Posts Tagged ‘light fixture’

More William Morris Strawberry Thief in Houston Heights Hall Bathroom

June 24, 2022
Because I feared unstable walls in this 1920’s bungalow in this neighborhood (do a Search for previous posts), before hanging the decorative wallpaper, first I hung a non-woven liner paper on all the walls. That’s the white material you see in the photo.
The liner was hung horizontally so its seams can’t line up with the decorative paper. The idea is to disperse tension from drying wallpaper and changes due to humidity and etc., so as to deflect tension away from sketchy wall surfaces, and thus prevent delamination of multiple unstable layers deep inside the wall. Again, do a Search here to learn more.
Finished vanity area, with pattern centered on the light fixture.
Corner shot.
This colorful and symmetrical pattern is quite popular; I’ve hung it a number of times just this year.
Englishman William Morris designed wallpaper and fabrics during the late 1800’s and early 1900’s.
The styles then were Art Nouveau and Arts & Crafts. This design reflects a bit of each.
Wallpaper expands when it gets wet with paste, and then can shrink just a tad as it dries. The liner helps prevent that, but you can still end up with teeny gaps at some seams.
To prevent the white backing from showing through, I run a stripe of dark paint under where each seam will fall.
I use matt finish craft paint from the hobby store, diluted with a little water (in the orange bottle cap) and smeared on the wall with a scrap of sponge. Use a ruler or level and a pencil to mark where you want to stripe the dark paint.
Remember to allow for that expansion as the paper absorbs moisture from the paste. Meaning, if the paper is 20.5″ wide, and expands 1/2″, you’ll want to run your line at about 21.” And make sure that your painted swath is about an inch wide.
I also run a bit of dark chalk along the edges of each strip, to prevent the white substrate from showing at the seams (no photo).
Morris & Co. makes this iconic Strawberry Thief.
Interestingly enough, most times when I’ve hung a Morris paper, it’s been a non-woven paste-the-wall material.
Today’s option was a surprise – a traditional British pulp . This is a pretty basic and somewhat old-fashioned type of substrate . Sort of like construction paper, or the pages of an old family Bible .
The paper is very fragile , and can tear easily. You have to keep using new razor / trimming blades, because the material dulls blades quickly, and when dull they will drag and tear the paper.
Pulp papers also require a soaking / booking time after pasting , to allow time for the material to absorb the paste , soften a bit, and expand . The edges of the strips like to dry out , so I’ve learned to dip about 1/4″ of the booked ends ( booked means the pasted side of the wallpaper strip is folded onto itself, bottom edge folded up and top edge folded down to meet in the middle), into a bucket of clean water.
Then it goes into a black plastic trash bag to soak and relax for a few minutes before hanging. I use this opportunity to paste the next strip.
Non-woven wallpapers have advantages, because they do not expand when wet, and therefor you can get accurate measurements. They also can be pasted and hung immediately, with no waiting time. Alternately, you can paste the wall .

Sweet Floral in Baby’s Nursery

May 6, 2022
Two accent walls and a bump-out ‘column’ are primed and ready for wallpaper.
Finished!
This is a little more sophisticated than many babies’ rooms. But that’s good, because this wallpaper pattern will be suitable through many stages of the little girl’s growth.
The woven rattan light fixture is the perfect complimentary accessory!
The pattern is by Lake August and is called Nasturtium . That printing you see is the selvedge edge and has to be trimmed off by hand. The material was superior quality wallpaper and was really nice to work with.

William Morris Strawberry Thief in Houston Heights Breakfast Nook

May 5, 2022
Primed and ready for wallpaper.
Finished!
I love the way the light fixture repeats the red color, as well as mimics the curve of the birds’ bodies.
It’s almost like a hummingbird hovering over flowers in an English garden.
Strawberry Thief is a popular pattern, and I have it coming up two more times, in the same neighborhood, also in renovated 1920’s bungalows. Usually you see it in the red or navy colorway.
This is the first time I’ve seen it in this muted, pastel colorway. This color is available only from Morris & Co.
The symmetry and the fluidity of the design are very pleasing.
I’m seeing a lot of interest in William Morris designs lately. Many vendors are offering his originals, and many others are designing similar patterns. Dorota at the Sherwin-Williams in the Rice Village showed me two new wallpaper books with patterns reminiscent of the Arts & Crafts and Art Nouveau eras. See my post from April 17, 2022.
This material is very user-friendly, being a non-woven material that can be hung by pasting the wall or by pasting the paper.

