Posts Tagged ‘overlapped’

Difficult Hang Today – Lots of Work to Get Good Seams

June 17, 2018



I don’t recall ever having seen a wallpaper product labeled “heavyweight paper” before. I wasn’t thrilled with this stuff. It was thick, and that made it difficult to work with. I prefer thin papers because they form to the walls better. This paper didn’t have any coating on it, so it is not any more durable than a thinner paper, so I don’t see the reason for the “heavyweight” treatment.

And any time you apply paste and the edges of the paper curl backward (Photo 1), you know you are in for a tough install.

The room was already prepped, and it was just 9 single rolls on an easy top of a dining room – no tricky moldings to trim around, no toilets to reach beind, no awkward spaces to situate the ladder in… It should have taken 5-6 hours. Instead I toiled for 12 hours.

I hung three strips, and wasn’t happy with the two seams between them. They pouched just a little and would not lie down flat. (Photo 2) With strong light coming in from the windows, the seams looked bad. There was no way of knowing how the seams would look once the paper was good and dry. But for now, I couldn’t stand the look, and I didn’t want to leave the homeowners with these pouchy seams.

I removed two of those strips, refreshed the paste, and kept them “open” by placing them in a plastic trash bag so they would remain useable (we didn’t have a lot of paper to spare). I ran to the truck and got supplies so I could double cut new seams (splice on the wall). I needed a special trim guide, and a special polystyrene padding strip to protect the wall so that the razor blade wouldn’t score into it (which could compromise the surface and lead to delamination of layers … too complicated to get into here, but you can do a Search and read previous posts on this subject).

From then on, instead of using the factory edges for seams, I double cut. Double cutting involves padding the wall behind where the seam will be, overlapping the new strip onto the old strip while carefully matching the pattern, and then using the handled straightedge and a sharp new razor blade to cut through both layers of paper. Then you peel back the paper at the newly cut seam and remove the two thin strips of excess paper that were just cut off. Then you remove the plastic padding strip.

Now you can put the edges of the freshly cut new seam back together. Because they were cut into each other, they will fit together perfectly. But because the padding strip has some thickness, the two newly cut edges are now a teeny tad wider than needed, so you’ll have to do some finessing to get the seam to butt together, instead of pouching up just a bit.

Because one strip of pasted paper overlapped onto another, once the excess paper strips are removed, there will be paste residue left on a 1″-2″ edge of one of the wallpaper drops. This has to be washed off with a damp microfiber rag, and you will have to rinse the rag and wash the wall several times to get all the residue off.

And all of this has to be done on a time frame, because while you’re working on one seam, the edges of the next are rapidly drying out, which is a whole new can of worms.

My finished double cut seams were perfect. (Photo 3)

But after I had worked my way around the room a bit, I looked back at the first wall, and saw that, as the paper dried, it shrank just a little. This left a visible gap between the two strips. (Photo 4) This gap isn’t visible from a distance, and it’s not visible if you look at the walls at an angle. But if you are standing three feet away and looking head-on, you will see the gap. I think it’s too much.

Oh, and, one more thing … the paper was easily marred if it was touched by any bit of metal. (Photo 5) Scissors, straight edge, trim guide, even the metal eraser housing on the end of my pencil would leave a grey mark if it happened to rub against the wallpaper. Most of these marks would wipe off, but not all of them. And wiping the paper leads to abrasion, so you want to avoid overdoing it. I worry about how the wallpaper might be marked up when the homeowners innocently go about hanging their art and mirror.

Considering what the homeowners paid for the wallpaper and installation, I think they should have a better outcome than this. This paper is manufactured by Thibaut. Thibaut makes many types of wallpaper, and most of them are lovely to work with, and they perform well. It makes you wonder why they would use this “heavyweight” stock, which produces a less-than-desireable outcome.

