Posts Tagged ‘gold’

Gold Metallic Greek Key Pattern in an Oak Forest Powder Room

November 22, 2018


This soft gold metallic-on-white background Greek key pattern doesn’t show up well in the photos but, boy, it really changed the room! Originally a bland tan with a thick wall texture, the powder room was large – but that’s about all it had going for it.

Unlike the other patterns chosen for this home, which are quite dramatic (see previous posts), this one is serene and fades into the background. But the white background combined with the shimmer of the metallic ink add a lot of brightness to the space.

The homeowner also did a great job of coordinating colors and themes in the wallpaper with the tiny mosaic squares of glass tile backsplash around the vanity.

This wallpaper pattern is by A Street Prints. It is a thick non-woven material, and will hold up a little better to splashes and little hands than a paper-paper. It is designed to strip off the wall easily when it’s time to redecorate. You are supposed to hang it via the paste-the-wall method, but I prefer to paste the paper. In fact, with the two rounded (bull-nosed) outside corners in the room, as well as a few other difficult features, I really needed the extra pliability that pasting the paper provides. It is prone to crease easily, so needed special care in handling.

Also, there were two full bolts / double rolls that had printing defects. See third photo. Although these defects were minor, with such a plain pattern, they did tend to be pretty noticeable. I’m glad I had enough paper to cut around them, and was able to get the room done without any jarring defects.

This paper was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

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Updating a ’60’s Dining Room – But Staying True to Mid Century Modern

November 1, 2018

I love all things vintage, and have a keen fondness for old wallpaper in particular. So it really hurt to strip off this beautiful (albeit kitschy) mural – the original installed on one wall of a dining room in this 1960 home in the Timber Grove neighborhood of Houston.

The new homeowners, a young couple, had a more modern vision for the look of their home. This very whimsical “Franz” design feels both modern and mid-century at the same time. And, it perfectly mirrors the thin linear gold lines of the chandelier.

The wallpaper is by a company I had not heard of before – Half Full. It is based in California, and their products are reasonably priced. Unlike many “boutique” manufactures, the company was able to provide sensible product information over the phone, and I was pleased with the quality of their wallpaper.

The surface was printed with a clay-coated ink, and the substrate felt like a pulp material. Installation instructions called for a typical vinyl adhesive, and standard booking times. The material – particularly the edges – did tend to dry out a little too quickly, but a little additional pasting helped with that. There was no detectable shrinkage. I do wish they had printed this black design on a dark substrate, because, even though I used chalk to color the edges of the paper, the white paper backing did show through at the seams just a smidgeon.

Real Cork in a Pewter for a “Disco” Bedroom

July 29, 2018


More cork wallcovering today, on an accent wall in the first floor guest bedroom of the same home in Montrose (Houston) where I worked yesterday. The homeowners were going for a “retro disco” look. In the adjoining bathroom, there’s a disco ball chandelier (trust me – you can find anything on the internet!), and 1920’s speakeasy-era artwork and statuary in the bedroom.

This glamourous, smolderingly moody metallic wallpaper with its sparkles of gold round out the look with a very loud bang!

As you might expect, this wallpaper is in the line by the Queen of Glam – Candice Olson, and is made by York. The interior designer who pulled this room together is Elizabeth Maciel.

It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Stacks of Blocks in a Bellaire Powder Room

May 25, 2018



This 30-year old home was flooded last August during Hurricane Harvey, and today is just a couple of weeks from being finished with the rebuild. This gold-on-black stacked-block pattern was chosen to help bring a more contemporary look to the home, as well as pump up the drama factor – a stunning gold-on-black console-style vanity and a huge, jaw-dropping crystal chandelier will be installed next week. I hope they send me photos!

Keeping this very rigid pattern plumb and level was a bit of a challenge, especially since all the walls were out of plumb. At the top of the second photo you see my horizontal line marking where I wanted the top gold line to fall. This line helped me keep the pattern perfectly aligned all the way around the room.

