Before shot of dining room in a beautifully restored and enlarged 1925 bungalow in the Heights neighborhood of Houston. Just below dead center of photo, under the stairs – my helper couldn’t be less interested!Swooping heron , and powerful , roiling, turbulent clouds .This is a manila hemp product , which is similar to grasscloth , and has a texture d surface . As with most natural materials , the seams are always a bit visible .The walls in this home were smooth , so no call for skim-floating or sanding … Just a primer was needed . My favorite primer for wallpaper is Roman Pro 977 Ultra Prime .This wallpaper comes in panels , and is custom made to order . All of the panels are rolled up into one long bolt , and you have to separate them, as you see here. AND keep them in the correct order / sequence ,I was lucky that this house had a lot of open floor space , where I could roll out the panels to verify pattern match, panel sequence , and get accurate measurements. Note that, like many high-end brands, this wallpaper comes with an unprinted selvedge edge , that has to be trimmed off by hand . Once I get the edges trimmed off , the birds you see in the photo above will match perfectly .I trim against this Big Blue straightedge , and hold a single edge razor blade in my hand .Sorry, I don’t know how to flip this photo. WordPress used to be easy to work … but some years back they came up with this ” New Editor ” which is, to be honest, a nightmare, and costs me a lot of time every evening. End of rant. Here is a mock-up provided by the manufacturer , that shows the mural as a six- panel set , including pattern layout and dimensions of each panel .Here are my drawings from when I first consult ed with the homeowner and we plotted out how the paper was to be install ed. Phillip Jeffries is expensive stuff! Normally, with a mural , a full-height panel is required for even the 6″ high areas over the door ways. See photo below. This means that you’re paying for a lot – a LOT – of wallpaper that gets cut off and thrown into the trash. But, since the panels are about 2′ taller than the walls , we figured that the part cut off the bottom of each strip could be used for the areas over the doorways (see next photo) , as well as above and below the windows (see last photo). This will take no small amount of math and engineering , and the couple will have to live with some paneling / shading , and color variations between strips . But that’s typical of grasscloth type products , anyway. Accepting a few color differences will save this couple a few – thousand – dollars. Yes, I told you that PJ was expensive stuff! And I’m up for the challenge !Here’s the one area I’ve done so far, using scraps discarded from the bottoms to piece in over the top of the entryway . This area is only 6″ high , so color variations won’t be very noticeable . Still, it really turned out well.Getting a similarly pleasing look on this wall , with heights over and under the windows being much higher than 6″ , will be tomorrow’s challenge. Stay tuned!
A line from a level – in this case a laser level – can help ensure that your wallpaper strips hang perfectly plumb . In this room, I’m to hang wallpaper on the horizontal accent wall , as well as the angled / vaulted area above it. I was disappointed to learn that the light beam doesn’t shoot straight up both sections of the wall . The light beam refracts as it hits the angled portion of the upper wall. Turns out that the laser level (the blue object you see on the corner of my work table ) has to be EXACTLY in front of the wall, at a properly perfect 90* angle perpendicular to the wall . Well, that sounds simple enough. Thing is, the level has to sit on a surface that is itself perfectly level, and situated directly in front of the wall. In this nursery, there is no suitable furniture , nor is my table long enough to span that whole 12′ wide wall . So I just winged it on the upper portion, using measurements rather than a plumb line, and the wall turned out fine.
Calculating for wallpaper is not about square feet. Square feet works for paint, where you can use every bit of paint in the can to spread around the room. Not so for wallpaper. You also have to factor in the amount of waste. Waste has to do with trimming at ceiling and floor, trimming around windows and doors and vanities and etc. And with matching the pattern. This pattern has a 30” pattern repeat. That means, depending on the height of your wall, you can lose nearly 3’ just to match one strip to the next. In this photo, you can see 2’ length being cut off. All that gets tossed into the trash.This wallpaper is nearly 2’ wide. That 2’ wide x 2’ long lost to match each strip = nearly 4 square feet lost to the scrap pile – for each strip. Here’s a look at the scrap pile. Multiply that by 20 strips needed to get around the room. !Here’s more. All this is going in the trash. So, please, before purchasing your wallpaper, please let the installer measure and calculate how much you need. I prefer to / insist on measuring in person, but some of my colleagues will calculate from your measurements, drawings and photos. The pattern is called Frutto Proibito and is by Cole & Son .
