A Really Nice Faux Grasscloth , Suitable for Bathrooms

The homeowner wanted the look of grasscloth, but didn’t want the stains that can happen when splashed with water or toiletries.  Another displeasing feature of real grasscloth is the very visible seams , and the likelihood of color differences between panels (called paneling or shading ).  So she opted for this textured vinyl version.  She loves the look.  It is a handsome room!

Original 1990’s paper has been stripped off, Roman Pro 977 Ultra Prime wallpaper primer has been applied, and we’re now ready for paper!

This material has a pattern that matches from strip to strip, so you don’t get the eye-jarring look of broken fibers at the seams , like with real grasscloth or other natural materials. 

Here’s a close-up, detailing the texture.  About ¼ from the right is a seam – it’s barely noticeable . 

Opposite wall.  For balance, I plotted that the seams fall at the same point on each wall – 18” from the mirror frame

I’m getting ready to hang a strip that will knock against that mirror frame.  To keep paste from slopping onto the molding , I’ve applied this thin, flexible blue plastic tape along the edge.  This will keep paste off the molding while I trim that strip to fit against the molding.  Once that trimming is done, I’ll remove the blue tape and then smooth the wallpaper back into place.

Since this is a dark wallpaper, I worry about the light colored primer peeking out at the seams.  This can happen because sometimes the factory hasn’t trimmed the edges perfectly straight , or the wall may have uneven areas or bows , or some papers shrink a tad when they dry .  So here I’ve plotted where the seams will fall and have striped the area with diluted paint .

I use bottles of craft paint from the hobby store (good old Texas Art Supply !), and apply with a scrap of sponge .  And my trusty Gatorade bottle cap with water, to dip the sponge into to dilute the paint … you don’t want full strength paint under there.  Wallpaper wants to adhere to a primer made for wallpaper – not paint designed to color Christmas ornaments. 

Another and probably more important trick is to color the edges of the wallpaper.  This navy blue wallpaper was printed on a white stock / substrate , and it’s highly likely that the edges of that substrate will show at the seams .  So, again back to Texas Art Supply (or a good hobby store) for chalk or pastel , which I run lightly along the edge from the back so as not to get any color onto the surface of the wallpaper .  That little dark nub you see is my chalk… the stuff breaks easily.  It’s important that you not get oil pastels or use any kind of ink marker, as these will leech into the wallpaper and stain it, leaving you with a nasty dark line down the seam . 

I really liked this product.  It was flexible enough to wrap around a rounded / bull-nosed corner , but stiff enough to not warp .  It’s on a non-woven substrate , which contains polyester , which makes it less likely to shrink .  This stuff is also designed to strip off the wall easily and in one piece with no damage to your wall when you redecorate .  Another advantage of non-wovens is that they can be pasted and hung immediately, with no booking or wait time.  Although I generally prefer to paste the paper , you also have the option to paste the wall with this material.
The non-woven backing won’t be sucking up humidity like the paper backings used years ago (or in modern lower-end products), so greatly reduced chance of seams coming loose if your teenager spends an hour steaming up the bathroom . 
The vinyl surface means that it will be resistant to stains from water , toothpaste , and little (and big!) hands . 
In addition, I liked that the material has a realistic grasscloth look, and a realistic texture , as well as a pattern that could be matched, which helps disguise the seams.  I didn’t match the pattern in the corners, though, to avoid having the horizontal bands running around every wall of the room at the same height.  Looks better to break it up a bit.  Also gave me more flexibility in placement of seams.   
The brand is A Street Prints and is in their Scott Living line  (as in the Scott Brothers of HGTV fame). 
The home is in the Champions Forest area of Houston .   
installer paperhanger

Stains Bleeding Through Wallpaper

This is the current wallpaper, and I’m to put a new paper in this powder room.  For various reasons, this paper cannot be stripped off the wall , so I’m prepping the walls to be able to hang the new paper on top of it .  Normally, my favorite Roman Pro 977 Ultra Prime will seal this effectively enough.  But – hard to see in this photo – but this existing paper looks dirty to me.  Some of that is due to the mottled look of the pattern / colorway .  But I’m seeing tan discoloration , and I think it’s coming from under the wallpaper . 
This home was built in the early ‘90’s , and in a neighborhood where , through stripping off many old wallpapers in order to prep for new installation , I’ve noticed that someone working in that area and era used what we call clay-based paste .  This paste is made using actual clay – i.e. dirt – and has a reddish color .  I  believe that this red clay paste is able to work its way through wallpaper, and creep onto the surface, causing a subtle “dirty” cast to appear on the wallpaper. 
Once you strip the old wallpaper off the wall, the wall can then be washed , and hopefully you’ll get all the clay paste off .  But usually, no matter how much you scrub, residue will remain.  I fear that that residue will work its way through the new wallpaper, as well. 
Additionally, the most severe stains are in the vicinity of the toilet – housekeeper splashing cleaning agents?  or little boys with bad aim ??  
Yes, most homeowners will never notice this, especially since it can take years to show up.  And the paper I’ll be hanging is black , so it’s highly unlikely that any discernable stains will become visible .  But I get a little anal about wanting jobs to look perfect. 
 

