This wallpaper is 20″ wide . My next strip to the left needs to be 20″ wide above the window – but only 1.5″ wide down the side of the window. I hate to use a whole 6′ long strip for this area. Because, as you can see, most of the strip will be where the window is, and will be cut off and thrown away. But here’s a plan. The same thing is happening on the right side of the wall, on the window to the right. About 10″ of the wallpaper has extended over the window, leaving about 10″ of the lower portion to be cut off and thrown into the trash. NNo! Since I need a 1.5″ width of a right edge to finish my area on the left side of the wall (see previous photo), I can use this discarded lower 10″ of wallpaper to cover that 1.5″ to the left.Planning ahead and measuring carefully, I removed the lower section of wallpaper that would have been hanging over the window / shutters . I left plenty of overlap to allow for trimming along the top and along side the window molding. Added bonus – because I’m now not wrestling a 20″ wide strip of paper next to this window and shutters, it keeps a lot of paste from slopping onto the window molding and shutters . zin this photo, you see the 10″ wide strip I’ve removed. And also the 1.5″ wide strip from the left right edge, that will be put against the strip to the left. Here’s my 1.5″ wide strip.And here’s where I’m going to put it. Note that I cut a short strip to fit over the window . It’s 20″ wide – the width of the roll of wallpaper . I cut it long enough to come down the side of the window to where there’s a design element – in this case, a horizontal branch – to disguise the juncture of these two pieces of wallpaper . About to go into place . Positioned. Note the overlap of the branch, trimmed along the lines of the motif. This makes the overlap way less noticeable than a straight horizontal patch, or even a splice. Note: I don’t like to splice / double cut in situations like these – cuts into the wall surface below and can cause the paper to come away from the wall. I don’t mind overlaps in these situations. They’re up high where no one can see, and also much stronger and more stable than a butted edge . Teimming off excess along the window molding / trim .Doone! The tree and leaf pattern is called Twining and is by Graham and Brown . Like most of their materials, it’s a non-woven material and can be installed by pasting the wall – although I usually paste the paper . It is designed to strip off the wall easily and in one piece when it’s time to redecorate . The seams are invisible .
OK, because this CRAPPY “New Editor” that Word Press FORCED on us a couple of years ago – which is EXTREMELY difficult to use, BTW, and the Big Wigs at Word Press don’t give a flip, despite my many comments to them … Anyway, it decided to eat / delete the post I just spent 30 minutes typing up, so I’m going to have to write it all over again and try to remember all the points I had made. PISSES ME OFF, this DAMNED WORDPRESS NEW EDITOR. End of rant. But STILL FARKIN’ ANGRY!!! Anyway, you’re looking at images of the same pattern motif , from the same Run number (do a Search here to learn more about runs ), but two different rolls / bolts . Look at where my pencil is pointing in the top example – at the green leaf to the left of the blue flower . You’ll see the light green color shadowing , or following the dark green . Now look at the same motif on the example below it. Here both green colors are together . Why? What’s happened is that the printing presses at the factory have gotten out of register . The machines print each color separately , layering them on top of each other . For example, brown first, then light green, then dark green, then blue, etc. Each turn of the printing rollers has to be perfectly synced with the previous, so that the colors and motifs line up correctly . Here, obviously, something got out of whack . Looking at this, the mis-alignment is not a big deal. It’s a loose , cheerful pattern , and it doesn’t really matter if the colors aren’t lined up perfectly. In fact, I think it makes the pattern more fun. The problem comes when trying to match strips from one roll up to another, because the design won’t match perfectly at the seams . That does matter IMO . See my other post tonight . The pattern is called Wildwood and is by Rifle Paper , which is made by York .
Beautiful with the burnished brass faucet and light fixture. If you could run your hand over this, you’d feel the slight “raised ink” texture. Not that you should go around touching your wallpaper! But it does add a very subtle dimension and warmth.Serena & Lily – one of my favorite brands.
The homeowners have done some nice updates to their 20-something suburban Houston home. This palm leaf pattern in their powder room was one of the final touches.
I had a schedule change and was able to get their wallpaper up more than a month ahead of their scheduled date.
Serena & Lily makes really nice paper, so today was a pleasant install.
Here is a tiny powder room squeezed under the stairs in a nicely updated large home in the Montrose neighborhood of Houston. The homeowner wanted the powder room to match the feel of the more modern rest of the house – while coordinating with the dark blue tile floor. This swirly leaf pattern does all of that – and it visually pushes the walls away, while adding fun movement to the tiny room.
I don’t usually like wallpaper on ceilings, because I think it crunches the ceiling down on you. But here in this diminutive powder room, I think that papering the ceiling was the best design option. When a ceiling is papered, only one corner where the wall meets the ceiling can have the pattern matched (see top photo), and the rest will result in a mis-match. So it’s preferable to find a wild pattern like this, where any design mis-match in the corners will hardly be noticeable.
This room was particularly tricky, because the bottom-side-of-the-stairs ceiling came down not only at a slope, but at an angle. You can kind of see this in the fourth photo. The third shot shows the ceiling in the process of being hung.
“Priano” is a popular wallpaper pattern by Serena & Lily. Their papers are always a joy to work with, and they have cute patterns, too!
What’s extra cool is that I hung this pattern a few months ago, and the homeowner ended up with twice as much paper as she needed. (The old single roll / double roll conundrum. A good reason to always check with me before ordering your paper.) I was able to hook the two gals up, and some of the excess paper was sold to the new client, quick and easy.
Here I am, laying two strips of wallpaper out side-by-side, to find the pattern match, and to see how the overall pattern plays out across the wall. I am also trying to determine which way is up!
The two strips in the first photo are going in opposite directions. Still, I could not tell which way was up. But once I got to examining the design closely (second photo), I discovered something I have never seen before – The leaf motifs are printed facing both up and down! There IS not “right side up.”
If you look closely at the second photo, notice the light blue leaf that is on the left, second from the top. Then look at the bottom, second light colored leaf from the right…. These two leaves are the same leaf, identical – but facing different directions.
This is really a cleverly plotted wallpaper design. And, best for me, there is no truly correct “right side up,” so I could stop fretting and stewing and get down to hanging!
This colorful and fun pattern is by Hygge & West, an on-line company.
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