Posts Tagged ‘master bedroom’

Farrow & Ball Feather Grass

September 1, 2019


Farrow & Ball is a long-established British company. Here is their very unique design “Feather Grass” which I hung in a master bedroom in the country. I love the look of this pattern as you gaze out the windows to the pastureland beyond.

Farrow & Ball includes their own powdered paste, which you mix up with water. To get a smooth mix, I prefer a hand-held blender to the old-fashioned stirrer stick. Not shown is the 1-gallon bucket of cellulose pasted all ready to go.

The company sends a mock-up of what their design will look like. (The image above is from a different pattern I hung in this same home.)

Because their paper is coated with their paint, rather than ink, there can be variations in color as the printer moves through the batch of paint. So the company labels each bolt in the sequence that it came off the printer, and you are instructed to use the bolts and strips in sequence, to minimize any color variations.

This pattern is something like a mural, and comes in panels with one design per panel, rather than strips with multiple repeats of the pattern. In the photo above, I am rolling the paper out on the floor, to get an understanding of how it is laid out and how it is packaged.

Each bolt contained three panels, all rolled up together. The panels are made to fit a wall as high as 12′, so I had to cut each panel from the bolt, then trim it down to fit the 7 1/2′ high walls.

Yes, there is a lot of waste with Feather Grass. In fact, it takes a full strip to go above and below the windows and doors, even though you are throwing away the entire middle part. So, again, incredible amount of waste – I carted home a whole lot of unusable paper to toss into the recycling bin!

Before shot.

The “grass” pattern is meant to appear at about 4 1/2′ from the floor. Since you start hanging wallpaper from the ceiling, I needed to know where to place the tops of the sheaves of grass. So I drew a horizontal line around the room at the 4 1/2′ height. (enlarge photo to see the faint pencil line) This way, from up on the ladder at the ceiling, I was able to see where the tops of the grass stalks were landing on the wall. It took a few trips up and down the ladder on each strip, but I was able to get all the stalks lined up perfectly.

Finished photos. It’s a subtle colorway, so you may need to enlarge the photo to see it well.

Isn’t the overall effect lovely, with the soft misty color of the grass showing against the view of nature outside the window?!

I hung this in the country home (Chappell Hill) of a family for whom I have worked previously in their River Oaks area home in Houston.

Chinese Hand-Painted Silk Mural

June 27, 2019


Here is some delicious stuff! This is silk wallpaper, hand painted in China with these beautiful bird, butterfly, and botanical motifs. Look at the close-up shots to see the gorgeous paint detail.

There are some historic companies who make these murals, like Zuber, Gracie, Fromental, and de Gournay, and they can run $500-$1200 per panel. (This wall took seven panels.) But my client found another manufacturer who was way more reasonable. http://www.worldsilkroad.com/

The mural was custom-sized to the homeowners’ wall. The studio added 2″ to the top and bottom, and a little more to each side, for trimming, and to accommodate walls that are not perfectly plumb and ceilings that are not perfectly level. (Never order a mural to the exact dimensions of the wall, and always best to have the paperhanger measure before ordering.)

There are a lot of things that make an install like this much more complicated than a traditional wallpaper. For starters, the silk can easily be stained by just about anything … wallpaper paste, water, hands. So it’s important to work absolutely clean. You will NOT be able to wipe off any errant bit of paste. The paper also had a half inch “bleed” of excess paper along the edges that had to be trimmed off by hand (no photo).

The material was thicker than expected, wanted to stay curled up as it had been in its shipping tube, and the backing was very absorbent, which meant that it sucked up paste and was almost dry by the time it was finished booking and got to the wall… So it required extra paste on the edges to get them to stick tight, while, once again, taking care to not get any paste on the surface of the paper.

The company provided precious little information. Well, actually there was information, but it came in Chinesnglish, and, bless their hearts, was virtually indecipherable. The company was very responsive, but, unfortunately, was unable to provide adequate information about paste recommendations, booking time, was a liner spec’ed, if the substrate was paper or non-woven, if the silk had a protective coating, and even whether or not the goods had to be hand-trimmed or came pre-trimmed. There was a lot of other mysterious content on their instruction sheet that ended up best being disregarded.

So I used common sense and traditional installation methods, and it turned out great.