So I like to use a stain blocker , which will ensure that no discoloring elements will work their way through .  My two favorites are KILZ Original , oil-based primer .  KILZ is wonderful, unparalleled stuff.  But it does have strong fumes , so you have to ventilate the room thoroughly and also wear a chemical respirator while applying it, to avoid becoming “high.”  i.e. “sick”   
My other option is BIN , which is shellac – based  .  This is also an excellent stain blocker , and has a strong smell , but nothing that will kill your brain cells .  Since my current clients have little kids, I opted for the BIN . 
Unless you want to go through a LOT of paint thinner and mess , you can’t easily wash oil-based or shellac-based liquids out of your roller cover or brush es .  So I plan to use disposable rollers and brushes.  This doesn’t mean cheap rollers and brushes – it just means that I factor in that these will be used once and then thrown away. 
Speaking of factoring in costs – the gallon of BIN was  $70 (and that was a reduced price due to dented can).  The KILZ was $40 , but I would have had to purchase a new respirator and cartridges , which would have added an additional $40 – some of the respirators went up to $70.  March 2023 prices . All this needs to be considered when figuring up the price for doing a wallpaper job.   I’ll also note that these products can be difficult to source – my local hardware store, which typically has stock even when larger outfits are out , had only one can of KILZ and one scratch-and-dent can of BIN .  Whichever I would have chosen, I sure got lucky. 
Note that these stain blockers are formulated to block lots of nasty stuff – water stains , blood , rust , wood sap / knot holes , ink , tar , grease , crayon , lipstick , cooking stains , marker , Sharpies , etc. 

Back to BIN….  It’s very watery and runny and drippy .  So you really have to cover the floors and baseboards , as well as countertops , toilets, etc.  Microfiber roller covers help a lot to minimize splatters .  Roll slowly and in an upward motion . 
Oh – additional plus … both BIN and KILZ dry quickly, so you can apply it and then move to your next step in less than an hour. 

Besides the shadow-y paste residue , this room has other issues .  Here, someone used ink pen to mark placement of the hooks for the powder room mirror .  Eeek!  Ink will bleed through paint and wallpaper even faster than clay paste residue will.  Here you can see one coat of the BIN applied – but the ink seems to have  been “resurrected” and is actually enlarging and spreading, and bleeding through the stain blocker . 

Here I’ve spot-primed with a heavier coat of BIN , and that appears to be holding the nasty ink at bay . 
Note that wallpaper paste will not adhere to oil-based products like KILZ , and probably not to shellac , either, because it dries kind of glossy.  So whichever of these primers you choose to use, you will need to top-coat with a primer formulated for use under wallpaper – and that will adhere to the stain blocker.  Tomorrow, I’m going to follow up with Roman Pro 977 , as mentioned above . 

Treating Water Stains

This window had leak issues ( rain , sprinklers ) some years back, which have been solved by replacing the window, and doing other repairs.  In the photo, I’ve applied my light blue wallpaper primer to the top half of the wall but not yet the bottom portion, so that’s why the color difference

Even though the leak has been stopped, vestiges of it are still appearing.  Water that entered the wall left vertical streaks on the drywall .  All these years later, after the paint and texture have been removed , the stains remain.

Water stains , along with some others, such as blood , rust , ink , marker , grease , oil, cosmetics , and the like, will bleed through joint compound , primer , paint , and wallpaper , creating new stains on the surface .  It may take a couple of months , but they will make an appearance . In this photo, I’ve already applied my blue primer. It only took a half an hour for these stains to work their way through.

This is the top right corner of the window , where the bracket for the mini-blinds is attached to the wall.  Note the stains on the underside of the window . 

To prevent these stains from working their way through the new coating / paint / wallpaper , it’s imperative to thoroughly cover them with a stain blocker .  And – trust me – water-based products won’t work, despite what the label claims.  You need an oil-based product like this KILZ Original , or a shellac-based like BIN by Zinsser .  Both are prone to splatter , so be sure to cover your floor and baseboards with dropcloths .  KILZ has strong fumes and can make you high , so ventilate or wear a respirator mask .  It’s a hassle cleaning the liquid out of the brush , so I use a cheap-ish disposable “ chip brush ” from Home Depot or Sherwin-Williams .  The products usually dry pretty quickly.
Note that wallpaper paste won’t stick to most oil-based primers , and shellac is too glossy for good adhesion , so I’m going to go over the stain blocker with my usual Roman Pro 977 Ultra Prime wallpaper primer , which sticks to just about everything , and creates a good, matt finish surface for the wallpaper to cling to.  

