I installed this wallpaper a couple of months ago, and was back to do another room, so took the occasion to get a shot of this home office all furnished and finished . The homeowner has a real green thumb with plants !
Accent wall below staircase in a sitting area of a living room in a Meyerland ( Houston ) home that was flooded during Hurricane Harvey in 2017. It took five years for the homeowners to raise and restore the home, and settle in. They are waiting for the wallpaper before choosing furnishings for this room. But the colors of the wallpaper meld beautifully with decor in other areas, such as the family room on the other side of this wall , which has colors of cream , tan , and dark grey in furniture , flooring , and accessories .The pattern is called Bird and Blossom Chinoiserie (a term that refers to Chinese / Asian style decorating ). Its in the Ronald Redding line by York. It’s a non-woven material that can be installed by either paste the wall or paste the paper methods. It will strip off the wall easily when you want to redecorate later.
Kinda bland, huh?Well, let me fix that for you! With just two colors and a simple, yet flowing design, this wallpaper pattern breathes life into this room – but doesn’t overwhelm. Pattern is nicely centered between the windows.This is another wall that also has two windows . I was able to center the pattern between these windows, too. Centering on two different walls in the same room is actually something of a feat – but that’s a story for another time. From a distance .This home has bull-nosed / rounded outside corners and edges, as well as the arch . Very tricky to get wallpaper trimmed to these areas neatly and evenly . See other posts for more info on this.Close up. The design has a weathered fabric texture sort of background . The copper colored foliage is lightly metallic , so has a slight shine – but only when viewed from certain angles , so it’s a subdued luster that’s added to the room . Note how the coppery color coordinates with the light fixtures / chandeliers . The wallpaper is by Graham & Brown , a good manufacturer with quality papers. The pattern is called Twining . This company makes nice non-woven papers , which have a polyester content which makes them stain-resistant and durable . They are also designed to strip off the wall easily and in one piece and with no damage to your walls when it’s time to redecorate . G&B ‘s materials are usually flexible and nice to work with – although this particular one did tend to drag and tear when being trimmed – even with a new blade. I usually paste the paper , but non-woven materials can also be installed by paste the wall . The home is in the Oak Forest / Garden Oaks / Heights neighborhood of Houston . This project took me three days, to smooth the textured walls , and then hang the paper around four walls , and trim around those pesky rounded edges and the arch .
You’ve got to look at this close-up, to notice the antelope and flames / foliage . You gotta make a decision … The light sconces (they are currently removed, but you can see the electrical boxes where they will be placed) were centered on the vanity top, but the faucet was off-center by about an inch. So I chose to center / balance the pattern on the sconces and countertop. The mirror will be hung between the two light fixtures, so we’ll end up with a pleasing, balanced look. The faucet isn’t exactly in the middle of the design motif, but no biggie – there’s going to be a mirror there, anyway.
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Corner going around shower. Note the window looking into the shower. Although the website specs said this is a pre-trimmed non-woven material , that was incorrect. Turns out it had an unprinted selvedge edge that had to be trimmed off by hand . Here I’m using my straightedge and razor blade to remove this selvedge. This takes precision and a LOT of time . The manufacturer usually provides trim guides to help you know where to cut. But it’s usually better to trim to the pattern – determine an element in the design motif that will meet up with the corresponding motif on the opposite side of the strip when the strips are hung on the wall, and use that as your guide . Be sure to trim off the trim guide marks, or they will show on the wall. The pattern is called Arabian Nights and is by Relativity Textiles . I’ve never worked with this brand before. I was not pleased . In addition to the incorrect information about the pre-trimmed paper , the mfgr’s specs said this was printed on a non-woven substrate . It was not. It wasn’t even printed on standard wallpaper stock . Instead, it was a pulp material – This is a sort of old-fashioned wallpaper , and is very brittle and prone to tearing and dragging (your trimming knife or razor blade will get snagged and you’ll end up with a ” chewed ” jagged cut, instead of a crisp cut . It also tears easily. It also has no coating, so it’s not stain-resistant … Not good in a busy household with a 3-year old toddler , or anyone splashing water or soap or air freshener . It was also difficult to hang . Applying wet paste to the backing causes the substrate to absorb moisture and expand at a different rate from the ink on the surface. So you end up with wrinkles , waffling , and quilting . Sponging a light bit of water on the front before pasting helps even out the moisture differential and ease installation . I’ve never before encountered a pulp that had this type of ink on the surface. One clue for this bad stuff is when you open the package and it smells like moth balls . Once I figured out how to work with it, , it went OK – although tedious . The seams did look very nice. BUT … all this effort would have been unnecessary and the finished room would be more durable if the mfgr had printed on a non-woven substrate (as their on-line specs stated) and had used standard inks instead of this weird , smelly , high-end stuff. In fact, the material would have cost the homeowners a whole lot less $ if it had been normal ink on a non-woven backing . The home is in the Woodland Heights neighborhood of Houston . installer
