First, note that this wallpaper came in two different runs . This is bad, because each run of a printing job will be a slightly different shade from other runs. This color difference shows up on the wall and looks bad. Do a Search here to see previous posts about this. Next, note that one label says the material is ” paste the wall ” and the other says ” paste the paper .” This is unusual, because usually Rifle Paper is always paste-the-wall – another name for a non-woven material . So why does one say it’s paste-the-paper ? Turns out that both of these runs – and all of the wallpaper I had for this job – were paste the paper. This was totally unexpected, especially since the label as well as the specs I had scouted out on line ahead of time said paste the wall . As far as install techniques, these two methods are completely different animals. Paste-the-paper takes a lot more time, and also is less durable if exposed to water or stains Not a biggie for me, because I’m familiar with installation techniques of both types. But if a homeowner was trying to DIY his room and was expecting an easy paste-the-wall , he would be in for a much more difficult go-round with the paste-the-paper .
Before … Heavy stipple / sand texture on drab sage green semi-gloss paint. I skim-floated the walls , sanded smooth , primed with Roman Pro 977 Ultra Prime wallpaper primer and … Here’s the finished sink area of this hall bathroom . Before shot of tub and window wall .So much brighter and livelier! Close up . It’s hard to see from these photos, but the colors are pewter, silver, and metallic silver. The paper also has a lightly textured surface . The pattern is called Hedgerow and the brand name is Super Fresco. Every other SF I’ve hung has been on a non-woven / paste-the-wall substrate , so I was surprised to discover that this one was a paste-the-paper material , and that the backing is a paper / pulp material , with textured vinyl laminated to the surface. My issue with this is that, historically, these paper-backed solid vinyl wallpapers don’t hold up well in humid areas , such as bathrooms. Humidity in the air can actually be wicked up through the seams and then settle on the paper backing , which is absorbent and thirsty. Once that paper absorbs moisture, it’s going to expand . Since there is nowhere for it to go, it will push back against the wall , and that can cause the seam to curl up and pull away from the wall. Oftentimes, the paper backing actually delaminates (comes apart) from the vinyl surface. This is not a “loose seam” and cannot be repaired. You pretty much have to replace the whole strip. Or, more likely, to replace the entire wall, from one corner to the next. Proper wall prep , including a primer made for use under wallpaper , goes a long way toward avoiding these sorts of occurrences. installer houston memorial area
Here I am moving from right to left across this wall, fixin’ to put wallpaper over, around, and then under this window .The distance from the existing strip to the corner is 20.” The width of the wallpaper is 18.” This means that my next wallpaper strip is going to fall 2″ short of reaching that wall to the left. So another strip will be needed to cover that last 2.” That’s two full length, 9′ long strips to cover that small bit of wall space. And there will be a seam down the middle. I’d like to use less paper and have less waste. And I sure would like to avoid having a seam down the middle. Both because installing it is a PITA and also because it would look better and be more stable without the seam. If I could just make that next strip over the window narrower, it would pull the full-length strip a bit to the right, eliminating the second strip and the seam.Each 18″ wide strip has two stripes of flowers running down it. There’s a little gap between these stripes, so it’s possible to split the strip in half vertically between the rows of flowers. Then I’ll have a 9″ wide strip filling the gap over the window, instead of an 18″ wide strip. So here I’m using a straightedge and razor blade to split the strip. (Normally I do this on my table with my 76″ straightedge , but today I’m working on the floor and with different tools .)Here is the piece viewed from the front. The pink bit of flower on the right side is going to match up with the corresponding flower on the existing strip over the window . I made sure that the left edge of this 9″ wide strip has no flowers or motifs crossing over the left edge. That way there is no pattern to match across the seam, so I can choose any piece I want for the final strip that will go in between the window and the corner. Here it is in place. Now I have only 11″ of width to cover with wallpaper , and no seam down the middle . Same procedure for under the window. Except I’m not trimming this piece to 9.” I’m leaving it about 2″ wider. One reason is because that full-height strip coming down between the window and the corner is likely to twist or stretch a bit, and thus won’t line up absolutely perfectly with the strip under the window. Having this strip under the window be wider will allow the strip coming down the side of the window, when it gets down to under the window, it will overlap the strip under the window by about 2.” So I’m going to double cut / splice these two pieces together. I’m also not adhering this piece to the wall yet, because I don’t want the paste to start drying, as I will need wet paste and paper that is easy to pull off the wall, in order to do the double cut. OK, so here we are over the window, getting ready to put in our long 11″ wide strip down alongside the window. Actually, I’m cutting this piece 12″ wide, to allow for trimming along that left edge in the corner. This will also accommodate if the paper twists or shifts over that 9′ drop from ceiling to floor. I chose a flower to put at the top of the wall that is different