Spoonflower Swimmers on Art Wall

This couple in a nicely updated 1939 home in the Montrose neighborhood of Houston has a blank wall in the back of their large walk-in closet.  They have a lot of colorful , modern art and wanted a backdrop for it that would be fun, but wouldn’t compete .

One of the gals is an administrator for the athletic department in a local school district – so this small print “ Swimmers “ design is just perfect.  In fact, the day I hung this, she was away at a swim meet in Austin ! 

Note that Spoonflower offers scores of designs under the “ Swimmers “ name, so be sure to check all of them, and all the colorways they come in, too. 

Detail

Spoonflower is a little different from most wallpaper companies, in that it’s material comes in individual panels, or sheets – which they call rolls .  Each of these is 24” wide, and then you choose the length you want, between 3’, 6’, 9’, and 12’.  Each roll comes nicely packaged in an individual thick plastic zip-lock bag . 
These ones are upside down, so I had to re-roll them so the pattern would be coming off the top of the roll . 

Here are some tips about hanging Spoonflower. 
First of all, I like their “ Pre-Pasted Smooth Removable “ option.  And it’s the only one I’ll work with.  Their “ Traditional Pebble “ is a heavy vinyl that requires special trimming , bubbles, and is better suited for commercial spaces.  And, the Peel & Stick – well, everyone ought to forget  that sad stuff.  Please read my link to the right about that material. 
In this photo, you can see that the white material is thin and translucent , allowing things underneath to show through, sort of like a shadow .  So I need to be careful to make my pencil marks and notes on the wall very lightly. 
Side note: Never write on the wall or paper with ink or marker or crayon or grease pencil – it will bleed through the wallpaper .

This is a pre-pasted material , meaning that a thin layer of paste is already applied to the back.  To activate the paste , all you need to do is dip it in water , run it through a water tray , or spritz the back with a squirt bottle (uneven and kills your wrist) .  Their paste is quite adequate.  But I do like to have a little extra assurance, so I will roll on a little of my Roman 780 wallpaper paste onto the back. 

Then I take a sponge and drip clean water from a bucket onto the back of the paper .  Next I use a paint roller to spread the mixture of water and paste around the back .  This both activates the pre-paste, and also spreads around a little extra adhesive . 

Next, the paper gets folded pasted-side-to-pasted-side ( called booking ), then rolled or folded loosely.  I like to dip the ends of the rolled strip into a bucket of water – just 1/8” or so, to prevent them from drying out while booking.  Then the strip is placed in a plastic trash bag to prevent it from drying out during the booking period – a few minutes.  I use this time to paste and book my next strip . 

Spoonflower Pre-Pasted Smooth is a little different from most papers, because it’s designed to be overlapped at the seams.  Here I am lining up a seam.  This overlap does show as a ½” wide ridge along the entire length of each strip.  With busy patterns, it’s not very visible. 

Even with sparse designs like this one, once it’s dry and flat, you don’t notice.  Here’s the overlapped seam looking toward the light, which is leaving a very minor shadow.  And the overlap can be a good thing.  For starters, most wallpapers shrink a little when the paste dries, so you can end up with slight gaps at the seams.  Overlapping eliminates that.  Also, if a wall is unstable underneath, due to incompatible layers of paint , or dusty walls, or other, the tension of these drying strips of paper can cause the layers inside the wall to come apart / delaminate – and that will result in paper that comes away from the wall, taking layers of paint and etc. along with them.  This usually cannot be repaired or “ glued back down .”     (Do a Search here to learn more)  So overlapping the seams disperses the tension caused by the drying paper, and eliminates any seam from landing on the wall (because the sheets are overlapped ), so no popped seams .

Here is the seam looking away from the light.

Because Spoonflower Smooth Pre Pasted is thin paper and water-activated , it absorbs a lot of moisture from the water.  So the material can’t help but expand .  This can result in bubbles on the wall.  Also, when air pockets develop, there is nowhere for the air to escape, so, again, bubbles and blisters. 

If there are huge bubbles, it may be worth taking a brush or plastic smoother and chasing them out.  Or using a pin or razor blade to poke tiny holes to let the air out. 

But, really, if you can just relax and let nature take its course, as the paper dries, these bubbles will dry flat and disappear.  Trust me. 

Another thing that can happen is wrinkles .  These tend to form in the same place on every strip , and coordinate with how the paper was booked and rolled after pasting . 