In one photo, I am rolling out the panels, to be sure they are in the correct sequence. Even though the manufacturer had told me the panels were pre-trimmed and ready to butt on the wall, while rolling them out, I discovered that if I did that, the pattern match would be off. This is when I discovered that 1/2″ had to be trimmed off one side of every strip.

This also meant that each strip would be 36″ wide, rather than 36.5″, so my measurements and layout calculations had to be revised. This was particularly important because that first area to the left of the window was barely more than 36″ wide – and I didn’t want to end up having to piece in a 3/8″ wide strip of this delicate material.

Two other pictures show some crinkles in the material. I believe these happened at the factory or during shipping, because the same defects appear in two consecutive panels, at the same position. They were both up high, and, once the material got wet with paste, expanded a little, and then applied to the wall, these flaws were not detectable.

The last photo shows what you should expect from hand-painted products. They probably had one guy working on Panel 6, and another working on Panel 7, and each probably had a different size paint brush, and possibly their stencil (or whatever they use) was a bit off. Either way, this mis-match is not considered a defect, and is part of the beauty of a hand-crafted mural. There were really only two areas that matched this poorly, and they were both low toward the floor. In the upper areas where branches crossed the seams, the pattern matched very nicely. Really, it’s quite incredible that their precision can be as good as it is.

I’ve never worked with this brand before, but overall, I was pleased with the quality and the installation. You can find the manufacturer by Googling World Silk Road. It comes from England, but is made in China. (Gee…. why can’t they have one of those British guys translate the installation instructions?!)

This mural went on one accent wall in a master bedroom of a home in Idylwood, a small, idyllic, and very desirable neighborhood of 1930’s and 1940’s homes on Houston’s east side. The homeowners love vintage as much as I do, and are keeping most of their home true to its original state.

City Scape Zig Zag Lines

April 26, 2019


I love this headboard. The homeowner and his father-in-law made this from scratch, and they made the bed frame, too. I think it’s supposed to look like rough ship-lapped wood … but to me, it looks like the skyline of a major city.

Realizing that the dark navy paint on the accent wall behind the headboard was flat and boring, the couple went to Dorota (read below) and found this fun and lively wallpaper pattern. It echoes the shape of the headboard, while adding a modern, urban edge to the room. And I think it looks like a city skyline!

Note that this pattern very much resembles one by York, in the Candice Olson line, which I have hung a number of times. I guess there is nothing wrong with a company riding the tide of trends, and making a knock-off of a proven design winner.

This is in a master bedroom in a newish townhome in the Cottage Grove neighborhood of Houston. My photo of the label didn’t turn out (Note to self: Always check your phone’s photo log before leaving work for the day.), but I can tell you that the manufacturer is Designer Wallpapers.

The material is a crisp, stiff, medium-weight non-woven material. This stuff has a fiberglass content, so it does not expand when it becomes wet with paste, and it also is designed to strip off the wall easily and in one piece when it’s time to redecorate.

This material would have been more flexible if I had pasted the paper. But since this was one solitary accent wall, with no corners or toilets or sinks or windows to cut around, and since I didn’t feel like lugging my 7′ long and 30lbs table up the three flights of stairs to the master bedroom, I chose to paste the wall.

Because it was a dark paper adhered to a white backing, I used artist’s chalk to color the edges of the strips, so that the white backing would not peek out from the seams.

After cutting the non-woven strips, I roll them up backwards, with the colored surface rolled up inside, and the top coming off the roll first, and then secure it by wrapping an elastic hairband around it. This way, after paste is spread on the wall, when I climb up the ladder with the paper and unroll it, the printed surface will not come in contact with the paste on the wall.

Pasting the wall is a clean way to work, because no paste gets on the woodwork or ceiling, so there is nothing to wipe off. And the excess paper that is trimmed off at the ceiling and baseboard has no paste on it, so it’s clean and won’t stain anything it might fall onto.

The paper went up nicely, and the seams were positively invisible. Oddly enough, because the paper was supposed to not stretch or expand, I did have a little trouble with the pattern match dropping – the pattern matched at the top of the wall, but as you followed it down the 9′ high wall, the pattern began to rise. In order to accommodate this, I had to lower the pattern and allow a slight mis-match at the top of the wall, which permitted me to have a perfect pattern match at eye-level.

Also odd, since the paper was supposed to not expand, even though I hung my first strip against a plumb line (laser level beam), as it moved down the height of the wall, the pattern started to track to the right. As subsequent strips were hung, the paper became more and more off-plumb, until I reached the far left corner, and it was out of whack by more than half an inch from ceiling to floor.

