Posts Tagged ‘grasscloth’

Serene Master Bedroom in Textured Faux Grasscloth

September 28, 2022
East wall before
Same wall covered with soft tan, lightly textured wallcovering .
This material is an embossed vinyl replicating the look of a woven grasscloth .
The texture and color doesn’t overpower , but is just enough to give the feeling of warm and cozy . Plain paint can’t do that.
West and north walls before.
Finished – but the color washed out for some reason … it’s really a peaceful tan .
Close-up of the woven textured look .
Manufacturer is Thibaut .

Random means that this material has no pattern match at the seams . Because no wallpaper is cut off in order to match the pattern , there is very little waste , and you often get an extra strip out of each roll / bolt of paper.
Like most textured wallpapers , be they made of natural materials like grasscloth or sisal , or a faux like this of embossed vinyl , it’s suggested that you reverse hang every other strip – in other words, Strip #1 is hung right side up, and Strip #2 is hung upside down, then Strip #3 is right side up, etc. This helps minimize shading and paneling between strips , by ensuring that the same edge of wallpaper is hung against itself . Do a Search here to read previous posts and get a clearer idea of what I’m talking about!
This home is in the Heights neighborhood of Houston .
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Soft Textured Foliage Brightens Entry

September 8, 2022
The homeowners knew they wanted something brighter for their entryway . But their paint samples tested on the wall were falling flat.
Wallpaper was the answer! Brighter and more personality and interesting than paint of the same color .
Here’s a better shot showing the actual color .
And here it is with my 100-watt light bulb gone and the room’s chandelier providing the light .
This is a stringcloth material . Note that, just like grasscloth , another natural fiber material , you will see the seams a bit. On this one, the heavy inked areas of the white berries showed more than the background areas . From a few feet away, none of this was visible.
Close-up showing the texture of the strings and the thick ink .
I do think this will have some sound-reduction qualities ( absorb noise ).
Also a note … cats and even dogs love to scratch or chew textured fibers like this.
Rolling it out on my work table. The rolls / bolts were really heavy .
Made by Wallquest in their EcoChic line.
The home is in the Tanglewood / Galleria area of Houston .
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Busting a Myth – Dark Wallpaper Makes Rooms Look LARGER – Not Smaller

September 3, 2022
Everyone advised this homeowner not to put black in the dining room, that it would make the room too dark. But she had a vision and went with her gut. She was right – the room looks fabulous and elegant. And the texture and sheen on the walls visually expanded the space.
There is enough white molding in the room to play against the black. And the satiny drapes, along with the slight sheen of the grasscloth wallcovering bounce light around the room.
Accent wall in dining room. White swirls (look closely – they’re snakes!) add movement that make this wall lively, not closed-in.
In this master bedroom , everything’s dark – dark green walls , black ceiling , and black floral wallpaper .
If this accent wall had been left painted green , the room would have felt dark and lifeless . But the black against the green, along with the limited color pallet and the visual movement of the wallpaper pattern visually push the wall back and add depth .
This powder room started out all black. And it was a bit oppressive .
But add wallpaper with a little color and pattern , and now the room feels larger and alive with personality .
A powder room with black moldings and black wallpaper. Nothing claustrophobic here!
Another powder room that started out with black painted walls . Yes, it has an enclosed feeling.
Wallpaper with a black background and dark flora / fauna open up the space.
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Just A Whisper Of Color And Texture

August 30, 2022
Dining room in the Oak Forest area of Houston, before. All white and crisp – but bland .
Here with just a touch of color and texture . The homeowner took my suggestion to use an embossed vinyl faux grasscloth product, which is very consistent in color .
The problem with real grasscloth is that so very often there are disappointing color variations between strips , even if they come off the same roll . We call this shading and paneling . Do a search here to see previous posts about this.
Note that with both materials you will see the seams. With this faux material, once you got 3′ away, you can’t see the seams at all.
The paper along the top of the wainscoting chair rail is to prevent my wallpaper primer from splattering onto the molding . I do the same for baseboards and bathroom backsplash es .
Opposite corner done.
Close-up showing the realistic texture of the vinyl product .
This is by Designer Wallpapers and was purchased from the Sherwin-Williams in the Rice Village , by Dorota , who has been selling wallpaper for 25+ years and is THE expert on helping you select your perfect pattern .