The worst of these can be chased out with a plastic smoother.  But there are dangers to over-using the smoother tools.  Doing so can stretch the wallpaper and cause it to warp, which means the pattern might not match up perfectly on the next strip.  Or it might cause wrinkles that can’t be brushed out.  Again – if you can just sit tight and let the paper dry naturally, the creases and folds will disappear. 

I did some experimenting and found that booking and then rolling the strip up like a newspaper resulted in more wrinkles.

It worked better to paste, book, and then fold gently and loosely. 

Then into the plastic bag to sit for a few minutes .

Spoonflower PrePasted Removeable Smooth .  I like this stuff. 
Removeable means that it’s designed to strip off the wall easily and with no/minimal damage to your wall when you redecorate down the road. 
I suspect this is made by York , as it’s very similar to their SureStrip line .  Good stuff. 

The order comes with a mock-up of the strips / rolls you’ve purchased.

Install instructions

Promo info from Spoonflower .

Translucent Wallpaper

Beware that some papers are thinner and more see-through than others.
Look closely, and you can see the shadow of the wallpaper inked pattern underneath this top layer of wallpaper.
Nothing wrong with this. Just something to be cognizant of.
So just be sure to not write too heavily on the wall,* nor to make dark pencil marks on the back of the wallpaper.* Because they may telegraph through to the surface after the wallpaper is up.
*For instance, I write measurements, and also notes like strip sequence on the wall. And on the back of the paper, I always mark the top of each strip, and also the number / sequence each strip should be placed on the wall.
Also just a note – always write in pencil , or chalk. NEVER make marks on the paper or on the wall in ink or marker – these substances bleed through wallpaper, paint, and other materials, and will leave a nasty stain on the surface of the paper.

Grasscloth Engineering and Logistics – Technical Details Post

Grasscloth is a natural material that cannot be matched from strip to strip, so all the seams will be visible . In addition, there is usually a slight but noticeable color difference between strips / panels (called shading or paneling ) . So it’s important to plot the layout of the strips to give the most visually pleasing overall look. Usually this means balancing the width of strips so they are all equal , at least on the same wall . We call this engineering .
This wall presented particular challenges , due to the widths of the elements. Grasscloth comes 36″ wide . You can use your straightedge and a sharp razor blade and trim it down to any width you want.
The width of both the large wall spaces to the right and left of the bank of windows was 34.” The width of each window was about 35.” The width of the two spaces in between the windows was 7.”
So you’d think I could trim my panels on either side of the windows, and then over the windows, to about 34″-36″ – give or take a few inches (or fractions thereof).
But that would leave me with two 7″ wide strips between these 35″ panels. Although the look would be uniform and mirror-image from the center outward, moving from right to left you’d have: 35,” 35″, 7,” 35,” 7,” 35,” 35,” … those 7″ breaks were just not going to look right.
One option was to determine the width of the wall (189″) and make each strip an equal width. This worked out to six strips, each at 31.5″ Not good, because this would mean a seam down either far side. And since those sides were 34″ wide, that would mean a 31.5″ wide strip and a strip 2.5″ wide. Not attractive at all, and it would use up an extra strip of wallpaper.
This six strips @ 31.5″ wide scenario might also land with a seam smack in the middle of those 7″ wide interludes in between the windows. Not attractive at all.
So I decided to make the two outer strips 35″ wide. That left 119″ of wall space above the windows to be covered with wallpaper. Do some math and you get four panels of 29.75″ wide. This gave a balanced and uniform look to the area over the windows, and also prevented seams from landing between the windows.
Moving right to left, I cut and hung the full length outer strip first. Then I cut and hung the strip over the window on the right. Then I measured to find the centerpoint of the window in the middle. Turns out it was a bit less than 29.75″ away. So I trimmed that next over-window strip accordingly.
Once that was in place, I measured from that center point above the middle window out to where my left full-height panel would fall, 35″ out from the wall. Took the resulting measurement and divided by 2. Lo and behold, each of the next two panels over the window was going to be a bit wider than 30.” No problem. No one (but a paperhanger or maybe an engineer) is going to notice a 1/4″ or even a full 1″ difference in widths between this strips over the windows.
Another thing to point out … it’s important that I took measurements before cutting these strips for this second left-hand section. Because, since grasscloth comes at 36″ (and walls can be wonky), if my strips had been narrower (say, 28″), that last full-height panel on the left might have ended up needing to be 37″ wide – and that wouldn’t work because it only comes 36″ wide – plus you need at least 1/8″ to wrap around the corner.
Luckily I had the flexibility to be able to trim the panels over the windows to any width needed, to accommodate all this.
If you’ve followed all this so far, let me also toss in that we also need to figure how to get paper in between those windows. More on that below.
In this scenario, I’m moving from right to left.

