The homeowner’s contractor’s guy hung this accent wall in an under the stairs powder room . He did a good enough job. But there were some bubbles / wrinkles . Depending on where you’re standing in the room, and where light is coming from, the bubbles were somewhat noticeable , even with this busy patterned wallpaper . It bugged the homeowner , and she wanted it to look better. Dry-stripping the wallpaper resulted in this. The paper came off in an intact sheet, as the mfgr promises. But it took some of the primer along with it. Let’s examine this. It’s a good thing, at least, that the previous installer used a primer, and hopefully one made for use under wallpaper. But, to be honest, a wallpaper primer is designed to let go of the wallpaper when you start to strip it off the wall. So maybe this is just paint, or a paint primer . Second, I have a suspicion that, after skim-floating and then sanding the wall to smooth it, dust was left on the wall , and then trapped between the wall and the primer. That’s a likely reason why the primer / paint pulled away from the wall so easily. Nothing sticks to dust! So it’s imperative that, after vacuuming , you take a damp sponge – rinsed frequently – and wipe down the entire wall, and then let dry , before priming. The primer also has to dry completely, before wallpaper goes up. I switched to wet-stripping the remaining wallpaper, and had less damage . But was still left with a wall with lots of irregular and un-smooth areas . So to prepare it for wallpaper , I first sealed loose or dusty areas with GARDZ , which is a penetrating and hard-drying sealer for torn drywall or other unstable surfaces . It’s pretty cool stuff. After that dried, I applied a very thin skim coat of joint compound (which we call mud ). Once that was dry, I sanded smooth , vacuumed , wiped off residual dust with a damp sponge, let dry, and then primed with Roman Ultra Prime Pro 977 and let dry. Here’s what it looked like when I was done with the prep .And here it is with the new paper up. I switched to wet-stripping the remaining wallpaper, and had less damage . But was still left with a wall with lots of irregular and un-smooth areas . So to prepare it for wallpaper , I first sealed loose or dusty areas with GARDZ , which is a penetrating and hard-drying sealer for torn drywall or other unstable surfaces . It’s pretty cool stuff. After that dried, I applied a very thin skim coat of joint compound (which we call mud ). Once that was dry, I sanded smooth , vacuumed , wiped off residual dust with a damp sponge, let dry, and then primed with Roman Ultra Prime Pro 977 and let dry. This single wall was a bit of a challenge, for many reasons. For one thing, we really didn’t have enough paper. Luckily, the previous guy had kept the left over scraps, and I did need to use some of those. It also was OK to mis-match the pattern when necessary, as the design is very forgiving. The rounded bull-nosed edges around and over the window are a PITA. This pattern was forgiving in that respect, too, as well as the layout of the area over the window. There were also some printing defects , which will be addressed in a future blog post . Oh – and I, also, got bubbles ! In fact, I hung this same brand a few weeks ago and got bubbles then, too. Some I got rid of by making a tiny cut with a razor blade and then pushing the air out with my plastic smoother . But, usually, with these pre-pasted materials, once they get good and dry, small bubbles dry flat and disappear. Not sure why the other guy had problems with this. But I will say that the bubbles were larger than typically show up with these papers.Close up.The pattern is called Brownstoner , and is by Flavor Paper . I am not a fan of their vinyl products, and definitely not their peel & stick . But I do like their EZ Papes , which is a pre-pasted material . Not crazy about the bubbles, though. The home is in the Eastwood neighborhood of Houston . installer
This wallpaper in a Houston Heights townhome’s breakfast area was hung by “the contractor’s guy ” and he ran into some problems. First, I suspect the wall had not been adequately coated with a primer designed for use under wallpaper . This may be a large part of why the paper has come loose from the wall in places, and shrunk and gaps at the seams. The wallpaper is an old-fashioned British pulp material , which is quite different from the non-woven material that this company usually prints on. If the installer was not familiar with hanging a pulp, yes, he can have a tough time of it. There are other issues that the homeowner is unhappy with, such as tears, slices, patches, and, of course, these un-stuck seams. I’ve posted more pics previously, if