Cozy, Slightly Rustic, Textured Paperweave for Houston Heights Breakfast Nook

Breakfast nook “before” is bright and airy – but washed out and uninspiring. The vertical tan lines are paint I’ve striped under where the seams will fall, to prevent the light colored primer from peeking through.

“After” has warmth, life, and a cheery feel. With a little color contrast, now you can see the detailed woodwork and window molding. The paper has a bit of a tropical, thatched roof, Ernest Hemmingway, sort of feel.
Note I’ve balanced / centered the pattern so it falls evenly and equally on either side of the window . Note how perfectly the motifs fill the space above the windows, as well as below the windows. It’s a minor thing that you don’t consciously notice, but it gives the room a grounded , balanced feeling .

Another angle . The chandelier is a major feature in the room. I love the way the chunky beads repeat the color and theme of the white pattern in the wallpaper.
Unlike most wallpapers that come in rolls of standard sizes , this material comes in continuous yardage on one huge (and HEAVY ) bolt .

The height of the motifs perfectly fits the space between the window and the crown molding . No flower tops got chopped off in this room !

There are five windows. This is the area between two of them, including an obtuse angle . It took a LONG time to get the paper around all five windows, keeping the pattern intact .

Close-up showing the texture . This is a paperweave , which is similar to a grasscloth , as both are natural fibers and materials . Because this paper weave is woven, instead of having stiff, straight strands of grass crossing the wallpaper , it was a lot more flexible and workable than regular grasscloth .

The space over the door molding was just 4 1/16″ high. The flower motif fit in here perfectly .
You can see along the seam in the center of the photo , that some of the fibers may try to come off the backing , especially at seams and areas where you’ve cut into the material , such as trimming around window moldings and other obstacles . This is pretty minor .
Overall, the seams are virtually invisible .
One other thing I didn’t like about this paper is that, after the wallpaper was made, the color was applied to the front, like paint . This made the color subject to abrading or flaking off under even light rubbing . It would have been better IMO to have dyed the fibers and then sewn / glued them on to the paper backing . Then the color would go all the way through. Not a biggie – you just have to work slowly and carefully and gently.
Oh, and you can’t get paste or water or fingerprints on the surface, either – because they can’t be washed off and can stain .

The pattern is called Papavero and is by Casa Branca .
The material has an unprinted selvedge edge that has to be trimmed off by hand, using a straightedge and razor blade . Takes a lot of extra time , and even more so because you have to press harder to get through the thick fibers than with a traditional wallpaper .

A picture of my straightedge and razor blade . I’m trimming something else here (that will be blogged about later), but you get the idea .

A really bad photo of a really perfect chandelier . It’s chunky , white , and the shape of the ‘beads’ repeat the flower motifs in the wallpaper. The windows will have Roman shades made of a somewhat coarse white linen type fabric , which will coordinate beautifully with the texture of the wallpaper .
The home is in the Heights neighborhood of Houston .

Grasscloth on Several Bookshelves Today

Home office work station niche primed and ready for wallpaper.

Done. Grasscloth comes 36″ wide, and this niche was about 39″ wide, so it required two strips, both trimmed down to 19.5″ wide. Generally, design-wise, you try not to put a seam down the center. But in this case there was no other viable option. This seam was practically invisible.

In the photo, the seam is a little to the right of center. You always see the seams in grasscloth, and this is about as perfect as it gets.
The homeowner, who is an interior designer, did a superb job of finding a grasscloth that’s murky blue hue coordinates perfectly with the color of the cabinetry.
Unfortunately, I don’t know the manufacturer of this material.

Close-up showing the texture.

Twin bookshelves flanking the fireplace wall in the family room, primed and ready for wallpaper.

Grasscloth has been installed. It’s nice to not have the shelves in place – so much easier to get that paper up!

Bookshelf niche on the right.

Bookshelf niche on the left. Note the slight shading and color variations . These are typical of natural products like grasscloth, and are not considered a defect. As the manufacturers say, these variations are ” part of the inherent beauty of these natural materials .”
Shelves will go in these niches and decorative items will obscure these slight imperfections.

TV room bookshelf niche. Yes, t’was I who swiped the smiley face and the horse head into the primer. 🙂

Done. This niche is a tad less than 36″ wide, so only one strip was needed, hence, no seams. Any color variations you see are due to shadows.

Close-up.

Closer-up. Scissors for perspective. These days, people are loving the subtle texture and warmth of grasscloth , paperweaves and other natural materials .

The manufacturer of the grasscloth in both the family room and TV room is Schumacher . The home is in the far west area of Katy , a suburb west of Houston.

Reverse-Hang Wallpaper Strips for Uniform Color

Here I am trying to find and understand the pattern match on this very difficult to see faux reptile pattern.

All this is more confusing because the little box toward the left on the bottom of the manufacturer’s spec sheet says this is a drop / offset match. It is not – it’s a straight match .
The instructions also say it’s 64cm (25 in). That’s not true, either. It’s more like 12.5″
The pattern also repeats itself once horizontally across the strip.

Found the match!

Problem is, when I followed the manufacturer’s instructions and hung the material as a matched pattern, I got paneling . This means that the material is darker along the left edge than along the right. Therefor, when you place one strip next to another, you see an abrupt color change , as shown in the photo.
The pattern may match, but this color variation is pretty unattractive.

So I followed what’s pretty standard protocol for textured and natural materials (such as grasscloth , paperweaves , cork , etc. and even this vinyl .) I took that strip off the wall, repasted it, and hung it again – but this time upside down.
By doing this, you’re hanging the left side of one strip against the left side of another strip. Because it’s meeting up with itself, there is no or minimal color difference.
Hard to explain, and if I could figure out how to draw some arrows or diagrams …. well, I can’t, so you’ll just have to try to follow along.
Bottom line – you hang one strip right-side-up and the next strip upside-down . Keep track of which is the top on each of your wallpaper strips, and mark on the wall (in pencil) which direction each strip should be hung.

Made by Super Fresco Easy , called Crocodile . Really nice material, and affordable.