Posts Tagged ‘gold’

Etched Forest Mural in a Baby Girl’s Room

January 4, 2018

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No pink dollies for this baby girl (still a few months away!). This foresty mural is far more interesting. The “etched” appearance of the design brings to mind an old-world lithograph, and adds depth to the image. The green and gold colors are muted, and coordinate with the mom’s planned color scheme of grey, taupe, and dusty rose.

The first photo shows laying the mural out on the floor, to be sure the panels match, and to be sure they are in the right sequence. This also allows me to check dimensions of the mural against those of the wall, and to plot placement of the design.

This mural is from Europe. It came in 8 panels, and was custom-sized to fit the wall. It was a non-woven material, and was installed via the paste-the-wall method. This particular material was stiff and felt even brittle. I wasn’t thrilled working with it, but once it was up on the wall, it will be fine.

I hung this in a baby girl’s nursery in a home in West University (Houston). The manufacturer is Rebel Walls.

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Cole & Son Woods / Stars for a Baby Boy’s Nursery

December 15, 2017


See that top photo? This newborn baby was doomed to a boring, blaagh, unstimulating nursery. But Mom wanted more for her first-born son. Pastels and teddy bears wouldn’t do it. Mom found this innovative design in an un-baby-like color – and, boy, does it look great!

In the top photo, I am in the process of applying smoothing compound to a textured wall. Once dry, it will be sanded smooth and then primed, making it ready for wallpaper.

I hung this in a new home in the Bridgelands area of Cypress / Katy (Houston). The manufacturer is Cole & Son, a British company. It is a thick, fairly stiff non-woven material. It is intended to be installed with the paste-the-wall method, and it works nicely for single accent-wall projects like this.

But that thickness and stiffness means that it would be less suitable if it had to turn corners or meld into cuts around intricate moldings. That means it would be difficult to get to look great in rooms that have a lot of angles, edges to wrap, or detailed cuts. (bathrooms, kitchens, rooms with decorative moldings, etc.)

I don’t have a finished-room shot of this baby’s room, but, as you can see, the crib accent wall looks fantastic.

I like this matt-finish charcoal blue color much better than the more common black-on-white designs I have seen. And the gold stars really amp up the appeal.

Sunny Starburst Entry

July 19, 2017

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The walls in this 60’s era Meyerland-era entry may have been white, but they did nothing to lighten the small room. The homeowner’s vision of a gold-on-white sunburst medallion motif brightened things immediately. The feel is crisp and playful.

The homeowners plan to change the light fixture in the room, and I am trying to convince them to go with a gold one that is spherical and spoke-like, and resembles the sunburst design.

This wallpaper pattern is by Thibaut Designs, printed on a non-woven substrate, and was intended to be a paste-the-wall installation. However, the paper behaved better and the seams looked better when I pasted the back of the paper, instead of the wall.

was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Elephants Walk Across Twin Babies’ Nursery Wall

May 2, 2017

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Here is an accent wall in a nursery for new born twins – a boy and a girl. Instant family. 🙂 The expectant mom had seen pictures on HOUZZ and wanted to recreate the look in her babies’ room.

The top two photos show one wall, but there are two mirror-image 37″ wide walls flanking the recessed window. The wallpaper went on each wall, and the recessed walls around the window were painted metallic gold, to match the wallpaper. The walls had rounded outside corners, and the homeowner had them finished off with a piece of wood molding. I love this. See the last photo for a close up.

The homeowners had ordered their paper off the Internet before our initial consultation. If I had gotten to them first, I would have had them order more paper. As it was, we had one double roll bolt of paper to cover this 2-part wall.

Each wall section required two strips of wallpaper. With the height of their wall, and factoring in the atypically long pattern repeat of 30″, the bolt of paper would yield three strips. Not enough paper.

But I was able to make it work. Because the wall was 37″ wide and the wallpaper was 27″ wide, that first strip would cover 27″ of the wall, leaving 10″ to be covered. Since the paper was 27″ wide, if I split it in two vertically, I could get two 10″ strips from it, taking one from the right side and one from the left side.

If I positioned these four strips on the two walls precisely, I could get the job done with the amount of paper they had purchased.

The job was much more complicated than this, though. I won’t go into all the details or all the math, but things to factor in were the 30″ pattern repeat juxtaposed against the exact height of the walls, the 3″ additional paper needed at the top of the two center strips to accommodate the crown molding (see photo), the numbers the manufacturer stamped in ink on the back of the paper which would bleed through the paper which necessitated that a certain amount of paper had to be discarded, the secondary pattern – which is the diagonal movement and the rhythm of the pattern that you see from a distance (see photo), coupled with the fact that all those elephants looked alike – but were not. If one line of elephants got mispositioned – placed too high or too low – that secondary pattern’s rhythm would be thrown off.