If this had been some wild floral pattern, it would not have mattered. But with a rigid geometric pattern, and especially a vertical one like this, and on a dark background, even with a mere 1/8″ discrepancy, you’re going to notice when things get crooked.

Since the paper is not malleable, I was not able to stretch it into plumb. But I was able to pull a few tricks out of my hat to make it look like the paper was perfectly parallel to that left wall. I didn’t take photos, so no sense in my trying to explain it here. 😦

This wallpaper pattern is by Designer Wallcoverings, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Singular and Exotic – Metallic Cork Damask in a River Oaks Master Bedroom

March 28, 2019

Wow – Not many people get to sleep in a bedroom like this! The walls are covered in a cork wallcovering that is coated with silver metallic blocks that are about 6″ square. Then a gold metallic damask pattern was superimposed on top. It looks like someone rubbed gold leaf on the walls!

The result is an elegant, shimmery, somewhat edgy look. It’s all complimented by a deep red accent wall composed of large, 3-dimensional square blocks (visible on the left in the top photo). The bed and headboard sit in front of this red wall.

Silver, gold, red – stunning!

Cork is a natural material (like grasscloth, as an example) so irregularities and color differences are to be expected. In the top photo, you can see a vertical line down the left edge of one strip – I believe this to have come from a roller at the factory that was pressing too hard, or perhaps was too hot.

Beyond that, there are differences in color and sheen and pattern between the strips on the wall. All of this is normal, and not considered a defect.

This was a thick material and took a lot of strength to press tightly against moldings for trimming, and it was pretty difficult to work around outside corners. But the main obstacle was that it was all but impossible to see the pattern. The sheen of the silver and gold, and the scratchy look of the design, printed on the textured surface of the cork … all combined to drive the installer’s eyes crazy.

In the end, though, I got ‘er done. 🙂

This wallpaper pattern is by Thibaut Designs, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Industrial Modern Comes to West U

March 23, 2019

The first photo shows this master bedroom in the West University neighborhood of Houston after I have smoothed the bottom portion of the wall below the chair rail and primed.

A softer, yet slightly industrial look is brought by the ostrich skin-looking wallpaper, in a color that coordinates nicely with the wall paint. Note the intermittent horizontal lines.

The wallpaper is by Arte. It is 36″ wide, is sold by the yard, and comes in one continuous bolt, this one being 22′ yards. It is a non-woven material. It was nice enough to work with. I pasted the paper, but it could have been hung by pasting-the-wall instead.

It has a high fiberglass content – and I can attest to that, because by the end of the day, my fingers had been stabbed many times.

That fiberglass makes it easy to strip off the wall later, and also makes it “dimensionally-stable,” meaning that it doesn’t expand when it gets wet with paste, and won’t twist or warp while you are working with it.

Cozy Accent Wall in a Master Bedroom in the Houston Heights

September 23, 2018


This small, two-color Moroccan lantern style wallpaper pattern is snugging up an accent wall in a master bedroom of an expanded and renovated home in the Heights neighborhood of Houston. Because the design is small and tight, it works as a background, rather than making a statement of its own. Once the new headboard arrives, the bed and bedding will take center stage.

The four windows, along with an unlevel ceiling line and unplumb windows and west wall, combined to create an installation challenge. It’s too complicated for me to explain, but I like to say, “It’s easy for you to look at this wall, but it was darned tricky for me to hang it!”

It was a somewhat thick non-woven material, and was intended to be hung using the paste-the-wall method – but I find the product much easier to work with when the paper itself is pasted. The pattern match was spot-on, and the seams were invisible.

The interior designer for this project was Stacie Cokinos. She does a lot of work with clients who are remodeling older homes, or who are building from the ground up. It’s great to have a designer on board from the beginning, to help choose fixtures, moldings, colors, flooring, appliances, etc. Stacie is one of my favorite designers to work for, too, because she is sharp, knowledgeable, organized, and on time. And her interiors are gorgeous, yet well suited for busy modern families.

Modern Master Bedroom – Accent Wall

August 13, 2018


This large master bedroom in a new home near the West U neighborhood of Houston looked might snazzy decked out with its furniture and accessories from High Fashion Home. Yet it pretty much looked like a showroom – lacking warmth and individuality. Wallpaper on just one accent wall changed all that!