Area beneath the windows needs to be treated in the same way, and preferably with widths that match what’s going on above the windows. In addition, it’s tricky because after you move across 12′ of wall space, the strips above and below the windows are going to twist and torque out of shape, so that last full-length panel on the far left might not butt up perfectly with the last strip under the windows.

The grasscloth is black , and my wallpaper primer is white . It’s common for teeny gaps to appear at the seams . In this case, it’s likely that white wall would peek out from those gaps. So I like to stripe under where the seams will fall with dark (diluted) paint . This takes measuring , plotting , and also a heat gun to get the paint to dry before the wallpaper hits it, to avoid staining. You can do a Search here to read more about this technique .
Now let’s talk about getting wallpaper in between those windows.
As you can see in the photo, if I hang a 30″ wide strip, a whole lot of paper is going to be cut off and thrown away. Also, a whole lot of sticky, pasted paper is going to bump against that window molding and maybe even the window glass. A lot to clean up! And unwieldy, to boot.
My solution was to stop the wallpaper just a little below the tops of the windows. Then I would patch in a 7″ wide strip in between the windows. This is trickier than it sounds, because, if it were a paper wallpaper, I could simply cut along a design motif and overlay the 7″ wide piece. But grasscloth is thick and overlaps don’t look good. Also grass has no design elements , and the reeds of grass don’t necessarily fall perfectly horizontal , and even if you cut everything perfectly true to square , if the window molding is a teeny bit off-plumb , then your edges won’t butt up perfectly.
So that’s a good reason for striping the black paint under where the butt join will occur.

Same thing for the sections under the windows. I measured and positioned the strips so that the top edge (which I had trimmed to be perfectly horizontal) fell between the narrowest part of the windowsill molding, for less visibility.
I admit, instead of butting the two pieces, here I did overlap the 7″ wide strip about 1/4″ onto the piece under the window, right at that narrow junction. It’s only about 3″ wide, and I figured no one is going to be examining it that closely, anyway. This saved me about a half an hour of measuring, trimming, testing, repeat, repeat.
This is my second window interlude, and by this time I had realized that it’s hard to trim stiff grasscloth around intricate moldings precisely . So I used paint to fill in the edges around the window molding, just in case there might be any gaps between the grasscloth and the molding, so you would see black instead of the white molding paint. I did this with a small sponge; if I had used an artist’s brush it would have been a bit neater and tighter to the conforms of the molding. But sometimes you’ve gotta relax and realize that no one’s going to be scrutinizing the insides of moldings below shin-level.

Area over windows finished, with drapes back in place.
Turns out this particular grasscloth is so uniform in color (quite unusual, I will add), that you can’t really see the panels , nor their equal widths , anyway. I’m still glad I took the time to do all this math and trimming.

Area below the windows, done. That last seam on the left bears some explanation, too. Moving across the top of the windows, I measured that that last strip – the full-length strip – would need to be exactly 35″ wide. It butted up nicely to the last strip above the windows.
But, due to twisting , shifting , expansion , unlevel and unplumb walls and ceilings , and other factors, there is a really good chance that that last 35″ wide strip would not butt up perfectly with the last 30″ wide strip under the window . So I planned to splice these last two strips together.
Yeah, the drapes are hanging there, I coulda overlapped the two strips about 1/2″ and the drapes would have covered it. With a thin wallpaper, I probably would have done this. But grasscloth is thick, and an overlap would be visible , and also the adhesive / paste can’t be trusted to adhere as well to grass as it would to paper .
So I plotted for a splice. Instead of trimming my last strip under the window to 30″ (read above), I trimmed it to 32″ wide. That way, when I hung the last full-length strip to the left, which was 35″ wide, it overlapped the piece under the window by a few inches. Then I did a double cut and spliced the two pieces. See below for details about that technique.

Grasscloth is 36″ wide, and this wall area is wider than that. So two strips were needed. This means you’re going to have a seam, and since grasscloth seams are always visible, it looks best to plot to have the seam fall down the center. It uses more wallpaper to do this, but it looks much better than having, for example, a 36″ wide strip next to an 8″ wide strip.
As mentioned above, in case you get thin gaps at the seams, a dark stripe of diluted craft paint under where the seam will fall, will prevent white wall from showing through.

Rounded / bull-nosed edges and corners have been popular in new construction for at least 10 years. I wish they’d go away. They’re very difficult to trim around, and hard for the paper to conform to and adhere to.
It’s very hard to trim around that rounded edge, because the paper is hanging over and blocking your view, because grasscloth is thick and stiff and your fingers can’t feel through it, and because the edges aren’t necessarily true and plumb so a laser level or other level won’t help you much.