Typical textured wall in new homes in suburban Houston has been skim-floated , sanded smooth , and primed with Roman Pro 977 Ultra Prime wallpaper primer . All ready for baby Noah! The parents-to-be will spend the weekend bringing in the crib and other furnishings . This is a 4-panel mural . Here I’ve laid out the panels , to ensure correct placement , and get accurate measurements . We had some ” issues ” and I wasn’t completely happy with this product / vendor . For starters, they custom-printed custom-sized the material to the exact dimensions I had asked. Problem is, these panels are intended to be overlapped and double-cut ( spliced ). That means losing an inch on every seam . The company should have accommodated for that by providing us with four extra inches. They did not, so I had a real math and juggling match trying to plot how to get enough paper to cover the width of the wall.The grey colors go nicely with the current trend toward greys and beiges ; the rest of the home follows this color scheme . i thought this was going to be a pre-trimmed non-woven / paste the wall material. I was caught off guard when I discovered it was a textured vinyl on a paper backing , untrimmed and had to be double cut . See other post and/or do some Searching here for more info on this DC process . I think a better material would have resulted in better seams . But – wallpaper is meant to be viewed from about 5′ away, and from there, the wall is perfect. Remember the picture of the panels laid out on the floor . The panel on the far right had a cool train near the top. It was a prominent feature in the scene . But, as you see in this photo, that train was cut off by the door. So all you see over the door is blank sky . I really liked that train, and so did the mom . I wanted to put it where she could see it . So I took the bottom portion of that last panel and found the train. I used a straightedge to cut the bottom edge, and then used a scissors to trim around the top of the train and its trail of smoke . Vinyl is slick , and wallpaper paste won’t adhere to it. So I applied special paste designed to grab ahold of vinyl. Then I placed it over the door , butting it up against the right where it meets the adjoining wall. But – dangnabit! I forgot to take a picture of it finished! It looked great. Over the door was no longer all that dead-air blank space. Now there is a streamlined train with wisps of smoke , heading toward the distant castle ! I’m not going to mention where this was purchased from, because it’s one of the sites that I hope people will steer away from – a place that sells batteries , jewelry , fishing tackle , and – oh, yeah – wallpaper, too,,, you’re just better off with one of the established companies that specializes in wallpaper . nursery installer houston sienna
Nursery window / crib accent wall before, primed and ready for wallpaper .Done. Pattern is nicely centered on the wall . The pattern is called Sweet Pea .Has the look of hand-painted watercolor . Made by Serena & Lily . I usually love their papers, and I usually love non-woven / paste the wall materials . But not this stuff. For starters, it’s practically transparent . This means you can’t make marks on the wall – like my measurements or strip placement . Also any color irregularities on the wall will show through. A pigmented wallpaper primer is a must . Here you can see the flower from underneath showing through the paper on top. In addition, the paper was VERY stiff and difficult to work with. Creased easily fitting it into the areas around the window molding and where the paper met up with the corner. I had these same issues the last time I hung a S&L non-woven (most of their wallcoverings are paper). There are so many good quality N-W substrates out there, makes you wonder why they don’t switch to something better.The label said this was a drop match . But the pattern match turned out to be a multiple drop . On a straight match , you’ll find the same tulip, for example, at the top of the wall on every strip. On a drop match , that tulip will be at the top of the first strip, then on the second strip it will drop down half the length of the pattern repeat . On the third strip, it will be back at the top of the wall . On the fourth strip, it will drop down again. And so on. But on a multiple drop pattern match , also called a quarter drop , that tulip drops down bit by bit over a span of four strips , before it appears again at the top of the wall. Actually, with some multiple drops, the motif can traverse more strips before it’s back at the top. These patterns are extremely tricky to figure out , and to calculate rollage for. I’m really glad that I rolled the paper out on the floor of this empty nursery , before cutting anything. If you assume that what you have in your hands is a typical pattern match and go and cut all your strips ahead of time, you will have a whole bunch of strips that won’t match up, and will have ruined all that paper. The home is in the Garden Oaks neighborhood of Houston . installer
Before. Primed and ready for wallpaper . Done. This image could be positioned so that the palm leaves push up from the floor , or, as in the photo , they hang down from the ceiling. This is a popular look right now, and very fitting to an accent / headboard wall in a bedroom . Done. The homeowner bought one mural from Russia before she and I consulted , so it would be difficult to get another. In addition, the mural images don’t continue from right to left, so you can’t place two murals next to each other and have palm leaves continue unbroken . The manufacturer’s picture on-line is misleading, too, because it’s been Photoshopped to look like it fills the whole wall with tropical fronds . As you can see, the actual mural is a lot narrower than the wall, plus shorter by about a foot and a half. The mural is placed slightly off-center on the wall , because the homeowner wanted it centered on the bed , which sits a little to the right of center . Plans are still incubating, but she’ll probably have wooden panels or trim placed on the wall flanking the mural as well as beneath it, to give a finished look. All in all, I think the room looks dreamy !Close-up .The material is vinyl and has a woven fabric – like texture . The mural came in four panels, each about 3′ wide by about 8.5′ high . Here I am laying them out so I can get measurements and to be sure they go up in the right sequence. There were a lot of these little black specks of a chalk – like substance on the back , and even some on one area of the front . Did I tell you this came from Russia ?! Sorry, no brand name, but this was thin and very flexible and pretty nice to work with . This is a popular design concept , and many companies are making similar patterns . Try RebelWalls.com , which is super quality and really good customer service, plus tons of designs and images to cover your walls .
