Posts Tagged ‘nook’

Lots of Wallpaper in Nov/Dec Issue of American Farmhouse Style Magazine

November 1, 2022
Including right here on the cover! And a real coup! … A magazine that’s pretty much dedicated to the all-white or all-grey trend in decorating, as well as minimalism … it’s so exciting to see some pattern and color in the ” farmhouse ” themed homes. Let’s take a look …
Textured grasscloth behind bookshelves in a living room .
Two-tone classic toile on one wall as a background to a stairwell . It warms up the space, without hitting you in the face.
Soft , cloud – like feel behind this credenza . Look carefully right above the baskets , and you’ll see an overlapped seam. Some commercial murals are hung like this, as well as the very popular patterns by Spoonflower , which is a budget-friendly and DIY – able , good quality material and brand . (But ONLY their ” prepasted smooth ” option. Do NOT get the ” traditional pebble ” nor their ” peel and stick . “
More of the toile pattern , in the entry , with batten board wainscoting and a chair rail , in a mud room . Also called rear back door entry . : )
Floral pattern in the laundry room . I’m getting lots of queries for wallpaper in laundries … must be trending right now!
Soft two-tone floral in small bathroom .
Textured grasscloth behind desk in home office .
Apologies for the sideways image … WordPress used to be easy to use, and I could correct this. But they “upgraded” their program and made many, many features much more difficult to work with. I tried tutorials on how to fix this, but after reading and watching tons of info and videos, I gave up. It used to be just one click !
Anyway, note the cheery breakfast room. Colorful without being overwhelming .
Closer picture.
Very innovative use of floral pattern with subdued color around the archway / entry to another breakfast nook . Note that the back of the nook also wears a textured wallpaper .
Sorry for the out-of-order picture … another frustration from the “upgraded” WordPress Editor . This gives an idea of what the afore-mentioned breakfast area looked like pre-wallpaper.
The magazine didn’t mention a brand, but this sure looks like one of Serena & Lily ‘s designs . Of course, when one company makes a popular pattern , many other companies make their own versions .
These days, usually you see pattern on the accent wall behind the headboard . So it’s a little unusual to see wallpaper on all four walls of this master bedroom . But it works, because the pattern is simple and the colors are kept to only two , so the overall feel is calming , rather than busy .
Fooled me! I thought this headboard accent wall was done in tile – but it’s wallpaper !
The same paper on a kitchen cabinet .

Brightening a Breakfast Area

March 25, 2022
Breakfast nook before. The blue is a pretty color. But …
… the wallpaper is so much brighter and lighter.
The homeowners will have the banquette painted (still deciding on what color) and a cushion made for the seat (still deciding on color and pattern).
The rest of the home has a strong mid-century modern feel, so this mod pattern and colorway fit right in.
The gold is slightly metallic.
The brand is Designer Wallpapers. It’s a traditional wallpaper material, and I like this brand a lot.
The home is in the far north east Heights area of Houston.

Serena & Lily “Pineapple” in West Houston Breakfast Room

September 4, 2020


Serena & Lily’s wallpaper designs are bright and cheery – just the thing to wake up the breakfast nook for this family with young toddlers in the Energy Corridor area of Houston.

S&L’s papers are nice to work with – among my favorites. You order directly from them, on-line.

Serena & Lily “Meadowsweet” Defines Breakfast Nook

July 12, 2020


Apologies for the dark photos. It’s the best my elementary phone camera can do. But look closely at the second photo, and you can see the pattern wrapping around the windows.

Here’s another home where all the walls were originally white. You can see how a little pattern and color add personality, definition, and warmth.

This swirly wallpaper pattern was chosen in a soft hue, so when you look at the breakfast nook from a distance, it feels snug and warm, but still light enough to fit into the home’s crisp white vernacular.

The space looks small and simple, yet took me at least six hours. There was a lot of intricacy involved in getting around the windows, and keeping the pattern intact.

Serena & Lily is one of my favorite brands. One of their catalogs came in the mail recently, and maybe that is why – I’ve had a rash of clients these days using this brand.

The home is in the Bellaire neighborhood of Houston.

Stroheim Playful Geometric – A Tough Hang Today

March 24, 2019


This colorful and playful geometric pattern went in an elevated “nook” in an open play area in a new home in the Oak Forest neighborhood of Houston. It wakes up an otherwise all-white house, and coordinates perfectly with bright artwork in the room.

The paper is by Stroheim, and was somewhat difficult to work with, especially in a room that presented the challenges it did – wide window, and four cubbyholes around three fixed built-in shelves.

First, the paper had a selvedge edge that had to be trimmed off by hand, a straight edge, and a razor blade. This is tedious and took about an hour to trim eight single rolls.

