Posts Tagged ‘material’

Florida Toile in Home Office / Cloffice

October 1, 2022
This is a closet tucked under the stairs off the main living area of a nicely renovated and enlarged 1920’s home in the Heights neighborhood of Houston.
Nice and bright, but a little claustrophobic. (That brown vertical thing is my yardstick.)
This two-toned wallpaper with pencil-like sketches immediately visually opens up the room and creates an inviting work space .

The pattern is called Florida Toile .
The manufacturer / vendor is Katie Kime , also known for stationary , home d├ęcor , phone cases – and very cute , comfy pajamas !
Their ” City Toile ” wallpaper collection is quite popular , with more than a dozen locales to choose from .
It’s a heavy , smooth vinyl on a non-woven / paste-the-wall backing.
A little too heavy , a little too stretchy , and too easily wrinkled or creased for my taste , but all in all, a nice enough material .
With so many people working from home these days, or just needing space to handle family business or homework , these cloffices have become popular.

Muted Texture for Galleria Area Powder Room

September 9, 2022
Primed and ready for wallpaper . The original color was a somewhat dark murky blue . The room just felt listless and small (it’s not a small powder room )
Finished. Brighter and comfortable . This isn’t a statement-making wallpaper . But it’s all about lightening up the area, and making it feel welcoming at the same time.
The light metallic accents in the pattern accentuate the color of the light sconces .
The gold also works nicely with the oil-rubbed bronze faucet and handles .
And the aqua melds nicely with the grey marble countertop .
Close-up showing the printed texture . The paper also has a light raised ink texture to it.
The design is called Tresco and is by Thibaut , one of my favorite brands . It’s in their Anna French line.
This wallpaper is a non-woven material , and can be hung by the paste the wall method . I usually prefer to paste the paper .
Non-wovens are strong and more stain resistant than other wallpapers. They are designed to strip off the wall easily and in one piece when it’s time to redecorate .
Tanglewood houston installer

Soft Textured Foliage Brightens Entry

September 8, 2022
The homeowners knew they wanted something brighter for their entryway . But their paint samples tested on the wall were falling flat.
Wallpaper was the answer! Brighter and more personality and interesting than paint of the same color .
Here’s a better shot showing the actual color .
And here it is with my 100-watt light bulb gone and the room’s chandelier providing the light .
This is a stringcloth material . Note that, just like grasscloth , another natural fiber material , you will see the seams a bit. On this one, the heavy inked areas of the white berries showed more than the background areas . From a few feet away, none of this was visible.
Close-up showing the texture of the strings and the thick ink .
I do think this will have some sound-reduction qualities ( absorb noise ).
Also a note … cats and even dogs love to scratch or chew textured fibers like this.
Rolling it out on my work table. The rolls / bolts were really heavy .
Made by Wallquest in their EcoChic line.
The home is in the Tanglewood / Galleria area of Houston .
installer

Powder Blue and Mint Small Print in West U Bungalow Bathroom

July 21, 2022
Before, primed and ready for wallpaper.
For various reasons, removing these mounting brackets for the light sconces would have created more problems than it solved, so I left them in place and worked carefully around them. The difficulty is that the sconces are exactly the same size as the mounting plates, so it’s difficult to trim around these plates that jut out from the wall and still get the paper close enough that no gaps show around the base of the light fixtures. When possible, it’s much easier to remove them and put the paper behind them.
I chose to center the design on my first strip in between those two sconces, rather than on the faucet. Good thing this is a small and busy pattern, because neither the mirror nor the sink faucet were centered between the sconces. But no one’s gonna notice.
If you look in the middle of the photo, you’ll see the vertical red line of my laser level. I’m using this as a guide to place the motifs down the center of the space.
Here’s a shot of my laser level. Less than $100 at Lowe’s maybe eight years ago.
Finished sink wall. The hooks are for the large, white framed mirror.
Window corner next to the toilet. The mint green paint on the woodwork next to the light blue wallpaper print ties this room in beautifully with the other rooms on the first floor of this house. The colors also coordinate beautifully with some artwork in the dining room just steps away.
The pattern is called Aboreta and is by Thibaut , one of my favorite brands. It’s a traditional paste-the-paper material , and was nice to work with. Thin and breathable and should hold up nicely in a humid bathroom.
This was purchased from my favorite source for wallpaper and for help in finding what you’re looking for – Dorota at the Sherwin-Williams on University in the Rice Village . Her hours vary, so call before you head over.

