Posts Tagged ‘oil pastel’

Hiding White Seams on Dark Wallpaper

January 6, 2021


This “Melville” pattern by Cole & Son is a dark pattern printed on a white backing. The non-woven substrate is thick, and the white paper was likely to show at the seams.

So, before I pasted the back of the paper, I took a piece of chalk pastel (from a craft or art supply store) and ran it along the edges of the paper, working from the back, to avoid getting chalk onto the printed surface. I started with grey, but it wasn’t covering enough. I switched to black and had more pleasing results.

Some areas of the seams showed a bit of a hair’s breadth black line – but that looked better than a white line. From a distance, you couldn’t see nada.

BTW, don’t try this with oil pastels nor with any ink-based products like markers. Oil and ink (among other substances) will bleed through wallpaper and stain the surface.

(Originally written March 2018)

Coloring the Edges on a Dark Faux Grasscloth

October 11, 2015
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I am not happy with the shading and paneling that is typical of most natural grasscloth products, nor with the unmatchable pattern. So I suggest that homeowners consider the fake stuff, made of vinyl. I love this faux grass, by Thibaut. It has a texture to it, if reverse-hung (every other strip is hung upside down) there are no color variations or paneling, it is strong vinyl on a sturdy scrim (fabric) backing, is water proof, scrubable, and virtually indestructible.

So I was pleased when this Tanglewood area couple took my advice and went with this product for the husband’s home office. I have hung it many times, in many colors – twice this summer in the navy blue. There is plenty of light and open space in this room, so the dark color will feel snug, but not cave-like.

Because the product is backed with white vinyl and reinforced with white woven fabric, it’s probable that some of that white will show at the seams. To prevent that, I took a navy blue oil pastel (from an art store) and ran it down the edges of every strip of wallpaper, taking care to do this from the back, to avoid getting color on the surface. Once the strips went up, the seams were virtually invisible.