from what’s on the existing strip, so there won’t be repetitive motifs. But the right edge of this strip of paper has a design part that is meant to match up with the corresponding flower on the left edge of the previous strip. But we don’t have that corresponding flower, because I cut that strip down from 18″ wide to 9″ and thus lost the left edge of the paper, along with the corresponding flower. I don’t want this half-motif to be hanging in the middle of nowhere. Even 9′ up above the window, it might catch your eye. No problem. I took my straightedge and razor blade and trimmed off 1/2″, which got rid of that design element. Note that I did this before I trimmed this long strip to 12.” If I had trimmed it off before, then this strip would have ended up 11.5″ wide instead of 12″ and might not have fit the space since wallpaper can twist and shift during that 9′ drop. Sorry, no photo of that strip butting up to the piece over the window and then dropping down the space between the window and the corner.So that strip is in place now, and here we are under the window, with that 9″ wide gap to fill. So I take the strip I had set aside for under the window and position it next to the strip on the right. Remember that I cut this middle strip about 2″ wider, so it overlaps the strip on the left. I need this overlap to do the double cut / splice.When splicing on the wall, it’s important not to let your blade score into the wall. If the wall surface becomes compromised, the torque created when the paste dries and the wallpaper shrinks a bit can tug at the wall and cause layers of paint or etc. to pull away from the wall, resulting in an open seam. So I’m padding behind where my cut will be made with this strip of flexible Lexion plastic. It’s thin enough to not make much of a bump under the paper, but thick enough that you can’t cut through it with a razor blade. If you’re interested in this cool stuff, email me and I’ll hook you up with the guy who sells it. wallpaperlady@att.net There it is on the wall. Now I put the two layers of paper over it . Note that this is a paste-the-wall wallcovering, so there is no paste on the strip on the right, so nothing to stain the paper below it. If this were a regular paste-the-paper material, you can use thin plastic strips (like painter’s plastic) to cover up that paste. Trim guide in place, and I’m getting ready to make the cut with a new single edge razor blade. You have to press hard enough to get through both layers of paper in the first try, but not so hard as to cut into the wall. I’ve plotted where my splice will go, to not cut through any flower motifs, and to be sure to cut off that little bit of flower you can see shadowing through from the wallpaper piece underneath – just to the left of the large flower. Once the cut is done, I remove the excess paper on the left. Then reach underneath and remove the excess paper from the bottom strip. Another shot of pulling out that excess bottom paper. Next I removed the Lexion strip. I set those in a bucket of water to keep the paste wet until I can wash in the sink. Bringing the two strips to meet up and then smoothing into place. No paste got on the surface, so no need to wipe the seam.A double cut / splice makes the absolutely most perfect and invisible seam, because both pieces have been cut together and butt perfectly.Here it is finished. Technically, due to slicing the strips in half vertically, the floral strip on the far left is about 1/2″ further away from the strip on the right than it “should” be. But – eh – who the heck is going to notice that?! What’s important is that no flower motifs got cut in half, no identical flowers ended up next to each other, here’s no seam down the middle of that space, and only one 9′ high strip of wallpaper was required (instead of two). Done. Oh my gosh – now I’ve got to do the same thing on the opposite side of the wall!!The pattern is called Sweet Pea and is by Serena & Lily . This went in a nursery in a home in the Garden Oaks neighborhood of Houston .
Before, primed and ready for wallpaper. For various reasons, removing these mounting brackets for the light sconces would have created more problems than it solved, so I left them in place and worked carefully around them. The difficulty is that the sconces are exactly the same size as the mounting plates, so it’s difficult to trim around these plates that jut out from the wall and still get the paper close enough that no gaps show around the base of the light fixtures. When possible, it’s much easier to remove them and put the paper behind them. I chose to center the design on my first strip in between those two sconces, rather than on the faucet. Good thing this is a small and busy pattern, because neither the mirror nor the sink faucet were centered between the sconces. But no one’s gonna notice. If you look in the middle of the photo, you’ll see the vertical red line of my laser level. I’m using this as a guide to place the motifs down the center of the space. Here’s a shot of my laser level. Less than $100 at Lowe’s maybe eight years ago.Finished sink wall. The hooks are for the large, white framed mirror.Window corner next to the toilet. The mint green paint on the woodwork next to the light blue wallpaper print ties this room in beautifully with the other rooms on the first floor of this house. The colors also coordinate beautifully with some artwork in the dining room just steps away.The pattern is called Aboreta and is by Thibaut , one of my favorite brands. It’s a traditional paste-the-paper material , and was nice to work with. Thin and breathable and should hold up nicely in a humid bathroom. This was purchased from my favorite source for wallpaper and for help in finding what you’re looking for – Dorota at the Sherwin-Williams on University in the Rice Village . Her hours vary, so call before you head over.