This fun design is unusual because it’s horizontal rather than the more typical vertical. It is by Designer Wallpapers. It is a thick and fairly stiff non-woven material, and could be hung by the paste-the-wall or the paste-the-material methods. In this room, I used a little of both. (The paper behaved better when pasted, but when going around the windows, to avoid getting paste on them, I pasted the wall.)

This wallpaper was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Wild Wallpaper In Frames That Will Be Hung On The Wall

July 31, 2018



Here’s some really cool, custom-made wallpaper that, expectedly, costs a ton. The homeowners wanted to accentuate two rooms (dining room, master bedroom) with these patterns, but, considering the investment, wanted to be able to take it with them, should they move.

After much deliberation and investigation of backings, weight, sturdiness, etc., it was decided to mount each mural on plywood, wrap each of those with a wooden frame, and then mount them on the walls with brackets that attach invisibly to the back.

The largest one, which already has its frame attached, and which you see in the top photo, measures about 7′ x 7′, and weights 80 pounds. Imagine getting that thing up two flights of stairs!

The top photo shows the large mural finished. It consists of two panels spliced in the middle. It was trimmed in place to fit inside the good frame you see around it.

The second photo shows the smaller mural being laid out. It will be applied to the board you seeing lying on the floor in the third photo. The plywood board has been sealed with KILZ, to prevent knotholes from bleeding through, sanded smooth, and then primed with a wallpaper-specific primer. I used Roman’s Pro 977 Ultra Prime.

These wallpaper panels are custom-made to fit the project’s dimensions, and have a few extra inches “bleed” area on each side to allow for trimming and adjusting for wonky walls. The bordering silver area will be trimmed off, as will an inch or so of the printed area on each side of the mural.

On the smaller, dark mural, someone forgot to add an extra inch for the top and bottom, so the mural was centered as perfectly as possible, but a little bit of the white plywood peeked out on both the top and bottom. Don’t worry – a black frame will be constructed to cover the edges of the plywood, and it will have a lip (rabbet) that will cover this teeny gap.

The last photo shows one page of the instruction sheets, which includes drawings from the manufacturer detailing the layout and dimensions of each mural. The large mural came in two panels, which had to be overlapped in the center, carefully matching the pattern, and then double cut, or spliced.

Double cutting involves overlapping the edges of the two strips of wallpaper, while carefully matching the pattern. Then you take a straight edge and a brand new, very sharp razor blade and cut through both layers of paper. This paper was very thick, so I had to press really hard to get through both layers in one sweep. You want to avoid making multiple cuts if possible.

To keep from scoring into the plywood below (and it’s even more important if you are cutting on a wall made of drywall and / or many layers of paint and primer), I put a strip of polystyrene plastic on the plywood surface to keep the razor blade from cutting into the bottom surface. Once the double cut is made, the excess wallpaper, as well as the polystyrene strip, are removed, and the two edges of wallpaper smoothed into place. This makes for a very perfect seam.

All this takes a lot of time. It would be really cumbersome in a larger or more complicated room. But protecting the subsurface is important, because, once the wallpaper starts drying, it shrinks a little and pulls taught, and if the surface below is not intact (due to a cut from a razor blade, or from something else like dust on the surface or layers of incompatible materials such as old oil based paint covered with latex paint), these layers can come apart (delaminate), and the wallpaper seams will pull apart. This is not the paper “coming loose,” and it cannot be “glued back.” It is actually layers of the wall delaminating.

Anyway, back to today’s project, and, sorry, a little out of sequential order, but all important information. These panels were to be hung on the walls, but had not been hung yet. This allowed me to do them flat on the floor, which I think was easier. The instructions said to paste the paper, but that was extremely difficult because they were much wider than my work table. I didn’t want to crease or damage the material. Most non-woven products can be hung by pasting the wall, so that’s what I opted to do. Except, in this instance, they were laid out on the floor. 🙂

The material was a thick non-woven on a mylar plastic, and was very thick and somewhat difficult to work with. In addition, the panels were much wider than normal wallpaper, and hard for me to manipulate. I was glad that the interior designer was hanging around and was game for helping me position these pieces.