Black Grasscloth in West U Dining Room

August 21, 2022
Window wall before. Due to the logistics of plotting and hanging grasscloth, this one wall took me six hours. More on that in a separate post.
Finished wall with drapes replaced. The drapes compliment the slight sheen of the grasscloth material. How elegant !
Below the windows.
Below the windows .
Rounded bull-nosed edges on this entry arch . The edges are always tricky to wallpaper .
Arch done.
East corner. I stripe the wall with dark paint to prevent the white wall primer from showing in case of tiny gaps at the seams .
The southwest corner had an odd angle in it, probably due to the powder room or stairs or maybe A/C ducts on the other side of the wall. The light hits that one angled wall differently.
This photo also nicely shows the fine texture of the grass material, and the subtle sheen .
Also note that the seams in grasscloth are always visible . So good installer will take care to plot so the panels are placed in the most pleasing manner – in this case, down the center of the wall to the left. This does eat up a little (or a lot) of extra paper – the rolled up scraps you see are leftovers from this process. They can’t be used anywhere else, so will be thrown away . Planning all this is another reason to have the installer figure how many rolls / bolts are needed. Purchasing based on square footage would result in an unbalanced panel layout .
Northwest corner.
Grasscloth often has shading or paneling ( color differences ) between strips. This particular grasscloth was amazingly homogeneous in color, and I was very pleased. In fact, over this entry to the home office was the only place where there was any noticeable color difference at all. (also visible in previous photo)
Unfortunately, I don’t know the brand . But I suspect that a lot of grasscloth and other such natural materials are made by the same manufacturer – just sold under different brand names .
The home is in the West University area of central Houston .

