Posts Tagged ‘installation’

Chinese Hand-Painted Silk Mural

June 27, 2019


Here is some delicious stuff! This is silk wallpaper, hand painted in China with these beautiful bird, butterfly, and botanical motifs. Look at the close-up shots to see the gorgeous paint detail.

There are some historic companies who make these murals, like Zuber, Gracie, Fromental, and de Gournay, and they can run $500-$1200 per panel. (This wall took seven panels.) But my client found another manufacturer who was way more reasonable. http://www.worldsilkroad.com/

The mural was custom-sized to the homeowners’ wall. The studio added 2″ to the top and bottom, and a little more to each side, for trimming, and to accommodate walls that are not perfectly plumb and ceilings that are not perfectly level. (Never order a mural to the exact dimensions of the wall, and always best to have the paperhanger measure before ordering.)

There are a lot of things that make an install like this much more complicated than a traditional wallpaper. For starters, the silk can easily be stained by just about anything … wallpaper paste, water, hands. So it’s important to work absolutely clean. You will NOT be able to wipe off any errant bit of paste. The paper also had a half inch “bleed” of excess paper along the edges that had to be trimmed off by hand (no photo).

The material was thicker than expected, wanted to stay curled up as it had been in its shipping tube, and the backing was very absorbent, which meant that it sucked up paste and was almost dry by the time it was finished booking and got to the wall… So it required extra paste on the edges to get them to stick tight, while, once again, taking care to not get any paste on the surface of the paper.

The company provided precious little information. Well, actually there was information, but it came in Chinesnglish, and, bless their hearts, was virtually indecipherable. The company was very responsive, but, unfortunately, was unable to provide adequate information about paste recommendations, booking time, was a liner spec’ed, if the substrate was paper or non-woven, if the silk had a protective coating, and even whether or not the goods had to be hand-trimmed or came pre-trimmed. There was a lot of other mysterious content on their instruction sheet that ended up best being disregarded.

So I used common sense and traditional installation methods, and it turned out great.

In one photo, I am rolling out the panels, to be sure they are in the correct sequence. Even though the manufacturer had told me the panels were pre-trimmed and ready to butt on the wall, while rolling them out, I discovered that if I did that, the pattern match would be off. This is when I discovered that 1/2″ had to be trimmed off one side of every strip.

This also meant that each strip would be 36″ wide, rather than 36.5″, so my measurements and layout calculations had to be revised. This was particularly important because that first area to the left of the window was barely more than 36″ wide – and I didn’t want to end up having to piece in a 3/8″ wide strip of this delicate material.

Two other pictures show some crinkles in the material. I believe these happened at the factory or during shipping, because the same defects appear in two consecutive panels, at the same position. They were both up high, and, once the material got wet with paste, expanded a little, and then applied to the wall, these flaws were not detectable.

The last photo shows what you should expect from hand-painted products. They probably had one guy working on Panel 6, and another working on Panel 7, and each probably had a different size paint brush, and possibly their stencil (or whatever they use) was a bit off. Either way, this mis-match is not considered a defect, and is part of the beauty of a hand-crafted mural. There were really only two areas that matched this poorly, and they were both low toward the floor. In the upper areas where branches crossed the seams, the pattern matched very nicely. Really, it’s quite incredible that their precision can be as good as it is.

I’ve never worked with this brand before, but overall, I was pleased with the quality and the installation. You can find the manufacturer by Googling World Silk Road. It comes from England, but is made in China. (Gee…. why can’t they have one of those British guys translate the installation instructions?!)

This mural went on one accent wall in a master bedroom of a home in Idylwood, a small, idyllic, and very desirable neighborhood of 1930’s and 1940’s homes on Houston’s east side. The homeowners love vintage as much as I do, and are keeping most of their home true to its original state.

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Jungle Paneled Installation, Italian Product, for a Nursery

June 22, 2019


The top photo shows a sample panel of the wallpaper taped to the wall of the nursery. You can see the sharply sloping ceiling line to the right.

The mother-to-be fell in love with the jungle theme and the colors of this paper. She bought it on-line from an Italian company. Unlike most wallpapers that come in rolls, this product came in sets of panels, each of which was 27″ wide x 39″ long. In the second photo, you see the first three tiered along the left, and the next two strips positioned to the right. Other panels will be filled in above and below, and to the right.

Precious little information was available on how to install this product … and what there was came in Italienglish, which was little help. There was a brief on-line video, plus you could read the experiences of previous DIY clients in the customer reviews section. In such cases, you have to use the scant available information, along with your own experience, to decern an install method.

