Posts Tagged ‘paneling’

Wallpaper in Magnolia Journal (JoAnna Gaines)

June 30, 2020


There was a nice multi-page spread in the current issue of Magnolia Journal on wallpaper. It talked about various ways it can be used, and how pattern and color can change a room.

Unfortunately, it mentioned peel & stick products as a viable option – they are NOT. Truly horrible stuff. Read my Page to the right.

The first photo is an unconvetional use of color and pattern. Love it.

Third photo, I have hung this pattern, or similar, a good number of times. It is a mural that can be custom-sized to fit your wall.

Fourth photo, “Daydream” by Hygge & West, is very popular and I have hung it many times. Not my favorite brand, because their ink fights their substrate, and tends to curl at the seams.

Palm and banana leaves are always popular. This photo shows how a really large scale can be used effectively in a small space.

Last photo, a really cool idea, to include wallpaper just in the area between the high wainscoting and the crown molding. Note also the dark colors of the wood and the wallpaper. This must be a custom-sized mural, or a border.

Both the room and the wallpaper are an updated take on the “frieze” borders that were common back in the 1910’s and 1920’s – the Art Nouveau and especially the Arts & Crafts decorating movements. Most often placed above dark paneled moldings in dining rooms and living rooms. Today, Bradbury & Bradbury is the most prominent maker of these authentic looking patterns. Interestingly enough, just this week I got a call from a homeowner wanting to put a B&B frieze in their historic home here in Houston.

Serena & Lily Silvery Grasscloth on Master Bedroom Accent Wall

June 15, 2020


Every wall of this brand-new home in the Houston ‘burbs is WHITE. The homeowners have opted to warm up their master bedroom – as well as add a little dazzle – with this silver metallic-backed grasscloth by Serena & Lily.

I have striped on the wall with a similar-hued paint, where the seams will fall, so any gaps between strips will not show white wall primer.

Note that with grasscloth, there is no pattern to be matched, so you will always see the seams. The S&L grasscloth I have hung has been pretty homogeneous in color, as you see above, so not much paneling or shading as with other brands and posts I have done.

Still, this was NOT an easy install. See future post(s) for info.

The home is in the brand new Pomona subdivision in Manvel, south of Pearland, both a bit southeast of Houston.

Rich, Multi-Hued Grasscloth in North Houston Powder Room

May 21, 2020

Iridescent interwoven hues of gold, red, rust, neon blue, green, navy, and more play tricks on the eye, because the colors change depending on the direction from which you are looking.

No matter the view point, this grasscloth by Scalamandre is gorgeous. And there was very little paneling (color difference between strips).

The third photo shows me rolling the material out on my work table.

The last photo is the best to show the true color and texture.

I hung this wallpaper in the powder room of a townhome in a new development in north Houston.

Hanging Wallpaper Strips Sequentially – Stumbling Block

May 6, 2020


You can expect color variations in grasscloth (and other natural material) wallcoverings. These products are made from authentic natural elements, like grass and reeds and hemp and other such materials.

Because each individual blade of grass absorbs dye differently, and because different fields of grass, or even different handfulls grabbed by the worker women, are of differing thicknesses and porosities and thus take the dye differently, there will be differences in the color of these reeds as they are sewn onto their paper backing.

So, you often (usually) end up with an effect we call “paneling” or “shading,” which are differences in color between strips of wallpaper (see third photo), or even within the same strip – such as being darker at the top but becoming lighter at a lower point on the wall.

To minimize this, many manufacturers are labeling their material in the sequence that it came out of the factory. The idea is that, if the strips are hung in the order they came off the dye machine, the strips that are the most similar in color will be next to each other on the walls.

The problem with this particular job is – the vendor didn’t send bolts that came in any sort of correct sequence at all. See second photo.

Luckily, this room is chopped up enough that I can plot the layout so that on most walls, only strips off the same bolt, or closely within the same sequence, will be touching each other.

Unfortunately, even strips within the same sequence can fall prey to paneling. In the last photo, the narrow strip on the far right is from sequence 14-9. The two strips to the left of it are from bolt 14-10. And the two strips to the left of those (next to the door frame) are from bolt 14-11.

As you can see, 14-9 and 14-10 are very close in color / shade. But there is a big difference between the shades in 14-10 and 14-11.

Note that this is not considered a defect or error. These color variations are considered part of the “inherent beauty of these natural materials.”

Fabulous Fake / Faux Grasscloth Wallpaper

April 10, 2020

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These young homeowners of a new townhome in the Houston Heights were originally considering natural grasscloth for this 35′ long wall in their kitchen / dining / living room. I told them of my disappointment with grasscloth’s visible seams, shading, paneling, and color variations (do a Search here). I was happy when they took my suggestion of this faux grasscloth alternative.