you can Search to find them. My task is to get the paper off and then prep the wall for hanging new material. Most of the paper pulled off the wall easily. But there were areas where the guy had used a stronger adhesive to try to hold the edges down. Those would not come off the wall without causing damage to the wall. So I pulled off the top, inked layer and left the paper backing on the wall. This stuff is porous and will bubble when coated with a water-borne primer , and with wallpaper wet with paste. So I sealed these areas – I sealed the entire wall, in fact – with Gardz (by Zinsser ). This stuff is pretty incredible. It’s a thin, watery primer / sealer that soaks into the surface and binds loose components together, then dries hard and solid . Latex paints and other water-based products (usually) won’t penetrate it, so won’t cause the underlying material to re-wet, expand , and bubble . Just a note … due to pandemic and other supply chain related shortages , Gardz has become difficult to find. This can was about 1/4 full and I had it sitting behind my trash can, intending for weeks to toss it out. Now I’m glad that I procrastinated! Once the Gardz sealer was dry, I skim-floated over it with joint compound , a.k.a. ” mud .” In most areas of the wall, my skim coat was as thin as possible, but I did have to make it much thicker over the areas with the paper backing stuck to the wall. I set up three fans , and also used my heat gun , to get the smoothing compound to dry. I like the Plus 3 version made by the Sheetrock company. It sands easily and doesn’t make too much air-borne dust. It took a couple of hours to dry. Then I sanded it smooth , vacuumed up the dust with my Shop Vac , used a damp sponge to get residual dust off the wall , and then let the wall dry once again.Finally I applied a coat of my favorite wallpaper primer, Pro 977 Ultra Prime by Roman. I used a paint roller to roll it on to the main areas, and an angled trim brush to cut in around the ceiling and moldings. Here is the wall all smoothed and primed . Originally I had planned to strip , prep , and hang this half-wall all in one day. But ended up the prep took more time than I anticipated (about 8 hours ) , so we’ll let the primer dry overnight and save the wallpaper installation for another day. The wallpaper pattern is called Strawberry Thief and is by the famous William Morris designer from the very early 1900’s . I’m sure seeing a surge in interest in his patterns, particularly this one. Do a Search to see other jobs I’ve done with it.
The mortar along the top of this marble tile baseboard was light colored, and I didn’t think it would look good between the black tile and the mostly-dark wallpaper. In addition, I hate trimming wallpaper against grout, because the gritty texture makes it hard to get a neat cut. And that sandy grout sure eats up my razor blades!So I applied a thin layer of joint compound over the grout, sanded it smooth, and then sealed with a penetrating primer called Gardz. This gave me a softer surface to trim against. But I was still left with a white edge. That’s what you see in the top photo. So next I used an angled artist’s brush and some black craft paint from Texas Art Supply hobby store to change the white line to black. Here’s what it looks like finished.
You’re looking at a water supply line underneath a pedestal sink in a powder room. This hole is a little wide, and offers the wallpaper nothing to adhere to. In addition, there is no escutcheon (decorative plate) to hide the hole. I took some special paper and cut a ” collar ” to fit around the pipe and also cover the hole. I dipped the “collar” into Gardz . This is cool stuff. It soaks in to porous surfaces, adheres to surfaces, and dries hard. Here is the patch in place. Once it’s dry, I’ll skim-float with joint compound (” mud “) and then sand smooth. The finished product will be a smooth, intact surface for the wallpaper to adhere to, with only a tiny gap around the plumbing.
The vanity top was replaced. The new backsplash is a tad shorter than the previous one, so there is a gap above it. In addition, the original caulk is sticking out from the wall. The new wallpaper cannot go over this, because it will not sit tightly to the backsplash or wall. After stripping off the wallpaper, I used a razor knife to remove the caulk – which is harder than it sounds, because that stuff is sticky! Then I sealed the torn drywall areas with Gardz (do a Search here to learn more about that product). Once that was dry, I used joint compound to fill in the gap between the backsplash and wall. Once that was dry, I sanded smooth and sealed again with Gardz. Silly me forgot to take an “after” photo.
