Posts Tagged ‘panels’

Wild Color for Twin Baby Girls

April 6, 2018


No soft pink ribbons and polka-dots for these two baby girls… This mom wanted a room full of color! This is a mural, so there are no repeating design elements. It came in eight panels. But the wall was narrower than the eight panels, so the homeowner chose to eliminate the right and the left panels. The width of the remaining six panels worked out perfectly with the width of the wall.

The mom wanted this mural to “float” on the wall, so I did some measuring and line-drawing and plotted to move it in from each side and up from the floor by 6.” You can see my white wallpaper primer inside the area where the mural is to go. A 2″ wooden frame will be built around the outside of the mural. That will leave 4″ of painted wall around the whole thing, effectively letting it “float” on the wall. I plotted the height so the wooden frame would line up with the top of the doorway to the right.

In the third photo, I am using the red vertical beam from my laser level as a guild for trimming that right edge 6″ from the end of the wall.

This mural was bought through Anthropologie, and is made by York, in their Sure Strip line. It was prepasted, easy to hang, and is designed to strip off the wall easily and in one piece when it’s time to redecorate.

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“Smoke” On A Floating Wall

January 13, 2017
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This wall in the dining room of a very contemporary new home in the Spring Branch area of Houston “floats” in the middle of the room. This breath of smoke floating across the wall adds a distinctly ethereal feel.

The interior designer on this job is Neal LeBouef, of L Design Group, who was expertly assisted by Anthony Stransky. I love working for these guys. And homeowners love their creations, which are crisp, sleek, modern, a bit edgy, yet still warm and comfortable.

The smoke mural was custom made to fit the wall, and came from Murals Your Way https://www.muralsyourway.com/ , a member of the Wallcovering Installers Association (WIA). Their murals can be printed on various materials, and I chose the vinyl on an Osnaburg backing.

Each of the three panels was about 42″ wide, and they were meant to be overlapped and then double-cut (spliced) at the seams. Great care was taken to not get paste on either the surface of the mural or on the ceiling, and to not score the wall while splicing.

I have a specially made 2 1/2″ wide plastic tape that keeps paste off surfaces, and another special 2″ wide polystyrene plastic strip that protects the wall from cuts from the razor blade, and a specially made non-slip straightedge used as a guide while trimming. All of these were invented and made by fellow members of the WIA (Steve Boggess and Eunice Bokstrom). Probably boring for the average blog-reader, but exciting stuff for us paperhangers. These things really helped make this job turn out perfect.

Plotting a Mural Before Hitting the Wall

September 1, 2016
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Most murals come in strips or panels, which can be either vertical (as shown here) or horizontal. Before hitting the back with paste and attempting to put the paper on the wall, it’s a really good idea to unroll all the panels an spread the mural out on the floor.

This will allow you to organize the panels into the sequence in which you want them to be hung. You will also need to check the dimensions of the mural as compared to those of the wall, and decide which, if any, of the design will have to be cut off and discarded. You’ll also be checking to see how (well) the pattern matches across the seams.

“Etched Arcadia” Mural in a Powder Room

July 22, 2016
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This young family lives near Rice University (Houston), on South Boulevard, a street revered for its huge Live Oak trees that meet and canopy over the street. The homeowner wanted her traditional style home to carry on the look of this historic neighborhood. She had a vision of bringing the beloved trees into her home, while maintaining the old-world feel.

She could not have found a better choice than this mural. It combines the feel of aged trees with the look of centuries-old etchings. Because it’s a mural, the pattern plays out as one large picture, with no repeating elements.

I have done murals like this on single walls, but this is the first time I’ve put one on all four walls of a room. I have to say, the homeowner had a great eye, and the finished room is stunning.

The first photo shows how many murals come; in panels. This one was packaged as one large bolt, and I had to cut the 8 panels apart, then lay them out and line them up to be sure the pattern matched and that the sequence was correct.

The mural was 9′ high by 12′ wide (pretty standard dimensions), and the room was wider than 12′, so two murals were needed. Originally, I thought that the right side of one mural would match up with the left side of the other mural, so that the two murals could be joined seamlessly – but that was not the case.

In addition, the homeowner favored the trees more than the sky, so, since the walls were 7 1/2′ high, I opted to move the pattern up, to cut off more sky but reveal more trees. A vanity that rose 32″ off the floor further complicated the pattern placement.

Without going into mathematical or geometrical details, I spent a lot – a LOT – of time plotting the room’s layout, so that we would see more trees and less sky, and to avoid a mis-matched seam where the two murals met, and to disguise the one mis-matched corner that could not be avoided.

The pattern was forgiving, the paper was lovely to work with, and the finished room looks fantastic. This was one of my favorite projects this year.

In addition, the homeowner didn’t like the A/C vent and the exhaust fan leaving big white blobs in the middle of the wall. So I covered these with scraps of wallpaper, too. This is more tricky than it sounds, because wallpaper doesn’t like to stick to plastic or metal (too slick), and especially not metal with air blowing past it, possibly carrying along condensation / humidity. So special adhesives are called for, and you have to have a back-up plan, in case the paper detaches over time.

Also, because murals don’t have repeating pattern motifs, there were no scraps of paper that I could use to cover these objects with a matching pattern. So I found scraps that had reasonably similar designs.

In the end, I could not get the paper to conform to all of the many curves on the exhaust fan cover, so I opted to leave the outer area as-is, and just covered the inner, flat area with paper. This doesn’t totally disguise the white cover, but it sure does minimize it.

This mural is by Sure-Strip, a York brand that I love working with, and is on a thin, non-woven material, which should – “should” – strip off the wall easily when it’s time to redecorate.