Light Fixture Makes The Room

May 1, 2022
I’d like to claim that my beautiful wallpaper job takes center stage in this breakfast nook.
But the truth is that this stunning light fixture steals the show!
I love the way the butterflies compliment the wallpaper flowers in both theme and size.
The wallpaper pattern is called Hollyhocks and is by House of Hackney .

Kill Point Over Door, Ridge, More

February 25, 2022
After you’ve hung wallpaper on all the walls in a room, the point where your last strip meets up with the first strip is called the kill point . This virtually always ends up in a pattern mis-match. That’s why you engineer to place it in an inconspicuous place, such as behind a door.
This powder room, though, had no hidden corner or handy door. That meant that I would have a pattern mis-match a full 5′ high, to the left of the toilet you see here. I prefer to have the pattern match in a corner like this. As you can see – it does. I will explain how I accomplished that.
I decided to place the kill point over the door. Even though this space is 2′ high and a mis-match might be noticeable, not many people are looking up over the door, so it’s a better choice than in a 5′ or 9′ long corner.
The dark smudges on the wall in the photo are where I’ve spread paint, to prevent white walls from peeking out, should the dark wallpaper shrink as the paste dries.
Here I’ve positioned the strip on the left. This leaves a gap of about 3″. Once I match the new strip up to the piece on the right, its pattern will not match perfectly with the strip on the left.
Now I’ve positioned both strips, and the one on the right is overlapping the one on the left.
Here’s an idea of what the pattern mis-match will look like. To be honest, it’s not all that bad, with this busy pattern and being up over the door. Still, I thought I could make it look better.
I’m going to do a double cut , which is our installers’ fancy term for a splice. I’m going to cut through the two strips, splicing them together, cutting along the vertical foliage elements, to minimize cut-off motifs and to disguise the splice.
When double cutting on the wall, it’s really important that you slice through the two layers of wallpaper only , and not cut into the primer or wall surface beneath. This is because, if the wall surface becomes scored or compromised, when the wallpaper paste dries and the paper shrinks and pulls taught, it can put tension on the wall surface. If the surface is not intact, it can give way and actually come apart ( delaminate ), resulting in wallpaper that comes away from the wall – and there’s nothing beneath it to paste it back to.
I’ve blogged about this before, so do a Search here to learn more. It’s important!
Anyway, to protect the wall beneath where I will make my splice cut, I’ve placed three layers of scrap wallpaper, to pad the wall. I figure I can cut through the two top layers, but not all five.
Note that three layers of non-woven material have some thickness, and can “throw off” the splice cut and prevent the top two strips from fitting together perfectly. In this case, the paper is flexible enough that I’m not worried about that particular scenario.
The strips are in place, and I’m ready to make my cut. I prefer to use a single-edged razor blade held in my fingers, rather than a blade-holder. What’s most important is that the blade be brand new and spankin’ sharp!
Here I’ve made my cut and am removing excess paper from the right side of the top strip. Look carefully and you can see how my razor blade followed the contours of the vertical foliage design elements.
Here I’ve removed the excess paper from the left edge of the bottom strip. You can see they are poised to fit together nicely.
Before fitting the two strips back together, though, I’m examining the wall surface. Check the photo carefully, and you’ll see that I did, after all, score into the primer. 😦 The surface below is skim-coat that was used to smooth a textured wall – and another potential layer that may come apart when exposed to tension from the drying wallpaper.
Shoulda used a Boggess Strip. https://www.steveboggesspaperhanging.com/lexanpage.htm
One way to prevent the wall from delaminating is to put something over the compromised area, to distribute the tension of the drying paper and take it away from the cut wall. Here I’ve taken a scrap of wallpaper, which is a tough non-woven material, and carefully peeled the printed surface from the white substrate (no pic of that process). Now I have a thin material that I can use to pad the wall.
I’m using the black printed side facing out, in case the spliced strips shrink a little – anything peeping out will be black and not noticeable.
Here is the bit of paper in place, spanning across the cut on the wall.
Now I’ve smoothed the two top strips back into place. Since my double cut followed along the vertical foliage elements as much as possible, and because I cut around the gold flowers to keep them full and round, the pattern looks like it matches up just about perfectly.
But wait! … What’s that lump / ridge under the wallpaper, the full height of the seam? That’s my seam padding! Doesn’t look great.
I’m really surprised at this. The non-woven wallpaper material is thick. But that’s why I pulled the top and bottom layers apart, to make my patch piece thinner. I guess not thin enough. Once dried, this ridge is going to be obvious.
But, to be honest, this is up over a door where no one’s going to be spending much time looking. In addition, once I get my 100 watt light bulb out of there and replace the homeowners’ original, small light fixture, this bump under the wallpaper will be pretty much indiscernable.
Still, that lump was buggin’ me. Another invention from my colleague Steve Bogges to the rescue! Pictured is his seam tape , which was made specifically for this type situation. This is very thin – yet strong – paper tape that is used to bridge cut areas like this, and prevent tension from drying wallpaper from tugging at unstable walls.
The tape has a pre-pasted side (the gloss you see), and feathered edges, to make it less noticeable under wallpaper.
Hard to see, but here I’ve placed the seam tape over the cut wall areas
Now the two top strips have been smoothed back into place. Amazingly, no bump from the seam tape beneath shows. And the pattern mis-match is barely visible, too.
Win-win!
All that’s left to do is to wipe paste off the surface of the wallpaper. This overlapping and splicing does mean that wallpaper paste will get on the surface of the strip underneath. Actually, there is a way to prevent that, and it also involves products from Steve Boggess
But … that’s a blog post for another day …
This pattern is called Peonies and is by Rifle Paper.