Before I took the job, I did some calculating at home, to be sure they had enough paper. I figured that we could squeak by.

At the site, before I cut any paper, I plotted, measured, calculated – and repeated – to be sure everything was correct. I placed strips side-by-side on the floor (see photo, and thankfully this room had a lot of open floor space to do this), to be sure the pattern match was spot-on. As you can see, everything worked out perfectly.

This paper had to be hand-trimmed (see tomorrow’s post), which took additional time, concentration, and equipment. In addition, the walls were far from straight / plumb, so the wallpaper didn’t want to butt up against the new molding, nor did it meet up with the painter’s finish line under the windows. Luckily it was printed on a very malleable substrate, and I was able to twist it into position. That created wrinkles, but it was forgiving paper, and I was able to work out those wrinkles. I’m glad there were only 1 1/2 strips per wall, because the paper would not have cooperated so generously for multiple strips.

This wallpaper pattern is called “Elephant Walk” and is by Jill Malek, and was bought on-line. It comes in a small scale (pictured) and a larger scale. I hung a very similar giraffe pattern by the same company last year, also in a baby’s room. https://wallpaperlady.wordpress.com/2016/04/19/wavy-giraffes-jolly-up-a-babys-nursery/

Textured, Copper Colored Paper on a Closet Ceiling

June 2, 2016
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I don’t wallpaper many ceilings, but when I do, I prefer small areas that are not too high. Here is a closet in a home in Bellaire (Houston) that has been decked out to fit the needs (lots of handbags and shoes!) and taste (glam, glam glam!) of the homeowner.

The room boasts some fancy wall light sconces with large crystals, and this huge chandelier with the same mega-crystals. The only thing that could stand up to all this glitz and glamor is a very dynamic wallpaper!

So here you have the perfect foil (pun intended 🙂 ) – a deeply textured, copper / gold embossed vinyl wallpaper. Light bounces off the metallic surface and brightens the room. But shadows are caught by the deep texture of the material, and the perimiter of the ceiling holds shadowy secrets.

This wallpaper is a textured embossed vinyl on a non-woven substrate, and is by Clarke & Clarke, a British manufacturer. The interior designer for the project is Martha Holmes, of MPH Designs, in Houston. I have worked with Martha for nearly two decades, and really love her classic-yet-livable style, and find her upbeat personality a joy to work with.

Wavy Giraffes Jolly-Up A Baby’s Nursery

April 19, 2016
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This pattern, with its varied-height lines of giraffes marching along to the left is just plain fun.

And, as a hand-printed gold metallic option from a boutique manufacturer, was quite expensive.

The mom-to-be maximized the punch factor of this paper by putting it on just one wall – the wall behind the crib. Even though the pattern had a very long repeat (36″), I was able to cover the wall with just one 27′ long double roll bolt of paper. That’s getting a lot of bang for as reasonable price as possible.

As you can see in the last photo, this wallpaper came un-trimmed, and had to have the unprinted selvedge edge trimmed off by hand (meaning, a 6′ straightedge and a hand-held razor blade).

Matching the pattern was a real bugger, because, even though all those giraffes LOOK the same, they are NOT the same, nor is their sequence of appearance in any given line. There was a lot of waste with the 36″ repeat, and some accommodating the un-plumb walls and un-level floor and ceiling of a 1930’s home in West University Place, but the finished wall looked super.

This wallpaper is by Sissy & Marley for Jill Malek, and is available on-line.

Dramatic and Glitzy Silver Cork in a Contemporary Home’s Dining Room

June 9, 2015
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Every wall in this contemporary home in the Galleria area of Houston was covered with yellowy-tan paint. The homeowners had done a good job of livening up the living room, with grey paint and a bold orange accent wall.

For the dining area, they wanted something with more splash, but that still coordinated with the adjoining living room. They went for this silver-with-gold cork, and it turned out fantastic. I have hung this paper several times, but I think this is my favorite. The whole-room setting gives the paper a chance to show off it’s sheen, and the light from the windows just bounces off the paper. And just look at that fabulous chandelier set off against the wall!

Cork is a natural product, so some difference in color are to be expected, as you can see on the back wall. This wallpaper pattern is by Thibaut Designs, and was bought at a discounted price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. Discuss your project and make an appointment before heading over to see her.

When the husband came home from work, he kept talking about how the paper seemed to change as the light in the room changed as evening fell. Then he asked if I thought they should change the color of the paint in the kitchen (open to the dining room), which is currently yellowy-tan. I said, “Yes! To a shade of grey.”