In most rooms, when plotting where to position the motifs printed on the wallpaper, you usually consider the top of the wall just below the ceiling. (If the room has a chair rail / wainscoting , or if another feature like a vanity or countertop is dominate , you might position the motifs to fall appropriately along the top of those features.) Back to the ceiling line … You usually want to place a motif at the top of the wall. Because ceilings are never level and walls are never plumb, it’s common for ceilings to go off-track , slanting up or down. This means that, as you hang subsequent strips and move along the wall / room, the top of your motif can move closer to or further away from the ceiling. In this photo , the man’s crown and the top of the roller coaster are the obvious designs to place at the top of the wall. Further down in the wallpaper pattern , any other motifs you might consider are staggered in such a way that if you put one element at the top of the wall, something would be cut off in an unpleasing way. In other words, if you place the hot air balloon at the top of the wall, then the train bridge and part of the roller coaster would be cut off. In addition to that, you need an extra inch or two at top and bottom of each strip to allow for trimming at ceiling and floor. 1″-2″ hopefully. So, you want the crown and the roller coaster at the top of the wall. Plus, you want a little play / extra clearance to allow for those crooked ceiling lines. But this manufacturer has printed its most important motifs just about smack at the top of the strip. There’s no extra to allow for trimming or to accommodate wonky walls and ceilings. This wallpaper comes in panels of set heights, so there is no extra pattern repeat to roll off and discard until you get the motifs you want. As it is, if you try to place that crown at the top of the wall, as you move around the room, it’s quite likely that the crown will move upward and be cut off by the ceiling. OR that it can move down, and that some of the manufacturer’s label will be exposed under the ceiling line. I’ve sent my comments to the company, in hopes that they will start printing to give us a little more play at the top of each strip. This pattern is called Brooklyn Toile , and is in the EZ Papes line of pre-pasted wallpaper by Flavor Paper . I like FP’s EZ Vapes a lot. But not their heavier vinyl, and definitely not their peel & stick material .
Spoonflower wallpaper is packaged a little differently from other brands. It comes in what they call “rolls” that are 2′ wide, and then you can get different lengths – 3′, 6′, 9′, or 12′. Always get a little extra length. Suppose your walls are 8′ 6″ high. You’d think you can get by using the 9′ long roll . But remember you need to add 2″ to both to top and bottom to accommodate trimming and wonky walls. Adn here’s another reason to order extra length. Say I want horse at the top of the wall. I sure dont want his head to be cut off. Here the Spoonflower paper comes with the horses chopped in half. Yuck! Also, the next row of horses don’t line up so that their heads will be intact at the top of the wall without the hooves of the horses above them showing – which would look distracting. So I’m going to have to cut off and throw away several inches – up to the length of the pattern repeat – in orer to get the motifs I want at the top of the wall. Hence, the homeowner needs to purchase the 12′ long rolls.
The living areas in this new home in the Oak Forest area of Houston are cloaked in grey , black , brown , tan , wood tones , textures – subdued , but a little warmer than the current trend toward all white and minimalist . The homeowner wanted to add a little pow factor in the hall bath . The stripes of dark paint on the wall are to keep the white primer from peeking out at the seams if the paper shrinks a bit as it dries . Do a Search here to learn more. The large scale of this foliage and floral pattern adds the pow , while the 2- color scheme keeps things in character with the rest of the home . I centered the large flower on the vanity faucet and the light fixture , and the mirror will sit nicely in between the flower motifs . Detail looks like an artist’s painting . Made by Wallquest . It’s a very nice paper -type wallpaper . It’s thin and breathable and should hold up to humid conditions in a bathroom , although not extremely stain resistant . I like this brand and material a lot.
Before. Walls primed and ready for wallpaper .Vanity area done. This blue , brown , and metallic gold material has the warm look and texture of real grasscloth, but is much more water- and stain-resistant and consistent in color . It also has a pattern that can be matched , so the seams are much less visible than with real grass . Note that some of the lines you’re seeing in the photo are cast by the light fixture .Going around these arched windows took a while!Toilet wall without lights off.With lights on, you see the true colors more accurately. Note the light fixture casting vertical stripes on the wall .Like many thick, textured vinyl products, the edges curl back just a teeny bit, due to how the material is trimmed at the factory. Believe it or not, run your finger over this seam and you’ll feel that it’s perfectly flat. In fact, this look is typical with real grasscloth, because the edges tend to fray up a bit. From two feet away, you don’t notice any of this.This material mimics the look and texture of real grasscloth .Another wall, along the shower . One nice thing about grasscloth is that, since you don’t need to match pattern motifs, you don’t have to paper walls in sequence or order. We were a little tight on material on this job, so I hung my full length walls first, then went back and hung the shorter walls. This helped me plan usage – how many strips needed and how many strips I could get out of each roll / bolt of paper . Made by York , one of my favorite manufacturers.
