Posts Tagged ‘glossy’

Naked Ladies on the Walls in a Home Bar Bath

August 2, 2022
This is a powder room off a bar in a home in the Spring Branch area of Houston. The walls have wainscoting below and paneled walls above; the wallpaper is to go inside the panels.
Wallpaper primer has been applied . Because both the woodwork and the wallpaper are dark, I’ve taken care to not let my white primer get onto the woodwork, making sure to leave a 1/8″ or so gap of the dark woodwork paint. This way there won’t be any white showing at the edges.
This is a little dubious, though, because wallpaper paste won’t adhere to the glossy woodwork paint . Not too much of a worry, though, because that gap is mighty narrow and not likely to cause any adhesion problems. See recent previous post for a closer photo.
Done. Opposite wall reflected in the mirror.
From a distance, it just looks like a symmetrical design .
I centered the design on this section between the corner and the door .
I positioned the pattern so that half of it landed in the corner. Thus, looking in the mirror, between the two walls, you’ll see a whole motif.
The manufacturer colored the edges black . This greatly reduces the chances of the white edges of wallpaper showing at the seams. Do a Search to read my previous blogs on this topic.
The pattern is called Showgirls and is by Graduate Collection , out of England .

Geometric Grasscloth in Home Gathering Area

June 29, 2022
No, this large room with sink and counters isn’t a kitchen. The family loves to entertain both family and friends, so included this “bonus” room in their new home’s plans. It’s used for both entertaining and crafting.
The wall facing you was originally painted a semi-gloss navy blue. In the photo, I’ve applied my wallpaper primer.
It will adhere to the glossy paint, and provide a matt finish for the wallpaper paste to grab ahold of.
Taking measurements and plotting the layout.
This paper has a selvedge edge , which has to be trimmed off by hand with a straightedge and razor blade. The manufacturer has not provided trim guide marks , so I am using a ruler and my eye.
The new look is so dramatically different I couldn’t resist taking a photo mid-hang. As you can see, I’ve used dark paint to stripe under where the seams will fall, to prevent any of my primer from showing through at the seams.
You can see the ceiling line starting to track upward on the right portion. More on that below.
Finished. Perfectly centered.
This is the mounting hardware for the big screen TV . I asked them to remove the TV, but we left the mounts in place. In order to support the heavy TV, they are placed quite securely into the wall , and I feel it’s best not to jimmy around with that.
Rather than have the first strip straddle the TV mount, I plotted to have my first seam fall down the middle of the wall, placing a seam in the mid point of the mount. This meant I had to hang four strips instead of three, but it made it a whole lot easier to work around the TV mount, as well as to keep the left and right edges of the grasscloth straight and plumb.
Close up showing the texture of this grasscloth material. It’s atypical to have grass cloth printed with a pattern , and I rather like the way the ink looks somewhat scratchy against the rough background.
Because it’s Schumacher, you can expect printing defects . The slight pattern match doesn’t bother me, as there were many more places along each strip that matched up perfectly. Nor do I mind the different intensity of ink on the two strips. That’s all part of the look of grasscloth.
But I wasn’t pleased with the white ink out in the middle of nowhere, as seen about 1//3 down the center of the picture. This isn’t considered a defect , and from a distance it’s not really noticeable. But it bugged me.
So I used some water-based paint and a very small brush from the craft store and lightly touched up the spots.
I also softened the mis-matched edges a bit. There’s a fine line between covering the white spots and staining the material, so use a light hand. And never permanent ink or oil-based markers or pastels.
Likewise, the ceiling line was not level, so as I moved from the mid-point out to the right, the ceiling rose above the geometric motif’s top edge, and a white line began to be visible, but only to the right of the centerpoint.
So I used the black paint to cover up that extra bit of white. This increases the width of that horizontal navy blue line from 1/4″ to about 1/2″. But from down on the floor you can’t tell, and it looks a whole lot better than having white on the right side and none on the left.
The brand is Schumacher and the home is in the Garden Oaks / Oak Forest area of Houston.
The interior designer who came up with this bold and lively look is Clayton Brooks .