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Geometric Pattern in a Powder Room – Flooded Home

May 20, 2018


This home in the Energy Corridor area of Houston was flooded during Hurricane Harvey last August. A lower section of drywall had been cut out and replaced. The contractor’s wallpaper hanger put up this identical pattern. The homeowner wasn’t pleased with the job. To be honest, the installer did a pretty good job, in a room that was very difficult to hang. There were a few minor things that could have been done differently.

But what bothered the homeowner most was that the walls had not been smoothed properly before the paper went up. With that west-facing window blasting angled sunlight into the room, those irregular surface flaws were quite obvious. See the top two photos. (You may need to enlarge them.)

I stripped off the original paper and skim-floated the walls to make them as perfectly smooth as possible. I followed with a primer. (The previous installer had not primed the walls.) See third photo for walls that are ready to go.

This room was a major bugger bear to hang. For starters, there was a large metal mirror that protruded about 4″ from the wall, that could not be removed. This was directly over a pedestal sink. (The previous installer had the luxury of hanging the room before the sink was in place.) It’s hard to explain, but the logistics of winding wallpaper around these three-dimensional objects, preventing the paper from tearing, having the ridged and unforgiving pattern match on all planes, keeping the edges plumb, and keeping the edges straight so they would butt up with the next strip, all while fighting edges of the wallpaper that wanted to curl backwards, were extremely difficult.

In addition, the corners of the room were out of plumb, which pretty much guaranteed pattern mis-matches in all the corners. On a wild floral pattern, no one would notice. But with a geometric pattern like this trellis, the eye would catch even minor mis-matches.

Compounding all of that was the fact that nothing in the room was centered. The window was not in the center of the wall, nor was the toilet – and they were not aligned with each other, either. The sink was not centered on the mirror, the faucet was not in the center of the sink, and the spout was off-set from the handle. I finally decided to balance the trellis design on the mirror, and it did fall perfectly symmetrically on either side. The kicker is that the room is so narrow that you can’t stand back far enough to appreciate all my efforts. ๐Ÿ˜ฆ

I probably spent 40 minutes plotting how to tackle the first wall, and then a full two hours hanging the first two strips (the ones around the mirror and sink) (sorry – the room was too small to get good pics). The longer I worked, the more appreciation I had for the previous installer and the job she had done.

In the end, the walls I had prepped were smooth, and there were no objectionable bumps or gouges showing under the paper. I pulled some tricks out of my hat and got the pattern to match in the corners pretty darned well.

That window with it’s danged strong light still was a foe, though. The wallpaper seams butted together just about perfectly. Yet because of the way the edges curled back when they got wet with paste, I fought to keep them down tight to the wall. Once dried, they were nice and flat. I was pretty content. But when the sun moved and light came through that window from a different angle – some of those seams looked positively horrid! The light was casting shadows and making it look like the seams were overlapped. Yet they were perfectly flat. The inclination is to go over and over the seams with various tools and try to “force” them to lie flatter – but this can burnish or otherwise damage the wallpaper or the underlying surface. The good news is that as the sun moved, and as the louvers on the shutters were adjusted, the shadows disappeared and the seams looked good.

Let’s hope that the homeowners see this room only in the most positive light. ๐Ÿ™‚

This wallpaper is by York Wall, one of my favorite brands. Interestingly, the paper came with the correct label, but the instruction insert was for another line made by this same company. I’m glad that I was familiar with both products, and had the sense to disregard the info that was not relative.

Water Color-y Mural In a Baby Girl’s Nursery – Accent Wall

February 17, 2017
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Here’s a delightful, softly colorful wall treatment for a soon-to-be-born baby girl. I love the way the flowers look fluid, as if they were brush strokes of water color. It is a mural, made up of six panels, rather than a typical wallpaper with a repeating design motif.