I hung this same paper in this same kitchen not even a year ago. A few months later, the homeowners suffered “burst pipes” from the big freeze storm that hit Houston in February 2021. Consequently, their whole kitchen had to be torn out and replaced – drywall, flooring, cabinets, electrical, plumbing, and, yes – wallpaper.
They chose to go back with the exact same pattern they had used last year.
The manufacturer is Anderson Prints, it’s a traditional paste-the-paper product, and it was purchased from Stacey at Southwestern Paint on Bissonnet.
The homeowners in this Memorial / Dairy Ashford area of Houston live to ski! When they throw parties, they set the drinks up on the counter in their laundry room, and everyone congregates there.
So this “Après Ski” pattern by Katie Kime was the perfect wallpaper pattern.
The material is a smooth vinyl on a non-woven backing. It will be somewhat more resistant to splashes and stains than a cotton or wood pulp paper. The instructions said it has a non-woven substrate and could be hung by pasting the wall, but I got bubbles doing that, so I opted to paste the paper and book it for a few minutes, as with a traditional paper, which worked better.
A lot of pattern, but the subtle color pallet keeps it from overwhelming the room. Close-up.Marimekko brand.
This wallpaper is the final touch to a remodel of this contemporary style home in the Rice University area of Houston. The husband asked, “Are you sure you want that, Honey? It looks so outdated.”
Ha ha! The wife and I just looked at each other and grinned. We both know that this sort of pattern is really hot right now. Even the gift shop at the Metropolitan Museum of Art in New York City is selling Marimekko mugs and accessories!
The material is non-woven, and I used the paste-the-paper method for the complicated area around and under the sink, and for the two plain walls I switched to the paste-the-wall method.
Before.AfterThe colors coordinate beautifully with the deep blue/green of the wainscoting.I love these colors, and the soft matt surface.Manufacturer is GP&J Baker, a British company.
After 25 years in their Pearland (south Houston) home, the couple was ready for an update. Hubby got his new bathroom a couple of years ago. Today the wife got hers!
The room was ripped out down to the studs. Then they got new: deep soaking tub, shower with geometric tile, toilet, vanity with marble top, burnished brass mirror & light sconces, and … wallpaper!
I love traditional patterns like this. And the dark colors really stand out against the white tile and countertop and floor.
This is a non-woven (synthetic) material, and is designed to strip off the wall easily and in one piece when you redecorate. It can be hung via the paste-the-wall method, or the paste-the-paper technique (I usually prefer this option).
So I’m always happy when clients take my advice to consider other options. These homeowners chose a faux grasscloth with an embossed texture (that mimics the tactile appeal of the real stuff), a pattern that can be matched (eliminating jarringly visible seams), on a non-woven substrate (easier install / easier removal when it’s time to redecorate), with a surface that is resistant to stains (as opposed to real grass, which can be stained easily by toiletries, cleaning agents, or even plain water), and, because it’s man-made, greater assurance of homogeneous color – effectively eliminating the woes of paneling and shading and other color variations between and even within strips.
I was pleased with most aspects of this product. For some reason, my camera made the texture look zig-zaggy, but in real life, it really did mimic real grasscloth. The close-up photo gives you a good idea.
One thing that surprised me – and disappointed me – is that, even though this is a man-made material controlled by factory standards, there ended up being a slight color difference between the right and left side of each strip. Look at the fifth photo, particularly the top, and you will see what I’m talking about.
Since this is made in a factory using inks that are mixed at the same time, poured into the printer at the same time, and applied to the wallpaper at the same time, I really don’t understand how the material can have this color variation. Especially since virtually all of the products I have hung by Brewster have been very consistent in color.
In this case, the color variation was fairly minor, was less noticeable when I removed my 100 watt work light, and pretty much reflects what real grasscloth looks like, anyway. The homeowners were fine with it.
The wallpaper is by Exclusive Wallcoverings, which is made by Brewster. It is on a non-woven substrate, and can be hung via the paste-the-wall or paste-the-paper methods. The home is in the Memorial / Beltway 8 / Briarpark area of west Houston. I hung this in a guest bathroom.
I would call the home’s style as contemporary / industrial. This faux grasscloth really softened the room. The horizontal lines in the wallpaper complimented the lines in the shower’s tile. The overall look went from cold and commercial to soft, inviting, and almost spa-like.
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