Arrgh. This last strip of wallpaper in a master bathroom ended just shy of the shower tile surround . That’s a 1 3/8″ gap that needs to be covered with wallpaper. I’ve filled in pieces narrower – like, 1/2″ or less. But, still, it’s a PITA, and takes a lot of time. And it will require a full 9′ strip of paper, just to cut off this 1 3/8″ wide bit from the right side. So a whole lot of unused paper is going in the trash can. As I like to emphasize, always purchase a little extra. I don’t usually pre-trim strips in this situation, because walls are never straight so it’s hard to get the width perfect. And the fact that wallpaper expands when it gets wet with paste , so your pre-trimmed strip may end up wider than the space. And because trimming the piece while it’s on-site gives a better, tighter fit. Anyway, this time I did pre-trim. I measured carefully, and found that most of the space was 1 3/8″ wide. But three artichoke motifs up from the floor (about 2 1/2 feet), the width widened to 1 1/2.” So I used my straightedge and fine ruler and trimmed accordingly. The pasted it and let sit for a few minutes. Here I’m smoothing the strip into its little narrow gap. Finished.
Shot of the finished breakfast room , for pattern reference.Close-up view. The vertical lines are not wrinkles , but shadows cast by the macrame light fixture in this breakfast room . The problem is, when walls aren’t plumb , and ceiling and floor and chair rail are not level , the pattern motifs won’t march across the wall at the same height on every strip . I’ve learned that, in most cases, it’s more important to match the pattern in the corner , and then allow the pattern to go off-track at ceiling or floor if necessary. In this photo, note that the humming bird is sitting completely above the chair rail. Here he’s dropped down to where his tail is swallowed up by the chair rail . By the time we get to the left corner , half of the bird has dropped down and disappeared .Here’s another bird motif doing the same disappearing act .Feet and belly gone. This house in the Eastwood neighborhood of Houston is nearly 85 years, so you can expect some settling and shifting on its foundation . But even brand new homes can have walls that are out of whack . This beautiful pattern is by Cole & Son and is called Hummingbirds – it’s very popular and has been around more than 100 years … that’s older than the house!
Look to the right of my pencils. You can just make out this odd curved line through several feet of this wallpaper . Read my post above for more information about this. The streak doesn’t really hit you in the face. But if you were standing back from the wall , I believe this subtle break in the pattern would catch your eye. Manufacturer is Designer Wallpapers . It’s a non-woven / paste the wall material . This strip of wallpaper was to have gone on this wall to the left. I believe the streak would have been noticeable ; a sloping vertical line against the horizontal texture and the lantern motifs . I discarded it.
The crib will go on this wall. Originally it was textured grey paint , as you see on either side . Here is the wall after I’ve skim-floated / skim-coated it, sanded smooth , and primed with a wallpaper primer called Roman Pro 977 Ultra Prime . I have them put a little blue tint in it, so I can see where I’ve rolled it on. This wallpaper comes in one continuous roll ordered by the yard , as you see on my table , as opposed to double roll bolts as most brands are packaged. This cute pattern is called Thatcher . It looks like a simple repetitive pattern , but it was actually fairly complicated . Not all those starburst motifs , and especially not the fan shaped lines around them, are the same. Looks hand painted with a paintbrush . The paper has a clay coated surface , which give it a beautiful matt finish. It’s lovely stuff to work with – seams melt away like butter , and trim lines are spot-on. (Many companies’ are not.) This brand’s papers come with an unprinted selvedge edge that has to be trimmed off by hand. You use a straightedge and single edge razor blade , and follow the manufacturer’s trim guide lines , to remove the selvedge. Today trimming this one bolt to do one wall took a full hour. The brand is Pepper Home . The home is in the Woodland Heights area of Houston . installer
It’s important that all your wallpaper rolls have the same run number , also called batch or dye lot . This means that they were printed at the same time with the same ink . Paper printed later with another batch of ink may be every so slightly different in color / shade . Looks bad on the wall. The same thing can happen with trimming at the factory. Different runs can be trimmed differently from each other. With this paper that I hung in a dining room last week (see previous post), the labels on all the rolls / bolts listed the same run number . But there was one bolt that was wrapped in not one, but two plastic wrappers. This raised an alarm in my head, because this indicates that it may have been a roll sent back to the factory, for whatever reason, and then repackaged. When this happens, you cannot be absolutely sure that the run number is actually that which is printed on the label. Somebody at the factory could have just grabbed a handy label and stuck it inside the wrapper. I tried not to use this double-wrapped bolt of wallpaper. But on the last section of wall, I got to a point where I just needed to use it, for just two 6′ strips. I was pleased that the color of both the background and the motifs matched perfectly. But not happy with this pattern mis-match. It was easy to see that the factory trimmers had been placed about 1/8″ to one side, from where they had been placed when trimming the previous rolls. It’s a busy pattern, and, from a distance, this undercut wasn’t all that noticeable. But on the other side, there was repetition of the motif , and this will really catch your eye. Happily, this only affected one seam, and since it was a very busy pattern, from just a few feet away you couldn’t notice it. Still, it bothered me. So I pulled this strip on the left off the wall, laid it on my table, and used my straightedge and razor blade to trim off that repetitive leaf tip – about 1/8″ from the right edge of the strip. The second strip, since it came off the same roll and had been trimmed the same, matched perfectly . This was also my last strip, so no more drama with mis-matched designs at the seams . What the overall pattern looks like. The pattern is by Rifle Paper , which has been finding its way into a lot of homes lately. This brand is usually a good quality non-woven material , and can be hung by pasting the paper or by paste the wall . It is designed to strip off the wall easily and in one piece, and with minimal damage to the wall , when you’re ready to redecorate . Very cute , cheerful patterns , and good price-point . Note that the run number is printed on the label. installer houston
