Posts Tagged ‘paper’

More William Morris Strawberry Thief in Houston Heights Hall Bathroom

June 24, 2022
Because I feared unstable walls in this 1920’s bungalow in this neighborhood (do a Search for previous posts), before hanging the decorative wallpaper, first I hung a non-woven liner paper on all the walls. That’s the white material you see in the photo.
The liner was hung horizontally so its seams can’t line up with the decorative paper. The idea is to disperse tension from drying wallpaper and changes due to humidity and etc., so as to deflect tension away from sketchy wall surfaces, and thus prevent delamination of multiple unstable layers deep inside the wall. Again, do a Search here to learn more.
Finished vanity area, with pattern centered on the light fixture.
Corner shot.
This colorful and symmetrical pattern is quite popular; I’ve hung it a number of times just this year.
Englishman William Morris designed wallpaper and fabrics during the late 1800’s and early 1900’s.
The styles then were Art Nouveau and Arts & Crafts. This design reflects a bit of each.
Wallpaper expands when it gets wet with paste, and then can shrink just a tad as it dries. The liner helps prevent that, but you can still end up with teeny gaps at some seams.
To prevent the white backing from showing through, I run a stripe of dark paint under where each seam will fall.
I use matt finish craft paint from the hobby store, diluted with a little water (in the orange bottle cap) and smeared on the wall with a scrap of sponge. Use a ruler or level and a pencil to mark where you want to stripe the dark paint.
Remember to allow for that expansion as the paper absorbs moisture from the paste. Meaning, if the paper is 20.5″ wide, and expands 1/2″, you’ll want to run your line at about 21.” And make sure that your painted swath is about an inch wide.
I also run a bit of dark chalk along the edges of each strip, to prevent the white substrate from showing at the seams (no photo).
Morris & Co. makes this iconic Strawberry Thief.
Interestingly enough, most times when I’ve hung a Morris paper, it’s been a non-woven paste-the-wall material.
Today’s option was a surprise – a traditional British pulp . This is a pretty basic and somewhat old-fashioned type of substrate . Sort of like construction paper, or the pages of an old family Bible .
The paper is very fragile , and can tear easily. You have to keep using new razor / trimming blades, because the material dulls blades quickly, and when dull they will drag and tear the paper.
Pulp papers also require a soaking / booking time after pasting , to allow time for the material to absorb the paste , soften a bit, and expand . The edges of the strips like to dry out , so I’ve learned to dip about 1/4″ of the booked ends ( booked means the pasted side of the wallpaper strip is folded onto itself, bottom edge folded up and top edge folded down to meet in the middle), into a bucket of clean water.
Then it goes into a black plastic trash bag to soak and relax for a few minutes before hanging. I use this opportunity to paste the next strip.
Non-woven wallpapers have advantages, because they do not expand when wet, and therefor you can get accurate measurements. They also can be pasted and hung immediately, with no waiting time. Alternately, you can paste the wall .

It’s A Misconception That A Liner Will Smooth A Textured Wall

May 25, 2022

A theory has been circulating for decades that a liner disguise texture or imperfections in a wall. A liner is a special paper applied to the walls before the actual decorative wallpaper goes up. It has its purpose – but smoothing walls is not one of them. At least, not in my opinion.

Here you see an area where a pedestal sink has been removed. In so doing, part of the drywall was torn away (the reddish brown area) and the wall surface is left uneven.

I’m using liner in this room for another reason. Here it has been applied over the damaged area. As you can see, the uneven texture of the wall shows right through (we say that it telegraphs ). Once the liner is good and dry, it will shrink and pull even tighter to the wall, and the ridges underneath will be even more visible.
And once the wallpaper goes up, all this will telegraph through the new wallpaper, as well.
Here’s the liner paper I used today. It’s a fairly thick, stiff, non-woven material, so has more ” bridging ” power than other types of liner paper. Still, as you see above, it’s not enough to smooth textured or uneven wall surfaces.
The only way to properly and thoroughly smooth a textured wall, IMO , is to skim-float it and then sand it smooth, and then apply a wallpaper primer. Please do a Search here (upper right corner) to find previous posts on this process.