Stuff Doesn’t Wanna Stick To Slick

March 23, 2022
Tomorrow this breakfast area wall will get wallpaper. Today is prep day.
The wall has a very heavy texture, plus some issues with previous patches in areas, probably due to drywall cracks. I need to skim-float over all this to smooth the surface.
In addition, the current paint is quite glossy – and this can present a problem for the smoothing compound to adhere to it properly.
So I want to prime over this gloss paint before I skim-coat the walls. The primer has to both stick to the gloss paint and provide a base that the smoothing compound will adhere to.
Another issue is that I won’t be using this every day, so keeping it shaken up and useable was a consideration. I looked high and low for an appropriate primer. Finally I snapped that the Roman Ultra Prime Pro 977 that I use under my wallpaper jobs checks off all the boxes … It sticks to just about anything, and it dries nice and flat / matt so any topcoat (wallpaper or smoothing compound) can grab ahold and stick, I have it in my van all the time, and I use it frequently enough that it’s always mixed up and ready to use. To top it all off, it dries in less than an hour. VoilĂ !
This stuff can be tricky to find. Sherwin-Williams used to stock it for me, but became unreliable. Now Murphy Brothers on Bissonnet (Houston) gets it just for me.
Besides dropcloths on the floor, here I’ve tacked strips of thin paper dropcloth material along the wainscoting (I also do this along baseboards) to keep any drops or roller splatters from marring the homeowners’ floor and moldings.
Here it is applied. Since my goal is to cover and eliminate the glossy paint, and then provide a base for the smoothing compound, this coat doesn’t need to be opaque or cover the wall evenly.
Tomorrow we’ll see how the wallpaper turns out!
Fast-forward … I’ve floated the wall and sanded it smooth. Compare the smoothness to the “before” picture at the top.

Paint Not Sticking to Wall

March 13, 2022
Here I’ve covered the wall (pale blue area) with wallpaper primer. Because I want to avoid the light wall from showing between the seams should the paper shrink as it dries, I’ve striped under the seam area with diluted dark paint from the hobby store.
But you can see there are areas where the paint is not adhering. What’s up?
The original surface was a gloss paint. My wallpaper primer will stick to gloss paint. But in this case, some small areas were missed when my paint roller passed over it.
Then when I swiped on the dark paint, it adhered well to the matt finish of my primer. But it could not grab ahold of the small areas of gloss paint peeking out from under my primer.
If this were a large area, I would be worried. Because wallpaper paste doesn’t like to stick to glossy surfaces, either.
But the areas of gloss not covered by my primer are minimal, and won’t interfere with adhesion of the new wallpaper.

Starting to Smooth a Textured Wall

March 2, 2022
This is a typical wall texture provided by many builders of new tract homes in the suburbs of Houston.
Wallpaper doesn’t look good hung over this texture, because the bumps will show through. And the high-and-low ridges and dips interfere with good adhesion to the wall. So this accent wall will need to be skim-floated to smooth it before the wallpaper can go up.
In addition, this wall started out with a semi-gloss paint. I worry about my materials being able to stick to a glossy surface.
So, before applying the smoothing compound, I am priming the wall with something that will stick to the gloss paint, as well as provide a matt finish for the smoothing compound to adhere to.
I’ve discovered that my favorite wallpaper primer also works great for this purpose. It sticks to just about anything, and dries almost dead-flat. I like Roman Pro 977 Ultra Prime.
I use a trowel (top) to spread on the smoothing compound. The 3″ stiff putty knife is used to knock off big-ish chunks on the wall, or bits of grit. I use the 1 1/2″ flexible putty knife to apply the smoothing compound in tight spots like around electrical outlets or between a door molding and a wall corner.
The smoothing compound I use is drywall joint compound, and I like the Sheetrock brand Plus 3 version. Search hear (upper right) to see previous posts with photos of this material.
Bottom of photo – trowel sticking to the wall shows you just how tacky this stuff is. Above that are blobs of the smoothing compound waiting to be spread around, and a little bit on the left initially smoothed onto the wall. At the top of the wall you see a section that I have already covered with the smoothing compound. This will dry overnight, and I will sand it smooth tomorrow.
Sometimes I can float a wall, get it to dry, sand it smooth, prime, and hang the paper all in one day. But this texture is so heavy that more time is required for it to dry, so it will need an overnight sit. Some fans, plus the home’s heat and/or air conditioning help to pull moisture out of the smoothing compound and hasten dry time.

Unpainted Baseboards – Not Ready for Wallpaper

January 2, 2020


This room is supposedly ‘ready for wallpaper.’ Yet the baseboards have not been painted.