This is a printed horizontal grasscloth pattern on a paper substrate, with a vertical stringcloth material on top. The strings give the paper the texture that people are loving these days. But unlike real grasscloth, this product is more stain-resistant and durable. And it has a pattern that can be matched from strip to strip, so, unlike the real stuff, you don’t see the seams. (See photo) And there is virtually no shading, paneling, or color variations (do a Search here on those terms).

The end result is a beautiful, textured, homogeneous, warm and cozy living space.

The bull-nosed (rounded) corners on the windows gave me some argument and took a lot of time, but turned out great.

This wallpaper pattern is by Wallquest, in their EcoChic line, and in their Grass Effects book. It was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Grasscloth in Cypress Powder Room

February 18, 2020


The walls and ceiling in this large powder room in a newish home in the Bridgeland Creek neighborhood of Cypress (northwest Houston) were originally a dark gold. I like dark rooms, but this one felt oppressive. It needed to be a little lighter, and to have a bit more interest on the walls.

The walls had a heavy texture, typical of new homes in the suburbs of Houston. I skim-floated the walls, then let dry overnight. The next day, I sanded the walls smooth, wiped off the dust, primed – and then was ready to hang wallpaper.

The pictures don’t adequately show the color of the new grasscloth, but we have natural brown grass color overlaid onto a really deep blue paper backing. The designer had the ceiling painted a dark, sort of murky blue, which coordinates really nicely with the blue in the grasscloth.

Lighting is funny … While I was working in the room, I had two 100 watt light bulbs; one suspended from the ceiling and one attached to where the light fixture belongs. The grasscloth just looked “normal.”

But once the room’s decorative light fixture went back up, it cast light on the textured surface in such a way that the “nubs” and knots really showed up! (see photo) The homeowner loved it!

As a note … With grasscloth, there is no pattern match, and you can also plan on seeing color differences between strips. So it’s important to plot where your seams will fall.

The electrical box, the light fixture, and the faucet were all in different vertical positions on the wall. Because the mirror would take up most of the wall behind the faucet and block the seam, I chose to center the seam on the light fixture, because it would be visible above the mirror. Well – sort of visible … as you can see, light rays from the fixture are so strong that no one can see where the seam is, anyway. 😦

The room had a “floating” sink. One of the photos shows the area under the sink. This area is open to view, and, because there are so many obstacles, it is difficult and time-consuming to wrap the paper underneath and trim around all those pipes and brackets.

The grasscloth wallpaper is by York. I was pretty pleased with the consistency of the material. Although some of the strips did present “paneling” and “shading” – color variances between strips – even strips that came off the same bolt and that were reverse-hung. One strip even had a rather abrupt color change mid-way from top to bottom. (no photo)

But that’s par for the course with grasscloth, and it’s considered to be “the natural beauty of this natural material.”

The interior designer for this project is Neal LeBouef, of L Design Group.

Grasscloth in Heights Master Bedroom

January 17, 2020


This is the 1st floor master bedroom of a nicely-remodeled-but-still-retains-many-original-details-and-all-its-original-charm 1920 bungalow in the Heights neighborhood of Houston.

The textured walls started out dark green. I skim-floated and sanded them smooth. The new wallpaper is a brown grasscloth with a faint greenish tinge, and it has a nubby texture with a lot of knots (more pics tomorrow!)

The homeowner ordered her paper before I measured the room, and I told her to get two additional double roll bolts. In the 4th photo, I am checking labels to be sure we have all the same run / dye batch; we lucked out and the new bolts were the same run as the original lot.

In the 5th photo, I have cut strips for a wall, and have them lined up and ready to paste and trim. In the background, you can see how I place bolts against each wall, as a way of keeping track of how many strips I need and which bolts I will take them from.

Because there are shading / paneling issues with grasscloth (do a Search here on those terms), it’s important to not mix strips from different bolts. That way, if there are slight color differences between bolts (as there usually are) these differences will be minimized. Still, as you see in the third photo, the three strips on the right came from one bolt, and the strips on the left came from another bolt – and there is a noticeable difference in shade. This is not a defect – it’s simply the nature of grasscloth – a product made from natural materials.

This one long wall used seven strips from three bolts, so a color difference could be expected. On the other, narrower, walls, all the strips came from the same bolt, so the color differences were minimized. When I had to use different bolts on the same wall, I was able to place the “break” over a door or window, with only 1′ of color difference. That’s a lot less noticeable than the 8′ you see on the long wall in the photo.

This wallpaper was bought through Sherwin Williams. There is no brand name on the label.

More photos tomorrow!

Fun, Adventurous, Wild Color in a Rear Bathroom

January 4, 2020


Here is a larger-than-usual rear / pool bathroom that went from typical suburban hum-drum to wildly fun and colorful, all due to the addition of a little wallpaper.