The powder room in this 1990’s home in the Houston Heights is being updated, and that means replacing the wall-to-wall vanity. Here the vanity has been ripped out. The areas where the backsplash was adhered to the wall have pulled the top surface of the drywall off. In addition, the plumber had to cut out a section of drywall in order to gain access to the pipes, so he can install the new faucet and handles. You can see the connections roughed in. You can’t hang wallpaper over this mess. First of all, it way too uneven – all those bumps will show under the new wallpaper. And the outline of the ” trapdoor ” will leave a big square ridge under the paper. Thankfully, the plumber secured the panel with drywall screws – most plumbers just leave you with a chunk of drywall floating in space, or even just an empty hole. Back to patching issues … in addition, the torn areas of drywall will absorb moisture from the wallpaper primer and / or paste and expand, creating bubbles that will show under the new paper. I needed to fill in dips and gouges, even out high areas, and prevent bubbling drywall. Gardz by Zinsser to the rescue! This is a penetrating sealer that soaks into porous surfaces and then dries hard, binding them together and creating a stable surface, as well as resisting moisture from water-based top coatings. This picture doesn’t look much different, but here the torn drywall is a little darker, indicating that the Gardz has soaked in and dried. The surface is now ready for a skim-coat. But first, the trap door needs to be addressed. I covered the cut areas with four strips of self-adhesive mesh drywall tape (no photo). Then I went over everything (wall to wall) with joint compound (commonly referred to as mud ) (no photo). Because of the thickness of the high and low areas, this had to be a thick coat of smoothing compound, and would take a long time to dry. So I went to the jobsite two days ahead of our install date, to do these initial repairs. And – no – you can’t use quick set or hot mud or 5 or 20 minute mud to do these repairs. These products are intended for repairs of small areas. Top coatings like primers, paint, and wallpaper paste do not stick well to them. Don’t let a contractor sweet-talk you into letting him use any of these to smooth a large area of wall.Here is the wall after my first, heavy, coat of smoothing compound. I use Sheetrock brand’s Plus 3.The bubbles you see just left of center show that Gardz didn’t 100% do its job of sealing out moisture, as a little expansion and blistering has occurred. Not a biggie. These will disappear when the surface is sanded. There is usually not a problem with these re-appearing.When I got to work two days later, the smoothing compound had dried. I sanded pretty smooth. Then vacuumed up the dust on the floor, and then used a damp sponge to wipe residual dust off the wall. This is important, because no coating will stick to dust. The wall still wasn’t perfectly smooth, so I did another skim-coat. This was much thinner, so didn’t need a lot of time to dry. I used a fan and my heat gun to speed things along. Once that was dry, I sanded it smooth, vacuumed and then wiped off all dust. Then rolled on my favorite wallpaper primer Roman Pro 977 Ultra Prime. I have the paint store (Murphy Brothers in central Houston) add a little blue tint, so I can see it when I apply it to the wall. What a transformation! Now this wall is ready for wallpaper!
Re yesterday’s post … after I got the wall stabilized, I skim-floated the surface to smooth it. That dried overnight, and today I sanded it smooth, vacuumed up the dust and then wiped residual dust off the wall with a damp sponge, and then primed with good old Gardz. I feel pretty confident that that wall is secure enough to withstand the tension of drying wallpaper. But, just to be sure, I applied a liner. A liner is a special paper that goes on the wall under the decorative wallpaper. In this case, the purpose is to distribute tension so that no stress is placed directly on the wall. So it’s important that the seams of the liner and the decorative wallpaper do not line up or fall on top of each other. This way any tension is dispersed and distributed, and any inner surface that wants to delaminate will be held in place by the layers of paper over it. In this photo, the section to the left has the new white liner, and I am moving toward the right to finish this wall. t’s important that the liner be flat and that the seams lie down tightly, so no bumps or ridges show under the new wallpaper. I was really pleased with how these seams just melted away. There are all kinds of liner papers out there. This one is a stiff, somewhat thin non-woven option made in Germany. Using a liner does add to the cost of the installation, for both material and labor to hang it.
This Brooklyn Toile wallpaper by Flavor Paper on an accent wall in a nursery went up beautifully. The contractor had added new Sheetrock to one wall, and painted the other, old/original wall. I skim-floated both walls and sanded smooth, primed, and hung the wallpaper. Perfect! (Search here to see my original post.) But within less than a month, the homeowner contacted me and said that the wallpaper was ” coming off the wall .” It was a 1920’s bungalow in the Woodland Heights neighborhood of Houston. And therein lies the brunt of the problem. The wallpaper itself is not ” coming off the wall .” What’s happening is that the wall surface itself is coming apart – or, delaminating . This is because multiple layers of paint and other substances on the wall may not be compatible. A probably scenario: In 1920 oil-based paint was used. Later someone rolled on a coat of latex paint. Then the homeowners redecorated and used gloss paint. Then some ” flippers ” who had watched too much HGTV slapped on more paint without bothering to de-gloss or prime first. And somewhere in the mix you’ve got cheap paint and dust and other incompatible materials.Over time, and especially when stress is put on the wall surface, such as when wet wallpaper paste dries and the paper shrinks, this stress can tug at the wall and actually pull these layers apart. There are other contributing factors, too, such as humidity, temperature, and location. I find it interesting that the worst parts of the affected seams were