If the painters come to paint the baseboards, I already anticipate what will happen.

I have skim-floated the walls, and will sand them when I come to finish the job later. So some of my smoothing compound has slopped onto the baseboard. No big deal. When I put up the paper and trim at the bottom I will need to wipe paste off the woodwork – and at that time, I will wipe off any residual smoothing compound.

But if the painters come and slap paint on now, I know they will not inspect the baseboards before they paint, and will put their paint right on top of the globs of smoothing compound. Thereverafter, there will be small but unsightly blobs and bumps embedded in the paint.

They will also let their brush run beyond the molding, and onto my smoothing compound. This will make it impossible for me to sand the compound. It will also create a glossy surface that the wallpaper paste will not stick to.

If they use painter’s tape to ‘protect’ the wallpaper, when they remove the tape, they will either take the inked layer along with it, or they will pull the paper itself completely away from the wall.

Again I rant: Have ALL the other work done before the wallpaper goes up.

Don’t Skip the Wallpaper Primer!

October 30, 2019


A primer is imperative for a good wallpaper installation – and I mean a primer designed to be used under wallpaper, not a generic primer or a paint primer.

A good primer will

seal porous surfaces
mitigate a glossy surface (paper won’t stick to gloss)
allow for “slip” and repositioning while installing the paper
provide “tooth” for the adhesive to grab ahold of
withstand the torque created when wallpaper dries and pulls taught,
preventing “popped seams”
protect the surface, making future removal of the paper easier while
preventing damage to the wall

Ultra Prime Pro 977 by Roman’s is my preferred primer.

But different situations call for different primers. When hanging on a thirsty surface like new drywall or a textured wall that has been skim-floated, I will use Gardz by Zinsser. Other primers could be called for in other situations.

Sweetening an All-White Bathroom / Treating Trials

July 2, 2019



This homeowner was just trying to update her hall bathroom. She chose a new countertop, new tile, and new wallpaper. Unfortunately, some of the workmen who showed up for the job were less than stellar. I won’t say anything about the tile guys or the painters, but in the top photo, you can see how the “I can hang wallpaper” guy prepped the wall… which he proclaimed as “wallpaper-ready.”

I took down the light fixture, removed the remaining old wallpaper, and skim-floated the surface. Because the ridges in the original guy’s float job were so thick, I went there a few days early to get an initial layer of smoothing compound spread on the wall, so it would have time to dry. Then when I came back, I skim-floated the entire room. Because this second coat was thinner, it dried in a few hours (with fans, a space heater (to pull humidity from the air), and the home’s A/C unit cranking dry air through the room.)

I sanded smooth, vacuumed and wiped off the dust, and applied a coat of Gardz, which is my preferred primer for newly smoothed walls.

Mysterious tan dots worked their way through the smoothing compound and the Gardz. I didn’t know what they came from (mold, oil, tobacco, soft drink or food the workers splashed on the walls?), but I knew they would eventually bleed through the new wallpaper. So I rolled on BIN, a shellac-based stain-blocker made by Rust Oleum, to seal the wall.

This effectively sealed the stain, and the wall was nice and white after that.

A week later, I came back to hang the wallpaper. First I applied a coat of Roman’s Pro 977 Ultra Prime, a primer made specifically for wallpaper. For some reason, this product didn’t stick well to the BIN – which is surprising, because one reason I use this primer is because it sticks to anything, even glossy surfaces (the BIN was not particularly glossy). Look closely or enlarge the third photo, and you will see it sliding and dripping down the wall. Well, no fear. I brushed out the worst of the drips, and as the primer dried, it tightened up and clung flat and tight to the wall.

With the wall finally smooth and appropriately primed, I was ready to get that paper up on the wall. This was an old fashioned pulp paper, which the British companies were making before most of them switched to non-woven materials. I was looking forward to working with an authentic pulp paper, because it’s been a while since I’ve come across one.

But this one didn’t behave as most of them do… It was thicker and stiffer, which made trimming and intricate detail work difficult, and increased the potential for creasing (for instance, while fitting the paper into a corner at a ceiling line). And it sucked up paste and dried out way sooner than I could get a strip to the wall. So I ended up using a spray bottle to add extra moisture to the back of the paper while I was applying the paste. This did help a lot.

