There were eight double roll bolts of this wallpaper , to cover a large powder room in Houston. Four were rolled so the pattern came off the top of the roll, and four were rolled the opposite way, with the bottom coming off first. This Katie Kime brand is custom-printed , so you can assume that all these rolls are from the same run , or batch . But maybe not - why are some forward and some backward ? Possibly the company substituted some returned goods, or some old stock they had sitting around the warehouse, for half of this order. I didn't want to risk putting strips of slightly different shades on the same wall. So I had to carefully plot the room so I used the "forward" rolls on some walls, and the "backward" rolls on the others. This does eat up additional paper , so good thing I always have the homeowner purchase a little extra. Also note the crease in the roll on the right. There were a few other creases in other rolls.
I have no idea what happened to the font in the section above, nor do I know how to get it back to the original. All I know is that I HATE this “New Editor” that WordPress foisted on us a few years ago. Perfectly HORRIBLE. And their Customer Service doesn’t care. Anyway … moving on … Note the horizontal smudge next to the top of the capitol. Since this Austin Toile pattern has a 25″ pattern repeat, discarding this piece ate up minimum of 2′ of material (x 24″ width = 4 square feet) and potentially more, to get the correct pattern match. Usually this brand prints on a nice non-woven / paste the wall substrate. But, like other manufacturers, Katie Kime has had supply issues obtaining raw materials . During the height of the Pandemic , they resorted to printing on some positively awful stuff. Extremely heavy , thick , un- pliable , stretched to the extent that the pattern wouldn’t match properly, and more. One was completely un-hangable and had to be sent back. I can’t find all my posts re those challenges, but here is one: https://wallpaperlady.wordpress.com/2021/07/21/katie-kime-tough-install-today-draft-messed-up-delete/ But they’ve since gone back to printing on their usual stock, and I’ve not had problems lately. So when I first picked up this box of 8 double roll bolts, I was surprised at the weight of it. Also the paper had a shiny surface and was obviously composed of vinyl . I couldn’t tell if the substrate was non-woven or paper . I feared they had gone back to printing on that bad material , or perhaps were using up what they had in the back of the warehouse . There were no instructions included, nor any information at all – not even a brand name! Although I could find instructions on-line, you can’t be sure these are current and applicable to the rolls in the box. KK has amazingly good customer service , and you can usually get intelligent answers via phone or on-line chat … but my call to them went to voice mail , and then we got disconnected, so I gave up. After hanging the first few strips, I figured out that this was a flexible vinyl on a non-woven substrate, so that part was good. However, the thickness of the material interfered with getting good, tight, flat seams , as you can see somewhat in the photo. The seams aren’t horrible, but a better non-woven without the vinyl usually produces almost invisible seams. The surface was shinier than usual. Shiny tends to show every imperfection in the wall underneath. Here the thickness was a bit of a help, as it helped cushion any slight dips or pimples on the wall. There was also an odd orange discoloration about 1.5″ long on the edge of one strip. Very faint, but I could see it, and sometimes these things end up catching your eye. I also worry that it might be some substance that will bleed into the paper and cause a larger stain over time. Of course, this popped up after I had hung a very difficult piece in a tight spot, and then hung the subsequent strip. In other words – no way was I taking it off the wall and re-doing. I cut out a design motif and pasted it over the area. Another thing I was unhappy with has happened a number of times with KK paper. The pattern will match perfectly at the top of the wall, but begin to slide up or down, creating a mis-match , as you move down the wall. I think that a lot of it has to do with the vinyl material, because it’s stretchy. The weight of the paste and the vinyl will cause the bottom section of the strip to sag. This simply doesn’t make sense, though, because, if the paper is going to absorb moisture from the paste and expand (which many papers do), each strip should do so at the same rate, right? But not. I finally deduced, correctly or not, that the pattern gets distorted as it’s wound into a roll. So my theory is that if you take your 10′ strips from the same position in each roll, the pattern should match. In other words, take a 10′ strip from the top of roll #1. Take your next strip from a brand new roll #2. Third strip from roll #3. Obviously, this leaves a whole lot of unused paper. For shorter areas like over doors, where it’s harder to see, and where you can fudge the pattern a bit, I used the paper from the insides of the rolls, again, roll #1 next to roll #2, etc. But this doesn’t work on every instance, so you’re gonna be stuck with many areas where the pattern doesn’t match perfectly across the seams. The solution is to match the pattern at eye-level , and then allow it to go off as it moves toward the ceiling and floor. There were other issues with this paper that were disappointing to me. But not overwhelmingly awful. Most homeowners would not notice. But I sure hope that this was a one-time issue, and Katie Kime will go back to its former good-quality, non-woven material.