Shimmering Foliage in Heights Powder Room

January 13, 2022
Primed and ready for wallpaper.
Vanity wall done. I placed the trees so they would frame the mirror and light fixture evenly.
The slope is the underside of the stairs. At first the homeowners said not to paper this sloped area, as it is considered part of the ceiling.
After the first wall was papered, we decided that the slope would blend in better if it were covered with paper.
I’ve hung this Shimmering Foliage pattern before, but this is the first time in this gorgeous colorway. It really sets off the pretty moldings and white vanity in the room.
In this close up, you see the embossed (raised) texture in the vinyl surface. The gold is not metallic, but it sure shines!
Made by York, in the Candice Olson line. Just about everything she touches is glittery and elegant.
This is a non-woven material, and can be hung using the paste-the-wall method, although I pasted the paper instead, which makes it more pliable and also ensures that paste will get to all areas, including around intricate moldings and behind the toilet.
Non-woven papers will strip off the wall easily and in one piece when it’s time to redecorate.
Houston wallpaper installer.

From Bland White to Captivating Black & Gold Geometric

January 8, 2022
Vanity area before. Note the nice homeowner had the plumber remove the wall-mounted faucet and handle. This made the wallpaper installation so much easier – and eliminated a zillion relief cuts around these objects that might later give entry for splashed water to wick under and loosen the wallpaper.
Done. I centered the pattern on the wall so it hits both corners equally, and it falls perfectly around the faucet (no photo). The light fixture was hung a tad off-center.
Burnished gold accents of the light fixture, faucet (to be installed later), and toilet paper holder, as well as a gold-painted ceiling, compliment the gold lines in the pattern, and really pull this room together.
This non-woven paste-the-wall material is made by Trend, and is in the Jaclyn Smith collection. It has a slightly textured surface, and appears to be vinyl on the surface. This makes is more durable and stain-resistant than most paper wallpapers. It is thin and flexible, and I liked it a lot.
The home is a contemporary new-build in the Lindale Park neighborhood of central Houston.

Cactus Patch Powder Room

January 5, 2022
I didn’t get a picture of the original dull, putty-brown paint, which did nothing for this space. Here is the room primed with my favorite Roman Pro 977 Ultra Prime, formulated specifically for use under wallpaper.
Sink / vanity area before.
Wow! This billowy cactus pattern makes a statement!
Tall! The ceilings in this home are over 10′ high. This very fluid, vertical design makes them seem even higher! Your eye just swoops up toward the ceiling! This back wall is what you see when you first enter the room, so I centered the cactus pattern on this wall.