Some of the edges had been banged up during shipping, so some of the seams looked a little weathered. And the edges had not been cut perfectly straight at the factory, so we had a bit of what we call “gaps and overlaps.”

Still, the finished room looks great. With its sweet flowers and calming colors, the pattern reminds me of the Laura Ashley era. The blue really pops against the white woodwork and tile in the room, and the red roses are nothing short of romantic.

Such a happy turn-around, for a bathroom that started out full of trials and tribulations.

I’m not sure what the brand name is, but the label says “English Florals.” The homeowner found it on-line (free shipping!), and the cost was low – about $60 for a double roll bolt. The home is on the north side of Houston.

Trouble Brewing? Paint Not Adhering to Wall

June 26, 2019


Top photo: A small circle of paint had been pulled away from the wall. When I picked at it, I was able to easily detach more paint.

Second photo: When I removed the light switch plate, some paint had stuck to it, and pulling the switch plate off the wall took some of the paint underneath along with it.

The exposed wall underneath the paint was gritty and dusty. I could not tell if it was a layer of old paint, drywall, dust, residue from ancient wallpaper paste, or other. I had the feeling that if I had tried, I could have peeled all the paint off the dusty subsurface.

This is not good.

This is an old house, and many layers of paint and other treatments have been added to the walls over the decades (100 years!). Many of these substances are not compatible with each other, and especially not if the walls were not prepped properly before applying another coat of paint.

Latex paint won’t stick to oil based paint. New paint won’t stick to a glossy paint. Nothing sticks to a dusty surface.

All these various materials will adhere to one another – for a while. But when a stressor is added to the formula, there is the potential for the layers to delaminate (come apart). That’s what happened in the two areas above, when a bit of a tug was all it took to peel several layers of paint away from the wall.

The issue here is that wallpaper comes with its own stressors. Wallpaper gets wet when it’s pasted, expands a bit, and then when the paste dries, the paper shrinks a tad and puts tension on the walls. Over time, with changes in temperature and humidity, foundations shifting, and just plain old passage of time, this tension could cause the paint to give way from the walls – this usually manifests at along a seam.

I use a wallpaper-specific primer, and among its attributes is the ability to withstand this type of tension.

Let’s hope that over the years, the many layers of paint, the new coat of primer, and the wallpaper all work together to stay nice and tight to the wall.

Note: If I had known about the wall condition earlier, and if the homeowners’ budget had allowed, a liner would have been a good option in this case. A liner is a special type of paper that is applied to the primed wall the day before the paper goes up. It serves several purposes, but one is to distribute tension across the wall. Because the seams of the liner do not line up with the seams of the wallpaper, drying and shrinking wallpaper puts tension on the liner, and not onto the unstable wall itself, thus pretty well eliminating the chance that the wallpaper seams could cause the wall to delaminate.

The downside is that using a liner adds an extra day (or more) of labor, plus the cost of material.

Disguising a Utility Box

January 21, 2019


Look closely – VERY closely, and in the upper half of the photo, you’ll see a metal utility box that has been covered with wallpaper.

This is a box for a defunct and un-used security alarm system, about 18″ square. The homeowners tried to get the box off the wall – but, despite the use of various screwdriver bits and power tools, the box would not come off.

So they were going to be stuck with a grey metal blob in the middle of their beautiful wallpaper.

Well, I thought I could do something with it. I could make it fade into the background of the wallpaper pattern.

Wallpaper won’t stick to painted metal, because it’s glossy. So I took a bit of sandpaper to knock off the gloss, and my primer Roman’s 977 Ultra Prime and coated the service box.

Then I matched the wallpaper pattern to the paper already on the wall, and covered the box with corresponding wallpaper.

This is more tricky than it sounds, because the box is 5″ deep, which created discrepancies in the pattern match, depending on from which angle you are looking. I opted to keep the pattern matched at the corner junctions rather than matching it as it would be view from a distance on the wall. That all gets too complicated to try to explain here.

The box had been primed, so it provided a good base for the wallpaper paste to stick to. But on some areas, like the edges after an outside corner, I smeared on a bit of clear adhesive caulk, to be sure the paper would hold, even under conditions of stress such as wrapping around a corner.

This whole thing took me 45-60 minutes. I am pleased with the way it turned out. From the floor, you sure would never know there is a large box sticking out of the wall.