The current American Painting Contractor has an article about how color choices in your home, clothing, and surroundings can affect mood. OK, we’ve known that for a long time. But here they’ve drawn parallels to the pandemic. Color in a work-from-home environment, feelings of uncertainty, comfort, optimism, ,,, well, I’ll let you read the article. (Much of it is right where that shiny spot is on the page.)Coincidentally, this “freebie” magazine from a local realtor touched on the same points. I’ll point out that pattern – as in, wallpaper! – also has an influence on mood and emotions. I often say that I think I’m the only paperhanger in town who actually enjoys talking with clients about their pattern and color choices. But it surprised me that consultations could touch on not just décor, but also mood and emotion and well-being. For instance, I’m big on avoiding negativity. Like Facebook posts that disintegrate into name-calling and bullying. But also … wallpaper patterns that cleverly disguise “edgy” themes like skulls or hunt scenes or orgies (trust me – they’re out there!) Why not choose to surround yourself with something positive and uplifting, instead?!
This wallpaper in a Houston Heights townhome’s breakfast area was hung by “the contractor’s guy ” and he ran into some problems. First, I suspect the wall had not been adequately coated with a primer designed for use under wallpaper . This may be a large part of why the paper has come loose from the wall in places, and shrunk and gaps at the seams. The wallpaper is an old-fashioned British pulp material , which is quite different from the non-woven material that this company usually prints on. If the installer was not familiar with hanging a pulp, yes, he can have a tough time of it. There are other issues that the homeowner is unhappy with, such as tears, slices, patches, and, of course, these un-stuck seams. I’ve posted more pics previously, if you can Search to find them. My task is to get the paper off and then prep the wall for hanging new material. Most of the paper pulled off the wall easily. But there were areas where the guy had used a stronger adhesive to try to hold the edges down. Those would not come off the wall without causing damage to the wall. So I pulled off the top, inked layer and left the paper backing on the wall. This stuff is porous and will bubble when coated with a water-borne primer , and with wallpaper wet with paste. So I sealed these areas – I sealed the entire wall, in fact – with Gardz (by Zinsser ). This stuff is pretty incredible. It’s a thin, watery primer / sealer that soaks into the surface and binds loose components together, then dries hard and solid . Latex paints and other water-based products (usually) won’t penetrate it, so won’t cause the underlying material to re-wet, expand , and bubble . Just a note … due to pandemic and other supply chain related shortages , Gardz has become difficult to find. This can was about 1/4 full and I had it sitting behind my trash can, intending for weeks to toss it out. Now I’m glad that I procrastinated! Once the Gardz sealer was dry, I skim-floated over it with joint compound , a.k.a. ” mud .” In most areas of the wall, my skim coat was as thin as possible, but I did have to make it much thicker over the areas with the paper backing stuck to the wall. I set up three fans , and also used my heat gun , to get the smoothing compound to dry. I like the Plus 3 version made by the Sheetrock company. It sands easily and doesn’t make too much air-borne dust. It took a couple of hours to dry. Then I sanded it smooth , vacuumed up the dust with my Shop Vac , used a damp sponge to get residual dust off the wall , and then let the wall dry once again.Finally I applied a coat of my favorite wallpaper primer, Pro 977 Ultra Prime by Roman. I used a paint roller to roll it on to the main areas, and an angled trim brush to cut in around the ceiling and moldings. Here is the wall all smoothed and primed . Originally I had planned to strip , prep , and hang this half-wall all in one day. But ended up the prep took more time than I anticipated (about 8 hours ) , so we’ll let the primer dry overnight and save the wallpaper installation for another day. The wallpaper pattern is called Strawberry Thief and is by the famous William Morris designer from the very early 1900’s . I’m sure seeing a surge in interest in his patterns, particularly this one. Do a Search to see other jobs I’ve done with it.
Taken from the current issue of The Installer , the newsletter of the Wallcovering Installers Association ( WIA ).
” The COVID-19 pandemic and subsequent shelter-in-place mandates brought home as never before how crucial interior décor is to our everyday lives. Surrounded by our own walls, we learned that bland, dull interiors make for a boring and dull life, while vibrant interiors create a sense of energy and liveliness. “
Always save the leftovers from your wallpaper install! I hung this textured vinyl faux silk ” Wild Silk ” wallpaper by Thibaut ( # 839 T 344 ) at the beginning of the pandemic, a year and a half ago (April 2020 to see my blog post). Since then, the house had significant shifting of the foundation, which caused damage to the drywall over doorways. Here the homeowners’ ” guy ” has very skillfully cut into the Sheetrock, replaced studs inside the wall, and closed up the hole, leaving everything amazingly smooth, with no damage to the surrounding wallpaper. I don’t think I’ve ever seen a contractor do work this well.I didn’t get pictures of my “during.” But here is the area right after I used left over scraps to replace the missing piece. I used a double cut / splice to to meld the two strips together at the bottom. (sorry, no pic). It was tricky getting the replacement strip of wallpaper in there, because the new strip expanded and twisted differently from the original wallpaper. Too difficult to explain here, but the bottom line is that the new strip was too wide for the space, plus the pattern drifted and so would not line up on the left side of the new strip. All this is evidence, I believe, that, with time and weather, the wall continues to shift and stretch. I did a lot of tweaking and twimming and touching up with pastel. All said and done, it turned out great. The white line you’re seeing is fishing line hung from the ceiling – not the wallpaper. 🙂 Still, there was a bit of a white line at the edge of the original strip on the right side. (not pictured) This was caused by the contractor either abrading from overworking or from smoothing compound infiltrating into the edge of the wallpaper. Either way, it was extremely minor, and unavoidable. Still, it left a pretty noticeable white line along 18″ of seam area. In the photo above, I have used chalk pastels to color the edges and even out color differences. From three feet away, you can hardly see it! Here are the artist’s pastels I used to disguise the white area. They’re from Texas Art Supply (right around the corner from me!) I also used these chalks successfully on a 2″ circle of wall where someone had either abraded the surface by rubbing, or possibly bleached the area. No pic of that, but I was very pleased with how it turned out.