I use this little gadget as a trim guide. It’s actually a small section of the same corner bead material that drywallers use when they assemble these walls. Cut to about 1″ long and notched in different places where you might trim along the edge of the wall.
It’s intended that you place your trimming knife in one of the notches and slide the gizmo along the edge and make your cut. I find that awkward and also inaccurate. So I prefer to use the notches as a guide and mark where I plan to trim with a pencil. Since this wallpaper is black, I used this marking pencil from my home sewing kit instead. Chalk might work, but I was afraid it might now wipe off completely.
The pink pencil line was barely visible, but it was enough for me to use a scissors to trim along the grasscloth. I like this better than using a razor blade as I can see better, and also less chance of scoring into the primer or wall. Which raises its own set of issues – do a search here to find previous posts.

Inside view of the trim guide.

Finished arch. Note the four panels of equal width above the arch. And two flanking full-height panels also the same widths.
I was lucky that there was no pattern to match, so I was able to butt my two flanking strips right up to the edge of the bull-nosed corner. No trimming needed! Then I measured the remaining width between these two strips (the area over the arch), divided by four, and cut four strips of equal widths.
I hung the two on the left, and then one on the far right. This left one strip still to be positioned to the right of center. So the pieces are going to meet over the arch, rather than the last strip falling in a corner.
Same as the last strip under the window (discussed above), it’s really difficult to get your last piece to fit in here perfectly. I’ve done it, but it takes a lot of measuring, trimming, testing, retrimming, and often starting all over again.
So I did a double-cut / splice.

A double cut involves cutting each strip an inch or so wider than it should be, and overlapping the two. Then you take a straight edge and sharp razor blade and cut through both layers. This handy tool is a wonderful non-slip guide for this process. It was invented by an installer colleague in the Wallcovering Installers Association ( WIA ) and she has them fabricated in various lengths (along with other cool tools ) and sells them on-line. Contact me if you’re interested.
Anyway, it takes a lot of strength to cut through two layers of grasscloth, so somewhat difficult for lil’ ol’ me.
You also want to be sure to not cut / score into the wall, because the tension of drying wallpaper can tug at the wall and cause it to actually come apart, leaving an open seam that’s difficult to repair.
So you’ve got to put some padding under the wall where the cut will take place. I use special strips of polystyrene (hard but flexible plastic) to pad the wall. Also invented by a colleague in the WIA , who also sells other cool tools and supplies. Contact me if you’re interested.

This black grasscloth was printed on a white substrate. If the seams aren’t absolutely tight, there can be worries about the backing showing through to the front. So sometimes we’ll take a piece of chalk or pastel (never oil pastel or permanent markers because they bleed and stain ) and run it along the edge of the paper – from the back, and taking care to not get chalk on the surface.
I do this frequently with dark papers ( do a search here to see previous posts ) but opted not to do it with this grasscloth. It wasn’t necessary, and might have stained the porous reeds of the grass. It was beneficial, though, to have striped dark paint on the wall under the seams, as mentioned above.

Ugh. Grasscloth comes 36″ wide, and this section of wall is 38″ wide. It’s not visually pleasing, nor is it easy from an installation point of view, to have a 36″ wide strip next to a 2″ wide strip. Or to use scraps and put a 25″ wide strip next to a 13″ wide strip.
So best to plan two strips of equal widths. Two strips, each 19″ wide, with the seam down the middle.
Actually, the strip on the left was 19″ wide, but I trimmed the strip on the right to 21″, because I like the wallpaper to extend 2″ over the top of the door molding. This provides a more stable surface in case of shifting foundation or walls, and less likelihood (knock on wood) of the seam opening up should the house / drywall experience shifting.
Note that design “rules” caution against seams down the middle of spaces. But it would have been more visually distracting (and used up more paper) to have made three strips of each 12.75″ wide. And would have looked even dumber to have used scraps left from other walls and put together two strips of disparate widths.
So the homeowner and I discussed during our initial consultation , and she was happy with the center seam. Once it was all finished, this particular grasscloth was so even in tone that you barely see the seams, anyway. Win-win!
This did use up additional paper, though, as noted in a previous photo above.

Dark and Moody Bedroom Accent Wall

The wall has been skim-floated and sanded smooth , primed , and is ready for wallpaper .

The homeowner did a great job coordinating the wall and ceiling paint with the colors in the wallpaper.
This is a room that’s made for sleeping!

At first I thought the pattern scale was too small for the large wall. But once I saw it on the wall, I really like the way it fills the space.
To me, this pattern has a sort of calico look.

Close-up shows the light texture on the paper.

This is a non-woven material, so I’m installing via the paste the wall method . Here I’ve cut and arranged all my strips in the order in which they will be hung . This is a drop match pattern , which some folks think of as A and B strips. Meaning, for instance, an orange flower appears at the top of the wall on Strip A . But the next strip, Strip B, has a yellow flower at the top. When you get to the third strip, we are back to an A and an orange flower. Next comes another B strip – and so on.
I’ve rolled the strips backward , with the top of the strip coming off first. This will prevent the printed face of the wallpaper from bumping into the pasted wall during installation .