Second, any time you have wallpaper whose ink smells like mothballs, you know you are in for a tough day. The ink absorbs moisture from the paste at a slower rate than the substrate, so the paper backing puckers (called waffling or quilting). This doesn’t go away, even after booking and sitting in a closed plastic bag for several minutes – so you end up with wrinkles and blisters on the wall.

One thing that helps with this is lightly wetting the surface of the paper with a damp sponge. This allows the ink to absorb moisture, and relax at the same time the paper backing is expanding and relaxing.

You will also notice in the photo that the edges of the paper are curling toward the front. This is, again, the result of uneven absorption of moisture from the paste. Unfortunately, this continues once the paper is on the wall. I had to keep going over the seams to make sure they were down and that edges were not coming away from the wall. No matter how much paste I put under the seams, or how tacky I let the paste get, it didn’t seem to want to grab those edges.

Once the paper is good and dry, though, usually the seams lie down nice and flat, and any blisters or wrinkles will disappear.

Clay-based paste has less moisture content, and could possibly help reduce the waffling. I hate clay paste, though, because it’s hard to wipe off woodwork and off the surface of the wallpaper, and because it works its way through the paper and casts a tan tinge on the paper.

One thing that will help with issues like these is a liner paper. A liner is a plain paper of a special material that is applied to the wall before the decorative wallpaper goes up. It’s job is to absorb moisture from the paste, which causes the paper to dry more quickly, and to “lock down” the seams quickly. So a liner has its place, but it does add an extra day of labor, plus the cost of the liner material.

Interestingly, the Stroheim instructions did not spec a liner; only a good quality wallpaper primer (which I did use). They also did not spec clay-based paste, but recommended three different types of clear pastes (vinyl, wheat, or cellulose), each of which is distinctly different and contains different moisture contents. I would think wheat or cellulose to be too thin and weak to adequately adhere this particular material.

I’ve hung plenty of their products and had no problems with waffling or curling seams; it’s clear that the company has a blanket set of instructions that they stuff into every roll, with no regard to the substrate it’s printed on or the type of ink that was used.

The other thing is, most of the time, you don’t know what you’re going to be working with until you show up at the job site. Even if you research the brand and pattern number ahead of time, there will likely be no mention of the type of substrate or the “mothball” smelling ink. If I had known, I would probably have suggested that this homeowner use a liner. Beyond that, it’s good to have your truck stocked with a variety of primers and adhesives.

Back to the difficult room … I always say that a window like that is easy for you to look at, but very difficult for me to get paper around, at least while keeping the pattern straight and properly lined up. That’s because papers stretch and twist when they get wet with paste, and can contort out of whack. And the wider the obstacle you are working around, the more the paper can go off-kilter. So you can start perfectly lined up on the left of the window, but by the time you get to the right side, the strip coming down from the top of the wall may not line up with the pattern coming across horizontally below, and the two edges may not butt up perfectly, either.

It didn’t help that the pattern had an irregular hand-drawn look, so I couldn’t use a ruler to make sure every horizontal line was equidistant from the window molding. So that window wall took about two hours in itself.

Then there was the wall on the right, with the four cubbyholes in between the three shelves. I had to get two strips of paper on the backs of each of those cubbies, keep the seams from curling, and keep the pattern straight, continuing to four more strips on the wall to the right (the inside side of the wall you see on the right of the photo next to the door molding), so that all four of those strips would line up with one long piece coming down from the ceiling. Oh, and did I mention the extremely unlevel ceiling? This wall in itself took about three hours.

Actually, the irregular hand-drawn look of the pattern helped immensely, because the pattern didn’t have to line up exactly perfectly. Also, the way it was printed on the paper, the design motifs didn’t cross a seam, so that allowed me to raise or lower a strip slightly, to keep the pattern where I wanted it, without disrupting the look of the design. In fact, it was possible to not follow the correct pattern match, and the eye really couldn’t detect it. I could also cut strips vertically to narrower widths, to suit the area I was working in.

There were a few other tricks I pulled out of my hat, in lining up the design after coming around the window and shelf walls, to plumb up the pattern after turning a corner, and to disguise the very unlevel ceiling. The kill point (last strip meets up with first strip) turned out amazingly undetectable, with very little tweaking from me.

In the end, the nook turned out fantastic, and is ready to host children’s performances, reading marathons, or just gazing out the window.

The interior designer for this job is Stacie Cokinos, of Cokinos Design. She works mostly on new builds and on whole-house remodels, and is a great resource for finding and coordinating all the details – tile, plumbing and light fixtures, rugs, furniture, lamps, accessories, paint colors, and, of course – wallpaper. 🙂