I hung this on one accent wall for behind the crib in a nursery ofย a newish home in Pearland. The wallpaper was bought on-line, and it came with no label, no instructions, no nothing. The homeowner told me name of the website, but – dang it! – I forgot the site and the brand name. ๐Ÿ˜ฆ I suspect that this may be a knock-off of a very similar pattern. Read on.

I have hung this pattern before, with pleasing results:

https://wallpaperlady.wordpress.com/2016/03/20/water-color-ful-wall-for-a-baby-girl/

and with slightly lesser-than-happy results:

https://wallpaperlady.wordpress.com/2016/08/25/water-color-flowers-for-a-little-girls-room/

Anyway, back to hanging the mural. First I smoothed the new suburban home typically heavyish textured wall, and primed with Gardz. (No photos, but similar to the previous two posts.)

In the 4th photo, I have laid out each strip, to be sure of which way is up, of the sequence to be placed on the wall, and to get exact measurements so I can compare them to the wall.

As for getting the paper onto the wall, I followed the protocol for pre-pasted papers, which is to run each strip through a water tray. I added a light coat of supplemental paste to the wall and at the edges (ceiling, baseboard, corners).

Similar to my last experience with this paper, I had what we call “overlaps and gaps” at the seams. See photos 5 and 6. In the 7th picture, you can clearly see that the paper has not been cut straight. Look closely just below the pink flower petal, and you will see that the seam butts perfectly, then jogs to the left in an overlap, then comes back to the right in a perfect butt.

When the manufacturer provides crooked seams, it’s impossible to make them butt together perfectly.

In addition, every seam had pattern mis-matches. In fact, none of the pattern matched perfectly across the 9′ height of the mural. The photo with the dark green leaf shows an example of this. You might think, “Just pull one strip up a little.” But then other elements of the design at other points along the seam would not match up. (Not pictured.)

The paper is simply poorly trimmed and poorly printed.

From a distance, you don’t notice any of this at all, and even close up, most homeowners don’t see it. But this mother-to-be was envisioning a perfect room for her first baby, and she paid a lot of money for the mural and installation – and she spotted the irregularities immediately.

With some of the overlapped seams, I was able to carefully trim off the lower layer, so they butted together better. And as the paper dried, I was able to push some of the seams together, as well as pull apart some of the overlaps. And I used my trusty No. 2 graphite pencil to fill in some of the mis-matched design at the seams.

In the end, the homeowner was happy with the room.

The crib and other baby’s furniture are white, and will look sweet and peaceful against this accent wall.

Why do I have no photos of the finished room? All this furniture is in the garage, still in boxes, waiting to be assembled.

Hmmm… Guess how this young couple is going to spend the weekend? ๐Ÿ™‚

“Smoke” On A Floating Wall

January 13, 2017
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This wall in the dining room of a very contemporary new home in the Spring Branch area of Houston “floats” in the middle of the room. This breath of smoke floating across the wall adds a distinctly ethereal feel.

The interior designer on this job is Neal LeBouef, of L Design Group, who was expertly assisted by Anthony Stransky. I love working for these guys. And homeowners love their creations, which are crisp, sleek, modern, a bit edgy, yet still warm and comfortable.

The smoke mural was custom made to fit the wall, and came from Murals Your Way https://www.muralsyourway.com/ , a member of the Wallcovering Installers Association (WIA). Their murals can be printed on various materials, and I chose the vinyl on an Osnaburg backing.

Each of the three panels was about 42″ wide, and they were meant to be overlapped and then double-cut (spliced) at the seams. Great care was taken to not get paste on either the surface of the mural or on the ceiling, and to not score the wall while splicing.

I have a specially made 2 1/2″ wide plastic tape that keeps paste off surfaces, and another special 2″ wide polystyrene plastic strip that protects the wall from cuts from the razor blade, and a specially made non-slip straightedge used as a guide while trimming. All of these were invented and made by fellow members of the WIA (Steve Boggess and Eunice Bokstrom). Probably boring for the average blog-reader, but exciting stuff for us paperhangers. These things really helped make this job turn out perfect.