Water Closet in Textured Gold Wallpaper

April 10, 2022
Potty room prepped and ready for wallpaper.
Finished. This textured vinyl product had no pattern repeat or match. I used the reverse-hang method, which is where you hang one strip right side up, and the next strip upside down. That way the same edge is being placed next to itself – hard to explain. But the purpose is to reduce the chance of color variations at the seams.
Here you see the true color and texture of the material.
York is the manufacturer. I like just about everything they make.
Just for fun, here is the coordinating paper that’s going in the adjoining master bathroom.
Fine Wallpapers is also by York. Both these papers were purchased from Ballard Designs, their new brick-and-mortar store on W. Gray in Houston.

Three More Walls of the Schumacher Versailles

December 3, 2021
Master bedroom before. White. Boring.
After. Warm, classic, and a touch of French. Much better suited to this 1920 home in the Houston Heights.
Headboard wall.
The pattern fits perfectly in the header space over the doors. The dark area in the upper corner will lighten as the wallpaper dries.
Close-up.
I was very pleased with the seams on this product. They went together nicely, with no gaps or overlaps. And I was doubly happy that the paper did not shrink much as it dried, so no white wall peeping out from gaping seams.
I love the slight texture of this raised ink surface print wallpaper.
I’m not usually a fan of the Schumacher brand, but this product’s install went very well.

Authentic 1920’s Wallpaper!

November 26, 2021

Across the street from where I was working today (in the Houston Heights), this 1925 home was being renovated. I walked myself over to drop off a business card.

I gasped when I saw some vintage wallpaper in a trash pile on the soon-to-be living room floor. I love these old papers, and have a growing collection.

The guys working inside were friendly, and were happy to let me take some scraps. This chunk is from the original kitchen (which, after the home is expanded, will become the living room). It’s probably the most cheerful and animated pattern in my collection.

Back in those days, a loosely-woven fabric (often mistakenly referred to as cheesecloth or muslin) was tacked to the ship-lap walls, and the wallpaper was pasted and hung on top of that. The seams were overlapped.

The ink colors hold up amazingly well over the years. But that cloth backing, and the wallpaper itself, don’t fare as well.

This kitchen wallpaper easily separated from the cloth backing, and the old paper was delicate and brittle. Even with attentive handling, my piece split in two just walking a few yards to my van.

I got it home in one piece (well, really in two pieces). I hope to find a was to affix this to a secure backing, so it can be preserved.

I’m afraid that it won’t hold up to the moisture and stress of pasting, even using with old-fashioned wheat paste. And that spray adhesives might not hold, or may stain the old paper fibers.

I’ll figure something out. In the meantime, I feel very lucky to have this!

Cole & Son Florencecourt in Meyerland (Houston) Powder Room

September 3, 2021
Before, primed and ready for wallpaper.
After.
I love the muted charcoal-and-cream colors with the marble vanity top. In addition, there are small brown flecks here and there, which help tie it to the floor tiles and the burnished gold mirror.
The pattern has a slight “raised ink” texture – hard to see here, but lovely in person.

This is a non-woven material. It can be hung with the paste-the-wall method, but I wanted the flexibility created by pasting the paper.

Cole and Son is a British company. Most everything they make is very nice.

An English (Scots) Country Garden

July 17, 2021
In 2014, I hung this fun and cheerful pattern in a 2nd floor hallway in a 1940’s home of a young family in the Garden Oaks neighorhood of Houston. Seven years later, it’s time for a change.
In addition to changing the pattern in the upstairs hall, the homeowner wanted to paper this lower, adjoining wall. Here I’m applying smoothing compound to the textured surface. Once it is dry, I will sand it smooth, and then roll on a wallpaper primer.
Finished. The homeowners are contemplating more updates to the home. … And will probably opt to change the color on the wall above … I am rooting for murky green or muddy brown / gold.
Detail.
Close-up. I love the way the motifs look as if they were cut from a magazine and then decoupaged into place. The flowers look hand-painted. But the bees look like photographs.
Lola Design is the manufacturer.