Here’s a finished map / mural on an accent wall in a child’s room in the Tanglewood neighborhood of Houston. It’s made by Rebel Walls ( rebelwalls.com ), one of my favorite mural companies, and was custom-sized to fit this wall. The mural came in a set of nine panels. The instructions above explain how the mural should be hung. Careful measurements are important, both before ordering (note: Always let the wallpaper installer calculate rollage and mural dimensions before your order ) and then before you start hanging the mural. This one large roll was cut apart into nine panels. You see them rolled up at the top of the photo. Each of those panels was 19.75″ wide. So based on that, you might start measuring and calculating and plotting where to position your panels on the wall. STOP! Just because the manufacturer’s stock comes 19.75″ wide doesn’t mean that the printed part of each panel fills that full width. The mural was custom-sized to fit the wall, right? The width of the wall is not an exact multiple of 19.75″. That means that the printed portion of the last panel will be narrower than the others. As you can see in the last photo, that narrow portion turned out to be just 2.5″ wide. So it’s important that you unroll every strip / panel and take careful measurements of both the wall and the wallpaper , before cutting anything and definitely before pasting anything to the wall. One more thing, while we’re on the topic of murals. Please don’t order until the paperhanger has measured and figured . It’s very important that the mural NOT be printed to the exact dimensions of the wall. FOUR INCHES of ” bleed ” are necessary to be added to EACH DIMENSION (meaning, four inches added to both width and height ). This will allow for trimming at floor and ceiling , and will accommodate walls / ceilings / floors that are not perfectly level or plumb.
No, this large room with sink and counters isn’t a kitchen. The family loves to entertain both family and friends, so included this “bonus” room in their new home’s plans. It’s used for both entertaining and crafting. The wall facing you was originally painted a semi-gloss navy blue. In the photo, I’ve applied my wallpaper primer. It will adhere to the glossy paint, and provide a matt finish for the wallpaper paste to grab ahold of. Taking measurements and plotting the layout. This paper has a selvedge edge , which has to be trimmed off by hand with a straightedge and razor blade. The manufacturer has not provided trim guide marks , so I am using a ruler and my eye. The new look is so dramatically different I couldn’t resist taking a photo mid-hang. As you can see, I’ve used dark paint to stripe under where the seams will fall, to prevent any of my primer from showing through at the seams. You can see the ceiling line starting to track upward on the right portion. More on that below. Finished. Perfectly centered.This is the mounting hardware for the big screen TV . I asked them to remove the TV, but we left the mounts in place. In order to support the heavy TV, they are placed quite securely into the wall , and I feel it’s best not to jimmy around with that. Rather than have the first strip straddle the TV mount, I plotted to have my first seam fall down the middle of the wall, placing a seam in the mid point of the mount. This meant I had to hang four strips instead of three, but it made it a whole lot easier to work around the TV mount, as well as to keep the left and right edges of the grasscloth straight and plumb. Close up showing the texture of this grasscloth material. It’s atypical to have grass cloth printed with a pattern , and I rather like the way the ink looks somewhat scratchy against the rough background. Because it’s Schumacher, you can expect printing defects . The slight pattern match doesn’t bother me, as there were many more places along each strip that matched up perfectly. Nor do I mind the different intensity of ink on the two strips. That’s all part of the look of grasscloth. But I wasn’t pleased with the white ink out in the middle of nowhere, as seen about 1//3 down the center of the picture. This isn’t considered a defect , and from a distance it’s not really noticeable. But it bugged me. So I used some water-based paint and a very small brush from the craft store and lightly touched up the spots. I also softened the mis-matched edges a bit. There’s a fine line between covering the white spots and staining the material, so use a light hand. And never permanent ink or oil-based markers or pastels.Likewise, the ceiling line was not level, so as I moved from the mid-point out to the right, the ceiling rose above the geometric motif’s top edge, and a white line began to be visible, but only to the right of the centerpoint. So I used the black paint to cover up that extra bit of white. This increases the width of that horizontal navy blue line from 1/4″ to about 1/2″. But from down on the floor you can’t tell, and it looks a whole lot better than having white on the right side and none on the left. The brand is Schumacher and the home is in the Garden Oaks / Oak Forest area of Houston. The interior designer who came up with this bold and lively look is Clayton Brooks .