Turns out, this is similar to the old-school paper murals that come in panels and call for powdered paste. Except this company did not include paste (as most do), nor were the panels meant to be overlapped.

Luckily, I have sources for wheat, cellulose, potato starch, and other powdered wallpaper adhesives. These are mixed up on-site, are less aggressive as far as stickiness goes, and are more wet than the pre-mixed pastes used for most installations today.

More wetness, along with the particular type of paper these murals are printed on, means that the paper will absorb more moisture and can expand substantially. This is why most of these types of murals are designed to be overlapped at the seams. The seams of this product, however, were meant to be butted … which means that when that paper dries, it could shrink, and that could result in gaps at the seams.

Because the mural came in panels instead of continuous strips, the edges of the strips could not be lined up exactly perfectly, neither vertically nor horizontally. And this was exacerbated because each panel absorbed paste and expanded differently from the others, so there could be a difference in width or height between panels of as much as 1/8″.

This meant that there were some pattern mis-matches between strips. It also resulted in some seams overlapping. I left before the paper was completely dry, but I imagine there are areas where the some seams gap, too.

But I tend to overthink things, and fret about minute details that most people never see. The bottom line is, the accent wall looks fantastic, and will set a theme for the new baby’s room.

Note that this paper gets really wet when it’s pasted, and so you see a bit of blotchiness in the photos. This will disappear and the paper will be much lighter and brighter when it’s all good and dry.

The product is also not really technically a “mural.” But it comes in panels like many murals do, so I’m using that term for simplicity’s sake.

Besides the special paste, because this product was printed on a rather flimsy paper, I used a softer brush to apply the paste (as opposed to a roller), and I used a soft, long-bristled smoothing brush.
The video showed the guy using his hands to attempt to smooth the paper into place. If you looked closely, his finished wall had a lot of bubbles and wrinkles. My long soft smoothing brush was much more appropriate.

How Wildly Colorful Can You Get? – Here It Is!

October 11, 2018


Just one accent wall (4 strips) in an entry in the Briargrove / Tanglewood neighborhood of Houston – but boy was it fun! This is one homeowner who is not afraid of color, that’s for sure!

The third photo shows me laying it out on the floor, to determine the pattern match and how I want to plot the design layout on the wall.

The designer is Manuel Canovas, and I believe the manufacturer or distributor is the British company Colefax & Fowler. It was a fairly thick non-woven material, and I used the paste-the-wall installation method. It is more durable and washable than most other types of paper.

Interestingly, the Houston Museum of Fine Arts had an exhibit earlier this year of art from India that looks a whole lot like this wallpaper. https://www.mfah.org/exhibitions/peacock-in-desert-royal-arts-jodhpur-india

Difficult Hang Today – Lots of Work to Get Good Seams

June 17, 2018



I don’t recall ever having seen a wallpaper product labeled “heavyweight paper” before. I wasn’t thrilled with this stuff. It was thick, and that made it difficult to work with. I prefer thin papers because they form to the walls better. This paper didn’t have any coating on it, so it is not any more durable than a thinner paper, so I don’t see the reason for the “heavyweight” treatment.

And any time you apply paste and the edges of the paper curl backward (Photo 1), you know you are in for a tough install.

The room was already prepped, and it was just 9 single rolls on an easy top of a dining room – no tricky moldings to trim around, no toilets to reach beind, no awkward spaces to situate the ladder in… It should have taken 5-6 hours. Instead I toiled for 12 hours.

I hung three strips, and wasn’t happy with the two seams between them. They pouched just a little and would not lie down flat. (Photo 2) With strong light coming in from the windows, the seams looked bad. There was no way of knowing how the seams would look once the paper was good and dry. But for now, I couldn’t stand the look, and I didn’t want to leave the homeowners with these pouchy seams.

I removed two of those strips, refreshed the paste, and kept them “open” by placing them in a plastic trash bag so they would remain useable (we didn’t have a lot of paper to spare). I ran to the truck and got supplies so I could double cut new seams (splice on the wall). I needed a special trim guide, and a special polystyrene padding strip to protect the wall so that the razor blade wouldn’t score into it (which could compromise the surface and lead to delamination of layers … too complicated to get into here, but you can do a Search and read previous posts on this subject).

