Geometric patterns are very popular right now. But one of the things I hate about them is that your eye expects to see the pattern motif march straight across the ceiling and walls … But ceilings are never perfectly level and walls are never perfectly plumb. And wallpaper itself will expand when it gets wet with paste, and can stretch out of shape, causing it to go off-kilter.
In the top photo, the wallpaper was hung butted straight up against the most visible corner, the left edge (not shown). But since that corner was not absolutely perpendicular to the corner to the right of it, this tight geometric pattern started to track off-kilter. As you see in the photo, the black line at the far right is wider at the bottom of the wall, and tapers off to nothing by the time it gets to the top of the wall.
With a geometric design, your eye wants to see that black line reproduced rhythmically all the way along the wall.
With a thin paper, I might have been able to cut vertically along the design and pull the paper into alignment with the wall on the right, overlapping the excess paper as it moved to the top of the wall. But such an overlap would have been very noticeable on this thick non-woven wallpaper material.
So I did something else. I took some scrap paper and cut appliqués of the black line design that were the same dimensions of the lines at the bottom of the wall. I then pasted them onto the corresponding spot on the right edge of the wall.
As I mentioned, this as a thick non-woven material, and an appliqué would be pretty noticeable. So I fiddled with the paper a bit, and pulled the thick backing away from the inked layer of the front. In the second photo, you see the white backing discarded on the left side of the photo.
Once the appliqués were measured, cut, pasted, and applied to the proper spot on the wall, you don’t notice that anything is not plumb. All you see is a consistent row of black lines marching vertically along the right edge of the wall.
Note that by doing this, I have moved the black line closer than it’s supposed to be to it’s parallel partner to the left of it. But the eye notices this much less than it would a fading away line on the right edge of the wall.
I’m glad that I spent the extra 45 minutes to do this to both vanity walls in this master bathroom in a nicely renovated Mid-Century Modern home in the Piney Point (the Villages) neighborhood of Houston.