Because I feared unstable walls in this 1920’s bungalow in this neighborhood (do a Search for previous posts), before hanging the decorative wallpaper, first I hung a non-woven liner paper on all the walls. That’s the white material you see in the photo. The liner was hung horizontally so its seams can’t line up with the decorative paper. The idea is to disperse tension from drying wallpaper and changes due to humidity and etc., so as to deflect tension away from sketchy wall surfaces, and thus prevent delamination of multiple unstable layers deep inside the wall. Again, do a Search here to learn more. Finished vanity area, with pattern centered on the light fixture.Corner shot.This colorful and symmetrical pattern is quite popular; I’ve hung it a number of times just this year. Englishman William Morris designed wallpaper and fabrics during the late 1800’s and early 1900’s. The styles then were Art Nouveau and Arts & Crafts. This design reflects a bit of each.Wallpaper expands when it gets wet with paste, and then can shrink just a tad as it dries. The liner helps prevent that, but you can still end up with teeny gaps at some seams. To prevent the white backing from showing through, I run a stripe of dark paint under where each seam will fall.I use matt finish craft paint from the hobby store, diluted with a little water (in the orange bottle cap) and smeared on the wall with a scrap of sponge. Use a ruler or level and a pencil to mark where you want to stripe the dark paint. Remember to allow for that expansion as the paper absorbs moisture from the paste. Meaning, if the paper is 20.5″ wide, and expands 1/2″, you’ll want to run your line at about 21.” And make sure that your painted swath is about an inch wide. I also run a bit of dark chalk along the edges of each strip, to prevent the white substrate from showing at the seams (no photo).Morris & Co. makes this iconic Strawberry Thief. Interestingly enough, most times when I’ve hung a Morris paper, it’s been a non-woven paste-the-wall material. Today’s option was a surprise – a traditional British pulp . This is a pretty basic and somewhat old-fashioned type of substrate . Sort of like construction paper, or the pages of an old family Bible . The paper is very fragile , and can tear easily. You have to keep using new razor / trimming blades, because the material dulls blades quickly, and when dull they will drag and tear the paper. Pulp papers also require a soaking / booking time after pasting , to allow time for the material to absorb the paste , soften a bit, and expand . The edges of the strips like to dry out , so I’ve learned to dip about 1/4″ of the booked ends ( booked means the pasted side of the wallpaper strip is folded onto itself, bottom edge folded up and top edge folded down to meet in the middle), into a bucket of clean water. Then it goes into a black plastic trash bag to soak and relax for a few minutes before hanging. I use this opportunity to paste the next strip. Non-woven wallpapers have advantages, because they do not expand when wet, and therefor you can get accurate measurements. They also can be pasted and hung immediately, with no waiting time. Alternately, you can paste the wall .
Vanity area primed and ready for wallpaper.Finished. The soft murky blues meld so nicely with the carrera marble countertop. Opposite wall before.The pattern has a strong upward movement, as well as lush fullness from the leafy areas. Rear window wall. This room had a number of intricate moldings to trim around. Close up.Detail.Raphael is a very popular pattern. Do a Search here (upper right corner) to see my previous installations of this wallpaper. The material is called non-woven , and can be hung by pasting-the-wall or pasting the paper. I prefer to paste the paper, as it makes the material more pliable, and also gets paste to difficult-to-access areas, such as behind the toilet. One big advantage of non-wovens is they don’t expand when wet with paste, and so you can get accurate measurements. And also there is no booking time, so you can paste and head straight to the wall to hang each strip. Houston wallpaper installer
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