Grasscloth Engineering and Logistics – Technical Details Post

August 21, 2022
Grasscloth is a natural material that cannot be matched from strip to strip, so all the seams will be visible . In addition, there is usually a slight but noticeable color difference between strips / panels (called shading or paneling ) . So it’s important to plot the layout of the strips to give the most visually pleasing overall look. Usually this means balancing the width of strips so they are all equal , at least on the same wall . We call this engineering .
This wall presented particular challenges , due to the widths of the elements. Grasscloth comes 36″ wide . You can use your straightedge and a sharp razor blade and trim it down to any width you want.
The width of both the large wall spaces to the right and left of the bank of windows was 34.” The width of each window was about 35.” The width of the two spaces in between the windows was 7.”
So you’d think I could trim my panels on either side of the windows, and then over the windows, to about 34″-36″ – give or take a few inches (or fractions thereof).
But that would leave me with two 7″ wide strips between these 35″ panels. Although the look would be uniform and mirror-image from the center outward, moving from right to left you’d have: 35,” 35″, 7,” 35,” 7,” 35,” 35,” … those 7″ breaks were just not going to look right.
One option was to determine the width of the wall (189″) and make each strip an equal width. This worked out to six strips, each at 31.5″ Not good, because this would mean a seam down either far side. And since those sides were 34″ wide, that would mean a 31.5″ wide strip and a strip 2.5″ wide. Not attractive at all, and it would use up an extra strip of wallpaper.
This six strips @ 31.5″ wide scenario might also land with a seam smack in the middle of those 7″ wide interludes in between the windows. Not attractive at all.
So I decided to make the two outer strips 35″ wide. That left 119″ of wall space above the windows to be covered with wallpaper. Do some math and you get four panels of 29.75″ wide. This gave a balanced and uniform look to the area over the windows, and also prevented seams from landing between the windows.
Moving right to left, I cut and hung the full length outer strip first. Then I cut and hung the strip over the window on the right. Then I measured to find the centerpoint of the window in the middle. Turns out it was a bit less than 29.75″ away. So I trimmed that next over-window strip accordingly.
Once that was in place, I measured from that center point above the middle window out to where my left full-height panel would fall, 35″ out from the wall. Took the resulting measurement and divided by 2. Lo and behold, each of the next two panels over the window was going to be a bit wider than 30.” No problem. No one (but a paperhanger or maybe an engineer) is going to notice a 1/4″ or even a full 1″ difference in widths between this strips over the windows.
Another thing to point out … it’s important that I took measurements before cutting these strips for this second left-hand section. Because, since grasscloth comes at 36″ (and walls can be wonky), if my strips had been narrower (say, 28″), that last full-height panel on the left might have ended up needing to be 37″ wide – and that wouldn’t work because it only comes 36″ wide – plus you need at least 1/8″ to wrap around the corner.
Luckily I had the flexibility to be able to trim the panels over the windows to any width needed, to accommodate all this.
If you’ve followed all this so far, let me also toss in that we also need to figure how to get paper in between those windows. More on that below.
In this scenario, I’m moving from right to left.
Area beneath the windows needs to be treated in the same way, and preferably with widths that match what’s going on above the windows. In addition, it’s tricky because after you move across 12′ of wall space, the strips above and below the windows are going to twist and torque out of shape, so that last full-length panel on the far left might not butt up perfectly with the last strip under the windows.
The grasscloth is black , and my wallpaper primer is white . It’s common for teeny gaps to appear at the seams . In this case, it’s likely that white wall would peek out from those gaps. So I like to stripe under where the seams will fall with dark (diluted) paint . This takes measuring , plotting , and also a heat gun to get the paint to dry before the wallpaper hits it, to avoid staining. You can do a Search here to read more about this technique .
Now let’s talk about getting wallpaper in between those windows.
As you can see in the photo, if I hang a 30″ wide strip, a whole lot of paper is going to be cut off and thrown away. Also, a whole lot of sticky, pasted paper is going to bump against that window molding and maybe even the window glass. A lot to clean up! And unwieldy, to boot.
My solution was to stop the wallpaper just a little below the tops of the windows. Then I would patch in a 7″ wide strip in between the windows. This is trickier than it sounds, because, if it were a paper wallpaper, I could simply cut along a design motif and overlay the 7″ wide piece. But grasscloth is thick and overlaps don’t look good. Also grass has no design elements , and the reeds of grass don’t necessarily fall perfectly horizontal , and even if you cut everything perfectly true to square , if the window molding is a teeny bit off-plumb , then your edges won’t butt up perfectly.
So that’s a good reason for striping the black paint under where the butt join will occur.
Same thing for the sections under the windows. I measured and positioned the strips so that the top edge (which I had trimmed to be perfectly horizontal) fell between the narrowest part of the windowsill molding, for less visibility.
I admit, instead of butting the two pieces, here I did overlap the 7″ wide strip about 1/4″ onto the piece under the window, right at that narrow junction. It’s only about 3″ wide, and I figured no one is going to be examining it that closely, anyway. This saved me about a half an hour of measuring, trimming, testing, repeat, repeat.
This is my second window interlude, and by this time I had realized that it’s hard to trim stiff grasscloth around intricate moldings precisely . So I used paint to fill in the edges around the window molding, just in case there might be any gaps between the grasscloth and the molding, so you would see black instead of the white molding paint. I did this with a small sponge; if I had used an artist’s brush it would have been a bit neater and tighter to the conforms of the molding. But sometimes you’ve gotta relax and realize that no one’s going to be scrutinizing the insides of moldings below shin-level.
Area over windows finished, with drapes back in place.
Turns out this particular grasscloth is so uniform in color (quite unusual, I will add), that you can’t really see the panels , nor their equal widths , anyway. I’m still glad I took the time to do all this math and trimming.
Area below the windows, done. That last seam on the left bears some explanation, too. Moving across the top of the windows, I measured that that last strip – the full-length strip – would need to be exactly 35″ wide. It butted up nicely to the last strip above the windows.
