removed, and the two edges of wallpaper smoothed into place. This makes for a very perfect seam.

All this takes a lot of time. It would be really cumbersome in a larger or more complicated room. But protecting the subsurface is important, because, once the wallpaper starts drying, it shrinks a little and pulls taught, and if the surface below is not intact (due to a cut from a razor blade, or from something else like dust on the surface or layers of incompatible materials such as old oil based paint covered with latex paint), these layers can come apart (delaminate), and the wallpaper seams will pull apart. This is not the paper “coming loose,” and it cannot be “glued back.” It is actually layers of the wall delaminating.

Anyway, back to today’s project, and, sorry, a little out of sequential order, but all important information. These panels were to be hung on the walls, but had not been hung yet. This allowed me to do them flat on the floor, which I think was easier. The instructions said to paste the paper, but that was extremely difficult because they were much wider than my work table. I didn’t want to crease or damage the material. Most non-woven products can be hung by pasting the wall, so that’s what I opted to do. Except, in this instance, they were laid out on the floor. 🙂

The material was a thick non-woven on a mylar plastic, and was very thick and somewhat difficult to work with. In addition, the panels were much wider than normal wallpaper, and hard for me to manipulate. I was glad that the interior designer was hanging around and was game for helping me position these pieces.

As I said, the material was thick and stiff, and no matter how hard I pushed or what extreme tool I used (metal plate), it would not press tightly into the corners of the gold frame enough for me to get a satisfactory cut – meaning that there was a slight (1/16″ – 1/8″ gap between the material and the frame. No matter… The interior designer was easy going, and said she will add a small piece of molding to the inside of the gold frame, to cover any gap, as well as to prevent the thick material from curling up. On the smaller, dark mural, the black frame to be constructed will include a lip (rabbet) that will cover the open edge and help hold it down, as well as cover the outside edge of the plywood panel.

This gutsy wallpaper is made by Calico, a husband-and-wife team out of New York City that is just a few years old – not many people have this stuff – and even fewer have the balls to put it on their walls!

The interior designer for the project is Elizabeth Maciel, and the location is a newish home in the Montrose neighborhood of Houston.