Wallpaper often shrinks a tad when the paste dries , and this can result in very minute gaps at the seams . With dark wallpapers , it’s pretty important to take steps to prevent white from showing at these gaps. Here I’ve measured out where each seam will fall, and taken diluted black paint to make a dark stripe under each seam . I don’t make the paint full-strength, because wallpaper paste isn’t formulated to adhere to paint. I want the wallpaper adhering to the primer I’ve applied. That’s also the reason why you don’t want to roll paint over the whole wall.
Also, I have only striped some of the seam areas, and will wait until some strips are up on the wall before striping more lines. This is because wallpaper expands when it gets wet with paste, which can make it difficult to plot the exact width of each strip as you move across the wall.

I use acrylic craft paint from the hobby store, applied with a bit of sponge. I keep a small dish of water to dip the sponge into, which dilutes the paint a bit.
You also see a stick of chalk pastel . See next photo.

Besides the wall peeking out from behind the wallpaper seams , it’s also possible / probable that the white edges of the wallpaper backing / substrate will show at the seams. I take a stick of chalk and run it along the edges, making sure to apply from the backside, to avoid getting chalk onto the surface of the wallpaper.
Be sure to use chalk pastels and not oil pastels – oil will bleed and stain wallpaper. Some installers use liquid paint or markers – again, be sure to use water-based or acrylic , and never oil based or permanent markers .

BN Walls is the brand. Altogether, this was a pretty nice product to work with. It was thin and very soft and flexible (many non-wovens are not).

I wasn’t happy with all the seams, though. I believe the paper was cut with dull or wobbly wheels at the factory, because the edges seemed to not be perfectly straight . So I ended up with gaps and overlaps in some areas. Here you can see the wallpaper edges pouching up a bit due to excess paper.
But, as I mentioned, this material was quite flexible, so it was pretty easy to spread these edges apart an use a tool to push them apart and then down to prevent them from pouching up again. Once the paste started to dry, these areas held nice and tight and flat.
This is a townhome in the Rice Military neighborhood of central Houston .

Geometric Grasscloth in Home Gathering Area

No, this large room with sink and counters isn’t a kitchen. The family loves to entertain both family and friends, so included this “bonus” room in their new home’s plans. It’s used for both entertaining and crafting.
The wall facing you was originally painted a semi-gloss navy blue. In the photo, I’ve applied my wallpaper primer.
It will adhere to the glossy paint, and provide a matt finish for the wallpaper paste to grab ahold of.

Taking measurements and plotting the layout.

This paper has a selvedge edge , which has to be trimmed off by hand with a straightedge and razor blade. The manufacturer has not provided trim guide marks , so I am using a ruler and my eye.

The new look is so dramatically different I couldn’t resist taking a photo mid-hang. As you can see, I’ve used dark paint to stripe under where the seams will fall, to prevent any of my primer from showing through at the seams.
You can see the ceiling line starting to track upward on the right portion. More on that below.

Finished. Perfectly centered.

This is the mounting hardware for the big screen TV . I asked them to remove the TV, but we left the mounts in place. In order to support the heavy TV, they are placed quite securely into the wall , and I feel it’s best not to jimmy around with that.
Rather than have the first strip straddle the TV mount, I plotted to have my first seam fall down the middle of the wall, placing a seam in the mid point of the mount. This meant I had to hang four strips instead of three, but it made it a whole lot easier to work around the TV mount, as well as to keep the left and right edges of the grasscloth straight and plumb.

Close up showing the texture of this grasscloth material. It’s atypical to have grass cloth printed with a pattern , and I rather like the way the ink looks somewhat scratchy against the rough background.

Because it’s Schumacher, you can expect printing defects . The slight pattern match doesn’t bother me, as there were many more places along each strip that matched up perfectly. Nor do I mind the different intensity of ink on the two strips. That’s all part of the look of grasscloth.
But I wasn’t pleased with the white ink out in the middle of nowhere, as seen about 1//3 down the center of the picture. This isn’t considered a defect , and from a distance it’s not really noticeable. But it bugged me.

So I used some water-based paint and a very small brush from the craft store and lightly touched up the spots.

I also softened the mis-matched edges a bit. There’s a fine line between covering the white spots and staining the material, so use a light hand. And never permanent ink or oil-based markers or pastels.

Likewise, the ceiling line was not level, so as I moved from the mid-point out to the right, the ceiling rose above the geometric motif’s top edge, and a white line began to be visible, but only to the right of the centerpoint.