This paper is by York Wall, in their Sure Strip line. It is a non-woven material, but is thin and soft and pliable, and was a delight to work with. You could paste the wall to install, but I chose to paste the paper, because it makes the material more flexible and easier to work with and easier to keep clean. I wouldn’t mind hanging this product every day!

The wallpaper was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

The interior designer for this home is Wes Satterwhite, of Silver Oak Consulting, here in Houston. He’s been overseeing much of the selections of finishes, paint colors, hardware, cabinets, flooring, drapes, etc., from the very beginning.

Pewter Metallic Cork in TV Niche

May 23, 2018


Here’s a nice for a large TV in a cute, nicely updated older bungalow in the Heights (Houston). Originally it was painted grey. In the top photo, I have smoothed the textured walls and primed.

The wallpaper material is a pewter colored metallic cork, with flecks of gold tossed in. The pictured don’t do it justice – it is sophisticated and gorgeous. In fact, these metallic corks are pretty popular for people who want texture with a bit of glamour and even edginess. It comes in different colors. I have this same pewter color coming up in another home, and have hung it many times in the silver color. Do a search here to see pics.

The manufacturer is York Wall, and the line is – no surprises here – Candice Olsen. All of her designs have a good dose of that glam look.

The interior designer is Neal LeBouef of L Design Group. L Design is going to be featured in a spread in the July issue of Houston House & Home, showcasing another home he did in the Heights – he got to work with it from the ground up, before they even started construction.

Same Color, But Grasscloth Brings a Little Texture and Warmth for a West U. Living Room

May 11, 2018



This home in the West University neighborhood of Houston has fairly traditional and formal décor. After 20 years, the homeowner wanted to warm things up with some texture. The new wallpaper is about the same color as the original wall paint (pale aqua blue), but the addition of gold grass fibers (grasscloth) brings warmth, personality, and a good dose of glamor, too.

Sorry, the color has not shown up well in these photos, but the close-up shot shows the lovely texture and natural fibers in this product.

This wallpaper pattern is by Thibaut Designs, and was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Etched Forest Mural in a Baby Girl’s Room

January 4, 2018

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No pink dollies for this baby girl (still a few months away!). This foresty mural is far more interesting. The “etched” appearance of the design brings to mind an old-world lithograph, and adds depth to the image. The green and gold colors are muted, and coordinate with the mom’s planned color scheme of grey, taupe, and dusty rose.

The first photo shows laying the mural out on the floor, to be sure the panels match, and to be sure they are in the right sequence. This also allows me to check dimensions of the mural against those of the wall, and to plot placement of the design.

This mural is from Europe. It came in 8 panels, and was custom-sized to fit the wall. It was a non-woven material, and was installed via the paste-the-wall method. This particular material was stiff and felt even brittle. I wasn’t thrilled working with it, but once it was up on the wall, it will be fine.

I hung this in a baby girl’s nursery in a home in West University (Houston). The manufacturer is Rebel Walls.

Cole & Son Woods / Stars for a Baby Boy’s Nursery

December 15, 2017


See that top photo? This newborn baby was doomed to a boring, blaagh, unstimulating nursery. But Mom wanted more for her first-born son. Pastels and teddy bears wouldn’t do it. Mom found this innovative design in an un-baby-like color – and, boy, does it look great!

In the top photo, I am in the process of applying smoothing compound to a textured wall. Once dry, it will be sanded smooth and then primed, making it ready for wallpaper.

I hung this in a new home in the Bridgelands area of Cypress / Katy (Houston). The manufacturer is Cole & Son, a British company. It is a thick, fairly stiff non-woven material. It is intended to be installed with the paste-the-wall method, and it works nicely for single accent-wall projects like this.

But that thickness and stiffness means that it would be less suitable if it had to turn corners or meld into cuts around intricate moldings. That means it would be difficult to get to look great in rooms that have a lot of angles, edges to wrap, or detailed cuts. (bathrooms, kitchens, rooms with decorative moldings, etc.)

I don’t have a finished-room shot of this baby’s room, but, as you can see, the crib accent wall looks fantastic.