From then on, instead of using the factory edges for seams, I double cut. Double cutting involves padding the wall behind where the seam will be, overlapping the new strip onto the old strip while carefully matching the pattern, and then using the handled straightedge and a sharp new razor blade to cut through both layers of paper. Then you peel back the paper at the newly cut seam and remove the two thin strips of excess paper that were just cut off. Then you remove the plastic padding strip.

Now you can put the edges of the freshly cut new seam back together. Because they were cut into each other, they will fit together perfectly. But because the padding strip has some thickness, the two newly cut edges are now a teeny tad wider than needed, so you’ll have to do some finessing to get the seam to butt together, instead of pouching up just a bit.

Because one strip of pasted paper overlapped onto another, once the excess paper strips are removed, there will be paste residue left on a 1″-2″ edge of one of the wallpaper drops. This has to be washed off with a damp microfiber rag, and you will have to rinse the rag and wash the wall several times to get all the residue off.

And all of this has to be done on a time frame, because while you’re working on one seam, the edges of the next are rapidly drying out, which is a whole new can of worms.

My finished double cut seams were perfect. (Photo 3)

But after I had worked my way around the room a bit, I looked back at the first wall, and saw that, as the paper dried, it shrank just a little. This left a visible gap between the two strips. (Photo 4) This gap isn’t visible from a distance, and it’s not visible if you look at the walls at an angle. But if you are standing three feet away and looking head-on, you will see the gap. I think it’s too much.

Oh, and, one more thing … the paper was easily marred if it was touched by any bit of metal. (Photo 5) Scissors, straight edge, trim guide, even the metal eraser housing on the end of my pencil would leave a grey mark if it happened to rub against the wallpaper. Most of these marks would wipe off, but not all of them. And wiping the paper leads to abrasion, so you want to avoid overdoing it. I worry about how the wallpaper might be marked up when the homeowners innocently go about hanging their art and mirror.

Considering what the homeowners paid for the wallpaper and installation, I think they should have a better outcome than this. This paper is manufactured by Thibaut. Thibaut makes many types of wallpaper, and most of them are lovely to work with, and they perform well. It makes you wonder why they would use this “heavyweight” stock, which produces a less-than-desireable outcome.

Modern Industrial Wallpaper with Graffiti

December 16, 2017

Well, here’s something different and fun. The Montrose area (Houston) home has a very earthy, eclectic feel, and this wallpaper pattern is the perfect compliment. The colors and texture are perfect with the bathroom tile and iron sconces, and the small scrawls of writing and numbers add just a touch of edginess.

This paper is by Carl Robinson, a British company that is distributed by Seabrook here in the U.S. It is a non-woven material and is intended to paste the wall for installation, but I chose to paste the paper, for various reasons, most of which had to do with the two light sconces that could not be removed from the wall. Made the job a little tricky.

The paper was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

How the “Hot Mess” Turned Out

April 18, 2017

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After I spent a day getting these walls into good shape (see previous post), came the fun part – hanging the paper.

This was a Moroccan lantern style geometric pattern, in yellow on grey. The homeowner loves geometric designs, and she searched hard to find something in this style that would compliment the granite countertop in that came with the powder room in her family’s new home.

This pattern does all that very nicely.

The home is in Fleetwood, in west Houston.

This wallpaper pattern is by Brewster, in their A-Street Prints line. It is a non-woven material and is intended to be a paste-the-wall installation, but I find that pasting the material is a better method, for many reasons.

The paper was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

The Blow Fish Again – Second Time in One Week / Better Results!

February 1, 2017
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Last week, I wrestled with this same wallpaper (different color) and didn’t finish the job until 11:00 p.m. (Bless the homeowners who tolerated me working late, to get their powder room finished on schedule.) Today I had an easier powder room (shorter drops, fewer cuts, no pedestal sink to cut around, very little decorative molding), but I also tried a different installation technique. Instead of following the manufacturer’s instructions, which were to paste-the-wall, instead, I pasted the back of the paper. This made all the difference!

The paper relaxed and became much more malleable. The paper absorbed moisture from the paste and expanded and contracted on my table, not on the wall, so I had beautiful seams with no ‘gaps and overlaps.’ The second- and third-to-last photos are shots of the seams, showing that you can barely see them.

I hung this in a very nicely updated home of a young family in the Woodlands (north of Houston). This wallpaper pattern is by Cole & Son, a British import, and is called “Acquario.” It was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Water Color Flowers for a Little Girl’s Room

August 25, 2016
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This is my second time to hang this mural wallpaper – and both times were for a little girl!