As I said, the material was thick and stiff, and no matter how hard I pushed or what extreme tool I used (metal plate), it would not press tightly into the corners of the gold frame enough for me to get a satisfactory cut – meaning that there was a slight (1/16″ – 1/8″ gap between the material and the frame. No matter… The interior designer was easy going, and said she will add a small piece of molding to the inside of the gold frame, to cover any gap, as well as to prevent the thick material from curling up. On the smaller, dark mural, the black frame to be constructed will include a lip (rabbet) that will cover the open edge and help hold it down, as well as cover the outside edge of the plywood panel.

This gutsy wallpaper is made by Calico, a husband-and-wife team out of New York City that is just a few years old – not many people have this stuff – and even fewer have the balls to put it on their walls!

The interior designer for the project is Elizabeth Maciel, and the location is a newish home in the Montrose neighborhood of Houston.

Stretching Paper to Save a Seam

July 1, 2018


In this room, I was working from left to right. The last strip I hung ended under the air register, as you see in the top photo. By measuring and engineering, I knew that the way the next strip would fall would leave two seams in between the two doors on the right of the photo. (See last photo) But the width between those two doors was just a tad less than the width of two strips of paper, which would mean only one seam, so I really wanted to get away with that one seam, instead of two.

But if I hung just two strips between the doors, it would leave a 5″ gap over the left-hand door, between the strip on the left and the strip on the right. See top photo.

Never fear – I figured a way to bridge that gap – without screwing up the pattern match or horizontal repeat.

I found a piece of scrap paper with an appropriate design. I trimmed it so it would butt up against the strip on the left, and then overlap onto the strip on the right, with a bit of tree branch and flowers to disguise the area. Voilà! No gap! (See third photo)

This would not have worked on a full-height wall, and maybe not even on a 1′ high area over a door. But since we are talking about only 4″ or so of height, the eye never notices that the pattern is not exactly what it should be. And the rhythm of the design as it moves across the ceiling line is undisrupted – Your eye never notices that it is 5″ off.

This beautiful wallpaper is by Bradbury & Bradbury, in their new ’20’s Vintage line. I hung it in the master bedroom of a home in Bellaire (Houston), that was flooded during Hurricane Harvey.

By the way, the homeowners were talking about painting that air register a softer color to match the woodwork and blend with the wallpaper. The register had been stuck to the wall with caulk and paint, and was not removable. That blue tape is on there with a note to tell the painters to NOT put any tape on the wallpaper. Painter’s tape will pull the inked layer right off that beautiful new wallpaper. Actually, after I explained that to the homeowners, and also told them how the register would have to be deglossed with chemicals or by sanding, and then painted with paint specially formulated for metal and to withstand the condensation that happens around those air ducts, they decided to forgo painting it, and were happy to live with the color as it is. Whew!

Large Gold Damask on a Bedroom Accent Wall

May 26, 2018


This young couple is in a brand new, very contemporary home in the eastern edge of the Houston Heights. Just about every surface in the home is white. WHITE. The over-scaled refurbished tufted leather headboard (along with a few other dark wood furniture pieces (not shown) in the master bedroom make a handsomely bold contrast.

But, still, the room SCREAMED for relief from all that white.

This gold-on-aqua damask wallpaper pattern came to the rescue! The soft aqua color softens the feel of the stark-white room – but doesn’t jar with the white theme. The shiny gold in the design adds a contemporary feel with just a touch of glam – but doesn’t upstage the fabulous headboard.

As the wallpaper went up, I noticed a difference in color between the right edge of one strip and the left edge of the next strip. (This is called shading.) The photos show it a little, but it was more pronounced when seen in person. I didn’t think it looked good, so I followed the 3-strip rule and put up three strips, then went to get the homeowner for approval.

She thought the wall looked gorgeous. In fact, even when I put my hand on the medallions with different shades on either side of the seam, she said she couldn’t see anything. She loves it, and that’s what counts!

Once the bed gets pushed back against the wall, the large medallions will be a little more in perspective. They are a good size for the scale of the wall and the headboard.

This wallpaper is in the “Designer Series” by York. It’s a non-woven product, and can be hung by paste-the-wall or paste-the-paper. I pasted the wall, but I think that pasting the paper would have worked a little better (It makes the paper more pliable.).

The homeowners bought this paper on-line from Arhaus.com. Arhaus also has a couple of showrooms / retail stores in Houston. The homeowners bought their paper before our initial consultation (I like to measure before they buy, so they get the proper amount). I was thrilled that – for once! – the proper amount of wallpaper was purchased.

The homeowner loves her master bedroom accent wall so much, she is now thinking of papering their powder room. 🙂