Located in the Humble / northeast area of Houston, this house is home to a family with young children. The homeowner’s taste in the formal “public” areas of the home leans toward the classic, rather than trendy. Click here to see a room I did a year ago. https://wallpaperlady.wordpress.com/2018/09/08/brunschwig-fils-bird-and-thistle-in-a-north-east-houston-powder-room/

But for this bathroom, which is located off the family’s greatroom, and is adjacent to both the swimming pool and the wife’s work-out room, the homeowner wanted something fun and bright and spirited.

This wallpaper pattern is called Janta Bazaar, by Thibaut Designs. The inks on this paper are delicate, and can be stained easily. So it’s fortuitous that the homeowner had beaded board paneling installed, that reaches up to nearly 6′ – way past any splashes from the sink or toilet.

It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

3-D “Rivet” Squares on Grasscloth in a Home Office

October 25, 2019


Phillip Jeffries’s “Rivets” pattern is popular and trendy. The wallpaper I hung today is Thibaut’s response to it.

Thibaut’s version offers the same texture and appeal of real natural fiber grasscloth, as well as three-dimensional squares that unite to form larger squares.

Thibaut’s version Union Square is better because:

1.) Less expensive

2.) Better color consistency (fewer paneling and shading issues)

3.) Squares form a more muted secondary pattern, so it’s much easier to live with (the pattern doesn’t hit you in the eye every time you look at a wall)

4.) Squares are positioned on the strips so the installer can easily manipulate the pattern to accommodate un-plumb walls and un-level ceilings.

5.) For similar reasons, the installer can “tweak” the design a bit to ensure favorable placement of the squares (to eliminate having to cut through any of the squares, or bend them around a corner). Read below.

6.) When it’s unavoidable to have to cut through the squares, the Thibaut 3-D material is much easier to get through with a blade or scissors than the PJ or the Schumacher products.

7.) The bolts are marked in the order they came off the printing press (see photo), so you can hang strips sequentially, to minimize shading and paneling (do a search here on those terms).

8.) Thibaut provides clear tips on how to work with natural materials and what to expect with the finished outcome.

9.) Thibaut offers to replace material lost to working around defects, and they will also reimburse an installer for (part) of his labor, if a product is defective.

10.) Other points which are escaping me right now. But suffice it to say, despite its grand reputation, Phillip Jeffries products are often extremely difficult to install, and disappointing in appearance, and customer service is basically, “We never had this problem before – it must be the installer’s fault.”

Thibaut, on the other hand, researches what it takes to make a good product, does test hangs, and, if there is a problem, Thibaut actually listens to feedback from us installers.

In the window photo, I did some tweaking to get the rivets to line up exactly over the middle of the window. It took some further tweaking to position the squares so they would march down either side of the window at the same distance from the edge.

How did I accomplish that? After much measuring and plotting and a few practice strips, I widened the distance between two sets of squares over the center of the window – by a full inch. 4.5″ instead of 3.5″ is a big difference, yet it is barely noticeable. What is more important is that the squares going down either side of the window are all 3/4″ from the edge.

This home is in the Briar Park neighborhood of Houston – interestingly enough, right next door to another home I papered a year or so ago, and a block away from another home I where I hung paper in the powder room and have more bathrooms to paper coming up … In fact, I have put wallpaper in a whole lot of homes in this one tiny neighborhood. Near Beltway 8 / Sam Houston Tollway and Briar Forest.

The interior designer is Layne Ogden of Layne Torsch Interiors.

Textured Woven Grasscloth in Home Bar Area

October 23, 2019


This new home in the Briarpark neighborhood of west Houston is spacious and light, with floor-to-ceiling windows, white walls and neutral-colored floors and furnishings.

Like many young families, the homeowners were looking for texture, rather than pattern, to warm up their home bar area. Layne Ogden, of Layne Torsch Interiors, found them this 2-tone, basket-weave sort of grasscloth pattern by Thibaut.

Seams are a little less noticeable on this woven grasscloth, but buyers should still be aware that ANY “natural” product presents the possibility of mis-matched seams, shading and paneling, as well as being easily stained, or even targeted by cats or dogs who want something to dig into.

To help reduce the instances of paneling, Thibaut has labeled their bolts in the order they came off the manufacturing line. The idea is that if you place strips that were dyed at the same time next to one another, it will minimize any possible color differences as you move through the printing batch numbers.

The only weird thing for today’s project is … how did it happen that there are TWO bolts numbered #12? ?? AND … what’s up with that one bolt that has no label or wrapper of its own?

The two bolts of #12 I can deal with. But the unwrapped bolt I am afraid to work with. It is undoubtedly a return from gawd-knows-whom-or-when, and it’s impossible to know what run or batch it’s in.

So I’m ahopin’ that I will be able to pull enough tricks out of my hat to paper the room without having to use this bolt.