toward the top of the wall. This speaks of heat, humidity, and forced air (either hot or cold) coming out of the air vent just to the right of this wall. This photo is of the area over a door, very close to the air vent. See how thick that is? It’s not just the wallpaper. There are several layers of wall coming apart. Some layers are clinging to the back of the wallpaper, and some are staying stuck to the wall. Multiple layers, many years of coatings on this wall. Easy to see the many layers. The paper itself, my blue primer, my layer of smoothing compound, paint, more paint coming off the wall. Then multiple layers of paint and texture still clinging to the wall. This shot is just below the ceiling.Same thing happening at the baseboard at the floor. Layers of paint separating from the wall in chunks. Some pulled off easily, and some I had to chop off with my 3″ putty knife.Most of the paint and unstable surface material clung to the back of the wallpaper. This pile is just three strips – only half the wall. But it’s thick and stiff and heavy because of the paint stuck to the back of the wallpaper. There was so much and it was so heavy and bulky that I had to carry it out to my van in two trips. When I got home, it totally filled my trash bin. Here’s the wall once all the other layers came off. Brushing my hand over it revealed a layer of dust. No wonder the paint and other coatings wouldn’t stick. Nothing sticks to dust. It’s like flouring a cake pan… The paint or wallpaper will kinda stick – but won’t really stick. Paint on top may be fine. But add a little stress from drying / shrinking wallpaper, and you may end up with layers that pull apart. Wiping the walls with a damp sponge removed a lot more dust. But the wall still felt chalky. Whatever type of paint this was, it was not holding together. I had to stabilize this chalky surface. Enter Gardz, a wonderful product – Gardz is a thin, penetrating sealer that soaks into porous surfaces and binds substances together. It dries hard and creates an intact surface. The darker area in the picture is where I’ve rolled on a test area. Gardz is thin like water, and it runs and drips and splatters. It’s imperative that you cover floors, countertops, and baseboards, and roll carefully, and roll upward rather than downward, to minimize runs and drips. A microfiber roller holds the liquid well, and reduces drips. Gardz is made by Zinsser. No photo of the finished wall, but I was very pleased with the stability of the surface. No more chalk or dust. Now, there still could be unstable or incompatible layers deeper inside the wall. (Latex paint over oil without proper prep.) But for now I feel pretty confident that this wall is solid and will hold up to the next process in preparation for getting the new wallpaper up.
These are the plumbing stems for wall-mounted handles and faucet in a powder room in the Heights neighborhood of Houston. The homeowner had the fixtures removed to make the wallpaper installation easier and with fewer ” relief cuts ” in the paper. This helps to eliminate chances of splashed water hitting open edges of the paper and wicking up inside, which can cause curling at the seams. But the holes were a tad too big for the escutcheons (decorative back plates) to cover. The hole around the left handle gaps about a half an inch outside the plate (not pictured). I wanted to close that gap a little bit, and also to provide a firm surface for the wallpaper to stick to. I cut ” collars ” out of scrap non-woven material. This material is very strong, and won’t stretch or warp out of shape. Non-woven makes a fine substrate for today’s wallpapers. In the photo, I have placed them around the plumbing stems.I impregnated the “collars” with Gardz, which is a penetrating primer which soaks in and binds surfaces together, and then dries hard – a lot like varnish or shellac. Then I skim-floated the area with drywall joint compound (” mud “), let dry, sanded smooth, wiped off dust with a damp sponge, and then primed with Roman Pro 977 Ultra Prime, my favorite wallpaper primer. So this photo shows the finished task. When the plumber comes to re-install the faucet, etc., if the holes are too small, he can simply cut some away. Now that the opening is smaller, the escutcheon easily covers it.
These nails were holding picture hooks to the wall. The hooks had an adhesive backing. When they were removed from the wall, chunks of latex paint stuck to them and pulled away from the wall, revealing a crumbly sub-surface. This is bad news for wallpaper that might be hung on top of this.Other spots. What happens is, this is a 90 year old house. Over the years, many coats of paint and other surface treatments have been applied to the walls of this dining room. These coatings are not necessarily compatible with each other. Plus they may have been applied without the proper surface preparation. Oil based paint, then latex, then someone rolls on a gloss paint, the next guy follows with latex but neglects to de-gloss the previous layer so the new layer doesn’t really stick well.Somewhere along the line, something got chalky. Here you see I have wiped crumbly chalky substance from inside the wall. This is why the latex paint is not adhering well and pulled away so easily. Nothing sticks to dust or grit or chalk. Gardz is cool stuff. It’s a penetrating sealer that soaks in and actually binds crumbly materials together, drying into a hard, solid mass. The problem here is, it won’t penetrate the paint that is on top of the unstable layer, so we’re still dealing with a wall that has potential to come apart (delaminate). Gardz applied. You can see how it has soaked into the porous areas, but is sitting on top of the latex paint.
The problem with an unstable wall and wallpaper, is that, as wallpaper sits on a wall and the paste dries, the paper shrinks just a tad, and this shrinking puts tension / torque on the wall beneath it. Sometimes this is actually powerful enough to pull the layers inside the wall apart, resulting in seams that split open.
These are not “loose seams,” but the paper actually taking layers of paint and dust along with it. Really can’t be repaired.
So best to find a way to prevent it from happening in the first place. More on that later.
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