Bad photo, but I’m to put wallpaper in this room, including the tall and deep fir-down at the top right, which has two recessed light fixtures in it. You want the paper to go behind the light fixtures, not cut around them, if at all possible. In the photo, at the far middle left, you can see one fixture dangling by it’s wires below the fir-down.Some of these recessed fixtures are tricky to take down (many won’t come down at all), but these ones turned out to be held in place by tension springs, which fit into sideways hooks, which you can see at the left inside the hole. Here’s a closer look. These are the same type springs that hold the vent covers to exhaust fans in place. As you push them upward, they spread apart and hold the fixture securely in place. Easy-peasy! You can also squeeze the springs together and remove them from the mounting housing, which lets the fixture dangle from its electrical wires.That’s what I’ve done here. Now it’s much easier to work the wallpaper around the fixture. But it could be made even easier – by removing the light fixture all together. Most light fixtures have black and white wires coming from inside the wall that connect to black and white wires on the electrical fixture and are connected and held in place by a twist-on screw cap or wire nut. What’s very cool about this particular fixture’s electrical connections is that it’s made by this orange plug, which fits into the orange receptacle – no wires to twist or cap, and no need to cut off the power. It’s all simple and perfectly safe. Here I’ve disconnected the two orange parts. With the light fixture completely out of the way, it’s much easier to install the wallpaper, and no paste gets slopped onto the fixture.Here’s the wallpaper installed and trimmed around the inside of the opening. Oh, and don’t mind the slight pattern mis-match on the left … there were issues with un-plumb and un-level walls coming into play. And here I’ve reconnected the orange plug parts, and placed the spring back inside those hooks, then pushed the light fixture up and back into place. Look at how nicely the flange (outer ring) of the fixture covers the cut edge of the hole and the wallpaper.
Look closely and you’ll see streaks running down the wall, obviously from liquids that have been splashed out of the sink or while someone reached for the faucet handles. This is a semi-gloss paint, so you’d think it would be more resistant to staining. Two things concern me. First that whatever substance this is, may come back back to haunt us by bleeding through the new wallpaper. Oil, which can be found in soap, cleaning supplies, and fragrances, for instance, is one culprit. Second is that, if the walls got this much splatter before the paper goes up, sure hope that the household will take more care once the wallpaper has been installed.
I installed wallpaper in this powder room in far west Houston a few months ago, and was back to measure the dining room. Couldn’t resist the opportunity to snap a photo of the finished room.
This nicely renovated bungalow in the Houston Heights had a 3-room suite in the rear of the house. Included were a mud room, a walk-in pantry, and a vestibule leading to the kitchen. This photo shows the mud room before wallpaper. The paper will be installed above the wainscoting. The mud room finished. I plotted so the trees would land evenly balanced (centered) on the wall.Pantry beforePantry afterFrom kitchen looking through vestibule into mud room, before.Same area finished. A very, very cool 3-dimensional affect!Another view of the mud room. The blue colorway of the wallpaper works beautifully with the khaki color of the woodwork. The vestibule had four doors, and thus four areas in between the doors. In the two larger spaces, which flanked the pantry door, I futzed with the width of the strips so that I could place the trunk of the tree down the center of each space. I didn’t want all four areas to have the tree down the center, so in the third I let the pattern fall as it would, which placed the tree trunk to the left of center. This was a softer look. Sorry – no photo. The fourth space was only about 6″ wide, and the tree trunk would be much too distracting here. So I again manipulated the width of the strips so that only foliage showed between the door moldings in that last space. Sorry – no photo.Close upThis very popular pattern is called Raphael and is by Sandberg, a Swedish company. Their papers are quite nice. They are on a non-woven material. There are quite a few advantages to these non-wovens, both while working with them and after they are up on your wall.
I installed an interesting pattern in a powder room today.
It was a smeary mix of brown, dark brown, grey, and silver, looking very much like tree bark.
There was a hint of blue tone in the paper, too. The powder room had a veeery pale blue toilet and sink, and the color of the paper worked well with these fixtures.
The previous wallcovering had been a bland white and tan stripe in shiny faux “silk” vinyl.
The new paper is a GREAT improvement over the outdated and boring stripe.
The room turned out great, and the clients were pleased.
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