The homeowner very much loves this simple, tone-on-tone shore bird pattern for her dining room – just the top , above the chair rail / wainscoting. Here I’m plotting where to best situate the pattern on the wall , between the chair rail and ceiling , while keeping the most important pattern elements and motifs intact . (no cutting off birds’ heads at the ceiling , nor at the wainscoting ) I’m also checking the pattern match . It quickly became evident that the pattern match, as laid out by the factory, was incorrect . Match it at the bottom (by my thumb ), but as you move up , the pattern goes a little out of whack . This is actually not all that bad , and is considered acceptable – the industry standard allows for up to 1/8″ – 3/8″ mis-match . Hand-trim screen-print materials such as this are particularly notable for pattern mis-matches . For the record, they’re also known for curling edges , puckering , waffling , and other issues that make them difficult to hang , as well as questionability as to how long they’ll perform on your wall before wanting to resort to that curling at the seams . More pattern mis-matching . But the situation got worse . These high-end screen prints often come with an unprinted selvedge edge that has to be trimmed off by hand , with a straightedge (the blue metal thing ), a razor blade – and a steady hand. If the trim guide marks printed on the material by the company are ” off ,” then you’re supposed to ” trim to the pattern .” This means that you find the design element on the left edge of the paper and then find the corresponding element on the right side, and place your straightedge so that your trim cuts will result in the two edges matching up perfectly. (Or at least within that 1/8″ -3/8″) At this point, the white lines in the design – let’s call them ‘grapes’ – are abutting my blue straightedge , and should meet up perfectly with the corresponding white lines on the grapes on the opposite side of the subsequent strip of wallpaper. But, unfortunately, with this material, that didn’t work. If I lined my straightedge up with the pattern design elements , as in the photo above this one, by the time I moved down a few feet , as you can see in this photo , the pattern begins moving away from the straightedge . The white grape outlines do not butt up against my straightedge. The likely reason is that this material has been printed on the bias . That means that the artisan at the factory got his screens out of whompus , for lack of a better term. ” Trim to the pattern .” OK. So here I’m placing my straightedge at 1/8″ away from the ” hook ” in this design . Still the same distance from the “hook.” But the white lines are starting to move away from the straightedge. Here they’ve moved farther off. With this design, from a distance , you could maybe live with the white lines not meeting up perfectly. But what you couldn’t find acceptable is that the tan area between these white elements would be growing wider diagonally as you move both up and down the wall. Look at the photo. You can see the tan area growing larger . But it gets worse as it spreads farther … As that tan section grows wider like a “V” or a wedge as you move up or down the wall, it additionally pushes the design motifs at the top of the ceiling or at top of the wainscoting either up or down along the horizontal lines of the ceiling and wainscoting . So not only do you get a widening tan line between each seam , you also get the birds’ heads moving up or down from where they’re supposed to be positioned below the ceiling or above the wainscoting . I spent an hour and a half trying different placements and trimming methods . I knew the client loved this pattern and that she was willing to accept reasonable flaws in the pattern match and positioning. But even given that, I wanted her to have a good looking dining room – not one with uneven spacing between strips, or grossly irregular positioning along the horizontal lines in the room. I even consulted with several (five!) “high-end” installer buddies of mine. No one had a ” tip ” for making an improperly printed design fall correctly on the wall. In fact, all five of them said it couldn’t be done. I determined that this material was unhangable. As mentioned, I tried to find an installer buddy who could make this work and get this client’s dining room done in time for Thanksgiving dinner. But no one wanted to take it on. I don’t know if the manufacturer will replace the paper or refund the $ spend. Manufacturers are usually keen on saying that “it’s the installer’s fault .” I can say that I’ve had similar issues with Meg Braff papers in the past. The homeowner really loves this pattern. It’s possible – but not assured – that purchasing the same design but in a different run will yield a better factory printing job. Just a note that printing defects , curling seams , wrinkling / quilting , and more, are somewhat common with hand-screened wallpapers . And here’s another reason why I’m happiest when clients stick with middle-of-the-road, or slightly upper priced , wallpaper options . Email me and request my Info Pack (or see the link on the right) for more information and brand name recommendations. Sad to bow out and leave this client with an unpapered room, and no viable solution or direction . But better that than to take on something that I can’t assure will look good. I hope she tells me what she ends up doing and how all this turns out.
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