Don’t Assume the Width

June 30, 2022
Here’s a finished map / mural on an accent wall in a child’s room in the Tanglewood neighborhood of Houston.
It’s made by Rebel Walls ( rebelwalls.com ), one of my favorite mural companies, and was custom-sized to fit this wall.
The mural came in a set of nine panels. The instructions above explain how the mural should be hung.
Careful measurements are important, both before ordering (note: Always let the wallpaper installer calculate rollage and mural dimensions before your order ) and then before you start hanging the mural.
This one large roll was cut apart into nine panels. You see them rolled up at the top of the photo.
Each of those panels was 19.75″ wide. So based on that, you might start measuring and calculating and plotting where to position your panels on the wall.
STOP!
Just because the manufacturer’s stock comes 19.75″ wide doesn’t mean that the printed part of each panel fills that full width.
The mural was custom-sized to fit the wall, right? The width of the wall is not an exact multiple of 19.75″. That means that the printed portion of the last panel will be narrower than the others. As you can see in the last photo, that narrow portion turned out to be just 2.5″ wide.
So it’s important that you unroll every strip / panel and take careful measurements of both the wall and the wallpaper , before cutting anything and definitely before pasting anything to the wall.
One more thing, while we’re on the topic of murals. Please don’t order until the paperhanger has measured and figured . It’s very important that the mural NOT be printed to the exact dimensions of the wall. FOUR INCHES of ” bleed ” are necessary to be added to EACH DIMENSION (meaning, four inches added to both width and height ). This will allow for trimming at floor and ceiling , and will accommodate walls / ceilings / floors that are not perfectly level or plumb.

Brightening a Breakfast Area

March 25, 2022
Breakfast nook before. The blue is a pretty color. But …
… the wallpaper is so much brighter and lighter.
The homeowners will have the banquette painted (still deciding on what color) and a cushion made for the seat (still deciding on color and pattern).
The rest of the home has a strong mid-century modern feel, so this mod pattern and colorway fit right in.
The gold is slightly metallic.
The brand is Designer Wallpapers. It’s a traditional wallpaper material, and I like this brand a lot.
The home is in the far north east Heights area of Houston.

Soft Geometric Accent Wall in Mother In Law’s Suite

October 22, 2021
Headboard accent wall before. Textured wall was skim-floated and sanded smooth, then primed. Now it’s ready for wallpaper.
Finished.
Closer look.
Detail. The seams were invisible. The lines on this paper are raised a bit, so there is a 3-D effect.
I hung this non-woven wallpaper by the paste-the-wall method. Here I have rolled the strips backward, to prevent the decorative surface from hitting the paste on the wall. When I’m at the top of my ladder, I will take off the elastic hairband and let the paper unfurl down to the floor. It’s rolled so the top of the strip comes off first.
I have measured the wall and noted where the center point is, then determined where I want my first strip to fall. The black box in the foreground is my laser level, and you can see the vertical red line it’s shooting at the wall, which is where I am going to line up my first strip.
Positioning the wallpaper strip along the vertical laser line.
This muted geometric pattern is in the Jaclyn Smith Home line by the Trend division of Fabricut. It was mighty nice to work with, and will hold up for years until the family is ready for a change of decor. Then, the polyester-content non-woven material is designed to strip off the wall easily and in one piece.

The home is in the Memorial Villages neighborhood of Houston.

Paint Pulling Off Wall Where Tape Was Removed – Surface Stability Test

May 12, 2021
Paint pulling off wall where tape was removed.
Paint pulling off wall when painters tape was removed.
Paint pulled off wall and stuck to back of tape that was pulled off wall on new construction site.

It’s important to have a stable surface under wallpaper.

That’s because, when wallpaper gets wet with paste, absorbs moisture from the paste, and it expands. Then, as it dries, it lets go of the moisture and shrinks. When wallpaper dries and shrinks, it puts tension / torque on the walls.

If the surface under the wallpaper is not stable, the tension of the drying wallpaper can cause the underlying surface to pull away.

This photo is not showing the wallpaper pulling away from the wall. What is happening (usually) is that the paint (or whatever has been applied to the wall), has actually delaminated (come apart) from the wall.

This results in a “curled” seam, or a “popped” seam.

One way to test for this is to apply a strip of tape (blue painters tape, tan masking tape, clear Scotch tape, or other), let it sit a few minutes, and then yank it off. If the tape takes any paint along with it, you have a potential problem of the wallpaper not adhering correctly.

This is why it’s important to:

1, Before applying any coating, you must remove all dust from the wall, using a damp sponge, which must be rinsed frequently

2, Before hanging paper, a primer formulated specifically for wallpaper should be applied / rolled on and cut in to edges

A wallpaper-specific primer is designed to withstand the torque put on the wall as wallpaper dries. And it facilitates installation by allowing sufficient “slip” (maneuvering the paper) and “stick” (adhesion). The chemistry behind all this is fascinating – but too complicated to get into here.

If a wall is too “iffy,” and you don’t feel like the mess and expense of scraping off all the old paint, a liner can be applied before the actual wallpaper is hung.

A liner lessens the drying time of the wallpaper, which reduces the time there will be stress on the wall. A liner also redistributes stress on the wall, so much less chance of having seems detach from the wall.

A liner also adds additional cost to the job – for both material and labor, which may include an additional day(s).