I was also able to center the pattern on this sink / vanity wall. It will look nicely balanced when the mirror goes up. A new light fixture is coming, and will be installed where you see the round hole / electrical box in the wall.
Close up.
Milton & King is the manufacturer, and San Pedro is the pattern name. M&K makes nice wallpaper, and I enjoyed working with this. It’s a non-woven substrate, so you can paste the wall if you like – but I usually prefer to paste the paper. The surface felt like a thin, flexible vinyl – durable and fairly resistant to splashes in a bathroom. Their patterns often come as a 2-roll set, with an ” A ” roll and a ” B ” roll. It can be a little tricky to measure for these until you get accustomed to how they work. Further complicating the issue is that this design has a 51″ pattern repeat. In a nutshell, this means that, in order to match the pattern from strip to strip, you may have to cut off and throw away as much as 50″ (more than 4′ ! ). Thus, with these high ceilings and the long pattern repeat, instead of getting three strips from each 33′ long roll, I got only two. So a lot of paper went into the trash pile. It’s important to be cognizant of that and include the waste factor when calculating how much paper to purchase. Better yet – have the paperhanger figure it up for you!
These homeowners had already ordered their paper before I arrived for the initial consultation. After measuring and calculating, I told them to purchase one more 2-roll set.
Another odd thing is that at the end of the day, we ended up with two full unopened “B” rolls plus one full-length “B” strip,,,, that’s a total of five full-length strips. But we had only one 10′ strip left of the “A” rolls. This points out that, depending on the layout of the room, you can use more “B’s” than “A’s” or vice versa. I’m sure glad I made them buy that additional 2-roll set!
This new townhouse in the Heights neighborhood of Houston is home to a young couple. They will be married in a month or two. I had originally set their install date for a week or so before the wedding. I got a last-minute schedule change, they were able to get the room ready for me on short notice, and so I got their wallpaper up today,,, and they can spend the next months focusing on their upcoming special day!

” Creative Wiring ” On Powder Room Light Fixture

January 1, 2022

Whoa-ah! No electrical box in the wall, and wires just fished out of a hole … Probably safe, but it’s definitely not up to code. I’m guessing that it was not possible to center the light fixture on the wall, possibly due to the location of studs or other. This light fixture is coming down and will be replaced with something else. What it means to me is, I’ll put up the wallpaper, and will just have to hope that the new light fixture can be placed within the footprint of the existing hole in the wall. To install the new fixture, which may involve inserting a proper electrical box, the electrician may have to cut holes in the wall – and the wallpaper. Even if he manages to do this carefully and with minimal cutting into the wall, it’s very possible that Big Bubba will bumble and get dirt or mess of some kind onto the wallpaper. It’s hard to fix things like this. Often it means stripping off all the wallpaper on that wall, and rehanging the whole wall. Not fun for me, and not economical for the homeowner.
The next day I learned that the homeowner is not going to reuse the light fixture, so I took it down completely, and then was able to remove the mounting plate. Now it’s possible to see what the heck went on. There is, indeed, an electrical box inside the wall. A quarter-moon sliver of the round electrical box is visible at the right. The box was not centered on the wall, possibly due to placement of studs in the wall or some other reason. So when the current light fixture went up, the mounting plate had to be moved to the left, in order to center it over the sink. The electrical wires were fished out of that small gap and were long enough to meet the light fixture a few inches to the left. There must have been a hole in the wall to repair, because I can see a chunk of new drywall that was added at some point.
Of concern to me is that the new light fixture can be installed without mucking up the new wallpaper. Some fixtures have such a small base that they barely cover a standard electrical box. Here the base has to be large enough to cover both the new, centered mounting plate, and the hole in the wall which provides access for the wires. I brought the wallpaper as tightly as possible around that hole; if the electrician needs a larger hole for access, he can simply cut small bits of the wallpaper away. If the new base is a wider rectangle, it will be wide enough to cover that hole and also be centered over the sink – problem solved!
Of course, there is also the worry that the new wallpaper might be soiled or scraped while the new fixture is being put up.

Getting Hanging Light Fixture Out Of My Way

December 12, 2021
I love the industrial look of this light fixture in the powder room of this new build in the the Houston Heights. But the light globe was hanging right where I needed to have my head during the wallpaper installation. So I used my handy “S” hook to temporarily shorten the chain and cinch the fixture up near the ceiling.
View from below.
After the paper is up and the light fixture is back in its planned position.

The wallpaper pattern is called Khotan, and is by Zack and Fox,