But, due to twisting , shifting , expansion , unlevel and unplumb walls and ceilings , and other factors, there is a really good chance that that last 35″ wide strip would not butt up perfectly with the last 30″ wide strip under the window . So I planned to splice these last two strips together.
Yeah, the drapes are hanging there, I coulda overlapped the two strips about 1/2″ and the drapes would have covered it. With a thin wallpaper, I probably would have done this. But grasscloth is thick, and an overlap would be visible , and also the adhesive / paste can’t be trusted to adhere as well to grass as it would to paper .
So I plotted for a splice. Instead of trimming my last strip under the window to 30″ (read above), I trimmed it to 32″ wide. That way, when I hung the last full-length strip to the left, which was 35″ wide, it overlapped the piece under the window by a few inches. Then I did a double cut and spliced the two pieces. See below for details about that technique.
Grasscloth is 36″ wide, and this wall area is wider than that. So two strips were needed. This means you’re going to have a seam, and since grasscloth seams are always visible, it looks best to plot to have the seam fall down the center. It uses more wallpaper to do this, but it looks much better than having, for example, a 36″ wide strip next to an 8″ wide strip.
As mentioned above, in case you get thin gaps at the seams, a dark stripe of diluted craft paint under where the seam will fall, will prevent white wall from showing through.
Rounded / bull-nosed edges and corners have been popular in new construction for at least 10 years. I wish they’d go away. They’re very difficult to trim around, and hard for the paper to conform to and adhere to.
It’s very hard to trim around that rounded edge, because the paper is hanging over and blocking your view, because grasscloth is thick and stiff and your fingers can’t feel through it, and because the edges aren’t necessarily true and plumb so a laser level or other level won’t help you much.
I use this little gadget as a trim guide. It’s actually a small section of the same corner bead material that drywallers use when they assemble these walls. Cut to about 1″ long and notched in different places where you might trim along the edge of the wall.
It’s intended that you place your trimming knife in one of the notches and slide the gizmo along the edge and make your cut. I find that awkward and also inaccurate. So I prefer to use the notches as a guide and mark where I plan to trim with a pencil. Since this wallpaper is black, I used this marking pencil from my home sewing kit instead. Chalk might work, but I was afraid it might now wipe off completely.
The pink pencil line was barely visible, but it was enough for me to use a scissors to trim along the grasscloth. I like this better than using a razor blade as I can see better, and also less chance of scoring into the primer or wall. Which raises its own set of issues – do a search here to find previous posts.
Inside view of the trim guide.
Finished arch. Note the four panels of equal width above the arch. And two flanking full-height panels also the same widths.
I was lucky that there was no pattern to match, so I was able to butt my two flanking strips right up to the edge of the bull-nosed corner. No trimming needed! Then I measured the remaining width between these two strips (the area over the arch), divided by four, and cut four strips of equal widths.
I hung the two on the left, and then one on the far right. This left one strip still to be positioned to the right of center. So the pieces are going to meet over the arch, rather than the last strip falling in a corner.
Same as the last strip under the window (discussed above), it’s really difficult to get your last piece to fit in here perfectly. I’ve done it, but it takes a lot of measuring, trimming, testing, retrimming, and often starting all over again.
So I did a double-cut / splice.
A double cut involves cutting each strip an inch or so wider than it should be, and overlapping the two. Then you take a straight edge and sharp razor blade and cut through both layers. This handy tool is a wonderful non-slip guide for this process. It was invented by an installer colleague in the Wallcovering Installers Association ( WIA ) and she has them fabricated in various lengths (along with other cool tools ) and sells them on-line. Contact me if you’re interested.
Anyway, it takes a lot of strength to cut through two layers of grasscloth, so somewhat difficult for lil’ ol’ me.
You also want to be sure to not cut / score into the wall, because the tension of drying wallpaper can tug at the wall and cause it to actually come apart, leaving an open seam that’s difficult to repair.
So you’ve got to put some padding under the wall where the cut will take place. I use special strips of polystyrene (hard but flexible plastic) to pad the wall. Also invented by a colleague in the WIA , who also sells other cool tools and supplies. Contact me if you’re interested.
This black grasscloth was printed on a white substrate. If the seams aren’t absolutely tight, there can be worries about the backing showing through to the front. So sometimes we’ll take a piece of chalk or pastel (never oil pastel or permanent markers because they bleed and stain ) and run it along the edge of the paper – from the back, and taking care to not get chalk on the surface.
I do this frequently with dark papers ( do a search here to see previous posts ) but opted not to do it with this grasscloth. It wasn’t necessary, and might have stained the porous reeds of the grass. It was beneficial, though, to have striped dark paint on the wall under the seams, as mentioned above.
Ugh. Grasscloth comes 36″ wide, and this section of wall is 38″ wide. It’s not visually pleasing, nor is it easy from an installation point of view, to have a 36″ wide strip next to a 2″ wide strip. Or to use scraps and put a 25″ wide strip next to a 13″ wide strip.
So best to plan two strips of equal widths. Two strips, each 19″ wide, with the seam down the middle.
Actually, the strip on the left was 19″ wide, but I trimmed the strip on the right to 21″, because I like the wallpaper to extend 2″ over the top of the door molding. This provides a more stable surface in case of shifting foundation or walls, and less likelihood (knock on wood) of the seam opening up should the house / drywall experience shifting.
Note that design “rules” caution against seams down the middle of spaces. But it would have been more visually distracting (and used up more paper) to have made three strips of each 12.75″ wide. And would have looked even dumber to have used scraps left from other walls and put together two strips of disparate widths.
So the homeowner and I discussed during our initial consultation , and she was happy with the center seam. Once it was all finished, this particular grasscloth was so even in tone that you barely see the seams, anyway. Win-win!
This did use up additional paper, though, as noted in a previous photo above.