Working Around Shading in Cork Wallpaper

February 16, 2021

The homeowners originally sought grasscloth for this accent wall in the home office. But I talked them out of it, due to the unpleasant shading and color variation issues (click on the page to the right to read more). I showed them a sample of this white-washed cork wallpaper, and they were immediately smitten.

The previous time I hung this, the material was very homogeneous in color.

But this time, it was immediately evident that there was a darker band running down the left half of the roll, and a lighter band along the right side. Note that this is not considered a defect (even though it is obviously a problem stemming from the factory). It is considered part of the “inherent beauty of these natural materials.” Meaning, you can’t return it and expect to get your money back.

Cutting strips as they come off the roll and hanging them next to each other will result in abrupt color differences between strips – as you see in the top photo. One way to minimize that is to hang every other strip upside down, so you are then putting the dark side next to it’s dark counterpart on the previously hung strip.

In this case, because the darker areas were so dark and wide, this would have resulted in the wall having a striped look. Not what the homeowners were shooting for.

The wall was exactly 12′ wide, and the material is 3′ wide, so we needed four strips to cover the width of the wall.

We had three double-roll bolts. Each 24′ long bolt will give you two 9′ strips. Thus we needed two double rolls to cover this wall. That left us with one bolt in excess.

That turned out to be a good thing – having extra paper. The color shading was bad in one bolt, noticeable in another bolt, and the third bolt was pretty homogeneous in color.

I rejected the bolt with the worst shading. Thank goodness the client ordered a little extra paper! The bolt with the second-worst shading, I discovered that if I rolled it backwards, the shading was less severe in the inner portion.

So I took two strips off this bolt from the inside-out.

So now that gave me two strips from the first roll that were pretty homogenous. Plus two strips from the second bolt that were passable.

How to keep the color as uniform a possible across the 12′ wide wall?

II knew I wanted to place the two strips from the first, “best” bolt in the center of the wall. If I hung one right-side-up, and the next one up-side-down, keeping the darker area toward the center, the color differences would be less noticeable.

But I still had to cover 3′ width on either side of those two center strips.

One strip equaled 3′ width. So one 3′ wide strip on either side of those two center strips.

One plan, I contemplated cutting each of those the two 3′ (36″) wide strips from the second bolt into 18″ widths. Hang one right-side-up and the other upside-down. That would break up any color variations into less noticeable panels.

Only problem was, then there would be two 36″ wide chunks of material in the middle, flanked by two 18″ wide chunks on either side. I thought that would be too inconsistant, visually.

It would look better to keep all the widths the same, at 36.”

The two strips I had taken off that second double roll bolt had some shading issues, with the left side being darker than the right side. I reasoned that it would be less noticeable if the darker, shaded area, was toward the outer corners – sort of as if sunlight or furniture or window shutters were casting shadows.

So I plotted to use a full 36″ wide strip on either side of the center strips. I would position them so that the lighter side of each strip was toward the center – toward those two originally-placed strips. This meant placing one right-side-up and the other one upside-down.

Thus the darker edge of the strips would be situated toward the corners of the wall – a logical place for shadows and light to play tricks on the eye.

That’s what I ended up doing. And the finished wall does really look very homogeneous!

Yes, I am quite guilty of over-thinking way more than I should. But I think the client deserves the best look possible. And, to be honest, all this plotting and engineering is a big part of the fun of hanging wallpaper!

Softening A Heights Dining Room; Wonderful Faux Grasscloth

November 21, 2020

The original dark paint was bold and beautiful. But the homeowners wanted something softer and textured. They listened to my “rant” about color variations in grasscloth (see link at right), and chose this embossed vinyl replica instead.

They couldn’t have chosen better!

We were worried about the usual very visible vertical seams in grasscloth, and how they would juxtapose with the vertical boards in the wainscoting at the bottom portion of the walls. The spacing between the boards did not sync at all with the width of the wallpaper. If the seams in the paper were visible and did not coordinate with the vertical elements below, it would have ended up a very visually confusing room.

Luckily, and very surprisingly, this material turned out to be wonderfully homogeneous, and the seams are virtually invisible.

What you do see is the is the very soft, muted texture and warm color that envelope the room. I like to say that this sort of pattern emulates a finely tailored man’s suit.

That last photo is distorted a bit, so ignore those wavy, swirly lines.

This wallcovering is by Warner, in their Textures VII, Grasscloth Resource book, on page 32, a lightly embossed (textured) vinyl on a scrim (woven fabric) backing, and is a random / reverse pattern match (meaning, there is no pattern to match).

It comes either 26″ wide or 52″/54″ wide. Lil’ ol’ me can’t wrangle that extra-wide stuff, so I asked the homeowners to buy the 26″ option.

This type of vinyl is way more resistant to dings and stains than most traditional wallpapers. The scrim backing also makes it easy to strip off the wall later, and with minimal damage to the wall. The embossing adds just a touch of texture.

Best of all, because it is man-made instead of a natural material, there is none of the displeasing shading and color variations that are so prevalent in real grasscloth.

The home is a relatively new build in the Heights neighborhood of Houston.