This couple in the West University neighborhood of Houston loves color and avant garde – unexpected and fun! I hung this Honshu wallpaper by Thibaut in their small hallway at the beginning of the pandemic – April 2020. Since then, they decided to change the faucets and showerhead in the bathroom on the other side of this wall. To access the pipes, the plumber had to cut a hole in the drywall. The ‘guy’ that this couple uses did a fantastic job of cutting the drywall, preserving the wallpaper, and then patching the hole. You can even see that his cuts are perfectly level and plumb! Slapping wallpaper patches over the two holes would have probably sufficed. But I wanted to make it better, so I stripped off and replaced the old wallpaper. This meant patching the guy’s drywall repairs. I didn’t get a photo, but I used drywall tape and joint compound to even out the areas. A heavy duty floor fan plus a heat gun helped get the smoothing compound to dry in a few hours. I sanded smooth and applied wallpaper primer, and ended up with what you see in the photo.To conserve paper, instead of replacing the entire two strips from ceiling to floor, which could have caused some problems with matching the pattern on the left side, I patched in about one foot down from the ceiling line. To disguise the appliqued area, I used a scissors and trimmed around the wallpaper design, as you see here. This is less visible than a straight horizontal cut. In this photo, the two strips have been put into place. You could never tell there was a hole (or two) !
I hung this paper maybe a year before the Pandemic. It was a pretty new home, in the Towne Lake are of Cypress (NW Houston). Now, two or three years later, this pink patch has developed on the lower part of the powder room wall that backs up to the garage.
To me, my experience says this is mold.
There’s gotta be moisture inside the wall coming from somewhere.
The homeowner has already contacted the builder (thank goodness for warrantees!) and it’s certain that much of this wall will be torn out. Once the leak is fixed, the mold has been remediated, and the drywall patched, I will come in and replace the wallpaper.
This will entail either the one wall. Or possibly redoing the entire room.
The wallpaper is by Thibaut, and is called “Giselle.” The homeowner will replace it with exactly the same pattern and colorway.
Computer chips, furniture, home office supplies, flour, disinfectant, toilet paper and – building supplies. Just look at these empty shelves at my Sherwin-Williams store!
It’s a combination of not being able to obtain ingredients, along with increased demand as people spend more time at home and start those honey-do projects.
Luckily, I have not had trouble getting wallpaper paste or primer or other basic supplies (knock on wood!).
But I will ‘fess up to having stockpiled a small cache of most-needed items in my garage – just in case.
The owners love the large home office in their new house, and it’s been a real boon while they are working from home during the COVID pandemic.
But they learned real quickly that wild wallpaper in the background doesn’t make for a professional meeting experience on Zoom!
So I stripped the paper off, and they will paint instead. This was a non-woven material, and stripped off the wall fairly easily by simply pulling – carefully. That’s exactly what non-wovens were designed to do.
Rather than try to strip the whole panel off the wall, which does put quite a bit of stress on the wall surface below, another option is to separate the top, inked layer from the backing, as you see in the second photo. The white is the backing left on the wall. This is pretty easy to do, in most cases.
Then all you need to do is to use a sponge and bucket of water to soak that backing until the paste becomes soft and reactivated. Then it’s easy to peel the backing away from the wall. This puts virtually no stress on the wall and usually leaves you with a perfectly intact surface underneath.
There are more detailed instructions on my “How to Strip Wallpaper” page link to the right.
The previous wallpapers I’ve hung by Katie Kime have been on a non-woven substrate, a dependable synthetic material that has many positives going for it – light weight, breathable, stain-resistant, strips off the wall easily when redecorating, doesn’t expand when wet with paste so you can paste the wall as an alternative to pasting the paper, doesn’t expand so you can hang pasted strips immediately (no booking time), and your measurements will be accurate.
So I was surprised today by the weight of this material. And I could tell immediately that it was not their usual non-woven material.
Through a 20-minute Chat with their Customer Service (which is excellent, by the way), they told me that, due to the construction supply shortages related to the COVID pandemic, they are currently unable to get their usual materials, os have temporarily switched to a vinyl.
The backing looks like non-woven to me, but their instructions say to paste the paper and then book for 10 minutes, like a traditional paper. I suspect these instructions are outdated, but I followed them anyway.
This stuff was very thick and stiff … like working with a sheet of plastic. It was hard to press tightly into corners and to get tight cuts at ceiling and floor. I had to push really hard with a brand new blade to even slice through it.
I even had to use the heat gun to “melt” the material a bit so it would fit into and around inside and outside corners. This stuff would be the dickens to hang in a room with intricate cuts and turns.
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