Thibaut Aster Fun Floral in Powder Room

August 17, 2022
This is a textured stringcloth material, similar to grasscloth . The pattern is comparable to the popular Feather Bloom by Schumacher , but MUCH more affordable , and with a less wasteful pattern repeat , too.

Need a Seam Down the Middle

August 17, 2022
See how that wall is 38″ wide? And the bolt of grasscloth is 36″ wide?
So two strips of wallpaper are needed to cover this wall.
You don’t want a 36″ wide piece and then a 2″ wide piece. Much better to have both strips the same width. This makes each strip 19″ wide, with a seam centered down the middle.
Much more pleasing to the eye.
Note that it does take extra paper to do this, because the 17″ wide leftover strips can’t be used anywhere else.
But the overall visual symmetry is worth it.

Geometric Grasscloth in Home Gathering Area

June 29, 2022
No, this large room with sink and counters isn’t a kitchen. The family loves to entertain both family and friends, so included this “bonus” room in their new home’s plans. It’s used for both entertaining and crafting.
The wall facing you was originally painted a semi-gloss navy blue. In the photo, I’ve applied my wallpaper primer.
It will adhere to the glossy paint, and provide a matt finish for the wallpaper paste to grab ahold of.
Taking measurements and plotting the layout.
This paper has a selvedge edge , which has to be trimmed off by hand with a straightedge and razor blade. The manufacturer has not provided trim guide marks , so I am using a ruler and my eye.
The new look is so dramatically different I couldn’t resist taking a photo mid-hang. As you can see, I’ve used dark paint to stripe under where the seams will fall, to prevent any of my primer from showing through at the seams.
You can see the ceiling line starting to track upward on the right portion. More on that below.
Finished. Perfectly centered.
This is the mounting hardware for the big screen TV . I asked them to remove the TV, but we left the mounts in place. In order to support the heavy TV, they are placed quite securely into the wall , and I feel it’s best not to jimmy around with that.
Rather than have the first strip straddle the TV mount, I plotted to have my first seam fall down the middle of the wall, placing a seam in the mid point of the mount. This meant I had to hang four strips instead of three, but it made it a whole lot easier to work around the TV mount, as well as to keep the left and right edges of the grasscloth straight and plumb.
Close up showing the texture of this grasscloth material. It’s atypical to have grass cloth printed with a pattern , and I rather like the way the ink looks somewhat scratchy against the rough background.
Because it’s Schumacher, you can expect printing defects . The slight pattern match doesn’t bother me, as there were many more places along each strip that matched up perfectly. Nor do I mind the different intensity of ink on the two strips. That’s all part of the look of grasscloth.
But I wasn’t pleased with the white ink out in the middle of nowhere, as seen about 1//3 down the center of the picture. This isn’t considered a defect , and from a distance it’s not really noticeable. But it bugged me.
So I used some water-based paint and a very small brush from the craft store and lightly touched up the spots.
I also softened the mis-matched edges a bit. There’s a fine line between covering the white spots and staining the material, so use a light hand. And never permanent ink or oil-based markers or pastels.
Likewise, the ceiling line was not level, so as I moved from the mid-point out to the right, the ceiling rose above the geometric motif’s top edge, and a white line began to be visible, but only to the right of the centerpoint.
So I used the black paint to cover up that extra bit of white. This increases the width of that horizontal navy blue line from 1/4″ to about 1/2″. But from down on the floor you can’t tell, and it looks a whole lot better than having white on the right side and none on the left.
The brand is Schumacher and the home is in the Garden Oaks / Oak Forest area of Houston.
The interior designer who came up with this bold and lively look is Clayton Brooks .

Grasscloth on Several Bookshelves Today

May 12, 2022
Home office work station niche primed and ready for wallpaper.
Done. Grasscloth comes 36″ wide, and this niche was about 39″ wide, so it required two strips, both trimmed down to 19.5″ wide. Generally, design-wise, you try not to put a seam down the center. But in this case there was no other viable option. This seam was practically invisible.
In the photo, the seam is a little to the right of center. You always see the seams in grasscloth, and this is about as perfect as it gets.
The homeowner, who is an interior designer, did a superb job of finding a grasscloth that’s murky blue hue coordinates perfectly with the color of the cabinetry.
Unfortunately, I don’t know the manufacturer of this material.
Close-up showing the texture.
Twin bookshelves flanking the fireplace wall in the family room, primed and ready for wallpaper.
Grasscloth has been installed. It’s nice to not have the shelves in place – so much easier to get that paper up!
Bookshelf niche on the right.
Bookshelf niche on the left. Note the slight shading and color variations . These are typical of natural products like grasscloth, and are not considered a defect. As the manufacturers say, these variations are ” part of the inherent beauty of these natural materials .”
Shelves will go in these niches and decorative items will obscure these slight imperfections.
TV room bookshelf niche. Yes, t’was I who swiped the smiley face and the horse head into the primer. 🙂
Done. This niche is a tad less than 36″ wide, so only one strip was needed, hence, no seams. Any color variations you see are due to shadows.

Close-up.
Closer-up. Scissors for perspective. These days, people are loving the subtle texture and warmth of grasscloth , paperweaves and other natural materials .
The manufacturer of the grasscloth in both the family room and TV room is Schumacher . The home is in the far west area of Katy , a suburb west of Houston.