Water Color Flowers for a Little Girl’s Room

August 25, 2016
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This is my second time to hang this mural wallpaper – and both times were for a little girl!

This mural is sweet, with subdued hues and watercolory transparancy, so it does not overwhelm the room. I hung it on one wall in a little girl’s room in the Briarpark neighborhood of Houston.

I said I hung this before, but, to be honest, I am not sure. I’ve been told that all you need to do is tweak a design a little – the tilt of a leaf, the shading on a petal – and you can get around copyright laws and call the design your own. I think that’s what is going on here.
Here is the one I did previously: https://wallpaperlady.wordpress.com/2016/03/20/water-color-ful-wall-for-a-baby-girl/ If you look really closely, the flowers appear to be ever so slightly different. That tells me that one of them is a knock-off.

In fact, the one I did a few months ago was very expensive, and was on a non-woven substrate, and was a paste-the-wall product. I didn’t have any particular problems with the installation.

The one I hung today was less expensive, was printed on a thin paper substrate, and was a pre-pasted product. I had issues with seams that “gapped and overlapped” (butted perfectly in some places but overlapped in others), pattern mis-matched at the seams, paper twisting off-plumb, and the pattern not being printed at the right height at the top of each panel.

This almost caused a huge problem, as I was about to come up with a strip that was unexpectedly 2″ short at the top of the wall – but I was able to pull some tricks and rectify that.

Whichever is the “real” design and which is the knock-off, the pattern and colors are perfectly suited for this little girl’s room – in fact, she was toddling around the house in a matching pink top!

This wallpaper is described as a mural, and it came in a set of seven panels. It was custom ordered and sized to fit the wall. In the last photo, I have separated each panel and laid them out on the floor, to be sure the pattern matches, and to ensure the proper sequence for installation.

1930’s Wallpaper in the Wallpaper Lady’s Home Office

April 29, 2016

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This paper is the real deal; not a reproduction. I bought it from HannahsTreasures.com. They have tons of beautiful, authentic papers from the ’20’s through the ’70’s. Much of it is very limited stock, as was with this beauty.

There were only 8 single rolls, and I thought I could only do the top 2/3 of the walls, and then paint the bottom 1/3. But I found that, instead of the standard length of today, 33′ long, most of these bolts were 40′ or longer. That made all the difference, and I was able to squeeze out enough paper to do the entire room, from floor to ceiling.

This paper is very delicate and brittle. I used what they used years ago, powdered wheat paste (available from Bob Kelly at paperhangings.com), mixed with distilled water, and a soft, long-bristled smoothing brush. I used extra care, to avoid tearing or breaking the brittle material.

Back in the day, this paper was hung over a muslin type fabric tacked to the ship lapped walls. The seams were overlapped. The last I hung vintage wallpaper (in my entry), the paper hand-trimmed nicely, and I butted the seams and they looked great. This stuff, though, I’d cut it along the trim lines, but the edges would turn out all jaggedy. I got one decent seam out of it, and the second was good at the top, but overlapped toward the lower section. With so little paper to work with, I decided it was best to go with a sure thing and overlap the seams.

What I did was to trim off most of the selvedge, leaving a 1/8″ raw edge on the left side. On the next strip, I trimmed the right edge right up to the pattern, then left a 1/8″ selvedge on the left. This strip was then overlapped onto the previous strip, with the trimmed edge matching up with the pattern to its right, and overlapping that 1/8″ left edge.

This means that there’s a ridge under each seam from floor to ceiling. It’s more or less visible, depending on the direction of the lighting. But that’s how the paper was meant to be hung, so it’s the authentic look. Once my furniture and artwork gets back in place, and I have the computer screen to look at, no one will pay any attention to it.

I totally love this paper. The colors, the texture, the smell, and most of all the pattern. Most of my furnishings and artwork are vintage, so the room will look very pulled together.