So I used the black paint to cover up that extra bit of white. This increases the width of that horizontal navy blue line from 1/4″ to about 1/2″. But from down on the floor you can’t tell, and it looks a whole lot better than having white on the right side and none on the left.

The brand is Schumacher and the home is in the Garden Oaks / Oak Forest area of Houston.
The interior designer who came up with this bold and lively look is Clayton Brooks .

Preventing White From Showing At The Seams

When wallpaper gets wet with paste, it expands a bit. And when it dries, it can shrink just a tad. That teeny gap at the seams can expose the wall underneath it. This can happen even with the non-woven materials, which are supposed to be dimensionally stable.
In addition, manufacturers usually print on a white substrate, so sometimes you see the edges of the paper at the seams, too.
All this is much more noticeable on a dark paper, such as here.
One thing I do to prevent / minimize this is to strip the wall with dark paint under where the seams will fall. So even if a seam opens up a bit, you’ll see dark, not white.
Since non-woven wallpapers don’t expand (much), it’s easy to measure the width of your strips and plot where the seams will fall, use a level, and then apply the paint.

I use plain old craft paint from the hobby store. I use a scrap of sponge and dip that in water (in my orange bottle cap) then into the paint, and then run my stripe down the plumb line I’ve drawn on the wall or used my laser level to shoot a vertical line.
It’s important to not get the paint too heavy or thick, because the wallpaper paste may not want to grab ahold of paint like it wants to hold on to a wallpaper primer. And definitely don’t use a gloss paint.
Be sure that it’s good and dry before you hang the wallpaper. A heat gun will speed things along if needed.

Not pictured, but you can look up other posts here … I also take a bit of chalk of a corresponding color and run it along the edge of the wallpaper to cover up that white edge. It’s important to apply the chalk from the back, to avoid getting any on the front of the wallpaper. Some colleagues use water markers, pencils, or gouache paint. Whatever you use, do not use anything with oil-based inks or colors. These will bleed and stain your wallpaper.
Chalking the edges is more important than striping the wall, IMO.

This pattern is called Allure and is by Graham & Brown , a brand I like a lot.

Kitchen With Burst Pipe Water Damage Fixed and Finished

This kitchen in the Spring area of north Houston suffered severe water damage from burst pipes during the hard freeze in February 2021. Nearly a year later, they are almost finished with repairs, including new drywall on bottom of walls, new cabinets, new plumbing, cabinets, electrical, and more. Here you see the contractor’s repair work on top of some of the original wallpaper, which dates to the early 1980’s! It was a good brand, and the installer did a great job. For various reasons, I opted to leave this wallpaper in place, and so skimmed over uneven areas and then primed on top of it with Roman Pro 977 Ultra Prime.

The homeowner’s new choice is very similar to the previous paper, but with a more springy feel and a lot of upward movement. The area below the chair rail will receive another coat of paint to better define the correct yellow color. Or, the homeowner may switch to a green pulled from the leaves in the pattern.

This wall with the fir-down / soffit was a real bugger, for various reasons, and took me about four hours.

Looks so sharp against the white paint and tile!

The wallpaper was printed on a white substrate, so I ran black chalk along the edges of each strip, to try to prevent white from showing at the seams. Still, some of the strips shrank just a half a tad, and that did allow some white to show. This wallpaper is a non-woven material, which has a high polyester content, and is not supposed to stretch or shrink, so this is disappointing. Pasting the wall and dry-hanging the material would have probably helped. But the material was extremely thick and stiff, and plus the room had way too many turns and bends and angles, so pasting the paper made the most sense. These gaps are very minor, and only visible when viewed from straight on; from an angle you can’t even see them. On some papers, I can pull some tricks out of my bag and camouflage them. But with this non-woven material, don’t even try anything with paint, marker, chalk or anything else – it will surely stain the material.

The walls are smooth. The slight texture you see is the non-woven material. When an edge is torn, you can actually see the polyester fibers – a lot like fiberglass. This material is very strong, and is designed to strip off the wall easily and in one piece when it’s time to redecorate.

Manufacturer is Mind The Gap out of Transylvania (!), and the design is called Aquafleur, in the Anthracite color. The material comes as a 3-panel set, which they call one “roll.” The overall width of the A, B, and C panels side-by-side is about 5′, and the height is just under 10′. The height of the wall was less than 5,’ and the strips were nearly 10′ long, so at least 5′ was lost of each strip. Because the pattern was a mural type, rather than a typical repeating wallpaper design, even more paper was lost in working around the configurations of the room – for instance, a full 10′ strip would be needed to paper just one 9″ high strip above the door. So there was an incredible amount of waste – and this is a higher-priced boutique brand. But the lady of the house really loves it, and so she went with her heart.