No all-white, minimalist décor for these homeowners! Hailing from the British island of Scotland, and being artists at heart, they crave color, life, activity, and joy. This “Mixed Bee” design is the perfect mix of classic British floral interior décor and outdoor garden lushness.

The manufacturer is Lola Design. The material is non-woven, and can be hung via the paste-the-wall method,,,, although I preferred the softness and flexibility produced by pasting the paper.

Getting a “Fat Cut” in Corners – Using a Euni Plate

May 7, 2021

You never wrap a strip of wallpaper around an inside corner.

Corners are neither straight nor true-to-plumb. So trying to wrap around a corner will result in a warped edge, and most likely a strip that is wonking off-plumb.

So you cut your strip of paper vertically in the corner, leaving a tiny bit wrapping onto the new wall. See second photo.

Your next strip of paper will overlap on top of this narrow wrap.

Splitting the strip and overlapping means that you will cover up and lose some of the wallpaper design. Hence, the less you wrap around the corner, the less of the design will be lost in the overlap.

The thickness of the rolled edge of this stainless steel plate / tool is just perfect as a trim guide! Trimming against the rolled edge will yield a 1/16″ – 1/8″ wrap around the corner. So, when you overlap your next piece (the strip you split in half vertically), you are only losing a fraction of the wallpaper design.

This tool has other uses as well – some are too complicated to get into here. But the thinner edge can be used as a trim guide for regular wallpaper work. It’s shorter than most trim guides, so it can be used in small areas. The rounded edges can be used to press paper into areas, or to crease paper before trimming – without leaving marks. And the angle has a purpose – again, too complicated for here. Plus, there are other plates with different angles available, each with different uses.

This ingenious gizmo was conceived by Eunice Bockstrom, a Canadian and fellow member of the Wallcovering Installers Association (WIA). Once or twice a year, she has a metal shop make a run of these metal plates. Eunice has also invented some other very helpful tools, and they also become available when the factory makes a run of them.

We call all of these Euni Tools. 🙂

Preventing Speckles on Floors and Counter Tops

December 13, 2020

One of my pet peeves is splatters from a paint roller, that land all over a homeowner’s floor or countertop. See top two photos.

There are ways to prevent this. First and foremost is to use a dropcloth. You’d be surprised at how many contractors don’t bother.

But protecting shoe molding and backsplashes and faucets takes a bit more. A lot of people use blue painter’s tape across the top of surfaces.

But I like my method, which you see in the third photo. It’s a strip of dropcloth that I have cut into 9″ wide strips. The material is absorbant paper on the top side, and water-proof plastic on the back.

I use push-pins to tack it above the baseboards and shoe molding, and backsplashes, etc.

It’s wide enough to protect any width of molding, and also faucets on a vanity’s sink. And it’s thin and flexible enough that it will contour around any wall configuration.

Funky New Orleans Toile in Inner Loop Houston Powder Room

November 13, 2020

 

The wife grew up in New Orleans and these days she and her husband visit family there regularly.  So the city and it’s vibe is ingrained in them.  

Enter “New Orleans Toile” in a bright green on white colorway by Katie Kime wallpaper.   The design features ionic images of life in that city, including the St. Louis Cathedral in Jackson Square, Mardi Gras revelers, a second line parade, a paddle-wheeler on the Missippi River, live oak trees draped with Spanish moss, and even alligators in the bayou.  

Once the homogeneous sea-foam green paint gave way to this bright wallpaper, the room lightened up and felt festive.  When the homeowners walked in, the first thing they did was study the line-drawing depictions.  I could tell that they related to the scenes.

Katie Kime products are becoming more user-friendly.  As in the past, this particular product came with a selvage edge that I had to trim off by hand.  But their intel says that the company has shifted to pre-trimmed wallpapers.  This makes installation much simpler and faster, and more DIY-friendly.

KK also has shifted to a non-woven substrate for their wallpaper.  While I do like the traditional paper substrate, there are many advantages to the newer non-woven materials.   For this room, I did use the paste-the-wall installation method.