I like this matt-finish charcoal blue color much better than the more common black-on-white designs I have seen. And the gold stars really amp up the appeal.

Sunny Starburst Entry

July 19, 2017

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The walls in this 60’s era Meyerland-era entry may have been white, but they did nothing to lighten the small room. The homeowner’s vision of a gold-on-white sunburst medallion motif brightened things immediately. The feel is crisp and playful.

The homeowners plan to change the light fixture in the room, and I am trying to convince them to go with a gold one that is spherical and spoke-like, and resembles the sunburst design.

This wallpaper pattern is by Thibaut Designs, printed on a non-woven substrate, and was intended to be a paste-the-wall installation. However, the paper behaved better and the seams looked better when I pasted the back of the paper, instead of the wall.

was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Elephants Walk Across Twin Babies’ Nursery Wall

May 2, 2017

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Here is an accent wall in a nursery for new born twins – a boy and a girl. Instant family. 🙂 The expectant mom had seen pictures on HOUZZ and wanted to recreate the look in her babies’ room.

The top two photos show one wall, but there are two mirror-image 37″ wide walls flanking the recessed window. The wallpaper went on each wall, and the recessed walls around the window were painted metallic gold, to match the wallpaper. The walls had rounded outside corners, and the homeowner had them finished off with a piece of wood molding. I love this. See the last photo for a close up.

The homeowners had ordered their paper off the Internet before our initial consultation. If I had gotten to them first, I would have had them order more paper. As it was, we had one double roll bolt of paper to cover this 2-part wall.

Each wall section required two strips of wallpaper. With the height of their wall, and factoring in the atypically long pattern repeat of 30″, the bolt of paper would yield three strips. Not enough paper.

But I was able to make it work. Because the wall was 37″ wide and the wallpaper was 27″ wide, that first strip would cover 27″ of the wall, leaving 10″ to be covered. Since the paper was 27″ wide, if I split it in two vertically, I could get two 10″ strips from it, taking one from the right side and one from the left side.

If I positioned these four strips on the two walls precisely, I could get the job done with the amount of paper they had purchased.

The job was much more complicated than this, though. I won’t go into all the details or all the math, but things to factor in were the 30″ pattern repeat juxtaposed against the exact height of the walls, the 3″ additional paper needed at the top of the two center strips to accommodate the crown molding (see photo), the numbers the manufacturer stamped in ink on the back of the paper which would bleed through the paper which necessitated that a certain amount of paper had to be discarded, the secondary pattern – which is the diagonal movement and the rhythm of the pattern that you see from a distance (see photo), coupled with the fact that all those elephants looked alike – but were not. If one line of elephants got mispositioned – placed too high or too low – that secondary pattern’s rhythm would be thrown off.

Before I took the job, I did some calculating at home, to be sure they had enough paper. I figured that we could squeak by.

At the site, before I cut any paper, I plotted, measured, calculated – and repeated – to be sure everything was correct. I placed strips side-by-side on the floor (see photo, and thankfully this room had a lot of open floor space to do this), to be sure the pattern match was spot-on. As you can see, everything worked out perfectly.

This paper had to be hand-trimmed (see tomorrow’s post), which took additional time, concentration, and equipment. In addition, the walls were far from straight / plumb, so the wallpaper didn’t want to butt up against the new molding, nor did it meet up with the painter’s finish line under the windows. Luckily it was printed on a very malleable substrate, and I was able to twist it into position. That created wrinkles, but it was forgiving paper, and I was able to work out those wrinkles. I’m glad there were only 1 1/2 strips per wall, because the paper would not have cooperated so generously for multiple strips.

This wallpaper pattern is called “Elephant Walk” and is by Jill Malek, and was bought on-line. It comes in a small scale (pictured) and a larger scale. I hung a very similar giraffe pattern by the same company last year, also in a baby’s room. https://wallpaperlady.wordpress.com/2016/04/19/wavy-giraffes-jolly-up-a-babys-nursery/