This mural is sweet, with subdued hues and watercolory transparancy, so it does not overwhelm the room. I hung it on one wall in a little girl’s room in the Briarpark neighborhood of Houston.

I said I hung this before, but, to be honest, I am not sure. I’ve been told that all you need to do is tweak a design a little – the tilt of a leaf, the shading on a petal – and you can get around copyright laws and call the design your own. I think that’s what is going on here.
Here is the one I did previously: https://wallpaperlady.wordpress.com/2016/03/20/water-color-ful-wall-for-a-baby-girl/ If you look really closely, the flowers appear to be ever so slightly different. That tells me that one of them is a knock-off.

In fact, the one I did a few months ago was very expensive, and was on a non-woven substrate, and was a paste-the-wall product. I didn’t have any particular problems with the installation.

The one I hung today was less expensive, was printed on a thin paper substrate, and was a pre-pasted product. I had issues with seams that “gapped and overlapped” (butted perfectly in some places but overlapped in others), pattern mis-matched at the seams, paper twisting off-plumb, and the pattern not being printed at the right height at the top of each panel.

This almost caused a huge problem, as I was about to come up with a strip that was unexpectedly 2″ short at the top of the wall – but I was able to pull some tricks and rectify that.

Whichever is the “real” design and which is the knock-off, the pattern and colors are perfectly suited for this little girl’s room – in fact, she was toddling around the house in a matching pink top!

This wallpaper is described as a mural, and it came in a set of seven panels. It was custom ordered and sized to fit the wall. In the last photo, I have separated each panel and laid them out on the floor, to be sure the pattern matches, and to ensure the proper sequence for installation.

Murky Green Damask on Display Shelves

November 26, 2015
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The red diamond pattern on the backs of these bookshelves was pretty, but the new owners of the home didn’t love it. There was wallpaper left over from when the adjoining dining room was papered, and so we used those scraps to paper the bookshelves in the living room.

It looked like there was a lot of paper to work with, but when you start talking about a 28.5″ wide bookshelf and 27″ wide wallpaper, syncing the pattern with that in the dining room, centering the pattern, matching the pattern, a 25″ pattern repeat, wrapping the sides, wrapping the top, and when you unroll the left over bolts and find that much of the material is not in one long strip but in multiple shorter strips – it becomes a game of math, logistics, plotting, and engineering.

In the end, though, there was enough to get ‘er done. And, I was able to place the dominant motif vertically down the center of the bookshelves, and balance it equally in either corner, as well as place the same motif at the bottom of the bookshelves as was at the top of the wainscoting in the adjoining dining room, so the two rooms were horizontally correlated, and match the pattern of the two header strips in each of the two shelf alcoves to the pattern on the back of the shelves below them.

Anyone looking at the shelves will no doubt focus on the pretty collectibles displayed within them. But I just thought I would give a little backstory on what went into applying the wallpaper that is the backdrop for those pretty white vessels.

I loved working with this paper. There were no labels or brand information, but it was a pulp paper product, which is often sourced from England. It sits flat and tight to the wall, and seams are nearly invisible. Once booked, there is no stretching or shrinking. It is not sealed, though, so you have to protect it from handling and from splashes, and have to take care to not overwork seams or abrade the material during installation.

Learning From 22 Year Old Installations

September 2, 2014

In a past post, I mentioned revisiting homes where I had installed wallpaper as long as 22 years ago.

I am pleased to say that virtually all of these jobs were still in perfect condition.

When there is an issue, though, I like to understand just what happened, because once you understand what went wrong, you have the chance to take steps to prevent it in the future.

One home had a tiny little bit of curling where the wallpaper hit the top of the sink backsplash. I did that job before I learned a little trick … Nowadays, once I finish a job in a kitchen or bathroom, I always run a bead of clear caulk around any edge that will come in contact with water. That prevents any water that may puddle up on the ledge from wicking into the paper, which could cause curling over time.

In another home, the wallpaper was still in good shape, but there were a few seams that showed some minor curling. This is most common problem with solid vinyl papers, and is exactly the reason I try to steer people away from these papers. Yes, they are “water resistant” when water splashes on the surface, and yes, you can “scrub” them if a something splashes on them. But they are the MOST likely to curl at the seams, almost always due to humidity in the room. And where do you have humidity? In bathrooms! Manufacturers try to sell these solid vinyls as “bathroom papers,” but, at least down here in the Humid South, in my opinion, they are NOT suited. In fact, I am so passionate about this topic, that I give prospective clients a hand-out explaining my point of view.

http://www.wallpaperladyhouston.com/